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Original International Fine Art www.artoftheprint.com |
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| Het Loo Het Loo (View of the Gardens of the Dutch Royal Palace) by Leslie Smith | Art of The Print - Art Catalogue (Sl-Sp) | Veduta del Palazzo Pontificio al Vaticano by Alessandro Specchi |
| Featured Artist | Featured Artist |
Art of The Print - Art Catalogue (Sl-Sp): This catalogue page contains a full description of the original works of art that are available for viewing and for sale in our www.artoftheprint.com gallery. The artworks are listed in alphabetical order by the artist's last name, letters (Sl to Sp). Our Gallery, Art of the Print / www.artoftheprint.com offers a wide selection of international fine art. We sell original paintings, watercolors, drawings etchings, lithographs, engravings and other mediums of original graphic. The artworks date from the Renaissance period to the contemporary art period. We guarantee the authenticity of every work of art 100%. Full documentation and certification is provided.
Our collection features works by artists from many countries such as the early British artists Benjamin Smith, James Sowerby and Charles Hamilton Smith, the more modern British artists, Douglas Ian Smart, Leslie Smith, or the American artists John Sloan, Phyllis Sloane, James David Smillie, Moses Soyer, Raphael Soyer, Lawrence Beall Smith and Ethel L. Smull, the seventeenth century Italian artist Alessandro Specchi and others. These are only a few of the artists featured on this page.
Featured Publishers: A few of the publishers included in this page are the Associated American Artists and John Szoke Graphics, which have published some of the finest original prints. Also mention must be made of the Gazette des Beaux-Arts, C. Klackner, M. Knoedler and the British publisher, John Boydell. These companies have published some of the finest original graphic works of art. If you wish to view the entire list and access this information, please go to the www.artoftheprint.com (Featured Publisher's History) page. You will find a brief history for most of the publishers listed.
Associated American Artists: the Associated American Artists of New York was founded in the mid 1930's. The Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's as contributing artists included Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Irwin D. Hoffman and Sidney Chafetz.
Gazette des Beaux-Arts: The Gazette des Beaux-Arts began publishing in 1859. From the beginning of its publication the Gazette regularly commissioned the greatest etchers of the day to supply original graphic works of art. Nineteenth century editions included original etchings by Daubigny, Appian, Goya, Meryon, Whistler, Seymour Haden, Liebermann, Maclaughlan, Besnard and others and from the beginning of our century to the last publication in 1930 such great artists as Friant, Beurdeley, Louis Jou, Gobo and the American, John Sloan and others from this period responded with original etchings. It is easy to see why original works published by the Gazette Des Beaux-Arts have long been collected.
John Boydell: Boydell's first successful series of prints were mezzotints for the "Liber Veritas" and the "Houghton Gallery", but his largest and most ambitious compositions were for the 'Shakespeare Gallery'. During the 1780's and 1790's Boydell - then Lord Mayor of London - had embarked upon the most exhaustive publishing venture in the history of British art; the over one hundred large engravings dealing with Shakespearean themes. These were epic works of art concentrating mainly upon the great history and tragedy plays such as Macbeth, Hamlet and King Lear, and were designed or engraved by such well known artists as Henry Fuseli, George Romney and Richard Earlom.
Note: The catalogue is set up in alphabetical order by artist's last name. This catalogue also contains links to the images corresponding to the original etchings, lithographs, watercolors, paintings, drawings or other mediums of original graphic art that are listed here if the image is available. the measurement for all works of art listed are in inches and are approximate, height precedes width of plate-mark or the image image. All prices are in US Dollars.
Don't forget to click on the (View Image) links on the left bar to obtain the full biography, and or history, as well as the images pertaining to each original work of art listed on this page. Please, scroll down to view the catalogue listing on this page.
| | A | B | C | D | E | F| | G | H | I | J | K | L | M | N | O | P | Q | R | S | Ta | U | V | W | Y | Z | | |
Max Slevogt |
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| View Image: | |
| Title: | Lions |
| Artist: | Slevogt, Max (Landshut, Bavaria, 1868 - Neukastel, 1932) |
| Date: | c. 1910 |
| Medium: | Original Drypoint Engraving |
| Publisher: | Die Moderne Graphik |
| Edition: | Limited edition of two hundred impressions. |
| Size: | 4 3/4 X 7 |
| Matted | |
| Buy Now | Price: $345.00 US |
| Condition: | Printed upon thick wove paper and with full margins as published by Die Moderne graphik around 1910. Bearing the artist's name in the plate to the lower right. A brilliantly printed impression and in excellent condition throughout. Lions represents a superb, original example of the important art of Max Slevogt. |
John Sloan |
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| View Image: | |
| Title: | Fifth Avenue Critics (Une Rue a New York) |
| Artist: | Sloan, John French (Lock Haven, PA, 1871 - Hanover, NH, 1951) |
| Date: | 1905 |
| Medium: | Original Etching |
| Publisher: | Gazette des Beaux-Arts, Paris |
| Raisonne: | Peter Morse, John Sloan's Prints: A Catalogue Raisonne of the Etchings, Lithographs and Posters, New Haven, Connecticut, 1969. |
| Catalogue Morse #128, Eleventh and Final State as published by the Gazette des Beaux-Arts, Paris. | |
| Size: | 4 7/8 X 6 3/4 |
| Framed | |
| Price: | Sold |
| Condition: | Printed upon fine, hand-made, laid paper with a partial watermark in the upper margin and with full margins as commissioned and published by Gazette des Beaux-Arts, Paris. Signed and dated in the plate within the etching to the lower left. Bearing the publisher's altered title, "Une Rue a New York" along the lower plate mark. Containing several minuscule scuff marks in the outer margins (well away from the actual etching), else a strong, sharply printed impression and in very good condition throughout. Fifth Avenue Critics represents a prime example of the most important art of John French Sloan. |
Phyllis Sloane |
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| View Image: | |
| Title: | Calm |
| Artist: | Sloane, Phyllis (Worcester, Massachusetts, 1921 - Santa Fe, 2009) |
| Date: | 2003 |
| Medium: | Original Etching |
| Edition: | Limited edition of twenty five impressions, numbered 6/25. |
| Size: | 8 X 5 |
| Matted | |
| Buy Now | Price: $325.00 US |
| Condition: | Printed upon pure rag paper with the 'B. F. K. Rives France' watermark and with full, deckled margins as published in 2003. Signed, dated, titled and numbered, '6/25', by the artist in pencil under the plate-mark. A finely printed impression with plate-tone and in excellent condition throughout. Calm represents a prime, original example of the art of Phyllis Sloane. |
Phyllis Sloane |
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| View Image: | |
| Title: | Ginna and Birds |
| Artist: | Sloane, Phyllis (Worcester, Massachusetts, 1921 - Santa Fe, 2009) |
| Date: | c. 1965 |
| Medium: | Original Ceramic Tile |
| Note: | A remarkably versatile artist, Phyllis Sloane has worked with such mediums as ceramics, porcelain, murals, etchings, silkscreens, lithographs, woodcuts, linocuts, monoprints and heat transfer prints. "Ginna and Birds" is an original ceramic tile by the American artist, Phyllis Sloane. |
| Size: | 6 3/4 X 3 |
| Matted | |
| Price: | Sold |
| Condition: | Signed by the artist in the tile to the lower right. In excellent condition throughout. "Ginna and Birds" represents a superb, original example of the fine art of Phyllis Sloane. |
Phyllis Sloane |
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| View Image: | |
| Title: | Ginna with Cat |
| Artist: | Sloane, Phyllis (Worcester, Massachusetts, 1921 - Santa Fe, 2009) |
| Date: | c. 1965 |
| Medium: | Original Ceramic Tile |
| Note: | During her career, Phyllis Sloane has worked with such mediums as ceramics, porcelain, mural painting, and many forms of original printmaking. This beautiful ceramic entitled, "Ginna with Cat" possibly portrays a member of the artist's family. |
| Size: | 6 3/4 X 3 |
| Matted | |
| Price: | Sold |
| Condition: | Signed by the artist in the tile to the lower right. In excellent condition throughout. "Ginna with Cat" represents a superb, original example of the fine art of Phyllis Sloane. |
Frederick Smallfield |
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| View Image: | |
| Title: | Supping on Horrors |
| Artist: | Smallfield, Frederick (London, 1829 - 1915) |
| Date: | 1861-62 |
| Medium: | Original Etching |
| Publisher: | Day & Son, London |
| Source: | Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862 |
| Size: | 4 3/4 X 7 |
| Framed | |
| Buy Now | Price: $565.00 US |
| Condition: | Printed upon wove paper and with full margins as published in Passages from Modern English Poets in 1862. This impression is in excellent condition throughout without a trace of foxing or staining. Supping on Horrors stands as a superb, original example of the Victorian genre art of Frederick Smallfield. Note: a reproduction of the original playbill for The Red Vial is included. |
Frederick Smallfield |
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| View Image: | |
| Title: | The Shoe-Black |
| Artist: | Smallfield, Frederick (London, 1829 - 1915) |
| Date: | 1861 |
| Medium: | Original Etching |
| Publisher: | Day & Son, London |
| Size: | 3 X 4 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon white wove paper and with full margins as published in London by Day & Son in 1861. Bearing the publisher's address and date along the lower margin. A fine, early impression and in excellent condition throughout. The Shoe-Black represents a superb, original example of the etched art of Frederick Smallfield. |
Frederick Smallfield |
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| View Image: | |
| Title: | Winter Revels |
| Artist: | Smallfield, Frederick (London, 1829 - 1915) |
| Date: | 1861-62 |
| Medium: | Original Etching |
| Publisher: | Day & Son, London |
| Source: | Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862 |
| Size: | 3 3/4 X 2 1/2 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon white wove paper and with full margins as published in London by Day & Son in 1861. Signed by the artist in the plate (lower margin). A fine, early impression and in excellent condition throughout. Winter Revels represents a superb, original example of the famous art of Frederick Smallfield. |
Douglas Ian Smart |
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| View Image: | |
| Title: | La Rochelle |
| Artist: | Smart, Douglas Ian (London, 1879 - 1970) |
| Date: | 1929 |
| Medium: | Original Drypoint Engraving |
| Size: | 9 1/4 X 14 1/2 |
| Matted | |
| Buy Now | Price: $325.00 US |
| Condition: | Printed upon hand-made watermarked paper and with large margins as published in London in 1929. Signed in the plate with the artist's monogramme (lower right corner) and signed in pencil under the plate-mark. A crisp, strong impression and in very good condition throughout. La Rochelle represents a prime, original example of the etched art of D. I. Smart. |
