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Original International Fine Art www.artoftheprint.com |
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| Ocean Sky and Iceberg by Thomas Harold Beament |
Art of The Print - Art Catalogue (Ba-Bel) | Jeux d'enfants by Henri Charles Antoine Baron |
| Featured Artist | Featured Artist |
Art of The Print - Art Catalogue (Ba-Bel): This catalogue page contains a full description of the original works of art that are available for viewing and for sale in our www.artoftheprint.com gallery. The artworks are listed in alphabetical order by the artist's last name, letters (Ba to Bel). Our Gallery, Art of the Print / www.artoftheprint.com offers a wide selection of international fine art. We sell original paintings, watercolors, drawings etchings, lithographs, engravings and other mediums of original graphic. The artworks date from the Renaissance period to the contemporary art period. We guarantee the authenticity of every work of art 100%. Full documentation and certification is provided.
Our collection features works by artists from many countries such as the British artists, George Baxter, Captain William Baillie and Alfred Bentley, the modern American artists such as Harold Baumbach, Harrison Begay, the German artist, Walter Becker and others. These are only a few of the artists featured on this page.
Featured Publishers: A few of the publishers included in this page are the Day and Hague publishing company, John Boydell and his Shakespeare Gallery, Day & Son, and the Societe des Aqua-Fortistes. They have published some of the finest original graphic works of art. If you wish to view the entire list and access this information, please go to the www.artoftheprint.com (Featured Publisher's History) page . You will find a brief history for most of the publishers listed.
Day & Haghe: The most famous early Victorian firm of lithographic printing was by created William Day (1797 - 1845) and Louis Haghe (1806 - 1895) in London in 1829. Throughout their initial years, Day and Haghe printed lithographs dealing with a wide range of subjects, such as hunting scenes, topographical views and genre depictions. Their lithographs were so meticulously conceived and technically advanced that in 1838, Day and Haghe were appointed 'Lithographers to the Queen'. After William's death in 1845, the firm became known as 'Day & Son' and in the mid-Victorian era it led the way as a pioneer of the recently developed medium of the lithograph printed in colours.
Societe des Aqua-Fortistes: The 'Societe des Aqua-Fortistes' was founded by Cadart in 1862. Until its demise in 1867, it was responsible for publishing some of the greatest French art of this important era.
Georges-Louis Leclerc, Comte de Buffon: The lengthy name of Georges-Louis Leclerc, Comte de Buffon is easily one of the most famous in the art of natural history. Beginning his career as both a mathematician and as a philosopher, Buffon turned to the study of the natural world in his early forties. Appointed by the King as Superintendent of the Royal Gardens in Paris, Buffon based his researches upon its extensive collections. the first volume of his monumental, Histoire Naturelle, Generale Et Particuliere, avec la Description du Cabinet du Roi, appeared in 1749. Publication continued throughout the rest of his life and the enterprise was so successful that volumes continued even after his death in 1788. Various 'Suites a Buffon' appeared in every major European nation. The art of natural history had been forever changed.
Note: The catalogue is set up in alphabetical order by artist's last name. This catalogue also contains links to the images corresponding to the original etchings, lithographs, watercolors, paintings, drawings or other mediums of original graphic art that are listed here if the image is available. the measurement for all works of art listed are in inches and are approximate, height precedes width of plate-mark or the image image. All prices are in US Dollars.
Don't forget to click on the (View Image) links on the left bar to obtain the full biography, and or history, as well as the images pertaining to each original work of art listed on this page. Please, scroll down to view the catalogue listing on this page.
| | A | B | C | D | E | F| | G | H | I | J | K | L | M | N | O | P | Q | R | S | Ta | U | V | W | Y | Z | | |
B. Schott, Paris |
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| View Image: | |
| Title: | Polka des Postillons du Ballet "La Vivandiere" |
| Date: | C. 1840 - 1850 |
| Medium: | Original Lithograph |
| Publisher: | B. Schott, Paris |
| Source: | Sheet Music Cover |
| Size: | 11 1/2 X 7 1/2 |
| Matted | |
| Buy Now | Price: $225.00 US |
| Condition: | Printed on early nineteenth century wove paper and with full margins. This is a finely printed impression, without staining or foxing and in excellent condition throughout. |
Amalie Baader |
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| View Image: | |
| Title: | Portrait Study |
| Artist: | Baader, Amalie (Erding, Bavaria, 1763 - Munich, 1840) |
| Date: | c. 1790 |
| Medium: | Original Etching |
| Size: | 4 1/2 X 3 3/4 |
| Matted | |
| Buy Now | Price: $195.00 US |
| Condition: | Printed upon fine 18th century, hand-made, laid paper and with margins cropped to the image. Containing slight staining within the image as well as paper loss in the upper right corner and the lower right margin and a restored teat to the upper left margin. Else a strongly printed impression. Portrait represents a prime original example of the late eighteenth century artistic skills of Amalie Baader. |
Emile Baes |
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| View Image: | |
| Title: | A Figure Study |
| Artist: | Baes, Emile (Brussels, 1879 - Paris, 1954) |
| Date: | C. 1940 |
| Medium: | Original Soft Ground Etching |
| Note: | A great painter, etcher and illustrator of the nude, Emile Baes began exhibiting his art in 1903 at the Salon in Brussels and was a frequent exhibitor there for the following decades. He also displayed his paintings in Paris at the Automne Salon (1928 through 1933) and at the Salon des Artistes Francais (1933 through 1939). Today his art is included in many major public collections in both France and Belgium. |
| Raisonne: | Verdavaine, G., Les Nus d'Emile Baes. (Brussels: 1923) |
| Edition: | Limited edition of thirty impressions, numbered 5/30. |
| Size: | 8 3/4 X 12 1/4 |
| Matted | |
| Buy Now | Price: $365.00 US |
| Condition: | Printed upon hand-made, laid paper and with full margins as published in Brussels around 1940. Signed with Baes's 'EB' monogramme in the lower left corner of the image and signed by him in pencil and numbered, '5/30', along the lower margin. A finely printed, tonal impression and in excellent condition throughout. This original soft ground etching represents a superb and scarce example of the art of Emile Baes. |
Vernon Howe Bailey |
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| Title: | Antwerpt |
| Artist: | Bailey, Vernon Howe (Camden, New Jersey, 1874 - New York, 1953) |
| Date: | c. 1920 |
| Medium: | Original Etching |
| Note: | Vernon Howe Bailey was a full member of the Society of Illustrators and of the Architectural League of New York. Public museums in Washington, Baltimore, New York, Boston and Detroit own examples of his art. |
| Edition: | Limited Edition of two impressions, Annotated, 2nd State, 1/2 |
| Size: | 10 1/2 X 15 |
| Framed | |
| Price: | Sold |
| Condition: | Printed upon hand-made, laid paper bearing the 'Rives' watermark and with full margins as printed around 1920. Signed by Bailey in pencil and titled along the lower right margin and also annotated "2nd St(ate), 1/2" by him in the lower left margin. Apart from very slight creasing this original etching is in excellent condition throughout and stands as a prime example of the architectural art of Vernon Howe Bailey. |
Captain William Baillie |
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| Title: | Portrait of an Old Man |
| Engraver: | Baillie, Captain William (Ireland, 1723 - 1810) |
| Designer: | Zucchard |
| Date: | 1777 (2nd Edition, 1822) |
| Medium: | Original Soft Ground Etching |
| Publisher: | John Boydell, London |
| Source: | A Series of 225 Prints and Etchings after Rembrandt, Teniers, G. Dou, Poussin and Others |
| Size: | 10 7/8 X 9 |
| Matted | |
| Buy Now | Price: $285.00 US |
| Condition: | Printed on large, folio size, wove paper with the watermark date of 1822. Contains full margins and is in excellent condition throughout. This is regarded as one of Baillie's best graphic works. |
