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Art Catalogue (Bem-Bl)

	Original International Fine Art www.artoftheprint.com
The Seasons by Thomas Bewick	Art of The Print - Art Catalogue (Bem-Bl)	Bouquet by Arnold Blanch
Featured Artist		Featured Artist

Art of The Print - Catalogue (Bem-Bl): This catalogue page contains a full description of the original works of art that are available for viewing and for sale in our www.artoftheprint.com gallery. The artworks are listed in alphabetical order by the artist's last name, letters (Bem to Bl). Our Gallery, Art of the Print / www.artoftheprint.com offers a wide selection of international fine art. We sell original paintings, watercolors, drawings etchings, lithographs, engravings and other mediums of original graphic. The artworks date from the Renaissance period to the contemporary art period. We guarantee the authenticity of every work of art 100%. Full documentation and certification is provided.

Our collection features works by artists from many countries such as the British artists, Robert Blyth, Elizabeth Blackwelli and Harvey Bloom or the American artists such as Marie Berger, Alexander Blum and others. These are only a few of the artists featured on this page.

Featured Publishers: A few of the publishers included in this page are the Les Maitres de l'Affiche, the Associated American Artists of New York, the Societe des Aqua-Fortistes and Willem Blaeu. They have published some of the finest original graphic works of art. If you wish to view the entire list and access this information, please go to the www.artoftheprint.com (Featured Publisher's History) page . You will find a brief history for most of the publishers listed.

Les Maitres de l'Affiche: Les Maitres issued 240 lithographs in a reproductive format. Fifteen lithographs, were specially commissioned for the series during the five year period, and are the only true works of original art made for the publication. Along with Berthon, other artists who contributed original lithographs were Steinlen, Willette, Ibels, Leandre, de Feure and Cheret. These original lithographs were offered as special plates available only to subscribers and thus printed in small editions.

Societe des Aqua-Fortistes: The 'Societe des Aqua-Fortistes' was founded by Cadart in 1862. Until its demise in 1867, it was responsible for publishing some of the greatest French art of this important era.

The Associated American Artists: the Associated American Artists of New York was founded in the mid 1930's. The Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's as contributing artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Irwin D. Hoffman and Sidney Chafetz.

Note: The catalogue is set up in alphabetical order by artist's last name. This catalogue also contains links to the images corresponding to the original etchings, lithographs, watercolors, paintings, drawings or other mediums of original graphic art that are listed here if the image is available. the measurement for all works of art listed are in inches and are approximate, height precedes width of plate-mark or the image image. All prices are in US Dollars.

Don't forget to click on the (View Image) links on the left bar to obtain the full biography, and or history, as well as the images pertaining to each original work of art listed on this page. Please, scroll down to view the catalogue listing on this page.

Art of the Print / www.artoftheprint.com - Art Catalogue (Bem - Bl) - Part 1
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Arthur Bendrat
View Image:
Title:	Das Hochmeisterschloss, Marienburg, Prussia (Malbork Castle)
Artist:	Bendrat, Arthur (Danzig, 1872 - 1914)
Date:	1906
Medium:	Original Color Lithograph
Publisher:	Wilhelm Hoffmann, Dresden
Printer:	B. G. Teubner, Leipzig.
Size:	11 7/8 X 16
	UnMatted
Buy Now	Price: $365.00 US
Condition:	Printed upon thick wove paper and with wide, full margins as published in Dresden in 1906. Signed, dated and titled in the stone by Bendrat and bearing the full title and publisher's and printer's address within the lower margin. A finely printed, full color impression and in very good condition throughout. Das Hochmeisterschloss, Marienburg, Prussia represents a prime, original example of the graphic art of Arthur Bendrat.

Antimo Beneduce
View Image:
Title:	In Jamaica
Artist:	Beneduce, Antimo (Italy, 1900 - Cleveland, Ohio, 1977)
Date:	c. 1950 - 1960
Medium:	Original Watercolor
Size:	12 1/2 X 8 3/4
	Framed
Buy Now	Price: $625.00 US
Condition:	Painted upon fine, hand-made, laid paper and with full margins. Signed by the artist to the lower right and titled by him on the verso of the watercolor. This original watercolor is in excellent condition throughout without a trace of fading or discoloration. In Jamaica represents a prime, original example of the fine art of Antimo Beneduce.

John Alfred Everest Bennett 'John Bennett'
View Image:
Title:	Autumn View
Artist:	Bennett, John Alfred Everest 'John Bennett' (Norfolk, born, 1919, Resides Toronto, Canada)
Date:	c. 1955
Medium:	Original Oil Painting on Canvas
Size:	20 X 26
	Framed
Buy Now	Price: $1,200.00 US
Condition:	Painted on canvas and in a stretcher measuring 26 x 20 inches. Signed by the artist within the image (lower right). Containing a small scratch in the lower left else, in very good condition throughout and in its original frame. "Autumn View" represents a prime, original example of the Canadian landscape art of John Bennett.

Sheila Benow
View Image:
Title:	Dawn
Artist:	Benow, Sheila (New York City, 1939 - Palm Desert, California, 2012)
Date:	1981
Medium:	Original Embossed Etching and Aquatint
Publisher:	Associated American Artists, New York
Edition:	Limited edition of one hundred and twenty impressions, numbered 78/120.
Size:	9 3/4 X 6 3/4
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon fine archival paper and with full, deckled margins as published by the Associated American Artists in 1981. A brilliant, full color impression and in excellent condition throughout. Signed, dated, titled and numbered, '78/120' by the artist in pencil along the lower margin. Noon represents a prime, original example of the Impressionist art of Sheila Benow.

Sheila Benow
View Image:
Title:	Noon
Artist:	Benow, Sheila (New York City, 1939 - Palm Desert, California, 2012)
Date:	1981
Medium:	Original Embossed Etching and Aquatint
Publisher:	Associated American Artists, New York
Edition:	Limited edition of one hundred and twenty impressions, numbered 71/120.
Size:	9 3/4 X 6 3/4
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon fine archival paper and with full, deckled margins as published by the Associated American Artists in 1981. A brilliant, full color impression and in excellent condition throughout. Signed, dated, titled and numbered, '77/120' by the artist in pencil along the lower margin. Noon represents a prime, original example of the Impressionist art of Sheila Benow.

Ben Albert Benson
View Image:
Title:	City Window
Artist:	Benson, Ben Albert (Sweden, 1901 - Chicago, 1986)
Date:	c. 1935
Medium:	Original Wood Engraving
Note:	Born in Sweden, Ben Albert Benson moved to the United States at an early age. He later studied at the Art Institute of Chicago and exhibited his art there during his career. Although a fine painter, Benson is today most sought after for his original wood engravings. The large majority of Benson's wood engraved art was created during the 1930's decade. This was the great era of American Art Deco, and some of its finest artists such as Rockwell Kent and Lynd Ward regularly turned to the medium of wood engraving for its bold contrasts of light and dark and for its strength of line. One could easily argue that the greatest masterpieces of American wood engraving were created during this decade.
	Although rightly considered as a leading Art Deco wood engraver, Benson's work also contains strong elements of Expressionism and Abstraction, setting his art apart from other Americans. City Window is a brilliant example of pure form and line created by the artist's bold point of view. For the most part, Benson's wood engravings are very small in size, but demand a great amount of study.
Edition:	As well as designing and engraving, Ben Albert Benson printed all of his impressions. He never numbered his prints in specific editions and only printed impressions on demand for customers. As a result, all his wood engravings are now very scarce and known in only a handful of existing impressions.
Size:	2 5/8 X 3 5/8
	Framed
Price:	Sold
Condition:	Printed upon fine, hand-made mulberry (rice) paper and with wide, deckled margins as printed by the artist in Chicago around 1935. Signed in pencil by Benson along the lower margin. A brilliantly printed impression and in excellent condition throughout. City Window is a superb, original example of the wood engraved art of Ben Albert Benson.