James David Smillie |
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| View Image: | |
| Title: | Detached Thoughts on Books |
| Artist: | Smillie, James David 'James D. Smillie' (New York City, 1833 - 1909) |
| Date: | 1883 (Published, 1884) |
| Medium: | Original Etching |
| Publisher: | G. P. Putnam’s Sons, New York |
| Edition: | Edition of five hundred impressions |
| Source: | "Essays of Elia", by Charles Lamb |
| Size: | 4 3/8 X 6 1/2 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon fine hand-made, laid paper and with full margins as commissioned by Putnam's in New York in 1884. Signed within the plate, "J. Smillie, June, 1883" to the upper right and bearing his number (24) to the lower left. A beautifully printed impression and in excellent condition throughout. "Detached Thoughts on Books" represents a prime, original example of the nineteenth century American etched art of James David Smillie. |
James David Smillie |
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| View Image: | |
| Title: | Lady of Cairo Visiting |
| Engraver: | Smillie, James David 'James D. Smillie' (New York City, 1833 - 1909) |
| Designer: | Bridgman, Frederick Arthur (Tuskegee, Alabama, 1847 - Rouen, France, 1928) |
| Date: | 1881 |
| Medium: | Original Etching |
| Publisher: | Dana Estes and Charles E. Lauriat, Boston |
| Source: | The American Art Review |
| Edition: | Edition of five hundred impressions |
| Size: | 9 1/2 X 7 3/4 |
| Matted | |
| Buy Now | Price: $195.00 US |
| Condition: | Printed upon fine china paper and pressed onto a large sheet of wove paper as published by Dana Estes and Charles E. Lauriat, Boston for The American Art Review in the limited edition of 500 impressions. Signed within the plate, "Smillie, N.Y., 1881" to the upper right and "F. A. Bridgman, 1880" to the lower right. Containing faint rippling within the china paper else a deeply printed, tonal impression with superb contrasts and in good condition throughout. Lady of Cairo Visiting represents a prime, original example of the nineteenth century American etched art of James David Smillie. |
James David Smillie |
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| View Image: | |
| Title: | The Sun Dial |
| Artist: | Smillie, James David 'James D. Smillie' (New York City, 1833 - 1909) |
| Date: | 1883 (Published, 1884) |
| Medium: | Original Etching |
| Publisher: | G. P. Putnam’s Sons, New York |
| Edition: | Edition of five hundred impressions |
| Source: | "Essays of Elia", by Charles Lamb |
| Size: | 4 1/2 X 6 1/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed on fine hand-made, laid paper and with full margins as commissioned by Putnam's in New York in 1884. Signed within the plate, "J. Smillie, 1883" to the lower left and bearing his number (22) to the lower right. A beautifully printed impression and in excellent condition throughout. "The Sun Dial" represents a prime, original example of the nineteenth century American etched art of James David Smillie. |
James David Smillie |
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| View Image: | |
| Title: | Up the Hill |
| Artist: | Smillie, James David 'James D. Smillie' (New York City, 1833 - 1909) |
| Date: | 1879 |
| Medium: | Original Etching |
| Publisher: | Dana Estes and Charles E. Lauriat, Boston |
| Source: | The American Art Review |
| Size: | 8 1/2 X 5 1/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon fine, laid paper as published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review". Signed by the artist with his characteristic signature in the lower left corner of the plate. A deeply printed, tonal impression and in excellent condition throughout. "Up the Hill" represents a superb, original example of the nineteenth century American art of James David Smillie. |
Adam Smith |
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| View Image: | |
| Title: | Netherhall, Essex, Plate One |
| Engraver: | Smith, Adam (Exhibited, London, 1768 - 1770) |
| Date: | 1775 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | Francis Grose's "The Antiquities of England and Wales" |
| Subject: | Netherhall, Essex, Roydon, gateway, 1280, messuage, manse, Waltham Abby, Alrichesey |
| Size: | 4 3/4 X 6 4/8 |
| Matted | |
| Buy Now | Price: $195.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving entitled, "Netherhall, Essex" is in excellent condition throughout and represents a prime example of the historically important art of "The Antiquities of England and Wales". |
Anker Smith |
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| View Image: | |
| Title: | James Thomson's "The Seasons: Summer" (A Set of Four Original Engravings) |
| Engraver: | Smith, Anker (London, 1759 - 1819) |
| Artist: | Metz, Johann Martin (Bonn, c. 1730 - London, 1800) |
| Artist: | Metz, Caroline (London, Active, 1773 - 1794) |
| Date: | 1792 |
| Medium: | Original Stipple and Line Engraving |
| Publisher: | John Murray, London |
| Source: | James Thomson's The Seasons |
| Size: | 7 X 4 1/2 |
| Matted | |
| Buy Now | Price: $785.00 US (A Set of Four Original Engravings) |
| Condition Information: | Each of the four engravings of "The Seasons" is printed upon late eighteenth century wove paper with margins extending about a quarter of an inch from the actual engravings on the top and the sides. Containing full margins with the publisher's address along the bottom. Apart from very slight foxing in the outer margins, all four engravings are in very good condition and represent a prime, original example of late eighteenth century British engraved art. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part - 3 |
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Benjamin Smith |
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| View Image: | |
| Title: | His most Gracious Majesty King George the Third |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Beechey, Sir William (Burford, Oxfordshire, 1753 - Hampstead, 1839) |
| Date: | 1804 (Artist Proof Impression) |
| Medium: | Original Stipple Engraving |
| Publisher: | John Boydell, London |
| Source: | Shakspeare Gallery |
| Edition: | This original stipple engraving is an 'Artist Proof Impression'. It is the earliest of states and was printed in only a handful of impressions. These impressions are identified not only by their vibrant lines and tones but by the fact that they lack any letters along the lower margin. |
| Size: | 23.9 X 16.8 |
| UnMatted | |
| Price: | 795.00 US |
| Condition: | Printed upon laid paper and with margins cropped to the image. Re-mounted (probably by the printer as there are registration pin pricks on all four corners) onto a full sheet of thick, hand-made, laid paper. Containing two horizontal creases within the image (probably due to the pressure of printing) and foxing and scuffing in the outer margins else a vibrant, early, artist proof impression and in very good condition throughout. His most Gracious Majesty King George the Third represents a superb, original example of the famous art of Boydell’s Shakespeare Gallery. |
Benjamin Smith |
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| View Image: | |
| Title: | King Richard The Second. Act IV, Scene I. King Richard, Bolingbroke, York, Aumerle, etc. |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Brown, Mather (Massachusetts, 1761 - London, 1831) |
| Date: | c. 1795 |
| Medium: | Original Stipple Engraving |
| Publisher: | John Boydell, London |
| Source: | Shakspeare Gallery |
| Edition: | Artist Proof Impression |
| Size: | 19 1/2 X 24 3/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon eighteenth century wove paper and with full margins as published by Boydell in London around 1795. Containing slight foxing in the upper margins else a vibrant impression bearing all the fine lines and tonal values of an initial artist proof impression. King Richard The Second. Act IV, Scene I. (King Richard, Bolingbroke, York, Aumerle, etc.) represents a superb, original example of the famous art of Boydell's Shakespeare Gallery. |
Benjamin Smith |
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| View Image: | |
| Title: | On the Death of a Fair Infant |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Westall, Richard (Hertford, 1765 - London, 1836) |
| Date: | 1797 |
| Medium: | Original Stipple Engraving |
| Publisher | J. & J. Boydell & G. Nicol, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside |
| Source: | The Poetical Works of John Milton |
| Note: | the stipple engravings for Boydell's "The Poetical Works of John Milton" are masterpieces of their kind. Benjamin Smith's "On the Death of a Fair Infant" is a wonderful example of both the beauty and force of the eighteenth century stipple technique. |
| Size: | 12 X 8 1/4 |
| Matted | |
| Buy Now | Price: $985.00 US |
| Condition: | Printed upon thick Whatman wove paper and with large, full margins as published by John and Josiah Boydell in Pall Mall in 1797. Containing slight foxing, most notably in the outer margins, else a rich, early impression and in excellent condition throughout. "On the Death of a Fair Infant" represents a superb, original example of late eighteenth century art of Benjamin Smith. |
Benjamin Smith |
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| View Image: | |
| Title: | Paradise Lost: Adam and Eve Banished from Paradise |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Westall, Richard (Hertford, 1765 - London, 1836) |
| Date: | 1795 |
| Medium: | Original Stipple Engraving |
| Publisher | J. & J. Boydell & G. Nicol, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside |
| Source: | The Poetical Works of John Milton |
| Size: | 10 1/4 X 6 1/4 |
| Matted | |
| Buy Now | Price: $985.00 US |
| Condition: | Printed upon thick Whatman wove paper and with large, full margins as published by John and Josiah Boydell in Pall Mall in 1795. Containing slight foxing, most notably in the outer margins, else a rich, early impression and in excellent condition throughout. "Adam and Eve Banished from Paradise" represents a superb, original example of late eighteenth century art of Benjamin Smith. |
Benjamin Smith |
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| View Image: | |
| Title: | Lycidas: A Poem by John Milton |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Westall, Richard (Hertford, 1765 - London, 1836) |
| Date: | 1797 |
| Medium: | Original Stipple Engraving |
| Publisher | J. & J. Boydell & G. Nicol, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside |
| Source: | The Poetical Works of John Milton |
| Size: | 10 X 6 1/8 |
| Matted | |
| Buy Now | Price: $895.00 US |
| Condition: | Printed upon thick Whatman wove paper and with large, full margins as published by John and Josiah Boydell in Pall Mall in 1797. Containing slight foxing, most notably in the outer margins, else a rich, early impression and in excellent condition throughout. Lycidas (A poem by John Milton) represents a superb, original example of late eighteenth century art of Benjamin Smith. |
Benjamin Smith |
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| View Image: | |
| Title: | Paradise Regained: The Fall of Satan |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Westall, Richard (Hertford, 1765 - London, 1836) |
| Date: | 1797 |
| Medium: | Original Stipple Engraving |
| Publisher | J. & J. Boydell & G. Nicol, Shakspeare Gallery, Pall Mall; & No. 90, Cheapside |
| Source: | The Poetical Works of John Milton |
| Size: | 10 1/4 X 6 1/4 |
| Matted | |
| Buy Now | Price: $1,200.00 US |