Kenneth Ballantyne |
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| Title: | Wood Nymphs |
| Artist: | Ballantyne, Kenneth (Gisborne, New Zealand, 1886 - Long Island, NY, ?) |
| Date: | June, 1931 |
| Medium: | Original Linocut |
| Publisher: | The Colophon, New York |
| Size: | 7 1/8 X 8 1/8 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon smooth wove paper and with full margins as commissioned by The Colophon for its June, 1931 publication. A strongly printed impression and in excellent condition throughout. Wood Nymphs represents a prime, original example of the Art Deco linocut art of Kenneth M. Ballantyne. |
Joel Ballin |
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| Title: | Home Again |
| Engraver: | Ballin, Joel (Jutland, 1822 - Copenhagen, 1885) |
| Designer: | Protais, Paul Alexandre (Paris, 1826 - 1890) |
| Date: | 1869 |
| Medium: | Original Engraving & Etching |
| Publisher: | Goupil & Cie., Paris |
| Printer: | Goupil & Cie., Paris |
| Note: | Perhaps the most technically demanding form of original printmaking, the large Victorian era engraving reached its pinnacle of virtuosity in the nineteenth century. Highly skilled engravers would often devote more than a full year's labour to one of these large works of art. |
| Size: | 24 X 35 |
| Unmatted | |
| Buy Now | Price: $650.00 US |
| Condition: | Printed upon thick, nineteenth century wove paper and with large, full margins as published in Paris, in 1869. Slight foxing exists in the upper margins, else a brilliantly printed and early impression and in fine condition throughout. |
Albert Banska |
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| View Image: | |
| Title: | Landschaft (Landscape) |
| Artist: | Banska, Albert (Fischbach, Germany, 1889 - Lindelbach, 1957) |
| Date: | c. 1920 - 1930 |
| Medium: | Original Color Woodcut (Farbholzschnitt) |
| Size: | 4 3/4 X 8 |
| Framed | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed upon thick mulberry (rice) paper and with full margins as published in Germany between 1920 and 1930. Containing Banska's 'AB' monogram within the block to the lower left and signed in pencil in the lower right margin. Containing two small, restored tears in the lower margin which do not enter into the actual woodcut, else a finely printed impression with full, unfaded colors and in good condition throughout. Altogether "Landschaft" (Landscape) represents a beautiful, original example of the German woodcut art of Albert Banska. |
Jean Charles Baquoy |
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| View Image: | |
| Title: | Jeunes Ais |
| Engraver: | Baquoy, Jean Charles (French, 1721 - 1788) |
| Designer: | De Seve, Jacques E. (French, fl. 1742 - 1788) |
| Date: | c. 1760 |
| Medium: | Original Etching & Engraving |
| Publisher: | Buffon, Paris |
| Source: | Comte de Buffon's "Histoire Naturelle, Generale Et Particuliere, avec la Description du Cabinet du Roi" |
| Size: | 8 3/4 X 6 3/4 |
| Matted | |
| Buy Now | Price: $185.00 US |
| Condition: | Printed on mid-eighteenth century hand-made, laid paper and with full margins as published in Paris before 1760. This is a fine early impression and in excellent condition throughout. |
Jean Charles Baquoy |
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| View Image: | |
| Title: | L' Unau |
| Engraver: | Baquoy, Jean Charles (French, 1721 - 1788) |
| Designer: | De Seve, Jacques E. (French, fl. 1742 - 1788) |
| Date: | c. 1760 |
| Medium: | Original Etching & Engraving |
| Publisher: | Buffon, Paris |
| Source: | Comte de Buffon's "Histoire Naturelle, Generale Et Particuliere, avec la Description du Cabinet du Roi" |
| Size: | 8 3/4 X 6 3/4 |
| Matted | |
| Buy Now | Price: $185.00 US |
| Condition: | Printed on mid-eighteenth century hand-made, laid paper and with full margins as published in Paris before 1760. This is a fine early impression and in excellent condition throughout. |
David Bareford |
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| View Image: | |
| Title: | Algonquin Afternoon |
| Artist: | Bareford, David (New Jersey, Born, 1947 - Resides, Rockport, MA) |
| Date: | c. 1970 - 1980 |
| Medium: | Original Silkscreen (Serigraph) |
| Edition: | Limited edition of two hundred and fifty impressions, numbered 34/250. |
| Size: | 9 1/8 X 12 |
| Matted | |
| Buy Now | Price: $265.00 US |
| Condition: | Printed on fine, hand-made, archival paper and with full margins as published between 1970 and 1980. Signed, titled and numbered ‘34/250’ by David Bareford in pencil along the lower margin. This is a beautifully printed impression of Algonquin Afternoon and is in excellent condition throughout. |
David Bareford |
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| View Image: | |
| Title: | Sentinal |
| Artist: | Bareford, David (New Jersey, Born, 1947 - Resides, Rockport, MA) |
| Date: | c. 1970 - 1980 |
| Medium: | Original Silkscreen (Serigraph) |
| Edition: | Limited edition of two hundred and fifty impressions, numbered 14/250. |
| Size: | 9 X 12 |
| Matted | |
| Buy Now | Price: $265.00 US |
| Condition: | Printed on fine, hand-made, archival paper and with full margins as published between 1970 and 1980. Signed, titled and numbered ‘14/250’ by David Bareford in pencil along the lower margin. This is a beautifully printed impression of Sentinel and is in excellent condition throughout. |
Leon Barillot |
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| Title: | Un Verger au Printemps (An Orchard in Springtime) |
| Artist: | Barillot, Leon (Montigny-les-Metz, 1844 - Paris, 1929) |
| Date: | 1878 |
| Medium: | Original Etching |
| Publisher: | Vve A. Cadart, Paris |
| Source: | L'Eau-Forte en 1878 |
| Size: | 7 3/4 X 10 3/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon laid, watermarked paper and with margins cropped to the plate-mark on all sides and bearing the full title and the publisher's address along the lower margin. Published in Paris in 1878 for "Publications Vve A. Cadart - L'Eau-Forte en 1878". Apart from some very faint foxing in the outer margins this is a brilliant printing and in excellent condition throughout. Un Verger au Printemps (An Orchard in Springtime) represents a prime example of the famous art of Leon Barillot. |
E. H. Barlow |
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| Title: | The Grand Canal, Venice |
| Artist: | Barlow, E. H. (Liverpool, active, 1915 - 1926) |
| Date: | c. 1920c. 1920 |
| Medium: | Original Etching Printed in Colours |
| Size: | 5 3/4 X 8 7/8 |
| Matted | |
| Buy Now | Price: $235.00 US |
| Condition: | Printed on early 20th century thick wove paper and with wide, full margins. Signed in pencil by the artist along the lower margin. This is a finely printed, full colour impression and in excellent condition throughout. The Grand Canal, Venice represents a fine example of the art of E. H. Barlow. |
Henri Baron 'Henri Charles Antoine Baron' |
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| Title: | Jeux d'enfants (Children's Games) |
| Artist: | Baron, Henri Charles Antoine 'Henri Baron' (Besancon, 1816 - Geneva, 1885) |
| Date: | 1853 |
| Medium: | Original Lithograph |
| Publisher: | Bertauts, Paris |
| Printer: | Bertauts, Paris |
| Source: | Les Artistes Anciens et Modernes, Paris (4th Volume) |
| Size: | 8 1/8 X 5 3/4 |
| Framed | |
| Buy Now | Price: $485.00 US |
| Condition: | Printed upon chine colle and impressed onto a large sheet of wove paper and with full margins as published in "Les Artistes Anciens et Modernes" in 1853. Signed by Henri Baron in the stone to the lower left and and bearing the blindstamp of "Les Artistes Anciens et Modernes", the artist's name "H. Baron, pinx. et lith.", & the printer's details "Imp. Bertauts, r. Cadet, II, Paris" in the lower margin. Containing overall toning and staining (most noticeable in the margins) as a result of an earlier, acidic matting, else in fair condition throughout. "Jeux d'enfants" represents a delightful, original example of the French Romantic art of Henri Charles Antoine Baron. |
Henri Baron 'Henri Charles Antoine Baron' |
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| Title: | La Musique (Music) |
| Artist: | Baron, Henri Charles Antoine 'Henri Baron' (Besancon, 1816 - Geneva, 1885) |
| Date: | 1855 |
| Medium: | Original Lithograph |
| Publisher: | Bertauts, Paris |
| Printer: | Bertauts, Paris |
| Source: | Les Artistes Anciens et Modernes, Paris (5th Volume) |
| Size: | 8 1/8 X 5 3/4 |
