Paul Gavarni Hippolyte Guillaume Suplice Chavalier - Gulnare Mlle. Melanie Waldor

Original Lithograph by The French artist, Paul Gavarni, also known as 'Hippolyte Guillaume Sulpice Chevalier'.

Gulnare (Mlle. Melanie Waldor)

View other original works of art by the French artist, Gavarni.

Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866)
#	Image	French Title & Artist	Medium	Date	Source	-
1.-		Ciel! Anatole! (Good Heavens! Anatole!) by Paul Gavarni	Original Lithograph	1846	Oeuvres Nouvelles de Gavarni, Carnaval, Le Charivari, Paris, Gavarni Catalogue Raisonne: #1039 - XVI (16)
2.-		Declasses Mais je fus epiciere et sentis la Chandelle (Decline in Social Distinction, But I was a grocer & felt the candle light) by Paul Gavarni	Original Lithograph	1858	Masques et Visages, Physionomies Parisiennes, Paulin et Le Chevalier, Paris, Gavarni Catalogue Raisonne: #1898 No XLIX (49)
3.-		Gulnare, Mlle. Melanie Waldor (Portrait of Mlle. Melanie Waldor as one of the leading characters, 'Gulnare' in the ballet entitled "Le Corsaire" by Paul Gavarni	Original Lithograph	1843	Les Beaux-Arts, Paris (1er Volume), Leon Curmer, Paris, Gavarni Catalogue Raisonne: Portraits, #72	Sold
4.-		La biche au Bois (The Doe in the Woods) by Paul Gavarni	Original Lithograph	1853	Masques et Visages, Par-Ci, Par-La, Paulin et Le Chevalier, Paris, Gavarni Catalogue Raisonne: #1840 No XLI (41)	Sold
5.-		La Douleur d'une Mere (The Suffering of a Mother) by Paul Gavarni	Original Lithograph	1844	Revue et Gazette Musicale, Physionomies Des Chanteurs, Gavarni Catalogue Raisonne: #1541 - No II (2)
6.-		Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni	Original Lithograph	1856	L'Artiste, (Sixieme Serie, Tome Deuxieme), Gavarni Catalogue Raisonne: Portraits, #210
7.-		Mademoiselle! v'la ce que c'est qu'un homme! Connu! (Miss! what is it in a man! Familiarity!) by Paul Gavarni	Original Lithograph	1853	Masques et Visages, La Foire Aux Amours, Gavarni Catalogue Raisonne: #1299 No VIII (8)	Sold
8.-		On n'a Jamais Compris son Coeur! (One can never Understand One's Heart!) by Paul Gavarni	Original Lithograph	1844	Revue et Gazette Musicale, Physionomies Des Chanteurs, Gavarni Catalogue Raisonne: #1540 - No I (1)
9.-		Petite Servante, Deviendra Maitresse (Little Servant, Become Mistress) by Paul Gavarni	Original Lithograph	1857	Masques et Visages, Physionomies Parisiennes, Paulin et Le Chevalier, Paris, Catalogue Raisonne: #1874 No XXV (25)
10.-	-	Voila cette petite danseuse dont je l'ai parle, mon oncle; elle est un peu ..., Bossue, Charmant!, Et mal jambee (There is this little dancer I was referring to, my uncle; she is a little, hunchbacked, charming, bad legs) by Paul Gavarni	Original Lithograph	1853	Masques et Visages, Les Parents Terribles, Gavarni Catalogue Raisonne: #1420 - No I (1)	Sold
11.-		Vous etes une Veuve! Vous etes une Veuve! Mais! la Justice! ... (You are a Widow! You are a Widow! But! Justice!) by Paul Gavarni	Original Lithograph	1858	D' Apres Nature, Morizot, Libraire-Editeur, Catalogue Raisonne: #1626, No XXXVIII (38)

View other original lithographs published for Les Beaux-Arts, Paris.