| Condition: | Printed upon thick Whatman wove paper and with large, full margins as published by John and Josiah Boydell in Pall Mall in 1795. Containing very slight foxing in the outer margins else a rich, early impression and in excellent condition throughout. "Paradise Regained: The Fall of Satan" represents a superb, original example of late eighteenth century British art. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part - 4 |
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Benjamin Smith |
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| View Image: | |
| Title: | Shakespeare Seated Between the Dramatic Muse and the Genius of Painting. The Alto Relievo. Statue situated in front of Boydell's gallery in Pall Mall. |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Banks, Thomas (London, 1735 - 1805) |
| Date: | 1796 |
| Medium: | Original Stipple Engraving |
| Publisher: | John Boydell, London |
| Edition: | First Edition Impression |
| Source: | Shakspeare Gallery |
| Size: | 22 1/8 X 16 1/4 |
| UnMatted | |
| Price: | 725.00 US |
| Condition: | Printed upon thick wove paper and with full margins as published by Boydell in London in 1796. Containing a horizontal crease within the image (probably due to the pressure of printing) as well as overall soiling, else a vibrant, early first edition impression and in fair condition throughout. Shakespeare Seated Between the Dramatic Muse and the Genius of Painting (The Alto Relievo. Statue situated in front of Boydell's gallery in Pall Mall) represents a superb, original example of the famous art of Boydell's Shakespeare Gallery. |
Benjamin Smith |
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| View Image: | |
| Title: | Shakspeare Nursed by Tragedy And Comedy. |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Romney, George (Lancashire, 1734 - London, 1802) |
| Date: | 1803 |
| Medium: | Original Stipple Engraving |
| Publisher: | John Boydell, London |
| Edition: | First Edition Impression |
| Source: | Shakspeare Gallery |
| Size: | 14 1/8 X 17 3/8 |
| Matted | |
| Buy Now | Price: $935.00 US |
| Condition: | Printed upon thick wove paper and with full margins as published by Boydell in London in 1803. Containing slight creasing with the image (probably due to the pressure of printing) else a vibrant, early first edition impression and in very good condition throughout. Shakspeare Nursed by Tragedy And Comedy represents a superb, original example of the famous art of Boydell's Shakespeare Gallery. |
Benjamin Smith |
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| View Image: | |
| Title: | The Tempest. Act I, Scene I. The Enchanted Island: Before the Cell of Prospero. Prospero and Miranda. |
| Engraver: | Smith, Benjamin (London, 1754 - 1833) |
| Designer: | Romney, George (Lancashire, 1734 - London, 1802) |
| Date: | 1797 |
| Medium: | Original Stipple Engraving |
| Publisher: | John Boydell, London |
| Source: | Shakspeare Gallery |
| Edition: | Original First Edition Impression |
| Size: | 19 1/2 X 25 |
| UnMatted | |
| Buy Now | Price: $1,150.00 US |
| Condition: | Printed upon thick wove paper with the '1794 Whatman' watermark and with full margins as published by Boydell in London in 1797. Containing a vertical crease within the image (probably due to the pressure of printing) and slight foxing in the outer margins else a vibrant, early first edition impression and in very good condition throughout. The Tempest. Act I, Scene I. The Enchanted Island: Before the Cell of Prospero represents a superb, original example of the art by Benjamin Smith & George Romney created for John Boydell’s famous Shakespeare Gallery. |
Charles Hamilton Smith |
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| View Image: | |
| Title: | The Fronted Dolphin |
| Artist: | Smith, Charles Hamilton (East Flanders, 1776 - Plymouth, 1859) |
| Date: | 1826 |
| Medium: | Original Etching & Engraving |
| Publisher: | G. B. Whittaker, London |
| Source: | The Natural History of the Human Species |
| Size: | 4 3/4 X 8 |
| Matted | |
| Price: | Sold |
| Condition: | Printed on early nineteenth century wove paper and with full margins as published by Whittaker in London in 1826. Apart from slight spotting in the lower margins this is a strongly printed, early impression and in excellent condition throughout. |
Lawrence Beall Smith |
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| View Image: | |
| Title: | Demolition |
| Artist: | Smith, Lawrence Beall (Washington, D. C., 1909 - Cross River, New York, 1993) |
| Date: | 1985 |
| Medium: | Original Lithograph |
| Edition: | Limited edition of one hundred impressions, numbered 75/100. |
| Size: | 14 X 7 5/8 |
| Matted | |
| Buy Now | Price: $495.00 US |
| Condition: | Printed upon white pure rag paper with the 'BFK Rives France' watermark and with full, deckled margins as published in New York in the limited edition of 100 signed impressions. Signed, titled, dated and numbered, '75/100' by the artist in pencil along the lower margin. A finely printed impression and in excellent condition throughout. Demolition represents a prime, original example of the famous lithographic art of Lawrence Beall Smith. |
Lawrence Beall Smith |
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| View Image: | |
| Title: | Harbor Scene |
| Artist: | Smith, Lawrence Beall (Washington, D. C., 1909 - Cross River, New York, 1993) |
| Date: | c. 1960 |
| Medium: | Original Lithograph |
| Publisher: | Associated American Artists, New York |
| Edition: | Limited edition of two hundred and fifty impressions, numbered 39/250. |
| Size: | 10 3/8 X 14 |
| Matted | |
| Buy Now | Price: $285.00 US |
| Condition: | Printed upon wove paper and with full margins as published in New York in the limited edition of 250 signed impressions. Signed, titled and numbered, '39/250', by the artist in pencil along the lower margin. Backed on board by a previous framer but showing no sign of deterioration or staining. Else, a finely printed impression with strong contrasts and in excellent condition throughout. Harbor Scene represents a prime, original example of the famous lithographic art of Lawrence Beall Smith. |
Lawrence Beall Smith |
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| View Image: | |
| Title: | The Chase |
| Artist: | Smith, Lawrence Beall (Washington, D. C., 1909 - Cross River, New York, 1993) |
| Date: | c. 1960 - 1970 |
| Medium: | Original Lithograph |
| Publisher: | Associated American Artists, New York |
| Edition: | Limited edition of two hundred and fifty impressions, numbered 117/250. |
| Size: | 9 3/4 X 13 3/4 |
| Matted | |
| Buy Now | Price: $425.00 US |
| Condition: | Printed upon white wove paper and with full margins as published in New York in the limited edition of 250 signed impressions. Signed, titled and numbered, '117/250' by the artist in pencil along the lower margin. A finely printed impression and in excellent condition throughout. The Chase represents a prime, original example of the famous lithographic art of Lawrence Beall Smith. |
| The original presentation sticker from the Associated American Artists is included. | |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part - 5 |
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Barbara Martin Smith |
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| View Image: | |
| Title: | Rhythms |
| Artist: | Smith, Barbara Martin (St. Louis, Missouri, Born, 1945) |
| Date: | 1979 |
| Medium: | Original Graphite Drawing |
| Size: | 21 X 29 |
| UnMatted | |
| Buy Now | Price: $625.00 US |
| Condition: | Drawn upon a large sheet of smooth, archival paper and with full margins as created by the artist in 1979. Signed by Smith in the lower right corner and dated and titled by her in the lower left corner. Rhythms is in excellent condition throughout and represents an impressive, original example of the art of Barbara Martin Smith. |
Leslie Smith |
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| View Image: | |
| Title: | Het Loo (View of the Gardens of the Dutch Royal Palace) |
| Artist: | Smith, Leslie (England, Born, 1948) |
| Date: | 1991 |
| Medium: | Original Silkscreen |
| Publisher: | Four Star Editions, New Jersey |
| Printer: | Kip Gresham, Chilford Manor |
| Edition: | Limited edition of three hundred impressions, numbered 126/300. |
| Size: | 21 5/8 X 27 1/2 |
| UnMatted | |
| Buy Now | Price: $565.00 US |
| Condition: | Printed upon fine, hand-made laid paper bearing the 'Arches France' watermark and with full, deckled margins as published in 1991. Signed, dated and numbered, '126/300' by the artist in pencil along the lower margin. A finely printed impression and in excellent condition throughout. Het Loo is a superb, original example of the art of Leslie Smith. |
Leslie Victor Smith |
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| View Image: | |
| Title: | Ex-Libris J. Edouard Diamond |
| Artist: | Smith, Leslie Victor 'Monogramme L. V. S.' (Simcoe, Ontario, Canada, 1880 - Toronto?, 1952) |
| Date: | 1939 |
| Medium: | Original Etching & Engraving |
| Source: | Ex-Libris - Jack Edouard Diamond |
| Size: | 4 X 3 |
| Framed | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed upon wove paper and with full margins as published in 1939. Dated and signed by Leslie Victor Smith with his 'LVS' monogram within the plate. A fine impression and in excellent condition throughout. Ex Libris J. Edouard Diamond represents a beautiful, original example of the art of Leslie Victor Smith. |
Anne Smith Hook |
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| View Image: | |
| Title: | Flamingo Flower |
| Artist: | Smith Hook, Anne (Ireland, 1900 - Toronto, 1978) |
| Date: | c. 1950 |
| Medium: | Original Linocut |
| Publisher: | Anne Smith Hook, Toronto |
| Note: | Printed in key colours of green, yellow, brown and red tones, "Flamingo Flower" is a striking example of Anne Smith Hook's original art. Signed and titled in pencil it also bears the artist's 'A. H.' monogramme within the linocut to the lower left corner. |
| Size: | 11 5/8 X 6 |
| Matted | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed upon Japanese mulberry (rice) paper and with full margins as printed by the artist around 1950. Signed and titled by Anne Smith Hook in pencil along the lower margin and bearing her monogramme within the image to the lower left. Containing slight creasing in the outer margins else a strongly printed impression with full, unfaded colours and in very good condition throughout. "Flamingo Flower" represents a prime, original example of the art of Anne Smith Hook. |
| Description | Botanical, study, art, artist, wild flower, linocut, linoleum cut, colour relief print, Flamingo flower. |
Anne Smith Hook |
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| View Image: | |
| Title: | Lilac in February |
| Artist: | Smith Hook, Anne (Ireland, 1900 - Toronto, 1978) |
| Date: | c. 1955 |
| Medium: | Original Linocut |
| Publisher: | Anne Smith Hook, Toronto |
| Size: | 7 3/4 X 5 7/8 |
| Matted | |
| Buy Now | Price: $265.00 US |
| Condition: | Printed upon Japanese mulberry (rice) paper and with full margins as printed by the artist around 1955. Signed and titled by Anne Smith Hook in pencil along the lower margin and bearing her monogramme within the image. Apart from marginal creasing along the right margin (away from the actual linocut), this is a beautifully printed impression with full, unfaded colours and in very good condition throughout. Lilac in February represents a prime, original example of the Canadian art of Anne Smith Hook. |
Anne Smith Hook |
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| View Image: | |