| Matted | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed upon chine colle and impressed onto a large sheet of wove paper and with full margins as published in "Les Artistes Anciens et Modernes" in 1855. Signed by Henri Baron in the stone to the lower right and bears the blindstamp of "Les Artistes Anciens et Modernes", the artist's name "H. Baron, pinx. et lith.", & the printer's details "Imp. Bertauts, r. Cadet, Paris" in the lower margin. Containing overall toning and staining (most noticeable in the margins) as a result of an earlier, acidic matting, else in fair condition throughout. "La Musique" (Music) represents a beautiful, original example of the French Romantic art of Henri Charles Antoine Baron. |
Martin Barooshian |
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| View Image: | |
| Title: | Orpheus |
| Artist: | Barooshian, Martin (Chelsea, Massachusetts, Born, 1929) |
| Date: | 1961 |
| Medium: | Original Embossed Etching and Aquatint |
| Edition: | Limited edition of fifty impressions. |
| Size: | 11 1/2 X 9 3/4 |
| Matted | |
| Buy Now | Price: $495.00 US |
| Condition: | Printed upon thick laid paper and with full, deckled margins as published in the sole, limited edition of fifty impressions in 1961. Containing faint stains in all four corners of the margins from masking tape on the verso (which has now been removed). Apart from this the actual etching is finely printed and in excellent condition throughout. Signed, titled and numbered, '3/50', by the artist in pencil along the lower margin. Orpheus represents a superb, original example of the famous etched art of Martin Barooshian. |
Pietro Santi Bartoli |
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| Title: | Thermae Agrippae (Hot Baths of Agrippa) |
| Artist: | Bartoli, Pietro Santi (Perugia, 1635 - Rome, 1700) |
| Date: | 1699 |
| Medium: | Original Etching and Engraving |
| Size: | 7 X 9 1/8 |
| Matted | |
| Buy Now | Price: $365.00 US |
| Condition: | Printed upon 17th century hand-made, laid paper and with full margins as published in Rome in 1699. A finely printed impression and in very good condition throughout. "Thermae Agrippae" (Hot Baths of Agrippa) represents a prime, original example of the engraved art of Pietro Santi Bartoli. |
Francesco Bartolozzi |
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| Title: | Annibale Carracci's (Old Man's Head, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Carracci, Annibale (Bologna, 1560 - Rome, 1609) |
| Date: | 1796 |
| Medium: | Original Soft Ground Etching in Sepia |
| Publisher: | John Chamberlaine, London |
| Size: | 18 X 12 5/8 |
| Matted | |
| Buy Now | Price: $950.00 US |
| Condition: | Printed upon late 18th century wove paper and with full margins as published by John Chamberlaine in London in 1796. Apart from some slight foxing in the outer margins this is a finely printed impression and in very good condition throughout. "Old Man's Head, 'In His Majesty's Collection'" represents a superb, original example of the famous etched art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Annibale Carracci's (Young Man's Head, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Carracci, Annibale (Bologna, 1560 - Rome, 1609) |
| Date: | 1807 |
| Medium: | Original Stipple Engraving in Sepia |
| Publisher: | John Chamberlaine, London |
| Size: | 16 1/2 X 11 3/4 |
| Matted | |
| Buy Now | Price: $895.00 US |
| Condition: | Printed upon early nineteenth century wove paper and with full margins as published by John Chamberlaine in London in 1807. Containing a slight water stain in the lower left corner (well removed from the actual engraving) else a strongly printed impression and in very good condition throughout. "Young Man's Head, 'In His Majesty's Collection'" represents a superb, original example of the famous etched art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| Title: | Annibale Carracci's (Self-Portrait, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Carracci, Annibale (Bologna, 1560 - Rome, 1609) |
| Date: | 1796 |
| Medium: | Original Soft Ground Etching |
| Publisher: | John Chamberlaine, London |
| Size: | 18 X 13 |
| Matted | |
| Buy Now | Price: $1,200.00 US |
| Condition: | Printed upon late 18th century wove paper and with full margins as etched in 1796 for John Chamberlaine's "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty's Collection", and bearing the text; "From the Original Drawing by An. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Portrait of An. Caracci.", "In His Majesty's Collection" and the publication line, "Publish'd as the Act directs May 13.1796 by I. Chamberlaine Brompton Middx.'." under the image. A strongly printed impression and in very good condition throughout. "Self-Portrait of Annibale Carracci" represents a superb, original example of the famous etched art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| Title: | Leonardo da Vinci's (Country Girl's Head, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519) |
| Date: | 1806 |
| Medium: | Original Stipple Engraving in Sepia |
| Publisher: | John Chamberlaine, London |
| Size: | 9 3/4 X 7 1/2 |
| Framed | |
| Price: | Sold |
| Condition: | Printed upon early 19th century wove paper and with full margins as engraved in London by Francesco Bartolozzi in 1806 for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci". Bearing the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "In His Majesty's Collection" and the publication line, "Published as the Act directs, Octr. 10. 1806, by I. Chamberlaine, Scotland Yard" under the image, as well as the plate number, "Pl. XIV" in the upper right corner. Containing faint light toning in the outer margins, and with lower margin cropped about 1 1/2 inch, else a beautifully printed impression with full, unfaded sepia tones and in good condition throughout. Country Girl’s Head, 'In His Majesty's Collection' represents a superb, original example of the famous stipple art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| Title: | Leonardo da Vinci's ('Dante' Five Grotesque Heads, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519) |
| Date: | 1806 |
| Medium: | Original Etching |
| Publisher: | John Chamberlaine, London |
| Note: | Besides stipples, Francesco Bartolozzi was also a master of etching in both hard and soft grounds. This is clearly seen in "'Dante' - Five Grotesque Heads". Created in 1806, it was etched for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci". |
| Size: | 14 X 10 1/4 |
| Framed | |
| Price: | Sold |
| Condition: | Printed upon early 19th century wove paper and with full margins as etched for "Imitations of Original Designs by Leonardo da Vinci", and bears the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "Dante", "In His Majesty's Collection", and "Published as the Act directs by J. Chamberlaine, Scotland Yard, Octr. 10, 1806." under the image. Containing slight foxing (particularly in the outer margins) else a finely printed impression and in good condition throughout. "Leonardo da Vinci's ('Dante' Five Grotesque Heads)" represents a superb, original example of the famous etched art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Leonardo da Vinci's (Design for a Cannon Foundry, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519) |
| Date: | 1796 |
| Medium: | Original Etching |
| Publisher: | John Chamberlaine, London |
| Size: | 12 X 10 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon late 18th century wove paper and with full margins as etched by Francesco Bartolozzi in 1796 for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci". Bearing the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection" and publication line, "Published as the Act directs, May 13. 1796, by I. Chamberlaine" under the image. Containing slight foxing (particularly in the outer margins) else a finely printed impression and in good condition throughout. "Design for a Cannon Foundry, 'In His Majesty's Collection'" represents a superb, original example of the famous etched art of Francesco Bartolozzi and of the Renaissance artistry of Leonardo da Vinci. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Leonardo da Vinci's (Large Head of a Man, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519) |
| Date: | 1796 |
| Medium: | Original Stipple Engraving |
| Publisher: | John Chamberlaine, London |
| Size: | 14 X 10 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon late 18th century wove paper and with full margins as published by John Chamberlaine in London in 1796. Containing some foxing, mostly in the outer margins, else a beautifully printed impression and in good condition throughout. "Leonardo da Vinci's (Large Head of a Man, 'In His Majesty's Collection')" represents a superb, original example of the famous stipple art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Leonardo da Vinci's (Self Portrait of Leonardo, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519) |