Ben Albert Benson
View Image:
Title:	Ducks
Artist:	Benson, Ben Albert (Sweden, 1901 - Chicago, 1986)
Date:	C. 1935
Medium:	Original Wood Engraving
Size:	2 1/2 X 3 1/2
	Framed
Price:	Sold
Condition:	Printed upon fine, hand-made mulberry (rice) paper and with wide, deckled margins as printed by the artist in Chicago around 1935, signed and titled in pencil by Benson along the lower margin. It is a brilliantly printed impression and in excellent condition throughout. Ducks is a superb, original example of the wood engraved art of Ben Albert Benson.

John T. Bentley (J. T. Bentley)
View Image:
Title:	Wedding Bells in Old Trinity (Wall Street and Broadway, Trinity Church Altar, New York)
Artist:	Bentley, John T. 'J. T. Bentley' (Canadian / American, active, New Jersey, c. 1880-1918)
Date:	1885
Medium:	Original Etching
Publisher:	C. Klackner, New York
Edition:	Remarque Proof impression Signed by the Artist
Size:	23 X 14 3/4
	UnMatted
Buy Now	Price: $495.00 US
Condition:	Printed upon fine Japon paper and with wide full margins as published in New York by Klackner in 1885. Containing the publisher's address and date along the upper margin and also signed in pencil by John Bentley along the lower margin. Containing some creasing in the outer margins else a finely printed, proof impression and in good condition throughout

Fletcher Benton
View Image:
Title:	Plate I (An Intaglio Composition)
Artist:	Benton, Fletcher (Jackson, Ohio, 1931 - Resides, San Jose, California)
Date:	1972
Medium:	Original Embossed Intaglio
Edition:	Limited edition of one hundred impressions, numbered 69/100.
Note:	Provenance: From the collection of Roger Trlak and bearing his inventory number, 'T-1026', on the verso. Roger Trlak (1934-1975) established the commercial art company of Martin-Trlak in Chicago. In 1972 he also opened the RST Gallery in Scottsdale, Arizona, where he exhibited not only his own large collection of mostly contemporary art but also held important exhibitions of many modern artists. These Included such major American and international artists as Joseph Hirsch, Fletcher Benton, Luigi Lucioni and Paul Wunderlich. Among Trlak's closest friends in the arts community were Raphael Soyer, Ivan Albright and Hans Burkhardt. Their original prints and paintings were constantly exhibited at the RST Gallery until it was closed in 1975 due to Trlak's untimely death.
Size:	26 1/2 Diameter
	Unmatted
Buy Now	Price: $495.00 US
Condition:	Printed upon pure rag paper and with full margins as published in 1972. Bearing a publisher's blindstamp to the lower left. Signed, dated and numbered, '69/100', by the artist in pencil along the lower margin. A vibrantly printed impression with full embossing and in excellent condition throughout. Plate I (An Intaglio Composition) represents a superb, original example of the art of Fletcher Benton.

Fletcher Benton
View Image:
Title:	Plate II (An Intaglio Composition)
Artist:	Benton, Fletcher (Jackson, Ohio, 1931 - Resides, San Jose, California)
Date:	1972
Medium:	Original Embossed Intaglio
Edition:	Limited edition of one hundred impressions, numbered 29/100.
Provenance:	From the collection of Roger Trlak and bearing his inventory number, 'T-1169', on the verso. Roger Trlak (1934-1975) established the commercial art company of Martin-Trlak in Chicago. In 1972 he also opened the RST Gallery in Scottsdale, Arizona, where he exhibited not only his own large collection of mostly contemporary art but also held important exhibitions of many modern artists. These Included such major American and international artists as Joseph Hirsch, Fletcher Benton, Luigi Lucioni and Paul Wunderlich. Among Trlak's closest friends in the arts community were Raphael Soyer, Ivan Albright and Hans Burkhardt. Their original prints and paintings were constantly exhibited at the RST Gallery until it was closed in 1975 due to Trlak's untimely death.
Size:	26 1/2 Diameter
	Unmatted
Buy Now	Price: $495.00 US
Condition:	Printed upon pure rag paper and with full margins as published in 1972. Bearing a publisher's blindstamp to the lower left. Signed, dated and numbered, '29/100', by the artist in pencil along the lower margin. A vibrantly printed impression with full embossing and in excellent condition throughout. Plate II (An Intaglio Composition) represents a superb, original example of the art of Fletcher Benton.

Roloff Beny
View Image:
Title:	Nostalgia in Nauplia
Artist:	Beny, Roloff (Medicine Hat, Canada, 1924 - Rome, 1984)
Date:	1950
Medium:	Original Lithograph
Edition:	Limited edition of fifty signed impressions.
Source:	An Aegean Notebook
Note:	'An Aegean Notebook' comprised of twenty-eight lithographs dealing with Greece and Crete.
Size:	9 X 9 1/8
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon fine, hand-made paper and with full margins as published in the limited edition of fifty impressions in 1950. Signed in pencil by the artist to the lower right. A strongly printed impression and in very good condition throughout. Nostalgia in Nauplia represents a striking, original example of the art of Roloff Beny.

Paul F. Berdanier 'Paul Berdanier'
View Image:
Title:	A Village in the Winter
Artist:	Berdanier, Paul F. 'Paul Berdanier' (Frackville, Pennsylvania, 1879 - Long Island, 1947)
Date:	c. 1935 - 1940
Medium:	Original Hand-Colored Etching
Note:	"A Village in the Winter" is an original hand-colored etching by the American artist, Paul F. Berdanier. This original etching is signed in the plate by Berdanier.
Size:	3 3/8 X 5 1/4
	Matted
Price:	Sold
Condition:	Printed on thick wove paper and with full margins as created by the artist around 1935-40. Signed in the plate along the lower right margin. A finely printed, hand-colored impression and in very good condition throughout. "A Village in the Winter" represents a fine, original example of the etched art of Paul Berdanier.

Paul F. Berdanier 'Paul Berdanier'
View Image:
Title:	Sterling Memorial Building, Yale
Artist:	Berdanier, Paul F. 'Paul Berdanier' (Frackville, Pennsylvania, 1879 - Long Island, 1947)
Date:	c. 1935 - 1940
Medium:	Original Etching
Size:	3 1/2 X 5 3/8
	Matted
Buy Now	Price: $195.00 US
Condition:	Printed on thick wove paper and with full margins as created by the artist around 1935-40. Signed and titled in the plate along the lower margins. A finely printed, sepia impression and in very good condition throughout. Sterling Memorial Building, Yale represents a fine, original example of the etched art of Paul Berdanier.

Henri Berengier
View Image:
Title:	Ex-Libris Moses H. Grossman
Artist:	Berengier, Henri (Marseille, 1880 - ?)
Date:	c. 1925
Medium:	Original etching
Source:	Ex-Libris Moses H. Grossman
Size:	4 3/8 X 2 3/4
	Framed
Buy Now	Price: $225.00 US
Condition:	Printed upon hand-made, laid paper and with full margins as created around 1925. In excellent condition throughout. This original etching entitled Ex-Libris Moses H. Grossman represents a prime example of early twentieth century ex-libris art.

