Max Liebermann - Le Tisserand or The Weaver

Le Tisserand (The Weaver)

Max Liebermann's original etching, "Le Tisserand" (The Weaver) is printed upon hand-made, laid paper and with full margins as published by the "Gazette des Beaux-Arts" in Paris in 1898. "Le Tisserand" is a fine, original example of the etched art created by the German Expressionist artist, Max Liebermann.

View other original works of art by Max Liebermann.

Max Liebermann (Berlin, 1847 - 1935)
#	Title & Artist	Date	Medium	-
01.-	Le Tisserand - The Weaver by Max Liebermann	1898	Original Etching	Sold
02.-	Selbstbildnis des Zeichnenden (Self Portrait Drawing) by Max Liebermann	1922	Original Drypoint Engraving	Sold

View other original works of art published by the 'Gazette Des Beaux Arts'.

Gazette des Beaux-Arts, Paris
#	Image	Title & Artist	Artist Info	Medium	Date	-
01.-		Coin de Marche a Venise by Georges Gobo	Georges Gobo (San Francisco, 1876 - Nantes, France, 1958)	Original Etching	1929
02.-		Etude (Study) by Alfred Stevens	Alfred Stevens (Bruselles, 1823 - Paris, 1906)	Original Etching	1889
03.-		Evacues by Louis Jou	Louis Jou (Gracia, Spain, 1882 - Baux, 1968)	Original Etching	1916	Sold
04.-		Femme Assise sur un Canape, 'Etude' (Woman Seated on a Sofa, 'Study') by Giuseppe de Nittis	Giuseppe de Nittis (Barletta, Italy, 1846 - Saint-Germaine-en-Laye, France, 1884)	Original Etching	Date: c. 1880 (1st Ed: 1913)
05.-		Ferme a Vauhalen (Farm at Vauhalen) by Leopold Levy	Leopold-Levy (Paris, 1882 - 1966)	Original Etching	1912	Sold
06.-		Ferme, Normandie (Farm, Normandy) by John Winkler	John W. Winkler 'John Winkler' (Austria, 1890 - San Francisco, 1979)	Original Etching & Drypoint Engraving	1924
07.-		Fifth Avenue Critics ("Une Rue a New York") by John Sloan	John French Sloan 'John Sloan' (Lock Haven, PA, 1871 - Hanover, NH, 1951)	Original Etching	1905	Sold
08.-		Fleurs (Flowers Still-Life) by Emile Roustan	Emile Roustan (Cambodia, 1877 - Paris, 1959)	Original Lithograph Printed in Colour	1924
09.-	-	Le Tisserand (The Weaver) by Max Liebermann	Max Liebermann (Berlin, 1847 - 1935)	Original Etching	1898	Sold
10.-		La Place de l'Hotel de Ville a Hondschoote (Market Square in the Rain) by Paul Adrien Bouroux	Paul-Adrien Bouroux (Mezieres, 1878 - Paris, 1949)	Original Etching and Drypoint Engraving	1922
11.-		Le Pont de la Tour a Londres by Paul-Adrien Bouroux	Paul-Adrien Bouroux (Mezieres, 1878 - Paris, 1949)	Original Soft Ground Etching Printed in Colour	1921
12.-		Lever de Lune (Moonrise) by Charles Francois Daubigny	Charles Francois Daubigny 'Charles Daubigny' (Paris, 1817 - Anvers, 1878)	Original Etching with Plate Tone	1871
13.-		Portrait of Constantin Meunier by Pierre Eugene Vibert	Pierre Eugene Vibert (Geneva, 1875 - 1937)	Original Woodcut Printed in Colour	1902	Sold
14.-		Ruelle du Pecheur by Donald Shaw Maclaughlan	Donald Shaw Maclaughlan (Charlottetown, P.E.I., 1876 - New York, 1938)	Original Etching	1902
15.-		Soleil Couchant (Sunset) by Charles Francois Daubigny	Charles Francois Daubigny 'Charles Daubigny' (Paris, 1817 - Anvers, 1878)	Original Etching	1859
16.-		Toilette d'une Femme Turque by Alexandre Lunois	Alexandre Lunois (Paris, 1863 - Le Pecq (Seine-et-Oise), 1916)	Original Lithograph	1912	Sold
17.-		Vue de Grece (View of Greece) by Maxime Lalanne	Maxime Lalanne (Bordeaux, 1827 - Nogent-sur-Marne, 1886)	Original Etching	1864	Sold

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Title:	Le Tisserand (The Weaver)
Artist:	Liebermann, Max (Berlin, 1847 - 1935)
Date:	1898
Medium:	Original Etching
Publisher:	Gazette des Beaux-Arts, Paris
Note:	Max Liebermann: One of Germany's most famous painters, etchers and lithographers, Max Liebermann began his university studies in Berlin in the Department of Philosophy, at the insistence of his father. His spare moments, however, were spent in the atelier of the painter, Karl Steffeck. Liebermann continued with his art studies after graduating from the university and journeyed to Barbizon to study painting and etching techniques under the great Millet.
	In 1873 Max Liebermann had his initial exhibition in Berlin. It, like much of his art to come, sparked great controversy. Not since Courbet had the art world been confronted with such a truthful realist. A master of landscape and portrait studies, Liebermann also seriously depicted the plight of the poor within the era of the industrial revolution. Such was obviously not to the tastes of many Victorian era art patrons, who could accept depictions of the poor only through the veil of sentimentality.
	By the turn of the century Max Liebermann had emerged as one of Germany's most famous artists. He had become one of the leading lights of the Berlin Secession, an influential group of artists which drew its strength from both French Impressionism and German roots. In turn, Liebermann's art formed one of the primary influences for the beginnings of German Expressionism. This is particularly true with his great lithographs and etchings, such as Le Tisserand. Anyone familiar with the early etchings of Kaethe Kollwitz need look no further than Le Tisserand to understand Liebermann's influence upon the development of her great graphic art. Max Liebermann thus stands as a most important catalyst of turn of the century art.
	Gazette des Beaux Arts: The revival of etching as a major form of creative art took place in France in the mid nineteenth century. Sparked by the Paris etchings of Charles Meryon, French artists elevated etching from a reproductive skill to a form of art as vital as painting and sculpture. Such an outburst of artistic etching had not been seen since the days of Rembrandt and other seventeenth century Dutch master etchers.
	At the vanguard of this wave was the Paris publication, Gazette des Beaux-Arts. Beginning with its initial issue in 1859, the Gazette regularly commissioned the greatest etchers of the day to supply original graphic works of art for publication. Nineteenth century editions included original etchings by Daubigny, Goya, Meryon, Whistler, Seymour Haden, Lieberman, Besnard and others. From the beginning of the twentieth century to 1930 (the year the Gazette ceased publication), such great artists as Friant, Beurdeley, Louis Jou, Georges Gobo and John Sloan were commissioned for their etchings. Some of the finest original graphic art from these years thus was published by the Gazette des Beaux-Arts.
Size:	6 3/8 X 8 3/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on hand-made, laid paper and with full margins as published by the Gazette des Beaux-Arts in Paris in 1898. Contains light staining in the margins from a previous matting attempt else, a finely printed impression and in good condition throughout. Le Tisserand represents a prime, original example of the art of Max Liebermann, one of Germany’s greatest masters.
Price:	Sold - The price is no longer available.
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