| Date: | 1795 |
| Medium: | Original Stipple Engraving in Sepia |
| Publisher: | John Chamberlaine, London |
| Size: | 13 X 9 3/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon late 18th century wove paper and with full margins as published by John Chamberlaine in London for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci". It bears the title, "Leonardo - Vinci" within the lower part of the image, as well as the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection" and the publication line, "Published as the Act directs, Sept 1, 1795, by J. Chamberlaine" under the image Containing light overall foxing else a beautifully printed impression with full sepia tones and in good condition throughout. "Self Portrait of Leonardo" represents a superb, original example of the famous stipple art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Leonardo da Vinci's (The Muscular System, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519) |
| Date: | 1796 |
| Medium: | Original Etching |
| Publisher: | John Chamberlaine, London |
| Size: | 13 1/4 X 9 3/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon late 18th century wove paper and with full margins as etched by Francesco Bartolozzi in 1796 for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci", and bears the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection" and the publication line, "Published as the Act directs, Apr. 27, 1796, by I. Chamberlaine" under the image. Containing some foxing (particularly in the outer margins) else a finely printed impression and in good condition throughout. The Muscular System, 'In His Majesty's Collection' represents a superb, original example of the famous etched art of Francesco Bartolozzi and of the Renaissance artistry of Leonardo da Vinci. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Leonardo da Vinci's (The Skeletal System, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Da Vinci, Leonardo (Vinci 'Tuscany', 1452 - Cloux (Amboise), 1519) |
| Date: | 1795 |
| Medium: | Original Etching |
| Publisher: | John Chamberlaine, London |
| Size: | 13 1/4 X 9 1/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon late 18th century wove paper and with full margins as etched by Francesco Bartolozzi in 1795 for John Chamberlaine's, "Imitations of Original Designs by Leonardo da Vinci", and bears the text; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection" and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine" under the image. Containing some foxing (particularly in the outer margins) else a finely printed impression and in good condition throughout. "The Skeletal System, 'In His Majesty's Collection'" represents a superb, original example of the famous etched art of Francesco Bartolozzi and of the Renaissance artistry of Leonardo da Vinci. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Love and Fortune |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Cipriani, Giovanni Battista (Florence, 1727 - London (Hammersmith), 1785) |
| Date: | 1800 |
| Publisher: | Rudolph Ackermann, London |
| Medium: | Original Hand-Coloured Etching & Stipple Engraving |
| Size: | 2 3/4 X 3 1/2 |
| Framed | |
| Price: | Sold |
| Condition: | Printed upon early nineteenth century wove paper and with margins cropped slightly past the plate-mark on all sides. Affixed by a previous owner along the upper margin to another sheet of wove paper. Containing as well several slight creases, probably caused by printing pressure, else a crisply printed, early impression with original hand-colouring and in good condition throughout. "Love and Fortune" represents a prime, original example of the art of both Francesco Bartolozzi and Giovanni Battista Cipriani . |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Ludovico Carracci's (Abraham Entertaining Three Angels, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Carracci, Ludovico (Bologna, 1555 - 1619) |
| Date: | 1797 |
| Medium: | Original Etching |
| Publisher: | John Chamberlaine |
| Size: | 13 3/4 X 11 |
| Matted | |
| Buy Now | Price: $895.00 US |
| Condition: | Printed upon late 18th century wove paper and with full margins as created by Bartolozzi in 1797 for John Chamberlain's set of original engravings, entitled, "Engravings from the Original Designs of Annibale, Agostino and Ludovico Carracci, in his Majesty’s Collection", and bearing the text; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st etc", In His Majesty's Collection" and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'." bellow the image. A finely printed impression and in excellent condition throughout. "Abraham Entertaining Three Angels 'In His Majesty's Collection'" represents a prime, original example of the famous etched art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Ludovico Carracci's (Jacob's Vision, 'In His Majesty's Collection') |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Carracci, Ludovico (Bologna, 1555 - 1619) |
| Date: | 1797 |
| Medium: | Original Etching |
| Publisher: | John Chamberlaine |
| Size: | 12 X 10 |
| Matted | |
| Buy Now | Price: $825.00 US |
| Condition: | Printed upon late 18th century wove paper and with full margins as published by John Chamberlaine in London in 1797. Slight foxing exists within the paper else a beautifully printed impression and in good condition throughout. "Jacob's Vision" represents a superb, original example of the famous etched art of Francesco Bartolozzi. |
Francesco Bartolozzi |
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| View Image: | |
| Title: | Twelfth Night. Act V, Scene I. The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants. |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Designer: | Hamilton, William (Chelsea, 1751 - London, 1801) |
| Date: | 1797 |
| Medium: | Original Stipple and Line Engraving |
| Publisher: | John Boydell, London |
| Edition: | Original 'Open Letter Proof Impression' |
| Size: | 19 3/4 X 24 3/4 |
| UnMatted | |
| Buy Now | Price: $1,300.00 US |
| Condition: | Printed upon wove paper with the 'J. Whatman 1794' watermark and with full margins as published in London by Boydell in 1797. Containing slight foxing in the outer margins else a vibrant impression bearing all the fine lines and tonal graduations of an open letter proof impression. Twelfth Night. Act V, Scene I. (The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants.) represents a superb, original example of the famous art of Francesco Bartolozzi and of Boydell's Shakespeare Gallery. |
Frederick Bacon Barwell |
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| View Image: | |
| Title: | Sea Beach - Norfolk Fisherman on the Look Out (The Fisherman) |
| Artist: | Barwell, Frederick Bacon (London, c. 1831 - 1922) |
| Date: | 1861-62 |
| Medium: | Original Etching |
| Publisher: | Day & Son, London |
| Source: | Passages from Modern English Poets Illustrated by the Junior Etching Club, 1862 |
| Reference: | * J. Johnson and A. Greutzner, eds., The Dictionary of British Artists: 1880 - 1940, Suffolk, Antique Collectors' Club, 1988, p. 45. |
| Size: | 6 3/4 X 4 3/4 |
| Matted | |
| Buy Now | Price: $265.00 US |
| Condition: | Printed upon wove paper and with full margins as published in Passages from Modern English Poets in 1862. This impression is in excellent condition throughout without a trace of staining, foxing or fading. Sea Beach - Norfolk Fisherman on the Look Out represents a fine, original example of the nineteenth century landscape art of Frederick Bacon Barwell. |
Art of the Print / www.artoftheprint.com - Art Catalogue (Ba - Bel) Part 2 |
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James Basire |
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| View Image: | |
| Title: | Monument of George Talbot: The Fourth Earl of Shrewsbury |
| Engraver: | Basire, James (London, 1730 - 1802) |
| Designer: | HIrst |
| Date: | 1789 |
| Medium: | Original Engraving |
| Publisher: | Society of Antiquaries, London |
| Size: | 10 X 8 |
| Matted | |
| Buy Now | Price: $265.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with full margins as published in London by the Society of Antiquaries in 1789. Apart from faint foxing in the outer margins, this original engraving is in excellent condition throughout and represents a prime example of the artistic and historical art of James Basire. |
