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Jules Lion & Jean-Auguste Bard

Jules Lion and Jean Auguste Bard - Une Mauvaise Rencontre A Bad Encounter

Une Mauvaise Rencontre (A Bad Encounter)

Jules Lion's original lithograph, Une Mauvaise Rencontre (A Bad Encounter), is the only example I have seen of his early work in France before he moved to New Orleans in either 1836 or 1837. In New Orleans Jules Lion became famous both as a portrait lithographer and painter and as the first African-American photographer. On a trip to Paris in 1839 Jules Lion learned the recently invented photographic process -- the daguerreotype -- from a partner and associate of Louis Jacques Daguerre. In March of 1840, Lion launched New Orleans' first exhibition of photographs.

An original lithograph, Une Mauvaise Rencontre is printed upon early nineteenth century wove paper and with full margins as published in Paris around 1835. Bearing the lithographer's name, printers address, and the title, 'Lion del.', 'Imp. d'Aubert et de Junca', 'Une Mauvaise Rencontre', 'Appartenant a Mr. Susse.' in the lower margin, also bearing the publication information, the designers name, and plate number, 'Revue des Peintres', 'Bard (Tableau)', and 'Pl. 127.' in the upper margin. Signed by Jules Lion in the stone to the lower right. This impression is signed by Jules Lion in the stone to the lower right. Une Mauvaise Rencontre is both a scarce and important original example of the early art created by the French African American artist, Jules Lion.