| Title: | Milkweed Pods |
| Artist: | Smith Hook, Anne (Ireland, 1900 - Toronto, 1978) |
| Date: | c. 1950 |
| Medium: | Original Linocut |
| Publisher: | Anne Smith Hook, Toronto |
| Note: | Rebirth and regeneration are key elements of Anne Smith Hook's botanical art. In "Milkweed Pods" life begins anew with the subtle movements of released, airborne seeds. |
| Size: | 9 X 5 3/4 |
| Matted | |
| Buy Now | Price: $265.00 US |
| Condition: | Printed upon Japanese mulberry (rice) paper and with full margins as printed by the artist around 1950. Signed by Anne Smith Hook in pencil along the lower margin and bearing her 'A H' monogramme within the image to the lower right. A beautifully printed impression with full, unfaded colours and in very good condition throughout. "Milkweed Pods" represents a prime, original example of the botanical art of Anne Smith Hook. |
| Description: | Milkweed, cow parsley, seeds, pods, linocut in browns and white, botanical, art, artist, Canadian. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part - 6 |
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Anne Smith Hook |
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| View Image: | |
| Title: | Rhododendron |
| Artist: | Smith Hook, Anne (Ireland, 1900 - Toronto, 1978) |
| Date: | c. 1950 - 1960 |
| Medium: | Original Linocut |
| Publisher: | Anne Smith Hook, Toronto |
| Size: | 10 X 7 3/4 |
| Matted | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed upon Japanese mulberry (rice) paper and with full margins as printed by the artist around 1950 to 1960. Signed and titled by Anne Smith Hook in pencil along the lower margin. A beautifully printed impression with full, unfaded colours and in very good condition throughout. Rhododendron represents a prime, original example of the art of Anne Smith Hook. |
Anne Smith Hook |
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| View Image: | |
| Title: | Snapdragon |
| Artist: | Smith Hook, Anne (Ireland, 1900 - Toronto, 1978) |
| Date: | c. 1950 |
| Medium: | Original Linocut |
| Publisher: | Anne Smith Hook, Toronto |
| Note: | Printed in brown and white, "Snapdragon" displays Anne Smith Hook's ability to capture strong design elements within a naturalistic setting. Signed in pencil along the lower margin it is also signed 'Hook' within the image. |
| Size: | 8 1/2 X 3 1/2 |
| Matted | |
| Buy Now | Price: $195.00 US |
| Condition: | Printed upon Japanese mulberry (rice) paper and with full margins as printed by the artist around 1950. Signed by Anne Smith Hook in pencil along the lower margin and bearing her 'Hook' signature within the image to the lower right. A beautifully printed impression with full, unfaded colours and in very good condition throughout. "Snapdragon" represents a prime, original example of the botanical art of Anne Smith Hook. |
Anne Smith Hook |
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| View Image: | |
| Title: | Wild Orchids |
| Artist: | Smith Hook, Anne (Ireland, 1900 - Toronto, 1978) |
| Date: | c. 1950 |
| Medium: | Original Linocut |
| Publisher: | Anne Smith Hook, Toronto |
| Size: | 9 3/8 X 6 3/4 |
| Matted | |
| Buy Now | Price: $325.00 US |
| Condition: | Printed upon Japanese mulberry (rice) paper and with full margins as printed by the artist around 1950. Signed and titled by Anne Smith Hook in pencil along the lower margin and bearing her 'A H' monogramme within the image to the lower left. A beautifully printed impression with full, unfaded colours and in very good condition throughout. "Wild Orchids" represents a prime, original example of the art of Anne Smith Hook. |
Eugene Joseph Henri Smits |
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| View Image: | |
| Title: | La Lettre (The Letter) |
| Artist: | Smits, Eugene Joseph Henri 'Eugene Smits' (Antwerp, 1826 - Brussels, 1912) |
| Date: | 1866 |
| Medium: | Original Etching |
| Publisher: | Societe des Aqua-Fortistes, Paris |
| Printer: | Auguste Delatre, Paris |
| Edition: | Proof Impression, Before the Addition of the Publisher's Address. |
| Size: | 12 1/4 X 9 1/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon laid paper with the 'Aqua-Fortistes' watermark and with full, deckled margins as published by Cadart in 1866. As one would expect from a proof impression this original etching is finely printed with full, strong tonal values and is in excellent condition throughout. La Lettre (The Letter) represents a prime, original example of the famous etched art of Eugene Smits. |
Ethel Smul |
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| View Image: | |
| Title: | Mardi Gras |
| Artist: | Smul, Ethel Lubell (New York City, 1892 - 1978) |
| Date: | c. 1935 |
| Medium: | Original Lithograph |
| Edition: | Limited edition of twenty-four impressions, numbered 2/24. |
| Size: | 13 1/2 X 9 1/2 |
| Matted | |
| Price: | Sold |
| Condition: | Printed on wove paper and with full margins as created by the artist in New York around 1935. Containing slight staining to the outer margins (under the matte), else a rich impression and in excellent condition throughout. Signed, titled and numbered '2/24' by the artist in pencil along the lower margin. Mardi Gras is both a scarce and prime example of the American graphic art of Ethel Smul. |
George Snell |
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| View Image: | |
| Title: | Lillebonne en 1848 |
| Artist: | Snell, George (United States, 1820 - 1893) |
| Date: | 1866 |
| Medium: | Original Etching |
| Publisher: | Societe des Aqua-Fortistes, Paris |
| Printer: | Auguste Delatre, Paris |
| Edition: | Proof Impression, Before the Addition of the Publisher's Address |
| Size: | 14 5/8 X 9 3/4 |
| Matted | |
| Buy Now | Price: $325.00 US |
| Condition: | Printed upon laid paper with the 'Aqua-Fortistes' watermark and with full, deckled margins as published by Cadart in 1866. Signed, "G. Snell", in the plate to the lower right. Containing slight rubbing within the plate along the mid right margin, else a strongly printed proof impression and in very good condition throughout. Lillebonne en 1848 represents a prime, original example of the art of George Snell. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part 7 |
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Jean Solombre |
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| View Image: | |
| Title: | Approaching the Mountains |
| Artist: | Solombre, Jean (Paris, France, born, 1948) |
| Date: | 1978 |
| Medium: | Original Aquatint Engraving |
| Edition: | “H.C. (Hors Commerce) 11/6”, (Artist Proof Impression) |
| Size: | 15 5/8 X 15 5/8 |
| UnMatted | |
| Buy Now | Price: $450.00 US |
| Condition: | Printed on pure rag, ‘Arches’ paper and with full, deckled margins as published in 1978. Signed, dated and annotated, “H.C. (Hors Commerce) 11/6”, by the artist in pencil along the lower margin. A fine full colour impression and in excellent condition throughout. "Approaching the Mountains" represents a prime example of the contemporary landscape art of Jean Solombre. |
Jean Solombre |
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| View Image: | |
| Title: | Early Morning |
| Artist: | Solombre, Jean (Paris, France, born, 1948) |
| Date: | 1988 |
| Medium: | Original Aquatint Engraving |
| Publisher: | John Szoke Graphics, New York |
| Edition: | Limited edition of ninety & twenty Artist Proof impressions, Inscribed 'EA II/XX' |
| Size: | 16 X 15 1/2 |
| UnMatted | |
| Buy Now | Price: $450.00 US |
| Condition: | Printed on pure rag, 'Arches' paper and with full, deckled margins as published in New York by John Szoke Graphics in 1988. Signed, dated and numbered, 'EA II/XX', by the artist in pencil along the lower margin. It is a fine full colour impression and in excellent condition throughout. This original aquatint engraving represents a prime example of the famous contemporary graphic art of Jean Solombre. |
Jean
Solombre |
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| View Image: | |
| Title: | Morning Earth |
| Artist: | Solombre, Jean (Paris, France, born, 1948) |
| Date: | 1988 |
| Medium: | Original Aquatint Engraving |
| Publisher: | John Szoke Graphics, New York |
| Edition: | Limited edition of ninety & twenty Artist Proof impressions, numbered 85/90. |
| Size: | 17 3/4 X 15 3/4 |
| UnMatted | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed on pure rag, 'Arches' paper and with full, deckled margins as published in New York by John Szoke Graphics in 1988. Signed, dated and numbered (85/90) by the artist in pencil along the lower margin. It is a fine full colour impression and in excellent condition throughout. This original aquatint engraving represents a prime example of the famous contemporary art of Jean Solombre. |
Bernard Alan Solomon 'Bernard Solomon', |
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| View Image: | |
| Title: | Head Study |
| Artist: | Solomon, Bernard Alan 'Bernard Solomon' (Born, Chicago, 1946 - Died, Statesboro, Georgia, 1995) |
| Date: | c. 1975 |
| Medium: | Original Woodcut |
| Edition: | Limited edition of twenty impressions, numbered '1/20'. |
| UnMatted | |
| Size: | 18 1/4 X 13 |
| Buy Now | Price: $425.00 US |
| Condition: | Printed upon fine, rag paper and with full, deckled margins as published around the above date. Signed and numbered, '1 /20', by the artist in pencil along the lower margin. A strongly printed impression and in fine condition throughout. "Head Study" represents a prime, original example of the art of Bernard Solomon. |
Bernard Alan Solomon 'Bernard Solomon', |
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| View Image: | |
| Title: | Old Macedonian |
| Artist: | Solomon, Bernard Alan 'Bernard Solomon' (Born, Chicago, 1946 - Died, Statesboro, Georgia, 1995) |
| Date: | c. 1969 |
| Medium: | Original Wood Engraving |
| Source: | Student Independent 8 |
| Edition: | Limited edition of two hundred impressions. |
| Matted | |
| Size: | 6 7/8 x 4 3/4 |
| Buy Now | Price: $265.00 US |
| Condition: | Printed upon fine, rag paper and with full, deckled margins as published on the above date. Signed, titled, dated and noted, ‘200 Imp.’, by the artist in pencil along the lower margin. A strongly printed impression and in fine condition throughout. "Old Macedonian represents" a prime, original example of the art of Bernard Solomon. |
Benedict Soltys 'Ben Soltys' |
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| View Image: | |
| Title: | Landscape (Abstract Composition) |
| Artist: | Soltys, Benedict 'Ben Soltys' (Born, Cleveland, Ohio, 1911 - Died, Erie Pennsylvania, 2004) |
| Date: | 1956 |
| Medium: | Original Pastel Drawing |
| Size: | 14 1/2 X 21 1/4 |
| Matted | |
| Buy Now | Price: $595.00 US |
| Condition: | Drawn on wove paper and with full margins. Signed and dated by the artist to the lower right. In fine condition throughout without a trace of light toning or discoloration. Altogether Landscape represents a prime example of the art of Ben Soltys. |
Benedict Soltys 'Ben Soltys' |
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| View Image: | |
| Title: | Salerno Beach, Italy |
| Artist: | Soltys, Benedict 'Ben Soltys' (Born, Cleveland, Ohio, 1911 - Died, Erie Pennsylvania, 2004) |
| Date: | 1951 |
| Medium: | Original Watercolor |
| Provenance: | This original watercolor of Salerno Beach, Italy was Formerly in the collection of the Associated American Artists, New York. Since its creation in the mid 1930's the Associated American Artists commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the years following the Second World War as contributing artists included Robert Bero, David Shapiro, Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Gregory Masurovsky, Jack Coughlin and Sidney Chafetz. Besides publishing art, the A.A.A. also ran a large gallery on Fifth Avenue where important paintings, watercolors, drawings and prints were sold. |
