John Winkler - Ferme Normandie or Farm Normandy

Original Etching & Drypoint Engraving by the American artist, John Winkler 'John W. Winkler'.

Ferme Normandie Original Etching by the American artist John Winkler

Ferme, Normandie (Farm, Normandy)

View other original works of art by John Winkler.

John W. Winkler 'John Winkler' (Austria, 1890 - San Francisco, 1979)
#	Image	Title & Artist	Medium	Date	Info	-
01.-		Ferme, Normandie (Farm, Normandy) by John Winkler	Original Etching & Drypoint Engraving	1924	Signed and dated in the plate by John W. Winkler as published by the Gazette des Beaux-Arts.
02.-		La Marchande de Legumes (The Vegetable Merchant) by John Winkler	Original Etching	1924	Signed in the plate with John W. Winkler's '-W-' monogramme. Louis Godefroy, Catalogue # 93, First and Only State as published by the Print Connoisseur.
03.-		La Marchande Endormie (The Sleeping Merchant) by John Winkler	Original Etching & Drypoint Engraving	1923	Signed in pencil by John W. Winkler, Louis Godefroy, Catalogue #100, Second and final state as published in 1923 in the limited edition of fifty, signed impressions.
04.-		Le Tryer, Normandie by John Winkler	Original Etching & Drypoint Engraving	1924	Signed in pencil by John W. Winkler, also signed and dated in the plate by the artist, edition 50 impressions.
05.-		Mission Street Wharf by John Winkler	Original Etching	1918	Signed in pencil by John W. Winkler, also signed in the plate by the artist, Louis Godefroy, Catalogue # 31, edition 100 impressions.	Sold
06.-		Rae Lakes, California by John Winkler	Original Etching	c. 1935 - 1940	Signed in pencil by John W. Winkler, also signed with the artist's 'W' monogram in the plate. Edition 50 to 75 impressions.

View other original works of art published by the 'Gazette Des Beaux Arts'.

Gazette des Beaux-Arts, Paris
#	Image	Title & Artist	Artist Info	Medium	Date	-
01.-		Coin de Marche a Venise by Georges Gobo	Georges Gobo (San Francisco, 1876 - Nantes, France, 1958)	Original Etching	1929
02.-		Etude (Study) by Alfred Stevens	Alfred Stevens (Bruselles, 1823 - Paris, 1906)	Original Etching	1889
03.-		Evacues by Louis Jou	Louis Jou (Gracia, Spain, 1882 - Baux, 1968)	Original Etching	1916	Sold
04.-		Femme Assise sur un Canape, 'Etude' (Woman Seated on a Sofa, 'Study') by Giuseppe de Nittis	Giuseppe de Nittis (Barletta, Italy, 1846 - Saint-Germaine-en-Laye, France, 1884)	Original Etching	Date: c. 1880 (1st Ed: 1913)
05.-		Ferme a Vauhalen (Farm at Vauhalen) by Leopold Levy	Leopold-Levy (Paris, 1882 - 1966)	Original Etching	1912	Sold
06.-		Ferme, Normandie (Farm, Normandy) by John Winkler	John W. Winkler 'John Winkler' (Austria, 1890 - San Francisco, 1979)	Original Etching & Drypoint Engraving	1924
07.-		Fifth Avenue Critics ("Une Rue a New York") by John Sloan	John French Sloan 'John Sloan' (Lock Haven, PA, 1871 - Hanover, NH, 1951)	Original Etching	1905	Sold
08.-		Fleurs (Flowers Still-Life) by Emile Roustan	Emile Roustan (Cambodia, 1877 - Paris, 1959)	Original Lithograph Printed in Colour	1924
09.-	-	Le Tisserand (The Weaver) by Max Liebermann	Max Liebermann (Berlin, 1847 - 1935)	Original Etching	1898	Sold
10.-		La Place de l'Hotel de Ville a Hondschoote (Market Square in the Rain) by Paul Adrien Bouroux	Paul-Adrien Bouroux (Mezieres, 1878 - Paris, 1949)	Original Etching and Drypoint Engraving	1922
11.-		Le Pont de la Tour a Londres by Paul-Adrien Bouroux	Paul-Adrien Bouroux (Mezieres, 1878 - Paris, 1949)	Original Soft Ground Etching Printed in Colour	1921
12.-		Lever de Lune (Moonrise) by Charles Francois Daubigny	Charles Francois Daubigny 'Charles Daubigny' (Paris, 1817 - Anvers, 1878)	Original Etching with Plate Tone	1871
13.-		Portrait of Constantin Meunier by Pierre Eugene Vibert	Pierre Eugene Vibert (Geneva, 1875 - 1937)	Original Woodcut Printed in Colour	1902	Sold
14.-		Ruelle du Pecheur by Donald Shaw Maclaughlan	Donald Shaw Maclaughlan (Charlottetown, P.E.I., 1876 - New York, 1938)	Original Etching	1902
15.-		Soleil Couchant (Sunset) by Charles Francois Daubigny	Charles Francois Daubigny 'Charles Daubigny' (Paris, 1817 - Anvers, 1878)	Original Etching	1859
16.-		Toilette d'une Femme Turque by Alexandre Lunois	Alexandre Lunois (Paris, 1863 - Le Pecq (Seine-et-Oise), 1916)	Original Lithograph	1912	Sold
17.-		Vue de Grece (View of Greece) by Maxime Lalanne	Maxime Lalanne (Bordeaux, 1827 - Nogent-sur-Marne, 1886)	Original Etching	1864	Sold