 
Title: Une Mauvaise Rencontre (A Bad Encounter)
Lithographer Lion, Jules (Paris, 1809 or 1810 - New Orleans, Louisiana, 1866)
Designer: Bard, Jean-Auguste (Paris, 1812 - 1862)
Printer: Imp. d'Aubert et de Junca, Paris
Date: c. 1835
Medium: Original Lithograph
Source: Revue des Peintres, Paris
Note: Jules Lion: An important early African-American lithographer, painter and photographer, it is not known who Jules Lion studied under in his native Paris. It is, however, recorded that he exhibited his lithographs at the Paris Salon in 1831, 1833, 1834 and 1836. During this time his lithographs appeared in major publications and reviews such as, L'Artiste and Revue des Peintres. Une Mauvaise Rencontre (A Bad Encounter) hails from the latter publication. As well, one of his lithographs was awarded an honourable mention at the Paris Exposition.
  Jules Lion moved permanently to New Orleans in either late 1836 or early 1837. Being French he was classified in Louisiana as a "Free Man of Color". Lion returned to Paris in 1839 to visit his brother, Achille Lion. In August of that year Louis Daguerre published his pamphlet on his invention of photography. Shortly thereafter Jules Lion returned to New Orleans and established that city's first daguerreotype studio. On March 15, 1840, he opened the city's first photographic exhibition, held at the St. Charles Museum.
  In general, Jules Lion devoted much more time to lithography, most particularly portrait lithography. In total he created over one hundred and fifty portraits in this medium, including portrayals of such famous individuals as John James Audubon, Andrew Jackson, Martin van Buren and Zachary Taylor.
  In 1848 Jules Lion opened a New Orleans art school with the Italian artist, Dominique Canova (1800-1868). At this time he also taught drawing techniques at Louisiana College. Lion's last known works were lithographed sheet music covers in support (somewhat ironically) of the Confederate cause during the Civil War.
  Today the lithographic art of Jules Lion is included in the collections of the Louisiana State Museum, Louisiana State University Libraries and the Smithsonian American Art Museum, Washington, D.C.
  Jean-Auguste Bard: A French genre and history painter, Jean-Auguste Bard studied art in Paris under both Paul Delaroche and Jean-Auguste-Dominique Ingres. Bard exhibited his paintings at the Paris Salon from 1831 to 1861. One of his paintings is in the collection of the Louvre.
  Une Mauvaise Rencontre (A Bad Encounter) was commissioned by Revue des Peintres. This Paris based publication existed from approximately 1833 to 1839 and featured original lithographs from some of France's finest artists of the era, such as Honore Daumier, Benjamin Roubaud, Jules Lion, Jean-Auguste Bard, Alphonse Bourdin, Menut Alophe, Felix Saint-Aulaire and Eugene Lepoittevin.
  Gabriel Auber, Charles Philipon, & La Maison Aubert: Founded in 1829 by Charles Philipon (Lyons, 1804 - Paris, 1862), La Maison Aubert was a bookshop specializing in satires, the sale of sheet prints, and illustrated books by the likes of Curmer, Janet, Didier and Challamel with illustrations sometimes printed by Aubert. Philipon’s Brother in law Gabriel Aubert (Lyon, 1784 – 1847), a French notary, publisher, printer, and editor of La Caricature, managed the firm of La Maison Aubert. Then around 1835 Aubert founded his own lithographic printing press, Aubert et Cie., Paris and soon after, partnered with Junca, the French lithographer, publisher, and printer, publishing lithographs under the firm name, Aubert et de Junca, Paris. Together, they printed and published some of the finest French lithographs of the period, many of which were included in La Revue des Peintres which featured lithographic prints after paintings, watercolors and drawings by contemporary artists of the period.
Size: 8 1/2 X 6 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Framed and Matted with 100% Archival Materials
  Une Mauvaise Rencontre by Jules Lion designed by Jean Auguste Bard
Buy Now Price: $565.00 US
Condition: Printed upon early nineteenth century wove paper and with full margins as published in Paris. Bearing the lithographer's name, printers address, and the title, 'Lion del.', 'Imp. d'Aubert et de Junca', 'Une Mauvaise Rencontre', 'Appartenant a Mr. Susse.' in the lower margin, also bearing the publication information, the designers name, and plate number, 'Revue des Peintres', 'Bard (Tableau)', and 'Pl. 127.' in the upper margin. Signed by Jules Lion in the stone to the lower right. Containing slight foxing in the outer margins, else a finely printed impression and in very good condition throughout. Une Mauvaise Rencontre (A Bad Encounter) represents both a scarce and important original example of the early art of Jules Lion.
Subject: Jules Lion, Jean-Auguste Bard, Une Mauvaise Rencontre (A Bad Encounter), original lithograph, early African-American lithographer, painter and photographer, first daguerreotype studio in New Orleans, St. Charles Museum, Louis Jacques Daguerre.
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Original Lithograph by the French / African American artist, Jules Lion designed by Jean-Auguste Bard.

Une Mauvaise Rencontre A Bad Encounter by the French African American artist Jules Lion designed by Jean Auguste Bard

Une Mauvaise Rencontre (A Bad Encounter)

View Other Original Works of Art by African/American Artists.