| Reference: | Information courtesy of the artist's son, Gregory Benedict Soltys. |
| Size: | 14 X 20 |
| Matted | |
| Price: | Sold |
| Condition: | Painted on archival, pure rag paper and with full margins. Signed and dated by the artist to the lower right and containing the aforementioned information on the verso. In fine condition throughout without a trace of light toning or discoloration. Altogether Salerno Beach represents a prime example of the landscape art of Benedict Soltys 'Ben Soltys'. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part 8 |
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Pieter van Sompel and Pieter Soutman |
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| View image: | |
| Title: | Albertus I, Imperator (Emperor Albert I) |
| Engraver: | Sompel, Pieter van (Antwerp, c. 1600 - Haarlem, after 1644) |
| Etcher: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Designer: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Medium: | Original Etching & Engraving (Third State of Four) |
| Publisher: | Frederick de Wit |
| Date: | Date: 1644 (Frederick de Wit Edition: c. 1660 - 1680) |
| Raisonne: | K. G. Boon, ed., Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts, Van Gendt B.V., Blaricum, 1984. Volume 27, pp. 209 - 213. Catalogue #14. Third State of Four, as described. |
| Size: | 17 1/2 X 14 |
| Matted with 100% Archival Materials | |
| Buy Now | Price: $325.00 US |
| Condition: | Printed on seventeenth century hand-made, laid paper and trimmed to the plate-mark, as usual. Impressions from Frederick de Wit's edition contain both vertical and horizontal fold marks to accommodate the size of the text of Effigies imperatorum domus Austriacae. Such is the case with this original engraving. Slight paper loss (within the robe of Rudolph) has occurred at the junction of the fold lines. As well, a large, horizontal tear to the lower left has been restored by a former owner. Else this original seventeenth century engraving is very well printed and in fair condition throughout. Altogether, Albertus I, Imperator (Emperor Albert I) represents a fine, original example of the engraved art of Pieter van Sompel and the etching and design techniques of Pieter Claesz Soutman. |
| Note: | Information concerning Pieter Soutman's dual role as both the designer and etcher of the borders was obtained from the British Museum. Their impression of Suyderhoef's Albertus II (Albert II), which is the fourth plate of Effigies imperatorum domus Austriacae, contains these words under the Curator's comments, "The portraits are engraved by Jonas Suyderhoef (Hollstein nos. 49-50) and Pieter van Sompel (Hollstein 14-24); while the ornamental borders are etched by Pieter Soutman, who also published the series in Haarlem in 1644." This may be viewed online under the British Museum Registration Number: 1867,0413.609. |
Pieter van Sompel and Pieter Soutman |
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| View image: | |
| Title: | Carolus V, Imperator (Emperor Charles the Fifth) |
| Engraver: | Sompel, Pieter van (Antwerp, c. 1600 - Haarlem, after 1644) |
| Etcher: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Designer: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Date: | Date: 1644 (Frederick de Wit Edition: c. 1660 - 1680) |
| Medium: | Original Etching & Engraving (Third State of Four) |
| Publisher: | Frederick de Wit |
| Raisonne: | K. G. Boon, ed., Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts, Van Gendt B.V., Blaricum, 1984. Volume 27, pp. 209 - 213. Catalogue #15. Third State of Four, as described. |
| Size: | 17 3/8 X 14 1/4 |
| Matted | |
| Buy Now | Price: $495.00 US |
| Condition: | Printed on seventeenth century hand-made, laid paper and trimmed to the plate-mark, as usual. Impressions from Frederick de Wit's edition contain both vertical and horizontal fold marks to accommodate the size of the text of Effigies imperatorum domus Austriacae. Such is the case with this original engraving. Else this original seventeenth century engraving is very well printed and in excellent condition throughout. Altogether, Carolus V, Imperator (Emperor Charles V) represents a fine, original example of the engraved art of Pieter van Sompel and the etching and design techniques of Pieter Claesz Soutman. |
Pieter van Sompel and Pieter Soutman |
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| View image: | |
| Title: | Maximilianus I, Imperator (Emperor Maximilian I) |
| Engraver: | Sompel, Pieter van (Antwerp, c. 1600 - Haarlem, after 1644) |
| Etcher: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Designer: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Medium: | Original Etching & Engraving (Third State of Four) |
| Publisher: | Frederick de Wit |
| Date: | Date: 1644 (Frederick de Wit Edition: c. 1660 - 1680) |
| Raisonne: | K. G. Boon, ed., Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts, Van Gendt B.V., Blaricum, 1984. Volume 27, pp. 209 - 213. Catalogue #21. Third State of Four, as described. |
| Size: | 17 3/8 X 14 |
| Matted | |
| Buy Now | Price: $365.00 US |
| Condition: | Printed on seventeenth century hand-made, laid paper and trimmed to the plate-mark, as usual. Impressions from Frederick de Wit's edition contain both vertical and horizontal fold marks to accommodate the size of the text of "Effigies imperatorum domus Austriacae". Such is the case with this original engraving. An ink spot may be seen within the oval of the portrait to the left. As well, a large, horizontal tear to the lower left has been finely restored by a former owner. Else this original seventeenth century engraving is very well printed and in fair condition throughout. Altogether, "Maximilianus I, Imperator" (Emperor Maximilian I) represents a fine, original example of the engraved art of Pieter van Sompel and the etching and design techniques of Pieter Claesz Soutman. |
Pieter van Sompel and Pieter Soutman |
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| View image: | |
| Title: | Maximilianus II, Imperator (Emperor Maximilian II) |
| Engraver: | Sompel, Pieter van (Antwerp, c. 1600 - Haarlem, after 1644) |
| Etcher: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Designer: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Medium: | Original Etching & Engraving (Third State of Four) |
| Publisher: | Frederick de Wit |
| Date: | Date: 1644 (Frederick de Wit Edition: c. 1660 - 1680) |
| Source: | Effigies imperatorum domus Austriacae |
| Raisonne: | K. G. Boon, ed.,"Hollstein’s Dutch and Flemish Etchings", Engravings and Woodcuts, Van Gendt B.V., Blaricum, 1984. Volume 27, pp. 209 - 213. Catalogue #22. Third State of Four, as described. |
| Size: | 17 3/8 X 14 |
| Matted | |
| Buy Now | Price: $465.00 US |
| Condition: | Printed on seventeenth century hand-made, laid paper and trimmed to the plate-mark, as usual. Slight staining is visible within the title and a tiny 1/2 inc tape on back by previous owner . Impressions from Frederick de Wit's edition contain both vertical and horizontal fold marks to accommodate the size of the text of "Effigies imperatorum domus Austriacae". Such is the case with this original engraving. Else this original seventeenth century engraving is very well printed and in excellent condition throughout. Altogether, "Maximilianus II, Imperator" (Emperor Maximilian II) represents a fine, original example of the engraved art of Pieter van Sompel and the etching and design techniques of Pieter Claesz Soutman. |
Pieter van Sompel and Pieter Soutman |
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| View image: | |
| Title: | Rudolphus I, Nascitur Comes Habsburgicus (Rudolph I, Founder and Count of Habsburg) |
| Engraver: | Sompel, Pieter van (Antwerp, c. 1600 - Haarlem, after 1644) |
| Etcher: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Designer: | Soutman, Pieter Claesz (Haarlem, 1580 - 1657) |
| Medium: | Original Etching & Engraving (Third State of Four) |
| Publisher: | Frederick de Wit |
| Date: | Date: 1644 (Frederick de Wit Edition: c. 1660 - 1680) |
| Raisonne: | K. G. Boon, ed., Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts, Van Gendt B.V., Blaricum, 1984. Volume 27, pp. 209 - 213. Catalogue #23. Third State of Four, as described. |
| Size: | 17 1/2 X 14 1/4 |
| Matted | |
| Buy Now | Price: $495.00 US |
| Condition: | Printed on seventeenth century hand-made, laid paper and trimmed to the plate-mark, as usual. Impressions from Frederick de Wit's edition contain both vertical and horizontal fold marks to accommodate the size of the text of "Effigies imperatorum domus Austriacae". Such is the case with this original engraving. Slight paper loss (within the robe of Rudolph) has occurred at the junction of the fold lines. As well, minor, restored tears exist along the lower margin. Else this original seventeenth century engraving is very well printed and in good condition throughout. Altogether, "Rudolphus I, Nascitur Comes Habsburgicus" (Rudolph I, Founder and Count of Habsburg) represents a fine, original example of the engraved art of Pieter van Sompel and the etching and design techniques of Pieter Claesz Soutman. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part 9 |
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Vittoro Soto |
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| View image: | |
| Title: | Figure Forms |
| Artist: | Soto, Vittoro (Italian, 20th c.) |
| Date: | c. 1970 |
| Medium: | Original Colour Lithograph |
| Edition: | Limited edition of one hundred impressions, numbered 17/100. |
| Size: | 27 X 19 1/2 |
| UnMatted | |
| Buy Now | Price: $465.00 US |
| Condition: | Printed upon fine, hand-made laid paper and with full margins as published in Italy around 1970. Signed in pencil by the artist and numbered '17/100' along the lower margin. Containing one small-restored tear (lower centre margin) and several faint scrapes. Else, it is a strongly printed impression and in good condition throughout. |
Joseph Paul Marius Soumy |
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| View Image: | |
| Title: | Forges d'Allevar en Dauphine (Forges of Allevar in Dauphiny) |
| Artist: | Soumy, Joseph Paul Marius 'Joseph Soumy' (Puy, 1831 - Saint-Genis-Laval, 1863) |
| Date: | c. 1862 |
| Medium: | Original Etching |
| Publisher: | Macmillan and Co., London |
| Source: | Etching and Etchers by Philip Gilbert Hamerton, 1880 |
| Size: | 4 3/8 X 6 7/8 |
| Matted | |
| Buy Now | Price: $245.00 US |
| Condition: | Printed on laid, hand-made paper and with full, deckled margins as published by Macmillan and Co., London for Philip Gilbert Hamerton's Etching and Etchers in 1880. Titled and signed, ' Soumy', in the plate along the lower margin. A brilliantly printed impression and in very good condition throughout. Forges d'Allevar en Dauphine represents a superb, original example of the etched art of Joseph Paul Marius Soumy. |
Pieter Soutman & Jonas Suyderhoef |
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| View image: | |
| Title: | Imperator Fredericus III (Emperor Frederick III, Frederick the Fair) |
| Engraver: | Jonas Suyderhoef (Haarlem, 1613 - 1686) |
| Etcher: | Pieter Claesz Soutman (Haarlem, 1580 - 1657) |
| Designer: | Pieter Claesz Soutman (Haarlem, 1580 - 1657) |
| Publisher: | Pieter Claesz Soutman |
| Medium: | Original Etching & Engraving (First State of Four) |
| Date: | 1644 |
| Publisher: | Pieter Claesz Soutman |