Marie Berger
View Image:
Title:	Still Life With Figure in a Desert Landscape
Artist:	Berger, Marie (Born. Fort Worth, Texas, 1913 - Died, 2001)
Date:	c. 1960
Medium:	Original Watercolour and Pen & Ink
Note:	Marie Berger was a Texas painter and printmaker. During her successful career, she exhibited internationally at such institutions as the Bateau Lavar Gallery, Rome, the Rassagna permanente d'arte contemporanea, Veterbo, Italy, the Laguna Gloria, Austin, Texas, the Oklahoma Art Museum and the Fort Worth Art Museum.
Size:	17 X 13
	Framed
Buy Now	Price: $695.00 US
Condition:	Drawn upon 'Windsor & Newton' archival artist board and with full margins. Signed by the artist within the image to the lower right. In excellent condition throughout without a trace of discoloration or toning. Altogether this original watercolour represents a superb example of the highly regarded Texas art of Marie Berger.

Saul Berman
View Image:
Title:	Reconstruction on the Hudson
Artist:	Berman, Saul (Russia, 1899 - Provincetown, MA, 1975)
Date:	c. 1935 - 1940
Medium:	Original Lithograph
Size:	7 1/2 X 19
	Matted
Price:	Sold
Condition:	Printed on wove paper and with full margins. Signed and titled in pencil along the lower margin and signed within the stone to the lower right. Containing two marginal tears (one to the center right and one to the center left). The tear to the right extends about one inch into the image while the tear to the left extends about one half inch into the image. Both tears have been rebacked by a former owner. Also a slight stain is evident in the lower left margin, under the title. Else a strong, vibrant impression. Even with the above mentioned damage, Reconstruction on the Hudson is a large and most important example of the New York W.P.A. art of Saul Berman.

Robert Bero
View Image:
Title:	Snow Mountain III
Artist:	Bero, Robert (New York City, Born, 1941 - Died, 2007)
Date:	1971
Medium:	Original Etching
Publisher:	Associated American Artists, New York
Edition:	Limited edition of two hundred and fifty impressions, numbered 203/250.
Size:	11 5/8 X 7 3/4
	Matted
Price:	Sold
Condition:	Printed upon hand-made, laid paper and with full, deckled margins as published in 1971 by the Associated American Artists of New York. Signed, titled and numbered, '203/250', by the artist in pencil along the lower margin. A crisply printed impression and in excellent condition throughout. Snow Mountain III represents a fine original example of the etched art of Robert Bero.
	The original presentation sticker from the A.A.A. is included.

Pierre Emile Berthelemy
View Image:
Title:	Entree du Port de Courseulles a Maree Basse (Entrance to the Port of Courseulles at Low Tide)
Artist:	Berthelemy, Pierre Emile (Rouen, 1818 - Bernieres-Sur-Mer, 1890)
Date:	1864
Medium:	Original Etching
Publisher:	A. Cadart & Luquet, Paris
Printer:	Auguste Delatre, Paris
Source:	Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings)
Size:	9 1/2 X 12 1/2
	Matted
Buy Now	Price: $325.00 US
Condition:	Printed on fine, laid paper and bearing Cadart's 'Aqua-Fortistes' watermark. Full, wide margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1864. An 'Artist Proof Impression' before letters signed "Berthelemy Sc"in the upper left corner of the plate. Apart from a small stain on the mast of the ship to the left, this etching entitlede “Entree du Port de Courseulles a Maree Basse (Entrance to the Port of Courseulles at Low Tide)” is in excellent condition throughout. This is a strong, early impression of this beautiful Pierre Emile Berthelemy marine composition.

Paul Berthon
View Image:
Title:	Femme de Profil
Artist:	Berthon, Paul Emile 'Paul Berthon' (Chartrettes, 1872 - Paris, 1909)
Date:	1898
Medium:	Original Colour Lithograph
Publisher:	Les Maitres de l'Affiche, Paris
Printer:	Imprimerie Chaix, Paris
Note:	The graphic oeuvre of Paul Berthon consists of ninety-four original lithographs. Femme de Profil dates from 1898. Almost two-thirds of Berthon's original lithographs (Femme de Profil included) are what the artist termed, "Panneaux Decoratifs". Unlike most Art Nouveau posters, Berthon's panneaux decoratifs included no advertising and no letterpress. They were meant to stand alone as significant works of art in their own right.
	Les Maitres issued 240 lithographs in a reproductive format. Femme de Profil, most fortunately, was not one of them. It, along with 15 other lithographs, were specially commissioned for the series during the five year period, and are the only true works of original art made for the publication. Along with Berthon, other artists who contributed original lithographs were Steinlen, Willette, Ibels, Leandre, de Feure and Cheret. These original lithographs were offered as special plates available only to subscribers and thus printed in small editions.
Raisonne:	Victor Arwas, Berthon & Grasset, Academy Editions, London and Paris, 1978. (Note: Femme de Profil is illustrated on p. 102.)
	Catalogue # 26. First and only State as published by Les Maitres de L'Affiche, Paris, 1898.
Size:	12 1/2 X 9 1/2
	Framed
Price:	Sold
Condition:	Printed upon heavy wove paper as published for 'Les Maitres' in 1898. Signed in the stone by Berthon (lower left corner) and bearing the 'Les Maitres' blindstamp in the lower right corner. Also along the extreme lower left margin the words "Les Maitres de l'Affiche/ Imprimerie Chaix" are printed. Marginal tears exist within the margins with several approaching but not entering the border of the image, else a magnificent impression and in fine condition throughout. With its graceful lines and beautiful tonal values, Femme de Profil stands not only as a great example of the art of Paul Berthon but as probably the finest original lithograph bearing the blindstamp of Les Maitres de l'Affiche.

Paul Berthon
View Image:
Title:	Sa Tres Gracieuse Majeste La Reine Wilhelmine
Artist:	Berthon, Paul Emile 'Paul Berthon' (Chartrettes, 1872 - Paris, 1909)
Date:	1901
Medium:	Original Art Nouveau Colour Lithograph
Raisonne:	Victor Arwas, Berthon and Grasset, Academy Editions, Paris, 1978.
	Cataloglue # 61, Third and Final State, Arwas relates that the first state was printed in an edition of 50 impressions and that the second state consisted of 100 impressions. The third state was printed in an edition of 200. The stone was then effaced and thus no later impressions were struck.
Size:	15 X 13 1/2
	Framed
Price:	Sold
Condition:	Printed upon thin wove paper as published in Paris in the limited edition of 200 in 1901. Margins cropped to the image and backed on board, as usual. Signed in the stone (upper left corner) by the artist. Containing one slight marginal tear along the lower right edges extending into the lace work of the dress, else a superb colour printing with full burnished gold. One should take note that most Art Nouveau lithographs have experienced extensive damage over the years, particularly in the paper becoming stained and brittle and the colours fading. This original example is thus in very good condition with vibrantly printed colours -- even the gold burnishing still maintains its gleam! Altogether, this is a major example of the art of Paul Berthon and of the famous Art Nouveau era.