African/American Artists
# Image Title & Artist Artist Info Medium Date Info -
01- Golden Gateway San Francisco by Raymond Howell Golden Gateway, San Francisco by Raymond Howell Raymond Howell (Oakland, CA, 1931 - 2002) Original Silkscreen (Serigraph) c. 1975 Signed in pencil by the artist and annotated '200' (edition size) by Raymond Howell . Sold
02.- Make It Short by John Dowell Make It Short by John Dowell John Edward Dowell Jr. 'John Dowell' (Born: March 25, 1941 - Philadelphia, PA) Original Lithograph & Watercolor (Monotype) 1973 Signed, dated, titled and numbered, 'A.P. #10' by John Dowell in pencil.  
03.- Music Makers by Hartwell Yeargans Music Makers by Hartwell Yeargans Hartwell Yeargans (Kansas City, 1915 - New York, 2005) Original Color Woodcut 1971 Signed, titled, dated and annotated, ‘Var(iation) II A/P I’ 'Artist Proof' by Hartwell Yeargans  
04.- om Tom by Elmer Brown Tom Tom by Elmer Brown Elmer William Brown, 'Elmer Brown' (Pittsburgh, 1909 - Cleveland, 1971) Original Linocut (Linoleum Cut) c. 1939 Signed and titled on the original matt (under the image) by Elmer Brown in pencil. Sold
05.- Une mauvaise rencontre A Bad Encounter by Jules Lion Une mauvaise rencontre (A Bad Encounter) by Jules Lion designed by Jean-Auguste Bard Jules Lion (Paris, 1809 or 1810 - New Orleans, Louisiana, 1866) Original Lithograph c. 1835 Signed by Jules Lion in the stone to the lower right  
06.- Untitled Composition by Stephanie Pogue Untitled Composition by Stephanie Pogue Stephanie Pogue (Shelby, North Carolina, Born, 1944) Original Deep Etching in Colors 1969 Signed, dated and numbered, '105/200', by Stephanie Pogue in pencil. Sold
07.- You're Part of Art by Alvin Carl Hollingsworth You're Part of Art by Alvin Carl Hollingsworth Alvin Carl Hollingsworth (New York, NY, 1928 - 2000) Original Oil on Canvas Board c. 1970 Signed by Alvin Hollingsworth within the image to the lower left.  
08.- View from the Balcony by Lloyd Van Pitterson View from the Balcony (Untitled Composition) by Lloyd Van Pitterson Lloyd Van Pitterson (Jamaica, 1926 - Elizabeth, New Jersey, 1997) Original Lithograph c. 1975 - 1980 Signed in pencil by Lloyd Van Pitterson to the lower left and numbered, 119/300.  

View other original works of art published by the "Revue des Peintres"

Revue des Peintres, Paris
# Image Title & Artist Artist Medium Date Artist Info -
01.- L'Ange gardien The Guardian Angel by Marie Alexandre Menut Alophe L'Ange ardien (The Guardian Angel) by Marie Alexandre Menut Alophe designed by Henri Decaisne Marie-Alexandre Menut Alophe (Paris, 1812 - 1883) Original Lithograph c. 1836-37 Printed upon early nineteenth century wove paper and with full margins as published in Paris in the Revue des Peintres c. 1836-37. Bearing the lithographer's name, the printers address, and the title, 'Alophe del.t.', 'Imp. d'Aubert et de Junca', 'Ange Gardien. Salon de 1836' in the lower margin, also bearing the publication information, the designers name, and plate number, 'Revue des Peintres', 'Decaisne (Tableau)', and 'Pl. 123.' in the upper margin.  