James Basire |
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| View Image: | |
| Title: | Monument of the Duke of Somerset & Lady at Wimbourn, Minster, Dorset |
| Engraver: | Basire, James (London, 1730 - 1802) |
| Designer: | Schnebbelie |
| Date: | 1789 |
| Medium: | Original Engraving |
| Publisher: | Society of Antiquaries, London |
| Size: | 10 X 8 |
| Matted | |
| Buy Now | Price: $265.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with full margins as published in London by the Society of Antiquaries in 1789. Containing slight foxing and creasing, particularly in the outer margins, else this original engraving is in excellent condition throughout and represents a prime example of the artistic and historical art of James Basire. |
James Basire |
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| View Image: | |
| Title: | Portrait of James Thomson |
| Engraver: | Basire, James (London, 1730 - 1802) |
| Designer: | Aikman |
| Date: | 1761 |
| Medium: | Original Engraving |
| Publisher: | A. Millar, London |
| Size: | 10 3/4 X 7 1/2 |
| Matted | |
| Buy Now | Price: $285.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with full margins as published in London on the above date. Apart from faint water staining in the outer margins (well away from the actual portrait), this original engraving is in very good condition throughout and represents a prime example of the engraved art of James Basire. |
Basset, Rue Saint-Jacques, Paris |
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| View Image: | |
| Title: | Bal Chinois (Chinese Ball) |
| Publisher: | Basset, Rue Saint-Jacques, Paris |
| Date: | c. 1780 |
| Medium: | Original Hand-Colored Engraving |
| Source: | Peepshow Print |
| Size: | 11 1/2 X 16 1/2 |
| Matted | |
| Buy Now | Price: $385.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with full margins as published in Paris by Bassett around 1780. Bearing the publisher's address to the lower left. Containing faint traces of water staining in the upper left margin else a strongly printed impression with fine, unfaded hand-coloring. Bal Chinois represents a superb original example of this scarce form of eighteenth century popular print. |
Basset, Rue Saint-Jacques, Paris |
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| View Image: | |
| Title: | Vue de Pont de Vienne en Autriche (View of the Bridge of Vienna in Austria) |
| Publisher: | Basset, Rue Saint-Jacques, Paris |
| Date: | c. 1780 |
| Medium: | Original Hand-Colored Engraving |
| Source: | Peepshow Print |
| Size: | 11 1/4 X 16 1/4 |
| Matted | |
| Buy Now | Price: $385.00 US |
| Condition: | Printed upon eighteenth century hand-made, laid paper and with full margins as published in Paris by Bassett around 1780. Bearing the publisher's address to the lower left. A strongly printed impression with fine, unfaded hand-coloring and in excellent condition throughout. Vue du Pont de Vienne en Autriche represents a superb original example of this scarce form of eighteenth century popular print. |
Norman Arthur Bate |
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| View Image: | |
| Title: | Remnants of Night and Tide |
| Artist: | Bate, Norman Arthur (Rochester, New York, 1916 - 1980) |
| Date: | 1959 |
| Medium: | Original Aquatint Engraving and Etching |
| Edition: | Limited edition of two hundred impressions, 5/200. |
| Size: | 13 7/8 X 18 3/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon 'Rives' watermarked paper and with wide, full margins as printed by the artist in 1959. Containing slight rippling due to printing pressure and faint matte burning in the outer margins , else a strong impression and in good condition throughout. Signed, titled, dated and numbered, '5/200' by Norman Bate in pencil under the plate-mark. Altogether, Remnants of Night and Tide represents a superb, original example of the art of Norman Arthur Bate. |
Henry William Batley 'Henry W. Batley' |
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| View Image: | |
| Title: | Temptation (Untitled) |
| Artist: | Batley, Henry William 'Henry Batley' (London, 1846 - c. 1912) |
| Date: | 1886 |
| Medium: | Original Mezzotint Engraving (Remarque Proof Impression) |
| Size: | 13 3/4 X 8 1/4 |
| Matted | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed on fine India paper an impressed onto a larger sheet of wove paper as published in London in 1886. Bearing the publisher’s title and date along the upper margin. A splendidly printed, remarque proof impression and in excellent condition throughout. "Temptation" represents a prime, original example of the art of Henry William Batley. |
Georgette Batlle |
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| View Image: | |
| Title: | Van Saun Park |
| Artist: | Batlle, Georgette (Born, New Jersey) |
| Date: | 1974 |
| Medium: | Original Silkscreen |
| Edition: | limited edition of eighty five impressions, numbered 63/85. |
| Size: | 15 1/4 X 20 7/8 |
| UnMatted | |
| Buy Now | Price: $465.00 US |
| Condition: | Printed upon 'B.F.K. Rives' paper and with full margins as published in 1974. Signed, titled, dated and numbered, '63/85' by the artist in pencil along the lower margin. A beautifully printed, full color impression and in excellent condition throughout. Van Saun Park represents a fine, original example of the art of Georgette Batlle. |
Carl Bauer 'Carl Josef Bauer' |
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| View Image: | |
| Title: | Liegender Akt (Reclining Nude) |
| Artist: | Bauer, Carl 'Carl Josef Bauer (Munich, 1895 - 1964) |
| Date: | c. 1920 |
| Medium: | Original Drypoint Engraving |
| Size: | 4 3/4 X 6 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| Framed | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed upon thick wove paper with large margins as published in Munich around 1920. Containing a minute crease (caused no doubt by printing pressure) within the image to the lower left, else a vibrant impression with full, deep burr and in very good condition throughout. Signed in pencil by Bauer along the lower margin. Also titled in pencil, “Liegender Akt”, on the verso. Reclining Nude represents a superb, original example of the art of Carl Joseph Bauer. |
Harold Baumbach |
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| View Image: | |
| Title: | Figurative Scene |
| Artist: | Baumbach, Harold (New York City, 1903 - 2002) |
| Date: | c. 1960 - 1970 |
| Medium: | Original Lithograph |
| Edition: | Artitst Proof Impression, 'A/P' |
| Size: | 23 3/4 X 19 3/8 |
| UnMatted | |
| Price: | Sold |
| Condition: | Printed upon pure rag paper with the 'Arches' watermark and with full, deckled margins. Signed and annotated, "A/P (Artist Proof)" by the artist in pencil along the lower margin. A fine, bright impression and in excellent condition throughout. Figurative Scene represents a prime, original example of the art of Harold Baumbach. |
Harold Baumbach |
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| View Image: | |
| Title: | Woman and Cat |
| Artist: | Baumbach, Harold (New York City, 1903 - 2002) |
| Date: | c. 1960 - 1970 |
| Medium: | Original Lithograph |
| Edition: | Limited edition of seventy five impressions, (Artitst Proof Impression 'A/P 15') |
| Size: | 24 1/4 X 20 |
| UnMatted | |
| Price: | Sold |
| Condition: | Printed upon pure rag paper with the 'Arches' watermark and with full, deckled margins. Signed and annotated, "A/P (Artist Proof) 15" by the artist in pencil along the lower margin. A fine, bright impression and in excellent condition throughout. Woman and Cat represents a prime, original example of the art of Harold Baumbach. |
Thomas Harold Beament |
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| View Image: | |
| Title: | The Iceberg at Baffin Island, in the Canadian Territory of Nunavut |
| Artist: | Beament, Thomas Harold 'Harold Beament' (Ottawa, 1898 - Montreal, 1984) |
| Date: | c. 1947 |
| Medium: | Original Graphite Drawing |
| Provenance: | This original drawing was in the artist's collection until 1965. It was gifted to a close friend in Montreal and purchased from his estate. |
| Source: | Study for a painting at McGill University, Faculty Club |
| Note: | This original drawing represents a superb example of the art of Harold Beament, one of Canada's great twentieth century realist artists and the former President of the Royal Canadian Academy. |
| Size: | 8 3/4 X 10 3/4 |
| Framed | |
| Price: | Sold |
| Condition: | Drawn on white, wove paper bearing the watermark, 'Rochland Bond-Canada', and with full margins. Signed by the artist along the lower margin. It is in excellent condition throughout. |