Paul Berthon
View Image:
Title:	Vision Antique
Artist:	Berthon, Paul Emile 'Paul Berthon' (Chartrettes, 1872 - Paris, 1909)
Date:	1899
Medium:	Original Art Nouveau Colour Lithograph
	Along with the art of Alfons Mucha, the lithographs of Paul Berthon stand at the centre of our interpretation of Art Nouveau grace and beauty. Despite his very short life it is impossible not to rank Berthon among the greatest masters of this entire turn-of-the-century movement.
	Paul Berthon first studied as a painter in Villefranche before coming to Paris in 1893. There he enrolled at the Ecole Normale d'Enseignement de Dessin, receiving lessons from Luc-Oliver Merson. Yet the greatest influence upon Berthon came from his teacher of Decorative Arts, Eugene Grasset (1841-1917). Grasset's impact upon the early formation of the Art Nouveau movement had been vast and both Berthon and Mucha acknowledged him as the single greatest influence upon their art.
	Berthon's early lithographs (dated up to 1896) often show stylistic elements comparable to Grasset. As his style developed, however, Berthon began using the autumnal pastel coloured palette and the strongly defined lines and patterns that have made his art so famous. Other key elements in Berthon's art were his study of Japanese woodcuts and his attention to the art of the natural world -- particularly its flora and fauna -- where he utilized the arts of medieval France as exemplars.
	The graphic oeuvre of Paul Berthon consists of ninety-four original lithographs. Almost two-thirds of Berthon's original lithographs are what the artist termed, "Panneaux Decoratifs". Unlike most Art Nouveau posters, Berthon's panneaux decoratifs included no advertising and no letterpress. They were meant to stand alone as significant works of art in their own right.
Raisonne:	Victor Arwas, Berthon and Grasset, Academy Editions, Paris, 1978.
	Catalogue # 39, Third and Final State, Arwas relates that the first state was printed in black and white in an edition of 50 impressions and that the second state consisted of 100 impressions. The third state, containing the title along the lower margin and 'Paul Berthon' in the upper left corner, was printed in an edition of 200. The stone was then effaced and thus no later impressions were struck.
Size:	11 1/2 X 23 1/2
	UnMatted
Buy Now	Price: $1,275.00 US
Condition:	Printed upon thin wove paper as published in Paris in the limited edition of 200 in 1899. Titled along the lower margin and signed in the stone by the artist. It is a superb, unfaded impression and in excellent condition throughout. One should take note that this impression of Vision Antique contains full-undamaged margins. Most classic examples of Art Nouveau lithographs have come down to us with torn or cropped margins as well as significant damage to the image itself. This impression of Vision Antique is thus not only one of Berthon's greatest works of original art but is in as pristine a condition as the day it was published.

Albert Besnard
View Image:
Title:	Au Bord du Gange a Benares (Shore of the Ganges at Benares)
Artist:	Besnard, Albert (Paris, 1849 - 1934)
Date:	1912
Medium:	Original Etching & Drypoint Engraving with Sepia Plate Tone
Publisher:	L'Art et les Artistes, Paris
Raisonne:	Loys Delteil, ed., & Louis Godefroy, Le Peintre-Graveur Illustre: Besnard, Vol. XXX, Paris, 1926 (Reprinted by Da Capo Press, New York, 1969).
	Delteil #168. First and Only State, as published in L'Art et les Artistes, Paris, 1912.
Size:	6 1/4 X 4 5/8
	Matted
Buy Now	Price: $425.00 US
Condition:	Printed upon hand-made, laid paper with the 'Arches' watermark and with full margins as published in Paris in 1912. Signed in the plate with the artist's 'AB' monogram to the lower left. A finely printed impression with full sepia plate tone and in excellent condition throughout. Au Bord du Gange a Benares represents a superb, original example of the art of Albert Besnard, one of France's greatest masters of etching.

Amedee Besnus
View Image:
Title:	Une Famille de Philosophes (A Family of Philosophers)
Artist:	Besnus, Amedee (Paris, 1831 - 1909)
Date:	1866
Medium:	Original Etching
Publisher:	A. Cadart & Luquet, Paris
Printer:	Auguste Delatre, Paris
Source:	Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings)
Edition:	This particular impression of Une Famille de Philosophes (A Family of Philosophers) is lacking both the title and the publisher's address along the lower margin. This indicates that it is a proof impression, printed before the regular edition.
Size:	12 X 9 3/8
	Matted
Buy Now	Price: $395.00 US
Condition:	Printed upon laid paper with the 'Aqua-Fortistes' watermark and with full, large margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1866. An 'Artist Proof Impression is signed in the plate by the artist to the upper left. A fine, rich impression and in excellent condition throughout. This original etching entitled, Une Famille de Philosophes (A Family of Philosophers) represents a prime example of the art of Amedee Besnus.

Jacques Beurdeley
View Image:
Title:	Porche a Venice (Porch to Venice)
Artist:	Beurdeley, Jacques (Paris, 1874 - 1954)
Date:	c. 1910 - 1920
Medium:	Original Drypoint Engraving
Edition:	Limited edition of fifty impressions, numbered 21/50.
Note:	Provenance: Formerly in the collection of the Cleveland Museum of Art and bearing the museum's inventory sticker on the verso.
Size:	7 1/4 X 9 5/8
	Matted
Price:	Sold
Condition Information:	Printed upon hand made, laid paper and with full margins as published in Paris around 1910. Signed by Beurdeley in the plate (lower left) and signed and numbered, '41/50', in pencil by him along the lower plate-mark. A fine, tonal printing and in excellent condition throughout. Porche a Venice represents a prime, original example of the drypoint art of Jacques Beurdeley.

Thomas Bewick
View Image:
Title:	The Seasons (The Complete Set of Eight Original Wood Engravings)
Engraver:	Bewick, Thomas (Newcastle upon Tyne (Ovingham), 1755 - 1828)
Designer:	Thurston, John (Scarborough, 1774 - London, 1822)
Date:	1805
Medium:	The Complete Set of Eight Original Wood Engravings
Publisher:	James Wallis, London
Size:	8 3/4 X 5 1/4
	Matted
Buy Now	Price: $695.00 US
Condition:	Each of the eight engravings is printed upon early nineteenth century wove paper and with full margins as published in 1805. The four frontispiece engravings bear the season's name in the upper margins while the tailpiece engravings contain the final lines for each season. Each engraving bears the lines they illustrate below. Apart from very slight foxing in the outer margins, all eight engravings are in very good condition and represent prime, original examples of the famous wood engraved art of Thomas Bewick.

Art Catalogue (Bem - Bl) - Part 2
Mose Bianchi
View Image:
Title:	Christ and the Woman Taken in Adultery
Artist:	Bianchi, Mose (Monza, Italy, 1840 - 1904)
Date:	1896 (Posthumous Edition: 1962)
Medium:	Original Etching
Publisher:	Antonio Fusetti, Milan
Edition:	Limited Edition of one hundred and sixty impressions, numbered (107/160), Milano Stamped
Size:	3 3/4 X 5 1/4
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon thick laid paper and with wide, full margins is published in Milan in 1962. Numbered in pencil, '107/160' to the lower left and bearing the stamp, "Fusetti Calcografo Milano" , to the lower right. A fine, deeply printed impression and in excellent condition throughout. Christ and the Woman Taken in Adultery represents a superb, original example of the art of Mose Bianchi.

Andre Bicat
View Image:
Title:	Dawn Flight
Artist:	Bicat, Andre (Essex, 1909 - London, 1996)
Date:	c. 1980
Medium:	Original Color Aquatint
Edition:	Limited edition of fifty impressions, numbered, '6/50'.
Size:	9 X 11 3/4
	UnMatted
Buy Now	Price: $425.00 US
Condition:	Printed upon fine, handmade, laid paper and with full, deckled margins as published around the above date. Signed, titled, numbered ('6/50') and ,as mentioned above, annotated by the artist in pencil. A beautiful, full colour impression and in excellent condition throughout. "Dawn Flight" represents a superb, original example of the art of Andre Bicat.

Albion Harris Bicknell 'A. H. Bicknell'
View Image:
Title:	Near Annasquam (Annisquam)
Artist:	Bicknell, Albion Harris 'A. H. Bicknell' (Turner, Maine, 1837 - Malden, Massachusetts, 1915)
Date:	c. 1883
Medium:	Original Etching
Size:	6 7/8 X 9
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed fine nineteenth century laid paper and with full margins as published around 1883. Signed by the artist in the plate to the lower left. A beautifully printed impression with full plate tone and in excellent condition throughout. Near Annasquam (Annisquam), represents a prime, original example of the Massachusetts landscape art of Albion Harris Bicknell.