Les Beaux-Arts, Paris
#	Image	Artist & Title	Artist Info	Medium	Date	Info	-
01.-		L'Embuscade (The Ambush) by Eugene Leroux 'Eugene Le Roux'	Eugene Leroux 'Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863)	Original Lithograph	1843	Bearing the artist's name "E. Le Roux" along the upper margin, as well as the publisher’s blindstamp (“L. Curmer, 49 rue de Richelieu”) the artist's name , "E. Leroux del.", the title, "L'Embuscade", & the printer's details, "Imp. Bertauts, r. St. Marc, 14" along the lower margin as published for Les Beaux-Arts, Illustration, des Arts et de la Litterature, 1er Serie, Primier Volume.
02.-		L'Orage (The Storm) by Adolphe Mouilleron	Adolphe Mouilleron (Paris, 1820 – 1881)	Original Lithograph	1844	Bearing the artist's name "Mouilleron" along the upper margin, as well as the artist's name , Mouilleron lith", the title, "L'Orage", & the printer's details, "Imp. Bertauts" along the lower margin as published for Les Beaux-Arts, Illustration, des Arts et de la Litterature, Troisieme Volume, Paris, Leon Curmer, 49, Rue de Richelieu.
03.-		Gulnare (Mlle. Melanie Waldor) by Paul Gavarni	Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866)	Original Lithograph	1843	Bearing the artist's name, "Gavarni" in the upper margin, as well as the title, "Gulnare", & the printers details, "Imp. Bertauts" in the lower margin, annotated within the image, "Gavarni, mai 37-43" (in reverse), as published for Les Beaux-Arts, Illustration, des Arts et de la Litterature, 1er Serie, Primier Volume, Paris, Leon Curmer, 49, Rue de Richelieu.	Sold

View other original works of art by the 19th century publisher / printer Bertauts, Paris.