02.- Le coup de filet Hauling in the Net by Felix Achille Saint Aulaire Le coup de filet (Hauling in the Net) by Felix Achille Saint-Aulaire Felix Achille Saint-Aulaire (Verceil, (Piedmont), 1801 - Paris, c. 1844) Original Lithograph c. 1835 Printed upon early nineteenth century wove paper around 1835 and bearing the lithographer's name, the printers address, and the title, 'A. St. Aulaire lith.', 'Imp. d'Aubert et Cie.', 'Le coup de filet' in the lower margin, also bearing the publication information 'Revue des Peintres' in the upper margin.  
03.- - Pendant la Moisson by Marie Alexandre Menut Alophe Marie-Alexandre Menut Alophe (Paris, 1812 - 1883) Original Lithograph 1835 Printed on early nineteenth century wove paper and with full margins by Aubert in Paris for the Revue des Peintres Sold
04.- Sainte Madelaine by Marie Alexandre Menut Alophe after Camille Roqueplan Sainte Madelaine by Marie Alexandre Menut Alophe after Camille Roqueplan Marie-Alexandre Menut Alophe (Paris, 1812 - 1883) Original Lithograph 1838 Printed early nineteenth century wove paper and with full margins as published in Paris for the Revue des Peintres in 1838. This impression bears the text 'Revue des Peintres', 'Roqueplan (tableau), and 'No.184' in the upper margin as well as the lithographer's name 'Alophe lith.', the printers address, 'd'Aubert et de Junca', and the title, ' Sainte Madelaine' in the lower margin. Sold
05.- Surprise by Benjamin Roubaud Surprise by Benjamin Roubaud Benjamin Roubaud (Roquevaire, 1811 - Algiers, 1847) Original Lithograph c. 1835 Printed upon early nineteenth century wove paper bearing the lithographer's name, the printers address, and the title, ' Roubaud lith.', 'Imp. d'Aubert et de Junca', 'Surprise' in the lower margin, also bearing the publication information, the designers name, and plate number, 'Revue des Peintres', 'Roubaud (Tableau)', and 'Pl. 195.' in the upper margin.  
06.- The Secret Discovered by Alphonse Bourdin The Secret Discovered by Alphonse Bourdin Bourdin, Alphonse (Mans, 1808 - Paris, 1867) Original Lithograph 1837 Printed on early nineteenth century wove paper and with full margins as published in Paris in the Revue des Peintres in 1837. Bearing the lithographer's name and the printers address, 'Imp. d'Aubert et Cie., Paris', and ' Bourdin Lith.' in the lower margin.  
07.- Une mauvaise rencontre A Bad Encounter by Jules Lion Une mauvaise rencontre (A Bad Encounter) by Jules Lion designed by Jean-Auguste Bard Lion, Jules (Paris, 1809 or 1810 - New Orleans, Louisiana, 1866) Original Lithograph c. 1835 Printed upon early nineteenth century wove paper and with full margins as published in Paris. Bearing the lithographer's name, printers address, and the title, 'Lion del.', 'Imp. d'Aubert et de Junca', 'Une Mauvaise Rencontre', 'Appartenant a Mr. Susse.' in the lower margin, also bearing the publication information, the designers name, and plate number, 'Revue des Peintres', 'Bard (Tableau)', and 'Pl. 127.' in the upper margin. Signed by Jules Lion in the stone to the lower right.  