Thomas Harold Beament |
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| View Image: | |
| Title: | Ocean, Sky and Iceberg (Exploring the Canadian Arctic) |
| Artist: | Beament, Thomas Harold 'Harold Beament' (Ottawa, 1898 - Montreal, 1984) |
| Date: | c. 1947 |
| Medium: | Original Graphite Drawing |
| Provenance: | This original drawing was in the Thomas Harold Beament's collection until 1965. It was gifted to a close friend in Montreal and purchased from his estate. |
| Size: | 8 1/2 x 11 |
| Matted | |
| Buy Now | Price: $695.00 US |
| Condition: | Ocean, Sky and Iceberg (Exploring the Canadian Arctic) is drawn on white, wove paper bearing the watermark, 'Rockland Bond - Canada', and with full margins. Signed by Thomas Harold Beament in the lower left corner. Containing very slight water staining about 1/8 " along the left margin, and faint spot center left, else in very good condition throughout. Ocean, Sky and Iceberg (Exploring the Canadian Arctic) represents a superb, original example of the art of Harold Beament, one of Canada's greatest twentieth century realist artists and the former President of the Royal Canadian Academy. |
Aline Beaudoin |
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| View Image: | |
| Title: | Entre Ciel et Terre (Between the Sky and The Earth) |
| Artist: | Beaujoint, Alphonse (France, Active, 1850 - 1870) |
| Date: | 1987 |
| Medium: | Original Colour Woodcut |
| Publisher: | Novak Graphics, Toronto, Canada |
| Size: | 22 1/8 X 30 |
| UnMatted | |
| Buy Now | Price: $425.00 US |
| Condition: | Printed upon pure rag paper with the 'B. F. K. Rives' watermark and with full, deckled margins as published in Toronto in 1987. Signed, dated, titled and numbered, '27/45', by the artist in pencil along the lower margin. A finely printed impression and in excellent condition throughout. Entre ciel et terre (Between the Sky and The Earth) represents a prime, original example of the Canadian art of Aline Beaudoin. |
Alphonse Beaujoint |
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| View Image: | |
| Title: | Vue de Varennes en Argonne (View of Varennes in Argonne) |
| Artist: | Beaujoint, Alphonse (France, Active, 1850 - 1870) |
| Date: | 1865 |
| Medium: | Original Etching |
| Publisher: | A. Cadart & Luquet, Paris |
| Printer: | Auguste Delatre, Paris |
| Source: | Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings) |
| Size: | 9 1/4 X 12 1/4 |
| Matted | |
| Buy Now | Price: $285.00 US |
| Condition: | Printed upon laid paper with both the 'Aqua-Fortistes' watermark with full, large margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1865. Bearing the official blindstamp "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Vue de Varennes en Argonne" the publisher's name and address, "Paris, publie par A. Cadart & Luquet, 79 Rue Richelieu", the artist's name "A. Beaujoint sculp", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin above the plate-mark. Apart from several spots of foxing this is a very fine impression and in excellent condition throughout. Vue de Varennes en Argonne (View of Varennes in Argonne) represents a prime, original example of the etched work of the French artist, Alphonse Beaujoint. |
Leonhard Beck |
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| View Image: | |
| Title: | Saint Waudru |
| Artist: | Beck, Leonhard (Augsburg, c.1480 - 1542) |
| Date: | c. 1515 - 1522 (Bartsch Edition: 1799) |
| Medium: | Original Woodcut |
| Publisher: | Franz-Xavier Stockl, Vienna |
| Raisonne: | Adam Bartsch, Le Peintre-graveur, Vienna, 1803-1821 (reprinted, 1920.), Vol. VII. |
| Catalogue Bartsch #82, Final State as published in 1799. | |
| Reference: | * Stanley Appelbaum, The Triumphs of Maximilian I, New York, Dover Publications, 1964, p. V. |
| Source: | Images of the Saints Connected to the Royal Family of Maximilian |
| Size: | 9 3/8 X 8 1/4 |
| Matted | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed on hand-made, laid, eighteenth century paper as published in Vienna in 1799. The margins have been cropped to within half an inch on the sides and to within two inches along the lower margin. Containing very faint foxing throughout else a strongly printed impression and with little sign of wear. Altogether Saint Waudru represents a prime, original example of the art of Leonhard Beck and of the German Renaissance woodcut. |
Walter Becker |
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| View Image: | |
| Title: | Untitled Composition (Two Metamorphosed Women with a Mythological Creature) |
| Artist: | Becker, Walter (Essen, 1893 - Diessen, Germany, 1984) |
| Date: | 1953 |
| Medium: | Original Lithograph in Colors |
| Publisher: | La Guilde Internationale de la Gravure, Geneva |
| Note: | This original color lithograph was commissioned by the Guilde Internationale de la Gravure, Geneva, Switzerland. During the early 1950's this fine arts publisher commissioned prints from such artists as Anthony Gross, S. W. Hayter, Walter Becker, Marcel Fiorini, Alfred Manessier and Fernand Leger. All were published in hand-signed editions of 200 impressions and bear the publisher's seal in the lower margins. |
| Edition: | Limited edition of two hundred impressions, numbered '106/200'. |
| Size: | 17 1/2 X 13 1/2 |
| Matted | |
| Buy Now | Price: $975.00 US |
| Condition: | Printed upon thick wove paper and with full deckled margins as published around 1953 in the limited edition of 200 impressions. Pencil signed, dated and numbered, 106/200, by the artist along the lower margin. Also, in the extreme lower left margin of the paper the impressed publisher's seal (G.G. in a circle - 'Guilde Gravure') is evident. Containing mat burning in the outer margin as well as slight water staining, else the actual image is in god condition throughout with strong, unfaded colors. The large, original lithograph represents a superb, original example of the important twentieth century art of Walter Becker. |
Isaac Beckett |
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| View Image: | |
| Title: | Petrus Lelly Eques (Sir Peter Lely) |
| Engraver: | Beckett, Isaac (Kent, 1653 - London, 1719) |
| Engraver: | Smith, John (Daventry, 1652 - Northampton, 1743) |
| Designer: | Lelly, Petrus Eques (Sir Peter Lely) (Soest, Westphalia, 1618 - Covent Garden, 1680) |
| Date: | c. 1684 (Boydell Edition: 1811) |
| Medium: | Original Mezzotint |
| Publisher: | 1) Alexander Browne 2) John Smith 3) Josiah Boydell |
| Raisonne: | National Portrait Gallery: Research, Catalogue of Prints Published by Alexander Browne, http://www.npg.org.uk/live/mellonbrowne2.asp |
| Catalogue #27, Fourth State of Four as published by J. Boydell in 1811. | |
| Fourth state impressions will be found in the following public collections; the British Museum and the National Portrait Gallery, London, and the New Haven Dept. of Rare Books, Windsor. | |
| Size: | 13 1/8 X 9 3/4 |
| Framed | |
| Buy Now | Price: $895.00 US |
| Condition: | Printed upon early nineteenth Whatman watermarked wove paper and with large, full margins as published in the final state by Josiah Boydell in 1811. Containing several very faint scrapings and creasings, else a strongly printed impression with little sign of wear and in good condition throughout. Petrus Lelly Eques is listed as a scarce engraving. A finer example of the early British mezzotint would be most difficult to find. |
Joel Beckwith |
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| View Image: | |
| Title: | Old Men |
| Artist: | Beckwith, Joel (Boston, 1949 - Resides, Jamaica, Vermont) |
| Date: | c. 1990 |
| Medium: | Original Etching & Drypoint Engraving |
| Edition: | Limited Edition of twenty-five impressions, Numbered 18/25. |
| Size: | 4 1/4 X 3 3/4 |
| Matted | |
| Buy Now | Price: $265.00 US |
| Condition: | Printed upon pure rag paper and with full deckled margins as printed and published by the artist around 1990. Pencil signed and numbered, '18/25', by the artist along the lower margin. Old Men represents a fine, original example of the contemporary art of Joel Beckwith. |
Maurice Jaubert de Becque 'Maurice de Becque ' |
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| View Image: | |
| Title: | Bien loin d'ici from 'Les fleurs du Mal' (Ever So far From Here from 'The Flowers of Evil') |
| Artist: | Becque, Maurice Jaubert de 'Maurice de Becque' (Saumur, France, 1878 - Paris, ?) |
| Date: | 1920 |
| Medium: | Original Etching & Aquatint |
| Publisher: | Publisher: Georges Cres, Paris |