| Source: | Effigies imperatorum domus Austriacae |
| Size: | 16 3/4 X 13 1/2 |
| Framed | |
| Buy Now | Price: $985.00 US |
| Condition: | Printed on early seventeenth century hand-made, laid paper and trimmed to the plate-mark, as usual. A vertical fold mark exists in the left-hand portion of the image, as these large engravings were folded to accommodate the size of the text of "Effigies imperatorum domus Austriacae". Very slight staining exists along the extreme lower, upper and right-hand margins, else in very good condition throughout. As noted earlier, this is a fine impression of Hollstein’s first state of four. Altogether, "Imperator Fredericus III" (Emperor Frederick III, Frederick the Fair) represents a superb, original example of the engraved art of Jonas Suyderhoef and the etched art of Pieter Claesz Soutman. |
James Sowerby |
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| View Image: | |
| Title: | Erysimum Officinale (Hedge Mustard) |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | C. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Note: | "Erysimum officinale" is the common Hedge Mustard. In 17th century France this mustard was also known as the 'Singer's Plant' because it was believed it could cure loss of voice and other throat ailments. "Erysimum Officinale (Hedge Mustard) is an original engraving by James Sowerby published by William Curtis around 1788 for the "Flora Londinensis". |
| Size: | 17 3/4 X 10 |
| Matted | |
| Price: | 295.00 US |
| Condition: | Printed upon fine laid eighteenth century paper and with full margins as published in London on the above date. In fine condition throughout and retaining its full, unfaded range of colouration. This original eighteenth century etching entitled, "Erysimum Officinale" (Hedge Mustard) stands as a superb example of the famous art of the "Flora Londinensis". |
James Sowerby |
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| View Image: | |
| Title: | Fumaria Officinalis (Common Fumitory) |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | C. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Size: | 12 1/4 X 9 1/2 |
| Matted | |
| Price: | 295.00 US |
| Condition: | Printed upon fine laid eighteenth century paper and with full margins as published in London on the above date. In fine condition throughout and retaining its full, unfaded range of colouration. This original eighteenth century etching entitled, "Fumaria Officinalis" (Common Fumitory) stands as a superb example of the famous art of the "Flora Londinensis". |
James Sowerby |
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| View Image: | |
| Title: | Malva Rotundifolia |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Source: | Flora Londinensis |
| Note: | Botanical |
| Size: | 9 1/8 X 14 1/2 |
| Framed | |
| Buy Now | Price: $450.00 US |
| Condition: | Printed on fine, hand-made, watermarked 18th century laid paper and with full margins as published in London on the above date. It is in excellent condition throughout and retaining its brilliant, unfaded hand colouring. This original eighteenth century etching stands as a superb example of the famous art of the Flora Londinensis. |
James Sowerby |
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| View Image: | |
| Title: | Orobanche Major (Great Broomrape) |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Size: | 14 X 7 |
| Matted | |
| Price: | 295.00 US |
| Condition: | Printed upon fine laid eighteenth century paper and with full margins as published in London on the above date. In fine condition throughout and retaining its full, unfaded range of colouration. This original eighteenth century etching entitled, Orobanche Major (Great Broomrape) stands as a superb example of the famous art of the "Flora Londinensis". |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part 10 |
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James Sowerby |
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| View Image: | |
| Title: | Plantago Media (Plantain) |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Note: | Plantago Media depicts the common plantain. To the lower right the seeds and initial germination are also illustrated. "Plantago Media" (Plantain) is an original engraving by James Sowerby published by William Curtis around 1788 for the "Flora Londinensis". |
| Size: | 16 X 8 |
| Matted | |
| Price: | 295.00 US |
| Condition: | Printed upon fine laid eighteenth century paper and with full margins as published in London on the above date. In fine condition throughout and retaining its full, unfaded range of colouration. This original eighteenth century etching entitled, Plantago Media (Plantain) stands as a superb example of the famous art of the "Flora Londinensis". |
James Sowerby |
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| View Image: | |
| Title: | Poterium Sanguisorba (Salad Burnet) |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Size: | 14 5/8 X 8 1/4 |
| Matted | |
| Price: | 295.00 US |
| Condition: | Printed upon fine laid eighteenth century paper and with full margins as published in London on the above date. In fine condition throughout and retaining its full, unfaded range of colouration. This original eighteenth century etching entitled, "Poterium Sanguisorba" (Salad Burnet) stands as a superb example of the famous art of the "Flora Londinensis". |
James Sowerby |
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| View Image: | |
| Title: | Ranunculus Flammula |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Source: | Flora Londinensis |
| Note: | Botanical |
| Size: | 16 3/4 X 7 1/2 |
| Matted | |
| Price: | Sold |
| Condition: | Printed on fine, hand-made, watermarked 18th century laid paper and with full margins as published in London on the above date. It is in excellent condition throughout and retaining its brilliant, unfaded hand colouring. This original eighteenth century etching stands as a superb example of the famous art of the Flora Londinensis. |
James Sowerby |
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| View Image: | |
| Title: | Scabiosa Succisa (Devil's Bit or Blue Buttons) |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Size: | 16 X 9 1/4 |
| Matted | |
| Price: | 295.00 US |
| Condition: | Printed upon fine laid eighteenth century paper and with full margins as published in London on the above date. In fine condition throughout and retaining its full, unfaded range of colouration. This original eighteenth century etching stands as a superb example entitled, "Scabiosa Succisa" (Devil's Bit or Blue Buttons) of the famous art of the "Flora Londinensis". |
James Sowerby |
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| View Image: | |
| Title: | Sinapis Arvensis |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Source: | Flora Londinensis |
| Size: | 16 3/4 X 7 3/4 |
| Matted | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed on fine, hand-made, watermarked 18th century laid paper and with full margins as published in London on the above date. It is in excellent condition throughout and retaining its brilliant, unfaded hand colouring. This original eighteenth century etching stands as a superb example of the famous art of the Flora Londinensis. |
James Sowerby |
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| View Image: | |
| Title: | Sparganium Simplex (Burr-Reed) |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Size: | 13 3/4 X 9 3/4 |
| Matted | |
| Price: | 295.00 US |
| Condition: | Printed upon fine laid eighteenth century paper and with full margins as published in London on the above date. In fine condition throughout and retaining its full, unfaded range of colouration. This original eighteenth century etching entitled, "Sparganium Simplex" (Burr-Reed) stands as a superb example of the famous art of the "Flora Londinensis". |
James Sowerby |
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| View Image: | |
| Title: | Tormentilla Officinalis (Tormentil or Septfoil) |
| Artist: | Sowerby, James (London, 1757 - 1822) |
| Date: | c. 1788 |
| Medium: | Original Hand-Coloured Engraving and Etching |
| Publisher: | William Curtis, London |
| Size: | 8 3/4 X 10 |
| Matted | |
| Price: | 295.00 US |
| Condition Information: | Printed upon fine laid eighteenth century paper and with full margins as published in London on the above date. In fine condition throughout and retaining its full, unfaded range of colouration. This original eighteenth century etching stands as a superb example entitled,"Tormentilla Officinalis" (Tormentil or Septfoil) of the famous art of the "Flora Londinensis". |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part - 11 |
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Raphael Soyer |
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| View Image: | |
| Title: | Arshile Gorky |
| Artist: | Soyer, Raphael (Tombov, Russia, 1899 - New York, 1987) |
| Date: | 1969 |
| Medium: | Original Lithograph |
| Publisher: | Associated American Artists, New York |
| Source: | Memories Portfolio |
| Edition: | Limited edition of one hundred and fifty impressions, numbered 123/150. |
| Size: | 19 X 15 1/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon thick pure rag paper and with full, deckled margins as published in New York by the A.A.A. in the sole limited edition of one hundred and fifty impressions. Signed by the artist in pencil and numbered, '123/150'. A strongly printed impression and in excellent condition throughout. Arshile Gorky represents an important, original example of the famous art of Raphael Soyer, one of America's greatest twentieth century artists. |
Raphael Soyer |
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| View Image: | |
| Title: | Father |
| Artist: | Soyer, Raphael (Tombov, Russia, 1899 - New York, 1987) |
| Date: | 1969 |
| Medium: | Original Color Lithograph |
| Publisher: | Associated American Artists, New York |
| Source: | Memories Portfolio |
| Edition: | Limited edition of one hundred and fifty signed impressions, numbered 50/150. |
| Reference: | * Raphael Soyer, Self-Revealment: A Memoir, New York, Maecenas Press, Random House, 1969. |
| Source: | Memories Portfolio |
| Size: | 16 1/2 X 10 |
| Matted | |
| Price; | Sold |
| Condition: | Printed upon thick pure rag paper and with full, deckled margins as published in New York by the A.A.A. in the sole limited edition of one hundred and fifty impressions. Signed by the artist in pencil and numbered, '50/150'. A strongly printed impression and in excellent condition throughout. "Father" represents a most touching, original example of the famous art of Raphael Soyer, one of America's greatest twentieth century artists. |
Raphael Soyer |
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| View Image: | |
| Title: | Mother and Child |
| Artist: | Soyer, Raphael (Tombov, Russia, 1899 - New York, 1987) |
| Date: | C. 1970 |
| Medium: | Original Lithograph |
| Edition: | Limited edition of one hundred and fifty signed impressions, numbered 37/150. |
| Size: | 17 X 10 1/2 |
| Matted | |
| Buy Now | Price: $795.00 US |
| Condition: | Printed upon pure rag paper bearing the 'Rives' watermark and with full, deckled margins as published in New York. Signed by the artist in pencil and numbered, '37/150'. A finely printed full colour impression and in excellent condition throughout. Mother and Child represents an important, original example of the famous lithographic art of Raphael Soyer. |
Raphael Soyer |
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| View Image: | |
| Title: | Portrait of a Young Girl |