View original lithographs by Chez Aubert, d'Aubert & Cie, d'Aubert et de Junca, Paris.

Chez Aubert, d'Aubert & Cie, d'Aubert et de Junca, Paris.
# Image Title Artist Medium Date Source -
01.- - Cabriolet La M'Sieu ...Je N'ai Pas Seulement de Quoi Aller a Pied (Emotions Parisiennes), by Honore Daumier Honore Daumier (Marseilles, 1808 - Valmondois, 1879) Original Lithograph October, 1839 Chez Bauger et Cie. r. du Croissant No. 16, Imp. d'Aubert & Cie, Le Charivari, Paris, 'Emotions Parisiennes' Sold
02.- Cherchez-Vous un Laurier attributed to the French artist Charles Philipon Cherchez-Vous un Laurier? Oui Un Laurier Sauce Attributed to Charles Philipon Charles Philipon (Lyons, 1804 - Paris, 1862) Original Lithograph c. 1835 Chez Aubert, galerie Vero-Dodat, Lith. de Becquet, rue Furstemberg 6, Le Charivari, Paris  
03.- Ciel Anatole by Paul Gavarni Ciel! Anatole! (Carnaval), by Paul Gavarni Gavarni, 'Hippolyte Guillaume Suplice Chavalier', 'Paul Gavarni' (Paris, 1804 - Auteuil, 1866) Original Lithograph 13, February, 1847 Chez Aubert, pl. de la Bourse, 29. a D., Imp. d'Aubert et Cie., 'Oeuvres Nouvelles de Gavarni', Le Charivari, Paris  
04.- Comment c'est bien aujourd'hui le 29 by Frederic Bouchot Comment! c'est bien aujourd'hui le 29. Oui, Monsieur, mais la soiree de Madame a eu lieu le 19. (Actualites), by Frederic Bouchot Frederic Bouchot (Paris, 1798 - 1860) Original Lithograph 1838 Imp. d'Aubert & Cie., Chez gal. Vero-Dodat, Le Charivari, Paris  
05.- Gan Portrait of Auguste Hippolyte Ganneron by Honore Daumier Gan... (Portrait of Auguste Hippolyte Ganneron) by Honore Daumier Honore Daumier (Marseilles, 1808 - Valmondois, 1879) Original Lithograph September 6, 1833 Chez Aubert, galerie Vero-Dodat, Lith. de Becquet, rue Furstemberg No. 6, Le Charivari, Paris Sold
06.- La Marchande d'Arlequins by Charles Joseph Travies La Marchande d’Arlequins (Comme on dine a Paris), by Charles Joseph Travies Charles-Joseph Travies de Villers (Winterthur, Switzerland. 1804- Paris, 1859) Original Lithograph September 23, 1845 Chez Aubert, Pl. de la Bourse, 29, Imp. d'Aubert & Cie., 'Comme on dine a Paris', Le Charivari, Paris  
07.- L'Ange gardien The Guardian Angel by Marie Alexandre Menut Alophe L'Ange ardien (The Guardian Angel) by Marie Alexandre Menut Alophe designed by Henri Decaisne Marie-Alexandre Menut Alophe (Paris, 1812 - 1883) Original Lithograph c. 1836-37 Imp. d'Aubert et de Junca, Revue des Peintres  
08.- L'Arret Habitant du Marais by Alcide Joseph Lorentz L'Arret. Habitant du Marais (Les plaisirs de la chasse), by Alcide Joseph Lorentz Alcide Joseph Lorentz (Paris, 1813 - 1891) Original Lithograph October, 1842 Chez Bauger et Cie. r. du Croissant No. 16, Imp. d'Aubert & Cie., 'Les plaisirs de la chasse', Le Charivari, Paris  
09.- Le coup de filet Hauling in the Net by Felix Achille Saint Aulaire Le coup de filet (Hauling in the Net) by Felix Achille Saint-Aulaire Felix Achille Saint-Aulaire (Verceil, (Piedmont), 1801 - Paris, c. 1844) Original Lithograph c. 1835 A. St. Aulaire lith', Imp. d'Aubert et Cie., Revue des Peintres  
10.- - Les Ouvriers de Paris, Le Charivari (Paris Workers, French Satirical Scene) Fuche, G. (French, active, c. 1840 - 1860) Original Lithograph c. 1845 - 1850 Aubert & Cie., Paris, 'Les Ouvriers de Paris', Le Charivari, Paris Sold
11.- Monsieur le Comte de Filouski by Charles de Beaumont Monsieur le Comte de Filouski (Les Grecs de Paris), by Charles de Beaumont Charles-Edouard Francois de Beaumont 'Edouard de Beaumont' (Lannion, 1821 - Paris, 1888) Original Lithograph May, 1845 Chez Aubert & Cie. Pl. de la Bourse 29", 'Les Grecs de Paris', Le Charivari, Paris  