Michael Biddle
View Image:
Title:	Cheetah
Artist:	Biddle, Michael (United States, Born, 1934)
Date:	1966
Medium:	Original Etching
Edition:	Limited edition of two hundred and fifty impressions, numbered 94/250.
Size:	9 X 11 1/2
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed on sturdy wove paper and with full margins as published for the sole edition of 250 signed impressions in New York in 1966. Signed, titled and numbered, '94/250/ by the artist in pencil along the lower margin. A finely printed impression and in excellent condition throughout. Cheetah represents a fine, original example of the graphic art of Michael Biddle.

Francois Bignon
View Image:
Title:	Annas de Montmorency comes stabuli (Anne de Montmorency, Count de Beaumont and First Duke of Montmorency)
Artist:	Heince, Zacharie (Paris, 1611 - 1669)
Engraver:	Bignon, Francois (Paris, Born Circa 1620)
Date:	1650
Medium:	Original Engraving
Source:	Les Portraits des hommes illustres François qui sont peints dans la galerie du Palais Cardinal de Richelieu (The Portraits of Illustrious Frenchmen in the Gallery of Cardinal Richelieu)
Note:	The musee national du chateau de Pau includes an impression of Annas de Montmorency comes stabuli in it's permanent collection.
Size:	15 1/2 X 11 5/8
	Matted
Buy Now	Price: $495.00 US
Condition:	Printed upon seventeenth century hand-made, laid paper as published in Paris in 1650. Trimmed to the margins and backed upon a larger sheet of wove paper by a previous owner. Containing several light spots of foxing in the outer margins, else a strongly printed, early impression and in good condition throughout Annas de Montmorency comes stabuli (Anne, Duke of Montmorency) represents a large and impressive example of seventeenth century French engraving.

Pierre Billet
View Image:
Title:	Les Laveuses (Washerwomen)
Artist:	Billet, Pierre (Cantin, France, 1837 - 1922)
Date:	1876 (P. G. Hamerton 1880)
Medium:	Original Etching
Publisher:	Macmillan and Co., London
Source:	Etching and Etchers by Philip Gilbert Hamerton
Size:	6 3/8 X 4 3/4
	Matted
Buy Now	Price: $265.00 US
Condition:	Printed on laid, hand-made paper and with full, deckled margins as published by Macmillan and Co., London for Philip Gilbert Hamerton's Etching and Etchers in 1880. Titled and signed with Billet's, ' P. B.' monogram in the plate along the lower margin. A brilliantly printed impression with full plate tone and in very good condition throughout. Les Laveuses represents a fine, original example of the etched art of Pierre Billet.

Charles Billoin
View Image:
Title:	L'Hote et le Voyageur (The Inn Keeper and the Traveler)
Etcher:	Billoin, Charles (Brussels, 1813 - Elsene, 1869)
Designer:	Madou, Jean Baptiste (Brussels, 1796 - 1877
Date:	c. 1850 - 1860
Medium:	Original Etching with Plate Tone
Publisher:	Jules Geruzef, Brussels
Printer:	Auguste Delatre
Size:	7 1/2 X 10
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon fine china paper (chine colle) and impressed onto a large sheet of white, wove paper as published in Brussels around 1850. Signed in the plate to the lower center by Billoin and bearing the publisher's blindstamp ("Jules Geruzef, Editeur, Bruxelles") in the lower left margin. A strong, early impression and in excellent condition throughout. L'Hote et le Voyageur (The Inn Keeper and the Traveler) represents a fine, original example of the nineteenth century Belgian art of Charles Billoin and Jean Baptiste Madou, and the famous printing skills of Auguste Delatre.

Charles Billoin
View Image:
Title:	La Marchande de Chapelets (The Rosary Merchant)
Etcher:	Billoin, Charles (Brussels, 1813 - Elsene, 1869)
Designer:	Madou, Jean Baptiste (Brussels, 1796 - 1877
Date:	c. 1850 - 1860
Medium:	Original Etching with Plate Tone
Publisher:	Jules Geruzef, Brussels
Printer:	Auguste Delatre
Size:	6 X 8
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon fine china paper (chine colle) and impressed onto a large sheet of white, wove paper as published in Brussels around 1850. Signed in the plate to the lower left by Billoin and bearing the publisher's blindstamp ("Jules Geruzef, Editeur, Bruxelles") in the lower left margin. A strong, early impression and in excellent condition throughout. La Marchande de Chapelets (The Rosary Merchant) represents a fine, original example of the nineteenth century Belgian art of Charles Billoin and Jean Baptiste Madou, and the famous printing skills of Auguste Delatre.

Harrington Bird
View Image:
Title:	The River Boulevard
Artist:	Bird, Harrington (Madras, India, 1846 - London, 1904)
Date:	1885
Medium:	Original Lithograph with Tint Stone
Publisher:	Montreal Daily Witness, Montreal Canada
Source:	The Montreal Daily Witness
Source:	The Montreal Daily Witness
Note:	Periodical Illustrations
Size:	9 1/2 X 14
	Matted
Price:	Price: Sold
Condition:	Printed upon nineteenth century wove paper and with full margins as published by the Montreal Daily Witness in the winter of 1885. A fine impression and in excellent condition throughout. The River Boulevard represents a prime, original example of the nineteenth century sporting art of Harrington Bird.

Harrington Bird
View Image:
Title:	Witness Carnival Number
Artist:	Bird, Harrington (Madras, India, 1846 - London, 1904)
Date:	1885
Medium:	Original Lithograph with Tint Stone
Publisher:	Montreal Daily Witness, Montreal Canada
Source:	The Montreal Daily Witness
Note:	Periodical Illustrations
Size:	14 1/2 X 10 1/2
	Matted
Price:	Sold
Condition Information:	Printed on nineteenth century wove paper and with full margins as published by Montreal Daily Witness in the winter of 1885. This is a finely tinted printing and in excellent condition throughout.

Art of the Print / www.artoftheprint.com - Art Catalogue (Bem - Bl) - Part 3
Elizabeth Blackwell
View Image:
Title:	Bryoniae Albae Baccis Nigris Radix
Artist:	Blackwell, Elizabeth (London, 1700-1759)
Date:	C. 1755
Medium:	Original Hand - Coloured Engraving
Publisher:	Jacob Trew, Nuremberg
Edition:	Second Expanded Edition.
Source:	Herbarium Blackwellianum Emmendatum et Auctum
Note:	Botanical
Size:	12 1/4 X 8 1/2
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed on watermarked, hand-made, eighteenth century paper and with full margins as published in the Nuremberg edition around 1755. Slight notations in the margin in eighteenth century pen exist else in excellent condition throughout with unfaded, original hand colouring.

Elizabeth Blackwell
View Image:
Title:	Anchusa (Common Bugloss, or, Alkanet)
Engraver:	Blackwell, Elizabeth (London, 1700-1759)
Date:	C. 1755
Medium:	Original Hand-Coloured Engraving
Publisher:	Jacob Trew, Nuremberg
Note:	The Common Bugloss is a perennial herb with a deep taproot. It grows one to two feet in height. "Anchusa" ('Common Bugloss, or, Alkanet') is an original engraving by Elizabeth Blackwell published by Jacob Trew for the "Herbarium Blackwellianum Emmendatum et Auctum".
Source:	'Herbarium Blackwellianum Emmendatum et Auctum'
Size:	12 X 7 5/8
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon watermarked, hand-made eighteenth century paper and with full margins as published in Nuremberg around 1755. Slight notations in the lower margin in eighteenth century pen exist, else in fine condition throughout with unfaded, original hand-coloring. "Anchusa" ('Common Bugloss, or, Alkanet') represents a prime, original example of the art of Elizabeth Blackwell, one of England's greatest botanical artists.