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Title:	Ferme, Normandie (Farm, Normandy)
Artist:	Winkler, John W. 'John Winkler' (Austria, 1894 - San Francisco, 1979)
Date:	1924
Medium:	Original Etching & Drypoint Engraving
Publisher:	Gazette des Beaux-Arts, Paris
Note:	John Winkler 'John W. Winkler': One of the finest American etchers of the early twentieth century, J. W. Winkler was born in Austria but settled in California early in his life. John Winkler studied under Frank van Sloun at the California Institute of Arts and published his first original etching in 1915. During the following eight years he established a large national reputation for his etchings, the great majority being depictions of San Francisco and its environs. By 1923 he had created 88 etchings, which were often compared to the work of Whistler, particularly the Whistler etchings found in the 'French Set' and 'Thames Set'. Like Whistler, John Winkler had the ability to capture life and movement with the utmost simplicity. One John Winkler scholar wrote, “His technique is so eminently suited to all that he wished to express that it has been little modified during these ten years past. He makes no preparatory designs, sketches or tracings; his impatient nature at no time permits of his delaying from attacking the copper once he has found the motive of the composition. All his plates have been etched directly from nature, after long search and careful observation, in the bustle of the streets or amid the coming and going of the passers-by.” *
	In 1923, John Winkler moved to Paris and resided in that city until 1930. During this time the artist produced etchings of Paris streets and its occupants as well as landscape views of Normandy and other provinces. Ferme, Normandie (Farm, Normandy) was commissioned by the Paris art journal, Gazette des Beaux-Arts, in 1924. It is a fine example of John Winkler's masterful use of line and space.
	Returning to the United States, John Winkler became a full member of the Chicago Society of Etchers, the Brooklyn Society of Etchers and the American Society of Illustrators. In 1936, John Winkler was admitted into the prestigious National Academy of Design. Examples of Winkler's original etchings are included in the collections of the Library of Congress, Washington DC, the Musee du Luxembourg and the Bibliotheque Nationale, Paris, the Chicago Art Institute, Boston Public Library, Smithsonian American Art Museum, Metropolitan Museum of Art, New York, the San Diego Museum of Art and the New York Public Library. An extensive collection of John Winkler's etchings and engravings is housed at the Fine Arts Museums of San Francisco.
	Gazette des Beaux-Arts: The revival of etching as a prominent form of art first took place in France in the mid nineteenth century. Sparked by the Paris etchings of Charles Meryon, French artists elevated etching to a creative medium of art as vital as painting or sculpture. Such an outburst of artistic energy in this field had not been seen since the days of Rembrandt and other seventeenth century Dutch master etchers.
	At the vanguard of this wave was the Paris based Gazette des Beaux-Arts. Beginning with its initial publication in 1859, the Gazette regularly commissioned the greatest etchers of the day to supply original graphic art for publication. Nineteenth century editions included original etchings by Daubigny, Goya, Meryon, Whistler, Seymour Haden, Max Liebermann, Albert Besnard and others. And from the beginning of the twentieth century until it ceased publication in 1930, such fine international artists as J. W. Winkler, John Sloan and Donald Shaw MacLaughlan contributed works of art. With artists such as these it's easy to understand why etchings from the Gazette have long been sought after.
Reference:	* Louis Godefroy, “The Etchings of J. W. Winkler”, The Print Connoisseur, New York, 1924, Vol. IV, No. 3, pp. 168 - 193.
Size:	4 X 5 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $345.00 US
Condition:	Printed upon vellum-like, wove paper and with large, full margins as published in Paris in 1924 by the Gazette des Beaux-Arts. A brilliant impression with full drypointing burr and in flawless throughout. Signed and dated in the plate to the lower left. Ferme, Normandie (Farm, Normandy) represents a superb, original example of the famous art of John W. Winkler.
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