| Edition: | Limited edition of one hundred and fifty impressions. |
| Size: | 9 1/4 X 7 |
| Framed | |
| Buy Now | Price: $595.00 US |
| Condition: | Printed upon archival paper with the ‘Rives’ watermark and with full margins as published in Paris in 1920. Signed by the artist in pencil along the lower margin. Containing slight foxing in the outer margins, else a brilliant impression with full sepia tones and in very good condition throughout. "Bien loin d’ici" represents a prime, original example of the illustrative art of Maurice de Becque. |
Francis Bedford |
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| Title: | A Limoges Enamel Plaque, Early Sixteenth Century |
| Artist: | Bedford, Francis (London, 1816 - 1894) |
| Date: | 1858 |
| Medium: | Original Lithograph Printed in Colour |
| Publisher: | Day & Son, London |
| Note: | The most famous early Victorian firm of lithographic printing was by created William Day (1797 - 1845) and Louis Haghe (1806 - 1895) in London in 1829. Throughout their initial years, Day and Haghe printed lithographs dealing with a wide range of subjects, such as hunting scenes, topographical views and genre depictions. Their lithographs were so meticulously conceived and technically advanced that in 1838, Day and Haghe were appointed 'Lithographers to the Queen'. After William's death in 1845, the firm became known as 'Day & Son' and in the mid-Victorian era it led the way as a pioneer of the recently developed medium of the lithograph printed in colours. |
| Source: | Art Treasures of the United Kingdom |
| Size: | 10 1/2 X 7 1/8 |
| Matted | |
| Buy Now | Price: $235.00 US |
| Condition: | Printed on mid nineteenth century wove paper and with full margins as published in London by Day & Son in 1858. It is a fine impression with striking, unfaded colours and in excellent condition throughout. This original lithograph represents an early and important example of colour printing techniques. |
Francis Bedford |
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| View Image: | |
| Title: | Altar and Reredos Designed by The Late A. W. Pugin, Carved in Stone by Myers of London, and Fitted-up by Hardman of Birmingham |
| Artist: | Bedford, Francis (London, 1816 - 1894) |
| Date: | 1858 |
| Medium: | Original Lithograph Printed in Colour |
| Publisher: | Day & Son, London |
| Source: | Industrial Arts of the Nineteenth Century at the Great Exhibition |
| Size: | 16 1/2 X 10 3/4 |
| Matted | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed on mid-nineteenth century wove paper and with full margins as published in London by Day & Son in 1853. This is a fine impression and in excellent condition throughout. |
Francis Bedford |
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| View Image: | |
| Title: | Early Limoges Enamel, 12th oR 13th Century |
| Artist: | Bedford, Francis (London, 1816 - 1894) |
| Date: | 1858 |
| Medium: | Original Lithograph Printed in Colour |
| Publisher: | Day & Son, London |
| Source: | Art Treasures of the United Kingdom |
| Size: | 8 3/4 X 10 3/4 |
| Matted | |
| Buy Now | Price: $235.00 US |
| Condition: | Printed on mid nineteenth century wove paper and with full margins as published in London by Day & Son in 1858. It is a fine impression with striking, unfaded colours and in excellent condition throughout. This original lithograph represents an early and important example of colour printing techniques. |
Francis Bedford |
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| View Image: | |
| Title: | Faenza Ware Plate |
| Artist: | Bedford, Francis (London, 1816 - 1894) |
| Date: | 1858 |
| Medium: | Original Lithograph Printed in Colour |
| Publisher: | Day & Son, London |
| Source: | Art Treasures of the United Kingdom |
| Size: | 11 1/2 X 8 1/4 |
| Matted | |
| Buy Now | Price: $235.00 US |
| Condition: | Printed on mid nineteenth century wove paper and with full margins as published in London by Day & Son in 1858. It is a fine impression with striking, unfaded colours and in excellent condition throughout. This original lithograph represents an early and important example of colour printing techniques. |
Francis Bedford |
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| View Image: | |
| Title: | Flemish Ewer, Jug and Stoneware, 16th Century |
| Artist: | Bedford, Francis (London, 1816 - 1894) |
| Date: | 1858 |
| Medium: | Original Lithograph Printed in Colour |
| Publisher: | Day & Son, London |
| Source: | Art Treasures of the United Kingdom |
| Size: | 11 3/4 X 9 |
| Matted | |
| Price: | Sold |
| Condition: | Printed on mid nineteenth century wove paper and with full margins as published in London by Day & Son in 1858. It is a fine impression with striking, unfaded colours and in excellent condition throughout. This original lithograph represents an early and important example of colour printing techniques. |
Francis Bedford |
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| View Image: | |
| Title: | Fountain in Iron, By Andre of Paris |
| Artist: | Bedford, Francis (London, 1816 - 1894) |
| Date: | 1852 |
| Medium: | Original Lithograph Printed in Colour |
| Publisher: | Day & Son, London |
| Source: | Industrial Arts of the Nineteenth Century at the Great Exhibition |
| Size: | 16 1/2 X 9 1/2 |
| Matted | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed on mid nineteenth century wove paper and with full margins as printed and published in London in 1852. Containing a stain in the lower margin (well removed from the actual image) else a strong, early impression and in very good condition throughout. Altogether, "Fountain in Iron, Andre of Paris" represents a large, fine example of the early English color lithograph. |
Doris Riker Beer |
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| View Image: | |
| Title: | Old Customs House, Nantucket |
| Artist: | Beer, Doris Riker (New York, 1898 - Nantucket, MA, 1967) |
| Date: | 1963 |
| Medium: | Original Watercolor |
| Size: | 3 1/2 X 4 |
| Framed | |
| Price: | Sold |
| Condition: | Painted upon thick, archival watercolor paper and with margins trimmed to around half an inch to the image on all sides. Signed and dated in pencil to the lower right. This original watercolor is in excellent condition throughout without a trace of fading or staining. Old Customs House, Nantucket, represents a fine, original example of the Nantucket art of Doris Riker Beer. |
Harrison Begay |
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| View Image: | |
| Title: | Fawn |
| Artist: | Begay, Harrison (Born, White Cone, Arizona, 1917 |
| Date: | c. 1951 |
| Medium: | Original Silkscreen |
| Note: | Begay began exhibiting his paintings, watercolours and silk-screens as early as 1946. Since that time his art has won numerous national and international awards, such as the 1954 Palmes de Academiques from the Government of France. He has also exhibited in many museums around the world, including the Museum of Modern Art, New York, the Denver Art Museum, the Museum of the American Indian, Massachusetts, and the Museum of New Mexico. |
| Size: | 12 1/4 X 10 1/4 |
| Framed | |
| Price: | Sold |
| Condition: | Printed upon wove paper and with full margins as published in Santa Fe, New Mexico around 1951. Signed by the artist in the silk-screen to the lower right. Containing several very faint scratch marks within the image, else a strongly printed impression bearing all its full colours and tonal values and in good condition throughout. Fawn is simply a magnificent example of the work of Harrison Begay, the most famous Navaho artist of the twentieth century. |
Georges Belin-Dollet |
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| View Image: | |
| Title: | A Digger |
| Engraver: | Belin-Dollet, Georges (France, 1839 - 1903) |
| Designer: | Millet, Jean Francois (Gruchy, 1814 - Barbizon, 1875) |
| Date: | c. 1890 |
| Medium: | Original Etching |
| Note: | "A Digger" is an original etching by Georges Belin-Dollet after the design of Jean Francois Millet. This original impression is signed in pencil by Georges Belin-Dollet. |
| Size: | 18 X 11 |
| Matted | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed upon hand-made mulberry (rice) paper and with full margins as published around 1890. Signed in pencil by Belin-Dollet along the lower right margin. Containing slight creasing within the image and small paper loss at the tip of in the upper right margin far from the image else a fine, early impression and in very good condition throughout. "A Digger" represents a superb example of the art of both Jean Francois Millet and Georges Belin-Dollet. |