Elizabeth Blackwell
View Image:
Title:	Cicuta Viennensis, Cicuta Terrestris Major (Hemlock)
Engraver:	Blackwell, Elizabeth (London, 1700-1759)
Date:	C. 1755
Medium:	Original Hand-Coloured Engraving
Publisher:	Jacob Trew, Nuremberg
Note:	Cicuta Viennensis (also, 'Conium maculatum') is the hemlock. It is most famous, of course, for its powerful alkaloid poison. It is also symbolical of sleep."Cicuta Viennensis, Cicuta Terrestris Major" ('Hemlock') is an original engraving by Elizabeth Blackwell published by Jacob Trew around 1755 for the "Herbarium Blackwellianum Emmendatum et Auctum".
Source:	'Herbarium Blackwellianum Emmendatum et Auctum'
Size:	11 3/4 X 7 1/2
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon watermarked, hand-made eighteenth century paper and with full margins as published in Nuremberg around 1755. Slight notations in the lower margin in eighteenth century pen exist, else in fine condition throughout with unfaded, original hand-coloring. "Cicuta Viennensis, Cicuta Terrestris Major" (Hemlock) represents a prime, original example of the art of Elizabeth Blackwell, one of England's greatest botanical artists.

Elizabeth Blackwell
View Image:
Title:	Hellaboraster (Hellebore, or, Christmas Rose)
Engraver:	Blackwell, Elizabeth (London, 1700-1759)
Date:	C. 1755
Medium:	Original Hand-Coloured Engraving
Publisher:	Jacob Trew, Nuremberg
Note:	The root and rhizome of the Hellebore possess drastic purgative, emmenague and anthelmintic properties. It is also extremely narcotic. In the past it was employed to combat nervous disorders and hysteria. "Hellaboraster" (Hellebore, or, Christmas Rose) is an original engraving by Elizabeth Blackwell published by Jacob Trew around 1755 for the "Herbarium Blackwellianum Emmendatum et Auctum".
Source:	'Herbarium Blackwellianum Emmendatum et Auctum'
Size:	12 X 8
	Matted
Price:	Sold
Condition:	Printed upon watermarked, hand-made eighteenth century paper and with full margins as published in Nuremberg around 1755. Slight notations in the lower margin in eighteenth century pen exist, else in fine condition throughout with unfaded, original hand-coloring. "Hellaboraster" (Hellebore, or, Christmas Rose) represents a prime, original example of the art of Elizabeth Blackwell, one of England's greatest botanical artists.

Elizabeth Blackwell
View Image:
Title:	Helleborus Major
Artist:	Blackwell, Elizabeth (London, 1700-1759)
Date:	C. 1755
Medium:	Original Hand - Coloured Engraving
Publisher:	Jacob Trew, Nuremberg
Edition:	Second Expanded Edition.
Source:	Herbarium Blackwellianum Emmendatum et Auctum
Note:	Botanical
Size:	11 3/4 X 7 3/4
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed on watermarked, hand-made, eighteenth century paper and with full margins as published in the Nuremberg edition around 1755. Slight notations in the margin in eighteenth century pen exist else in excellent condition throughout with unfaded, original hand colouring.

Elizabeth Blackwell
View Image:
Title:	Helleborus Minor
Artist:	Blackwell, Elizabeth (London, 1700-1759)
Date:	C. 1755
Medium:	Original Hand - Coloured Engraving
Publisher:	Jacob Trew, Nuremberg
Edition:	Second Expanded Edition.
Source:	Herbarium Blackwellianum Emmendatum et Auctum
Note:	Botanical
Size:	11 3/4 X 7 3/4
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed on watermarked, hand-made, eighteenth century paper and with full margins as published in the Nuremberg edition around 1755. Slight notations in the margin in eighteenth century pen exist else in excellent condition throughout with unfaded, original hand colouring.

Elizabeth Blackwell
View Image:
Title:	Levisticum (Lovage)
Engraver:	Blackwell, Elizabeth (London, 1700-1759)
Date:	C. 1755
Medium:	Original Hand-Coloured Engraving
Publisher:	Jacob Trew, Nuremberg
Note:	"Levisticum" (Lovage) is a culinary herb, the large lovage plant is grown for its celery-like flavored leaves, stems, seeds and roots. In the distant past its oil was used in the preparation of love potions, hence its name. "Levisticum" (Lovage) is an original engraving by Elizabeth Blackwell published by Jacob Trew around 1755 for the "Herbarium Blackwellianum Emmendatum et Auctum".
Source:	'Herbarium Blackwellianum Emmendatum et Auctum'
Size:	11 1/4 X 7 1/4
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon watermarked, hand-made eighteenth century paper and with full margins as published in Nuremberg around 1755. Slight notations in the lower margin in eighteenth century pen exist, else in fine condition throughout with unfaded, original hand-coloring. "Levisticum" (Lovage) represents a prime, original example of the art of Elizabeth Blackwell, one of England's greatest botanical artists.

Elizabeth Blackwell
View Image:
Title:	Pulmonaria Maculosa (Lungwort)
Engraver:	Blackwell, Elizabeth (London, 1700-1759)
Date:	C. 1755
Medium:	Original Hand-Coloured Engraving
Publisher:	Jacob Trew, Nuremberg
Note:	"Pulmonaria Maculosa" (Lungwort) is an original engraving by Elizabeth Blackwell published by Jacob Trew around 1755 for the "Herbarium Blackwellianum Emmendatum et Auctum".
Source:	'Herbarium Blackwellianum Emmendatum et Auctum'
Size:	11 3/4 X 7 1/2
	Matted
Buy Now	Price: $285.00 US
Condition:	Printed upon watermarked, hand-made eighteenth century paper and with full margins as published in Nuremberg around 1755. Slight notations in the lower margin in eighteenth century pen exist, else in fine condition throughout with unfaded, original hand-coloring. "Pulmonaria Maculosa" (Lungwort) represents a prime, original example of the art of Elizabeth Blackwell, one of England's greatest botanical artists.

Willem Janszoon Blaeu
View Image:
Title:	Sicilia Regnum (Map of the Kingdom of Sicily)
Artist:	Blaeu, Willem Janszoon (Alkmaar, 1571 - Amsterdam, 1638)
Date:	1635
Medium:	Original Hand Coloured Engraving
Publisher:	Willem Blaeu
Source:	Theatrum Orbis Terrarum
Size:	15 1/4 X 19 5/8
	Framed
Buy Now	Price: $1,495.00 US
Condition:	Printed upon thick seventeenth century hand-made, laid paper and with full margins as published by Willem Blaeu in Amsterdam in 1635. Centre crease, as usual, with the text in French on the verso. The map contains some water staining, particularly evident around the large cartouche to the lower left. Else a brilliantly printed, early impression with unfaded, original hand-colouring. Sicilia Regnum (Map of the Kingdom of Sicily) represents a prime example of the famous early seventeenth century map-making art of Willem Janszoon Blaeu.

Philippa Blair
View Image:
Title:	Freeway Hearts
Artist:	Blair, Philippa (Christchurch, New Zealand, born, 1945)
Date:	1984
Medium:	Original Lithograph
Edition:	Limited Edition of Six impressions, Numbered 6/6.
Size:	17 X 20 1/2
	UnMatted
Buy Now	Price: $495.00 US
Condition:	Printed upon Arches rag paper and with full, deckled margins as published in 1984. Signed, titled, dated and numbered, "IV/VI", by the artist in pencil along the lower margin. A finely printed impression and in excellent condition throughout. Freeway Hearts represents both a scarce and important example of the art of Philippa Blair.