12.- Monsieur Monsieur V La vot Mouchoir by Honore Daumier Monsieur Monsieur V La vot Mouchoir (Moeurs Conjugales), by Honore Daumier Honore Daumier (Marseilles, 1808 - Valmondois, 1879) Original Lithograph (Hand-Colored 'Sur Blanc' Impression) 27, April 1842 Imp. d'Aubert & Cie., Le Charivari, Paris, 'Moeurs Conjugales'  
13.- - Monsieur Par Suite de la Fusion, Je Vous Rends L'Argent de Vos Actions (Les Philantropes du Jour), by Honore Daumier Honore Daumier (Marseilles, 1808 - Valmondois, 1879) Original Lithograph January 12, 1846 Chez Aubert Pl de la Bourse, 29, Imp. d' Aubert & Cie., Le Charivari, Paris, 'Les Philantropes du Jour'  
14.- Mr. Fremouillot Je Vous y Prends Vous Connaissez le Double Blanc by Honore Daumier Mr. Fremouillot Je Vous y Prends, Vous Connaissez le Double-Blanc (Types Parisiens), by Honore Daumier Honore Daumier (Marseilles, 1808 - Valmondois, 1879) Original Lithograph ('Sur Blanc' Impression) November 28, 1839 Chez Bauger R. du Croissant, 16, Imp. d'Aubert & Cie.Le Charivari, Paris, 'Types Parisiens' Sold
15.- Mr. Joliv Portrait of Adolphe Jollivet by Honore Daumier Mr. Joliv... (Portrait of Adolphe Jollivet) by Honore Daumier Honore Daumier (Marseilles, 1808 - Valmondois, 1879) Original Lithograph September 14, 1833 Chez Aubert, galerie Vero-Dodat, Lith. de Becquet, rue Furstemberg No. 6, Le Charivari, Paris Sold
16.- Mr. Sebast Portrait of Count Horace Sebastiani by Honore Daumier Mr. Sebast, (Portrait of Count Horace Sebastiani) by Honore Daumier Honore Daumier (Marseilles, 1808 - Valmondois, 1879) Original Lithograph July 10, 1833 Chez Aubert, galerie Vero-Dodat, Lith. de Becquet, rue Furstemberg No. 6., Le Charivari, Paris Sold
17.- - Pendant la Moisson by Marie Alexandre Menut Alophe Marie-Alexandre Menut Alophe (Paris, 1812 - 1883) Original Lithograph 1835 Aubert, Paris, Revue des Peintres Sold
18.- Sa Majeste Daigna Tirer Elle Meme by Jules Bourdet Sa Majeste Daigna Tirer Elle Meme by Jules Bourdet Jules Joseph Guillaume Bourdet 'Jules Bourdet' (Paris, 1799 - 1869) Original Lithograph 1839 Imp. d'Aubert & Cie.Le Charivari, Paris, No 150, Le Charivari, Paris  
19.- Sainte Madelaine by Marie Alexandre Menut Alophe after Camille Roqueplan Sainte Madelaine by Marie Alexandre Menut Alophe after Camille Roqueplan Marie-Alexandre Menut Alophe (Paris, 1812 - 1883) Original Lithograph 1838 d'Aubert et de Junca, Revue des Peintres, Sold
20.- Si J'Avais Vingt Cinq Mille Francs De Rente by Clement Pruche Si J'Avais Vingt Cinq Mille Francs De Rente!! (Les Ouvriers de Paris), by Clement Pruche Clement Pruche (Paris, Active, 1811 - 1890) Original Lithograph c. 1840 - 1845 Chez Bauger et Cie. R. du Croissant No. 16, Chez Aubert, Pl. de la Bourse.", "Imp. d'Aubert & Cie., 'Les Ouvriers de Paris ', Le Charivari, Paris  
21.- Surprise by Benjamin Roubaud Surprise by Benjamin Roubaud Benjamin Roubaud (Roquevaire, 1811 - Algiers, 1847) Original Lithograph c. 1835 Imp. d'Aubert et de Junca, Revue des Peintres.  
22.- The Secret Discovered by Alphonse Bourdin The Secret Discovered by Alphonse Bourdin Bourdin, Alphonse (Mans, 1808 - Paris, 1867) Original Lithograph 1837 Imp. d'Aubert et Cie., Paris, Bourdin Lith', Revue des Peintres.  
23.- Une mauvaise rencontre A Bad Encounter by Jules Lion Une mauvaise rencontre (A Bad Encounter) by Jules Lion designed by Jean-Auguste Bard Lion, Jules (Paris, 1809 or 1810 - New Orleans, Louisiana, 1866) Original Lithograph c. 1835 Imp. d'Aubert et de Junca, 'Appartenant a Mr. Susse, Revue des Peintres  

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