| Artist: | Soyer, Raphael (Tombov, Russia, 1899 - New York, 1987) |
| Date: | c. 1970 |
| Medium: | Original Lithograph |
| Edition: | Artist's Proof Impression. |
| Size: | 15 X 11 1/4 |
| Framed | |
| Buy Now | Price: $895.00 US |
| Condition: | Printed upon thick pure rag paper and with full, deckled margins as published in New York around 1970. Signed in pencil and marked, 'A.P.', by the artist along the lower margin. A fine, tonal impression and in excellent condition throughout. Portrait of a Young Girl represents a superb, original example of the famous art of Raphael Soyer. |
Raphael Soyer |
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| View Image: | |
| Title: | Reclining Nude |
| Artist: | Soyer, Raphael (Tombov, Russia, 1899 - New York, 1987) |
| Date: | 1966 |
| Medium: | Original Etching |
| Provenance: | From the collection of Roger Trlak and bearing his inventory number, T-1227, on the verso. Roger Trlak (1934-1975) established the commercial art company of Martin-Trlak in Chicago. In 1972 he also opened the RST Gallery in Scottsdale, Arizona where he exhibited not only his own large collection of mostly contemporary art but also held important exhibitions of many modern artists. These Included such major American and international printmakers as Joseph Hirsch, Luigi Lucioni and Paul Wunderlich. Among Trlak's closest friends in the arts community were Raphael Soyer, Ivan Albright and Hans Burkhardt. Their original prints and paintings were constantly exhibited at the RST Gallery until it was closed in 1975 due to Trlak's untimely death. |
| Reference: | James Watrous, A Century of American Printmaking: 1880-1980, Madison, University of Wisconsin Press, 1984, p. 119. |
| Edition: | Limited edition of thirty impressions, numbered 25/30. |
| Size: | 4 1/2 X 8 3/4 |
| Framed | |
| Price: | Sold |
| Condition: | Printed upon thick pure rag paper and with full, deckled margins as published in New York in 1966 in the sole limited edition of only thirty impressions. Signed by the artist in pencil and numbered, '25/30'. A strongly printed impression and in excellent condition throughout. Reclining Nude represents an important, original example of the famous art of Raphael Soyer, one of America's greatest twentieth century artists. |
Raphael Soyer |
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| View Image: | |
| Title: | Standing Figure Study of a Woman |
| Artist: | Soyer, Raphael (Tombov, Russia, 1899 - New York, 1987) |
| Date: | 1966 |
| Medium: | Original Etching & Drypoint Engraving |
| Publisher: | Associated American Artists, New York |
| Edition: | Limited edition of thiry impressions, numbered '17/30'. |
| Size: | 9 3/4 X 7 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon thick pure rag paper and with full, deckled margins as published in New York in 1966 in the sole limited edition of only thirty impressions. Signed by the artist in pencil and numbered, ‘17/30’. A strongly printed impression and in excellent condition throughout. Standing Figure Study of a Woman represents an important, original example of the famous art of Raphael Soyer, one of America’s greatest twentieth century artists. |
Raphael Soyer |
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| View Image: | |
| Title: | Still Life |
| Artist: | Soyer, Raphael (Tombov, Russia, 1899 - New York, 1987) |
| Date: | 1969 |
| Medium: | Original Lithograph |
| Publisher: | Associated American Artists, New York |
| Source: | Memories Portfolio |
| Edition: | Limited edition of one hundred and fifty impressions, numbered 121/150. |
| Source: | The Memories Portfolio |
| Size: | 17 1/2 X 12 3/8 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon thick pure rag paper and with full, deckled margins as published in New York by the A.A.A. in the sole limited edition of one hundred and fifty impressions. Signed by the artist in pencil and numbered, '121/150'. A strongly printed impression and in excellent condition throughout. Still Life represents an important, original example of the famous art of Raphael Soyer, one of America's greatest twentieth century artists. |
Raphael Soyer |
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| View Image: | |
| Title: | Woman and Plant |
| Artist: | Soyer, Raphael (Tombov, Russia, 1899 - New York, 1987) |
| Date: | 1969 |
| Medium: | Original Lithograph |
| Publisher: | Associated American Artists, New York |
| Source: | Memories Portfolio |
| Edition: | Limited edition of one hundred and fifty impressions, numbered 117/150. |
| Size: | 21 3/8 X 15 1/2 |
| Matted | |
| Buy Now | Price: $650.00 US |
| Condition: | Printed upon thick pure rag paper and with full, deckled margins as published in New York by the A.A.A. in the sole limited edition of one hundred and fifty impressions. Signed by the artist in pencil and numbered, '117/150'. Apart from very faint creasing in the lower right margin this is a strongly printed impression and in excellent condition throughout. Woman and Plant represents an important, original example of the famous art of Raphael Soyer, one of America's greatest twentieth century artists. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part - 12 |
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Marko Spalatin |
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| View Image: | |
| Title: | Strato-cubes |
| Artist: | Spalatin, Marko (Zagreb, Croatia, Born, 1945 - Resides, Blue Mounds, Wisconsin) |
| Date: | c. 1970 - 1980 |
| Medium: | Original Silkscreen (Serigraph) |
| Edition: | Limited edition of fifty impressions on Rives heavy-weight paper, numbered 4/50. |
| Size: | 20 X 15 1/2 |
| UnMatted | |
| Price: | Sold |
| Condition: | Printed on white, smooth, wove paper with full margins as published between 1970 & 1980. Signed, titled and numbered, '4/50' by the artist in pencil on the lower margin. Containing several very faint scuff marks within the image, with tape hinges still affixed to the verso from a previous matting job and three very tiny pin pricks in the outer margins, else a strongly printed, vibrant impression and in very good condition throughout. "Strato-cubes" represents a large and important example of the art of Marko Spalatin, one of the major masters of American Op Art. |
Samuel Sparrow |
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| View Image: | |
| Title: | Carlisle Castle, Cumberland |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1775 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | Francis Grose's "The Antiquities of England and Wales" |
| Size: | 4 3/8 X 6 1/4 |
| Matted | |
| Buy Now | Price: $195.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving entitled, "Carlisle Castle, Cumberland" is in excellent condition throughout and represents a prime example of the historically important art of "The Antiquities of England and Wales". |
Samuel Sparrow |
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| View Image: | |
| Title: | Finchale Priory, in the Bishoprick of Durham |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1776 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | The Antiquities of England and Wales |
| Size: | 4 3/4 X 6 3/8 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving is in excellent condition throughout and represents a prime example of the historically important art of "The Antiquities of England and Wales". |
Samuel Sparrow |
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| View Image: | |
| Title: | Lanercost Priory, Cumberland, Plate II |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1775 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | Francis Grose's "The Antiquities of England and Wales" |
| Size: | 4 1/2 X 6 1/2 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving entitled, "Lanercost Priory, Cumberland" is in excellent condition throughout and represents a prime example of the historically important art of "The Antiquities of England and Wales". |
Samuel Sparrow |
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| View Image: | |
| Title: | Naworth Castle, Cumberland, Plate II |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1774 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | Francis Grose's "The Antiquities of England and Wales" |
| Size: | 4 3/4 X 6 5/8 |
| Matted with 100% Archival Materials | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving entitled, "Naworth Castle, Cumberland, Plate II" is in excellent condition throughout and represents a prime example of the historically important art of The Antiquities of England and Wales and of the engraved art by the British artist, Samuel Sparrow. |
Samuel Sparrow |
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| View Image: | |
| Title: | Raby Castle, Durham |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1775 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | Francis Grose's "The Antiquities of England and Wales" |
| Size: | 4 3/4 X 6 3/8 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving entitled, "Raby Castle, Durham" is in excellent condition throughout and represents a prime example of the historically important art of "The Antiquities of England and Wales". |
Samuel Sparrow |
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| View Image: | |
| Title: | Rougemont Castle, Exeter, Devonshire |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1772 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | Francis Grose's "The Antiquities of England and Wales" |
| Size: | 4 3/4 X 6 1/2 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving of "Rougemont Castle, Exeter, Devonshire"is in excellent condition throughout and represents a prime example of the historically important art of "The Antiquities of England and Wales". |
Samuel Sparrow |
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| View Image: | |
| Title: | St. Briavel's Castle, Gloucestershire |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1775 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | The Antiquities of England and Wales |
| Size: | 4 1/4 X 6 1/4 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving entitled, St. Briavel's Castle, Gloucestershire, is in excellent condition throughout and represents a prime example of the historically important art of The Antiquities of England and Wales. |
Samuel Sparrow |
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| View Image: | |
| Title: | The Monastery of Jarrow, or Gyrwi, Durham |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1773 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | The Antiquities of England and Wales |
| Size: | 4 3/4 X 6 3/8 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving is in excellent condition throughout and represents a prime example of the historically important art of "The Antiquities of England and Wales". |
Samuel Sparrow |
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| View Image: | |
| Title: | The Monastery of St. Bees, Cumberland |
| Engraver: | Sparrow, Samuel (British, 18th century artist) |
| Date: | 1775 |
| Medium: | Original Engraving |
| Publisher: | Samuel Hooper, Ludgate Hill, London |
| Source: | Francis Grose's "The Antiquities of England and Wales" |
| Size: | 4 3/8 X 6 1/8 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition Information: | Printed upon eighteenth century hand-made, laid paper and with large margins as published in London on the above date. Apart from faint foxing in the outer margins, this original engraving entitled, "The Monastery of St. Bees, Cumberland" is in excellent condition throughout and represents a prime example of the historically important art of "The Antiquities of England and Wales". |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part - 13 |