William Blake
View Image:
Title:	Mrs. Cowper Mother of the Poet
Engraver:	Blake, William (London, 1757 - 1827)
Designer:	Heins, D. (German artist active, Norfolk c. 1725 to 1756)
Date:	1802 - 1803
Medium:	Original Engraving (First Edition)
Printer:	Catherine Boucher (Mrs. Blake)
Raisonne:	Robert N. Essick, "William Blake’s Commercial Book Illustrations", Clarendon Press, Oxford, 1991, pp. 85-87.
	Catalogue XLIV, #2. First State of Two.
Size:	8 1/4 X 5 1/2
	Matted
Buy Now	Price: $795.00 US
Condition:	Printed upon wove paper and with full margins as published for "The Life and Posthumous Writings of William Cowper" in 1803. Bearing the full publisher’s address along the lower margin: "Publish’d Novemb’r 5, 1802 by J. Johnson, St. Paul’s Church Yard".
	Containing several slight foxing marks within the outer margins as well a some horizontal waving within the image (no doubt caused by printing pressure), else a well printed impression (by Mrs. Blake) and in very good condition throughout. Mrs. Cowper, Mother of the Poet represents a prime, original example of the engraved art of William Blake.

William Blake
View Image:
Title:	William Cowper: Author of "The Task"
Engraver:	Blake, William (London, 1757 - 1827)
Designer:	Lawrence, Sir Thomas (Bristol, 1769 - London, 1830)
Date:	1802 - 1803
Medium:	Original Engraving (First Edition)
Printer:	Catherine Boucher (Mrs. Blake)
Raisonne:	Robert N. Essick, William Blake’s Commercial Book Illustrations, Clarendon Press, Oxford, 1991, pp. 87 & 88. Catalogue XLIV, #3. First State of Two.
Size:	9 3/4 X 7 3/4
	Matted
Buy Now	Price: $795.00 US
Condition:	Printed upon wove paper and with full margins as published for The Life and Posthumous Writings of William Cowper in 1803. Bearing the inscriptions, "T. Lawrence R. A. ad VIVUM, del. 1793", to the lower left and, "W. Blake sculp. 1802", to the lower right. This particular impression, however, lacks most of the publisher's address which should appear in the extreme lower margin. This is not because the margin has been cropped; rather the plate has not been squared exactly to the paper. The result is that one corner of the upper plate-mark has a margin of 1/2", while the other has a margin of 1/4".

William Blake
View Image:
Title:	William Cowper
Engraver:	Blake, William (London, 1757 - 1827)
Designer:	Romney, George (Lancashire, 1734 - London, 1802)
Date:	1802 - 1803
Medium:	Original Engraving (First Edition)
Printer:	Catherine Boucher (Mrs. Blake)
Raisonne:	Robert N. Essick, "William Blake’s Commercial Book Illustrations", Clarendon Press, Oxford, 1991, pp. 85-87.
	Catalogue XLIV, #1. First State of Two.
Size:	10 x 7 3/4
	Matted
Price:	Sold
Condition:	Printed upon wove paper and with full margins as published for "The Life and Posthumous Writings of William Cowper" in 1803. Bearing the full publisher’s address along the lower margin: “From a Portrait in Crayons Drawn from the Life by Romney in 1792. Engraved by W. Blake 1802./ William Cowper/ Carmine Nobilem/ Published Novemb’r 5, 1802 by J. Johnson, St. Paul’s Church Yard”.

Arnold Blanch
View Image:
Title:	Bouquet
Artist:	Blanch, Arnold (Mantorville, Minnesota, 1896 - Woodstock, New York, 1968)
Date:	1958
Medium:	Original Lithograph
Publisher:	Associated American Artists, New York
Edition:	Limited edition of three hundred impressions, Artist Proof
Size:	20 x 26
	UnMatted
Buy Now	Price: $285.00 US
Condition:	Printed upon fine, hand-made laid paper and with full, wide margins as published in the sole limited edition of 300 impressions by the Associated American Artists, New York. Artist Proof impression with registration marks in upper and lower margin. It is a beautiful, full colour impression without a trace of discolouration or fading and in excellent condition throughout. This original lithograph represents a prime example of the famous art of Arnold Blanch.

Arnold Blanch
View Image:
Title:	Profile of a Woman with Bouquet
Artist:	Blanch, Arnold (Mantorville, Minnesota, 1896 - Woodstock, New York, 1968)
Date:	c. 1965
Medium:	Original Silk-Screen Printed in Colour
Edition:	Limited edition of two hundred and fifty impressions.
Size:	16 1/2 X 12
	UnMatted
Buy Now	Price: $425.00 US
Condition:	Printed upon fine, hand-made laid paper and with full, wide margins as published in New York by Krasner Galleries in the limited edition of two hundred and fifty impressions. Signed in pencil by the artist along the lower margin. It is a beautiful, full colour impression without a trace of discolouration or fading and in excellent condition throughout. This original silk-screen represents a prime example of the famous art of Arnold Blanch.

Lucile Blanch
View Image:
Title:	Intended Flight
Artist:	Blanch, Lucile 'Lucile Lundquist' (Minneapolis, 1895 - Woodstock, New York, 1981)
Date:	c. 1950
Medium:	Original Lithograph
Size:	14 X 10
	Matted
Buy Now	Price: $395.00 US
Condition:	Printed on fine, hand-made, laid paper and with full margins as published in New York around 1950, signed and titled in pencil by the artist along the lower margin. It is a fine, strong impression and in excellent condition throughout. Intended Flight is a good, original example of the art of Lucile Blanch.

Arbit Blatas
View Image:
Title:	Babi Yar
Artist:	Blatas, Arbit (Kaunas, Lithuania, 1908 - New York?, 1999)
Date:	c. 1970 - 1980
Medium:	Original Lithograph
Edition:	Limited Edition of One Hundred and Fifty impressions, Numbered 24/150.
Size:	15 3/4 X 19
	Matted
Buy Now	Price: $595.00 US
Condition:	Printed upon 'B F K Rives' watermarked paper and with large, full, deckled margins as published around the above date. Signed in pencil by Blatas and numbered, '24/150' along the lower margin. A finely printed impression and in excellent condition throughout. Babi Yar represents a most important, original example of the famous art of Arbit Blatas.

Maurice Emile Blieck
View Image:
Title:	Ypres Vieille Facade
Artist:	Blieck, Maurice Emile 'Maurice Blieck' (Laeken, 1876 - Brussels, 1922)
Date:	c. 1912
Medium:	Original Etching
Size:	9 3/4 X 7 1/8
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon hand-made, laid paper bearing the 'Van Gelder Zonen' watermark and with large, full margins as published around 1912. Signed by the artist in pencil under the plate-mark and titled by him along the lower margin (under the mat). A superb, tonal impression and in excellent condition throughout. Ypres, Vielle Facade represents a prime, original example of the art of Maurice Emile Blieck.

Maurice Emile Blieck
View Image:
Title:	Ypres, Rue de Nazareth
Artist:	Blieck, Maurice Emile 'Maurice Blieck' (Laeken, 1876 - Brussels, 1922)
Date:	1912
Medium:	Original Etching and Aquatint
Size:	9 1/8 X 6 1/2
	Matted
Buy Now	Price: $265.00 US
Condition:	Printed upon hand-made, laid paper bearing the 'Van Gelder Zonen' watermark and with large, full margins as published in 1912. Dated in the plate to the lower right and signed by the artist in pencil under the plate-mark and titled by him along the lower margin (under the mat). Bearing a stain in the lower margin (far away from the actual etching) else a superb, tonal impression and in excellent condition throughout. Ypres, Rue de Nazareth represents a prime, original example of the art of Maurice Emile Blieck.

Julius Thiengen Bloch
View Image:
Title:	War
Artist:	Bloch, Julius Thiengen 'Julius Bloch' (Germany, 1888 - Philadelphia, 1966)
Date:	1939
Medium:	Original Lithograph
Edition:	Limited edition of fifty impressions.
Size:	11 7/8 X 8 7/8
	Framed
Price:	Sold
Condition:	Printed upon wove paper and with full margins as published in 1939. Contains old tape marks on the outer edges of the paper and the verso contains several scuffmarks and some wear. Else the actual surface of the lithograph itself is in good condition and represents a strong, finely printed impression. Signed, dated, titled and annotated 'ed. 50' by the artist in pencil along the lower margin. War is deservedly recognized as a masterpiece of Julius Bloch's famous lithographic art.