Georges Belin-Dollet |
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| View Image: | |
| Title: | The Winnower |
| Engraver: | Belin-Dollet, Georges (France, 1839 - 1903) |
| Designer: | Millet, Jean Francois (Gruchy, 1814 - Barbizon, 1875) |
| Date: | c. 1890 |
| Medium: | Original Etching |
| Note: | "The Winnower" is an original etching by the French artist, Georges Belin-Dollet after the design of Jean Francois Millet. This original impression is signed in pencil by Georges Belin-Dollet. . |
| Size: | 17 3/4 X 11 |
| Matted | |
| Price: | Sold |
| Condition: | Printed upon hand-made mulberry (rice) paper and with full margins as published around 1890. Signed in pencil by Belin-Dollet along the lower right margin. Containing a diagonal crease in the upper portion of the image else a fine, early impression and in very good condition throughout. "The Winnower" represents a superb example of the art of both Jean Francois Millet and Georges Belin-Dollet. |
Anatoly Belkin (Anatoly Pavlovich Belkin) |
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| View Image: | |
| Title: | Apartment |
| Artist: | Belkin, Anatoly Pavlovich 'Anatoly Belkin' (Moscow, 1953 - Resides, St. Petersburg) |
| Date: | 1976 - 1977 |
| Medium: | Original Lithograph |
| Edition: | Annotated Artist Proof #1 |
| Size: | 26 X 22 1/4 |
| UnMatted | |
| Buy Now | Price: $1,750.00 US |
| Condition: | Printed on pure rag paper and with full, deckled margins as published in 1976-77. Pencil signed (in Cyrillic), titled and annotated, "S. P. I. - 1" by the artist along the lower margin. Containing two diagonal creases in the upper left corner margin, but not entering the actual image. Else this impression of Apartment is in very good condition throughout and represents both a scarce and important example of the famous Russian art of Anatoly Belkin. |
Robert Anning Bell |
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| View Image: | |
| Title: | The Music Score |
| Artist: | Bell, Robert Anning (London, 1863 - 1933) |
| Date: | 1898 |
| Medium: | Original Lithograph |
| Note: | The Music Score was commissioned by The Studio, in London, in 1898. During the late nineteenth and early twentieth centuries this journal was the leading British arts publication. Founded in 1893, the journal frequently commissioned leading contemporary artists for original etchings, lithographs and woodcuts. Contributing artists during the 1890's included Felix Vallotton, James McNeill Whistler, Emil Orlik, Charles Edward Holloway, Hans Thoma, Joseph Pennell, Alexandre Lunois, Fernand Khnopff, Frank Brangwyn and Robert Anning Bell. Bell was commissioned three times for original lithographs by The Studio near the end of the century. |
| Size: | 7 1/4 X 7 |
| Matted | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed upon wove paper and with full margins as published by The Studio on the above date. Signed and dated in the stone to the lower right and bearing the blindstamp of the publisher along the lower margin. Containing a slight marginal tear to the central left (not affecting the actual image) else a finely printed impression and in excellent condition throughout. The Music Score represents a beautiful, original example of the great art of Robert Anning Bell. |
Francois Bellay |
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| View Image: | |
| Title: | La Marchande de Pommes (The Apple Seller) |
| Artist: | Bellay, Francois (Lyon, 1790 - Rome, 1858) |
| Designer: | Drolling, Michel Martin, 'Martin Drolling' (Paris, 1789 - 1851) |
| Date: | Between 1825 & 1829 |
| Medium: | Original Lithograph |
| Publisher: | Galerie du Palais Royal |
| Edition: | Around five hundred impressions |
| Size: | 11 3/4 X 12 3/4 |
| UnMatted | |
| Buy Now | Price: $395.00 US |
| Condition: | Printed upon fine chine colle and mounted onto a large sheet of wove paper as published for Galerie du Palais Royal around the above date. Bearing the official blindstamp ("Galerie lithographiee de S. A. Mgr le Duc d'Orleans") in the lower center margin. Containing slight scuffing in the outer margins and a small, restored tear in the lower centre margin (well removed from the actual lithograph), else a finely printed impression and in very good condition throughout. La Marchande de Pommes (The Apple Seller), represents a fine, original example of early French lithographic art. |
George Bellows, 'George Wesley Bellows' |
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| View Image: | |
| Title: | Study of my Mother, First Stone |
| Artist: | Bellows, George Wesley 'George Bellows' (Columbus, Ohio - 1882 - New York, 1925) |
| Date: | 1921 |
| Medium: | Original Lithograph |
| Printer: | Bolton Brown |
| Provenance: | From the estate of Leroy Latham and thence to his heirs. Leroy Latham (1874-1938) was Chairman of Latham Lithographing Company (Latham Litho & Printing Co.). Situated in Brooklyn, New York, it was one of America's largest lithographic printing establishments in the early twentieth century. His large print collection consisted of many examples of French and British nineteenth century lithographs as well as contemporary American lithographs, etchings and wood engravings. |
| Raisonne: | Lauris Mason & Joan Ludman, The Lithographs of George Bellows: A Catalogue Raisonne, New York, KTO Press, 1977. |
| Edition: | Limited edition of nine impression. |
| Size: | 10 1/8 X 7 1/4 |
| Housed in Mr. Leroy Latham's original paper matt bearing the following words, "Geo. Bellows - his Mother. Bought from Bellows's wife soon after his death." | |
| Price: | Sold |
| Condition: | Printed upon fine chine colle paper and with margins extending one inch on both sides, 3/4 of an inch on the bottom, and 1/4 of an inch on the top. A very small tear (measuring less than 1/8 of an inch) is also on the top margin. Still housed in its original matt, paper tape has been applied to both upper corners. Signed in the stone with the artist's 'G.B.' monogram and signed in pencil by the printer, Bolton Brown. A finely printed impression and in good condition throughout. Study of my Mother, First Stone represents both a scarce and important, original example of the famous art of George Wesley Bellows. |
Jacobus Belsen |
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| View Image: | |
| Title: | Horsmen in the Snow |
| Artist: | Belsen, Jacobus (Patkino, Russia, 1870 - New York, 1937) |
| Date: | C. 1930 |
| Medium: | Original drypoint Engraving |
| Edition: | Limited edition of one hundred impressions, numbered 41/100. |
| Size: | 7 1/4 X 8 3/4 |
| Matted | |
| Price: | Sold |
| Condition: | Printed on thick wove paper and with full margins as published in Berlin in the Limited edition of one hundred in 1930. Signed in pencil and numbered '41/100' by the artist along the lower margin. It is a strongly printed, brilliant impression and in excellent condition throughout. |
Jacques Beltrand |
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| View Image: | |
| Title: | Les Trois Graces |
| Artist: | Beltrand, Jacques (Paris, 1874 - Coucy-les-Eppes, l'Aisne, 1977) |
| Date: | 1925 |
| Medium: | Original Color Wood Engraving |
| Publisher: | The Print Connoisseur, New York |
| Size: | 4 1/2 X 3 1/4 |
| Framed | |
| Buy Now | Price: $295.00 US |
| Condition: | Printed upon wove paper and with full margins as published by The Print Connoisseur in April of 1925. A finely printed, full color impression and in excellent condition throughout. Les Trois Graces represents a prime, original example of the wood engraved art of Jacques Beltrand. |
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Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and prints, such as etchings, line engravings, lithographs, aquatints, mezzotints, woodcuts, wood engravings, silk-screens, monoprints, monotypes and other mediums of original art. All of these works of art have been created by prominent and established artists, (painters, illustrators, and printmakers). Their nationalities vary from American to British, Canadian, Czechoslovakian, Dutch, Flemish, French, German, Italian, Mexican, Austrian, Belgium, Israeli, and Japanese, as well as artists from other countries. The collected works span from the early Renaissance period to the modern and contemporary art period. You can find categories ranging from original fine art to speciality collecting such as animal art, botanical art, genre, portraits, maps, military art, lithographic posters and advertising art, satirical art, sports art and many other areas of interest.
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