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Alessandro Specchi |
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| View Image: | |
| Title: | Altra Veduta della Gacciata Principale del Palazzo dell'Eccellentis. Casa Altieri, Verso Il Giesu (Alternate View of the Principal Facade of the Altieri Palace, Opposite the Church of the Gesu) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Size: | 8 1/4 X13 |
| Matted | |
| Buy Now | Price: $650.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing and a small spot to the lower right within the image, this original etching is in good condition throughout and bears all the fine lines and tones of an early impression. From any standpoint Altra Veduta della Gacciata Principale del Palazzo dell'Eccellentis. Casa Altieri, Verso Il Giesu (Alternate View of the Principal Facade of the Altieri Palace, Opposite the Church of the Gesu) is a most important example of the famous art of Alessandro Specchi and of Italian architectural etching at the end of the seventeenth century. |
Alessandro Specchi |
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| View Image: | |
| Title: | Altra Veduta del Palazzo Dell' Ecc. Sig. Prencipe Borghese (Alternate View of the Palazzo Borghese) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Size: | 8 1/2 X 13 |
| Matted | |
| Buy Now | Price: $695.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing within the image, this original etching is in superb condition throughout and bears all the fine lines and tones of an early impression. From any standpoint Altra Veduta del Palazzo Dell' Ecc. Sig. Prencipe Borghese (‘Alternate View of the Borghese Palace') is a most important example of the famous art of Alessandro Specchi and of Italian architectural etching at the end of the seventeenth century. |
Alessandro Specchi |
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| View Image: | |
| Title: | Palazzo Barberino dell' Ecc. Sig. Prencipe di Pellestrina Nel Monte Quirinale (Palazzo Barberini on the Quirnal Hill) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Source: | Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna |
| Size: | 8 1/2 X 12 3/4 |
| Matted | |
| Buy Now | Price: $695.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing within the image, this original etching is in superb condition throughout and bears all the fine lines and tones of an early impression. From any standpoint this is a most important example of the famous art of Alessandro Specchi and Italian architectural etching at the end of the seventeenth century. |
Alessandro Specchi |
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| View Image: | |
| Title: | Palazzo dell' Ecc. Sig. Prencipe Chigi in Piazza Colonna (Palazzo Chigi in Piazza Colonna) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Source: | Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna |
| Size: | 8 5/8 X 13 1/8 |
| Matted | |
| Buy Now | Price: $695.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing within the image, this original etching is in superb condition throughout and bears all the fine lines and tones of an early impression. From any standpoint this is a most important example of the famous art of Alessandro Specchi and Italian architectural etching at the end of the seventeenth century. |
Alessandro Specchi |
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| View Image: | |
| Title: | Palazzo dell’ ECC. SIG. Prencipe Pamfilio su la Piazza del Collegio Romano (Palazzo Doria Pamphilio) or (Palazzo Doria Pamphilj) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Size: | 8 1/2 X 12 7/8 |
| Matted | |
| Buy Now | Price: $695.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing within the image, this original etching is in superb condition throughout and bears all the fine lines and tones of an early impression. From any standpoint "Palazzo Pamfilio su la Piazza del Collegio Romano" (Palazzo Doria Pamphilj) is a most important example of the famous art of Alessandro Specchi and of Italian architectural etching at the end of the seventeenth century. |
Alessandro Specchi |
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| View Image: | |
| Title: | Palazzo del Serenis, Gran DVCA di Toscana in Piazza Madama (Palace of the Grand Duke of Tuscany in Piazza Madama 'Palazzo Madama') |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Source: | Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna |
| Size: | 8 3/8 X 12 7/8 |
| Matted | |
| Buy Now | Price: $695.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing within the image, this original etching is in superb condition throughout and bears all the fine lines and tones of an early impression. From any standpoint "Palace of the Grand Duke of Tuscany in Piazza Madama" (Palazzo Madama) is a most important example of the famous art of Alessandro Specchi and of Italian architectural etching at the end of the seventeenth century. |
Alessandro Specchi |
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| View Image: | |
| Title: | Palazzo Nella Piazza de S.S. Apostoli Ristavrato et Adornato dall' EM. Sig. Cardinal Flavio Chigi Ora Dell' Eccelente Sig. Principe Chigi (Palazzo Chigi-Odescalchi, or Palazzo Odescalchi, at Piazza dei SS. Apostoli) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Source: | Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna |
| Size: | 8 1/2 X 13 1/8 |
| Matted | |
| Buy Now | Price: $695.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing within the image, this original etching is in superb condition throughout and bears all the fine lines and tones of an early impression. From any standpoint this is a most important example of the famous art of Alessandro Specchi and Italian architectural etching at the end of the seventeenth century. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Sl - Sp) Part - 14 |
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Alessandro Specchi |
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| View Image: | |
| Title: | Veduta della Dogana Nuova di Terra Eretta su le Ruine del Fianco della Curia di Antonio Pio, Dalla Santita di N. S,. Papainnocentio XII. Al Publico Benefitio. (View of the New Customs Office Incorporating the Ruins of Antonius Pius...) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Source: | Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna |
| Source: | Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna |
| Size: | 8 1/2 X 13 |
| Framed | |
| Buy Now | Price: $895.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing within the image, this original etching is in superb condition throughout and bears all the fine lines and tones of an early impression. From any standpoint Veduta della Dogana Vuova di Terra Eretta su le Ruine del Fianco della Curiadi Antonio Pio... is a most important example of the famous art of Alessandro Specchi and Italian architectural etching at the end of the seventeenth century. |
Alessandro Specchi |
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| View Image: | |
| Title: | Veduta del Palazzo dell' Ecc. Sig. Duca Salviati alla Lungara (View of the Palazzo Salviati alla Lungara) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Size: | 8 3/4 X13 |
| Matted | |
| Buy Now | Price: $695.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing this original etching is in very good condition throughout and bears all the fine lines and tones of an early impression. From any standpoint "Veduta del Palazzo dell' Ecc. Sig. Duca Salviati alla Lungara" (View of the Palazzo Salviati alla Lungara) is a most important example of the famous art of Alessandro Specchi and of Italian architectural etching at the end of the seventeenth century. |
Alessandro Specchi |
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| View Image: | |
| Title: | Veduta del Palazzo Pontificio al Vaticano - 1.- Facciata del Palazzo versio le loggie 2.- Loggie poste nel cortile 3.- Portico e colonnato che circonda la Piazza. (View of the Papal Palace of the Vatican) |
| Artist: | Specchi, Alessandro (Rome, 1668 - 1729) |
| Date: | 1699 |
| Medium: | Original Etching |
| Publisher: | Domenico de Rossi, Rome |
| Source: | Nuovo Teatro delle Fabriche, et Edificii, In Prospettiva di Roma moderna |
| Size: | 8 1/2 X 12 3/4 |
| Matted | |
| Buy Now | Price: $750.00 US |
| Condition: | Printed upon heavy seventeenth century hand-made, laid paper and with full margins as published in Rome by de Rossi in 1699. Apart from very minor creasing within the image, this original etching is in superb condition throughout and bears all the fine lines and tones of an early impression. From any standpoint "Veduta del Palazzo Pontificio al Vaticano" (‘View of the Papal Palace of the Vatican’) is a most important example of the famous art of Alessandro Specchi and of Italian architectural etching at the end of the seventeenth century. |
Frederick M. Spiegle |
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| View Image: | |
| Title: | Little Dick Turpin (Richard Turpin, The Highwayman) |
| Engraver: | Spiegle, Frederick M. (New York, 1863 - 1942) |
| Designer: | Spiegle, Charles (New York, active, 19th century) |
| Date: | 1891 |
| Medium: | Original Etching |
| Publisher: | C. Klackner, New York |
| Edition: | Signed, Remarque Proof Impression on China Paper |
| Size: | 20 X 13 1/2 |
| Unmatted | |
| Buy Now | Price: $625.00 US |
| Condition: | Printed upon fine China paper and impressed onto a sheet of white, wove paper and with full margins as published in New York by Klackner in 1891. Signed and dated in the plate and signed in pencil by both artists along the lower margin. Containing several small scraping marks within the etching to the lower left, else a brilliant proof impression and in good condition throughout. Little Dick Turpin (Richard Turpin, The Highwayman)represents a prime, original example of the etched art of F. M. Spiegle. |
Frederick M. Spiegle |
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| View Image: | |
| Title: | The Rehearsal |
| Artist: | Spiegle, Frederick M. (New York, 1863 - 1942) |
| Date: | 1888 |
| Medium: | Original Etching |
| Publisher: | C. Klackner, New York |
| Edition: | Signed, Remarque Proof Impression on Vellum |
| Size: | 23 1/4 X 15 1/4 |
| UnMatted | |
| Buy Now | Price: $695.00 US |
| Condition: | Printed upon fine vellum and with full margins as published in New York by Klackner in 1888. Signed in the plate and signed in pencil along the lower margin. Apart from several minute scraping marks within the etching this is a brilliant proof impression on a large sheet of vellum and in very good condition throughout. The Rehearsal represents a superb, original example of the 19th. century etched art of F. M. Spiegle. |
Robert Spray |
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| View Image: | |
| Title: | Landscape (Arizona) |
| Artist: | Spray, Robert E. (Spokane, Washington, 1910 - Tucson, Arizona, 2000) |
| Date: | c. 1950 - 1955 |
| Medium: | Original Silkscreen (Serigraph) |
| Edition: | Limited Edition of Twelve impressions. |
| Size: | 13 1/4 X 15 3/4 |
| Matted | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed upon tanned wove paper and with full margins as printed around 1950 to 1955. Signed, titled and annotated, 'Ed. 12', by the artist in pencil along the lower border. A strongly printed impression with full, unfaded colors and in very good condition throughout. Landscape represents an important, original example of the Arizona art of Robert Spray. |
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