John Bluck
View Image:
Title:	Sixth & Seventh Window, South Aisle, Westminster Abbey
Engraver:	Bluck, John (London, Exhibited, 1791 - 1819)
Designer:	Pugin, Agustus (1762 - 1832)
Date:	c. 1812
Medium:	Original Aquatint Printed in Colour
Publisher:	Rudolph Ackermann, London
Printer:	Rudolph Ackermann, London
Source:	Westminster Abbey Portfolio
Size:	11 3/4 X 9 1/4
	Matted
Price:	Sold
Condition:	Printed on early nineteenth century wove paper and with full margins as published by Rudolph Ackermann in London in 1812. This is a superbly printed, early impression from the Westminster Abbey portfolio and in excellent condition throughout. Altogether, a stunning example of the Ackermann colour aquatint at its finest.

John Bluck
View Image:
Title:	West View of St. Nicholas Chapel
Engraver:	Bluck, John (London, Exhibited, 1791 - 1819)
Designer:	Pugin, Agustus (1762 - 1832)
Date:	c. 1812
Medium:	Original Aquatint Printed in Colour
Publisher:	Rudolph Ackermann, London
Printer:	Rudolph Ackermann, London
Source:	Westminster Abbey Portfolio
Size:	11 3/4 X 9 3/4
	Matted
Price:	Sold
Condition:	Printed on early nineteenth century wove paper and with full margins as published by Rudolph Ackermann in London in 1812. This is a superbly printed, early impression from the Westminster Abbey portfolio and in excellent condition throughout. Altogether, a stunning example of the Ackermann colour aquatint at its finest.

Alexander A. Blum
View Image:
Title:	Curiosity Shop
Artist:	Blum, Alexander A. 'Alexander Blum' (Cincinnati, 1888 - Philadelphia, 1969)
Date:	c. 1935
Medium:	Original Etching
Size:	14 1/8 X 10
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon hand-made, laid paper and with full margins as published in Philadelphia around 1935. Signed and titled by the artist in pencil along the lower margin. It is a fine, early impression and in excellent condition throughout. This original etching represents a prime example of the great decorative art of Alexander Blum.

Alexander A. Blum
View Image:
Title:	Old Boston Street Scene
Artist:	Blum, Alexander A. 'Alexander Blum' (Cincinnati, 1888 - Philadelphia, 1969)
Date:	c. 1915 - 1920
Medium:	Original Etching
Note:	Old Boston Street Scene is a brilliant example of Alex A. Blum's etched art. Using strong contrasts of vertical and diagonal lines he also has employed extensive wiping to the plate to create plate tone along the outer limits of the etching.
Size:	11 X 7
	Matted
Buy Now	Price: $295.00 US
Condition:	Printed upon wove paper and with large full margins. Signed by the artist in pencil along the lower margin. Containing some matte burning close to the plate-mark, else a fine impression and in good condition throughout. Old Boston Street Scene represents a prime, original example of the architectural art of Alex A. Blum.

Alexander A. Blum
View Image:
Title:	Paul Revere's House, Boston
Artist:	Blum, Alexander A. 'Alexander Blum' (Cincinnati, 1888 - Philadelphia, 1969)
Date:	1919
Medium:	Original Etching
Size:	11 1/8 X 7 3/4
	Matted
Price:	Sold
Condition:	Printed upon fine, hand-made, laid paper and bearing the 'B F K Rives Bibliophile' watermark. Contains full margins as published in Boston in 1919. Signed by the artist in pencil along the lower margin. Paul Revere's House, Boston represents a prime, original example of the architectural art of Alex A. Blum.

Alexander A. Blum
View Image:
Title:	The Fishbowl
Artist:	Blum, Alexander A. 'Alexander Blum' (Cincinnati, 1888 - Philadelphia, 1969)
Date:	c. 1920 - 1930
Medium:	Original Etching
Provenance:	This original etching hails from the estate of LeRoy Latham and thence to his heirs. LeRoy Latham (1874-1938) was Chairman of Latham Lithographing Company (Latham Litho & Printing Co.). Situated in Brooklyn, New York, it was one of America's largest lithographic printing establishments in the early twentieth century. His large print collection consisted of many fine examples of French and British nineteenth century lithographs as well as contemporary lithographs, etchings and wood engravings.
Size:	8 X 7 3/4
	UnMatted
Buy Now	Price: $295.00 US
Condition:	Printed upon wove paper and with large full margins. Signed and titled by the artist in pencil along the lower margin. Containing a pin prick hole in the upper center margin which suggests that this impression was shown for either an exhibition or for instruction. Also missing a very small tip of the lower right corner margin well away from the plate-mark else, this impression is beautifully printed and in excellent condition throughout. Altogether The Fishbowl represents a premier, original example of the twentieth century art of Alexander A. Blum.

Robert Frederick Blum
View Image:
Title:	A London Suburb
Artist:	Blum, Robert Frederick 'Robert Blum' (Cincinnati, 1857 - New York City, 1903)
Date:	1884
Medium:	Original Etching
Publisher:	The Riverside Press, Cambridge
Source:	The Hawthorne Portfolio (Set of 24 India Proofs) Illustrating The New Riverside Edition
Edition:	Limited Edition of One Hundred and twenty-five impressions, Numbered 4/125
Size:	4 1/2 X 5 1/2
	Matted
Buy Now	Price: $265.00 US
Condition:	Printed upon fine almost tissue thin, India paper and with large, full margins as published in the limited edition of 125 impressions in The Hawthorne Portfolio in 1884. Signed and titled in the plate by the artist along the lower margin. A finely printed, India Proof impression and in excellent condition throughout. A London Suburb represents a prime, original example of the famous nineteenth century art of Robert Frederick Blum.

Robert Frederick Blum
View Image:
Title:	The Wayside, Concord, Massachusetts (Home of Nathaniel Hawthorne)
Artist:	Blum, Robert Frederick 'Robert Blum' (Cincinnati, 1857 - New York City, 1903)
Date:	1884
Medium:	Original Miniature Etching
Publisher:	The Riverside Press, Cambridge
Source:	The Hawthorne Portfolio (Set of 24 India Proofs) Illustrating The New Riverside Edition
Edition:	Limited Edition of One Hundred and twenty-five impressions, Numbered 4/125
Size:	2 1/8 X 3
	Matted
Price:	Sold
Condition:	Printed upon fine almost tissue thin, India paper and with large, full margins as published in the limited edition of 125 impressions in The Hawthorne Portfolio in 1884. Containing one very slight crease mark in the image to the lower right else a finely printed, India Proof impression and in excellent condition throughout. The Wayside, Concord represents a prime, original example of the famous nineteenth century art of Robert Frederick Blum.

Robedrt Blyth
View Image:
Title:	The Gypsies
Enngraver:	Blyth, Robert (London, 1750 - 1784)
Designer:	Mortimer, John Hamilton (Eastbourne, 1741 - Aylesbury, 1777)
Date:	1780
Medium:	Original Etching
Size:	13 X 11 3/4
	Framed
Buy Now	Price: $495.00 US
Condition:	Printed upon 18th century hand-made, laid paper and with margins extending beyond the plate-mark. Rubbing and water damage has taken place along the lower left margin and a small, restored tear exist to the middle left border, else a fine, early impression of this important eighteenth century etching. The Gypsies represents a superb, original example of the combined talents of John Hamilton Mortimer and Robert Blyth.

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