Bertauts, Paris
#	Artist Last Name	Image	Artist & Title	Medium	Date	Artist Information	Notes	-
01.-	Baron		Jeux d'enfants (Children's Games) by Henri Charles Antoine Baron 'Henri Baron'	Original Lithograph	1853	Henri Charles Antoine Baron 'Henri Baron' (Besancon, 1816 - Geneva, 1885)	Les Artistes Anciens et Modernes, Bertauts, Paris, "Imp. Bertauts, r. Cadet, II, Paris".
02.-	Baron		La Musique (Music) by Henri Charles Antoine Baron 'Henri Baron'	Original Lithograph	1854	Henri Charles Antoine Baron 'Henri Baron' (Besancon, 1816 - Geneva, 1885)	Les Artistes Anciens et Modernes, Bertauts, Paris, "Imp. Bertauts, r. Cadet, Paris".
03.-	Bodmer		Marcassins (Young Wild Boars) by Karl Bodmer	Original Tinted Lithograph	1858	Karl Bodmer (Riesbach, Switzerland, 1809 - France, 1893)	Animaux et Paysages d'apres Nature, Goupil & Cie., Paris, "Imp. Bertauts, r. Cadet, Paris".
04.-	Bodmer		Sangliers dans une Mare (Wild Boars in a Pond) by Karl Bodmer	Original Tinted Lithograph	1858	Karl Bodmer (Riesbach, Switzerland, 1809 - France, 1893)	Animaux et Paysages d'apres Nature, Goupil & Cie., Paris, "Imp. Bertauts, r. Cadet, Paris".	Sold
05.-	Boulanger		Attaque du Lion by Louis Boulanger	Original Tinted Lithograph	c. 1830 (Souvenirs d'Artistes edition)	Louis Boulanger (Vercelli, 1806 - Dijon, 1867)	Souvenirs d'Artistes, "Imp. Bertauts, r. Cadet, Paris".
06.-	Chaplin		Nymphe bocagere (Woodland Nymph) by Charles Joshua Chaplin designed by Philippe Auguste Jeanron	Original Lithograph	1851	Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) after Philippe Auguste Jeanron (Boulogne, 1808 - Paris, 1877)	L'Artiste, Paris, "Imp. Bertauts, Paris".
07.-	Chaplin		Le Soir dans les Bruyeres (Evening in the Moors) by Charles Joshua Chaplin	Original Lithograph	1849	Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891)	L'Artiste, Paris (Salon 1849), "Imp. Bertauts, Paris".
08.-	Dauzats		Portes de Fer Les Soldats atteignent la second muraille (Gates of Iron The Soldiers Reach the Second Wall) by Adrien Dauzats	Original Lithograph	1841	Adrien Dauzats (Bordeaux, 1804 - Paris, 1868)	Salon de 1841, Challamel edit. 4. R. de L'Abbaye. F.S.' G.', Paris, Maison du Roi, "Imp. Petit & Bertauts".
09.-	Francais		Un Chemin (A Road) by Francois-Louis Francais	Original Lithograph	1842	Francois-Louis Francais (Plombieres (Vosges), 1814 - Paris, 1897)	Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts".
10.-	Gavarni		Gulnare (Mlle. Melanie Waldor) by Paul Gavarni	Original Lithograph	1843	Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866)	Les Beaux-Arts, Paris, L. Curmer, 49, Rue de Richelieu, "Imp. Bertauts"	Sold
11.-	Gavarni		Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni	Original Lithograph	1856	Paul Gavarni, 'Hippolyte Guillaume Suplice Chavalier' (Paris, 1804 - Auteuil, 1866)	L'Artiste, "Imp. Bertauts".
12.-	Laurens		Puits Breton (Breton Well) by Jules Laurens designed by Charles de Tournemine	Original Lithograph	c. 1850 - 1853	Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) after Charles Emile Vacher de Tournemine 'Charles de Tournemine' (Toulon, 1814 – 1873)	Les Artistes Contemporains, Paris, "Imp. Bertauts, r. Cadet, Paris".
13.-	Leleux		Zingari, Lombardie Venitienne (Gypsies, Lombardy-Venetia) by Armand Leleux	Original Lithograph	1845	Armand Hubert Simon Leleux 'Armand Leleux' (Paris, 1818 - 1885)	L’Artiste, Paris, (Salon de 1845), "Imp. Bertauts".
14.-	Leroux		L'Embuscade (The Ambush) by Eugene Leroux 'Eugene Le Roux'	Original Lithograph	1843	Eugene Leroux "Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863)	Les Beaux-Arts, "Imp. Bertauts, r. St. Marc, 14".
15.-	Leroux		Le Singe au Miroir (The Monkey at the Mirror) by Eugene Leroux 'Eugene Le Roux'	Original Lithograph	1850	Eugene Leroux "Eugene Le Roux' (Caen, 1807 or 1811 – Paris, 1863) after Alexandre Gabriel Decamps (Paris, 1803 - Fontainebleau, 1860)	Les Artistes Anciens et Modernes, "Imp. Bertauts".
16.-	Martin		Gorges d’Apremont Gorges of Apremont by Hector Martin	Original Lithograph	1846	Hector Martin (France. c. 1825 -1846)	L'Artiste, "Imp. Bertauts, Paris"
17.-	Martin		Metairie Bourbonnaise (Small Farm, Bourbonnaise) by Hector Martin	Original Lithograph	1848	Hector Martin (France. c. 1825 -1846)	L'Artiste, "Imp. Bertauts, Paris".
18.-	Martin		Pecheur Champenois (Fisherman of Champagne) by Hector Martin	Original Lithograph	1848	Hector Martin (France. c. 1825 -1846)	L'Artiste, "Imp. Bertauts, r. st. Marc 14".
19.-	Mouilleron		Jeune homme jouant de la basse (Young Man Playing the Cello) by Adolphe Mouilleron after a design by Jean Louis Ernest Meissonier	Original Lithograph	1842	Adolphe Mouilleron (Paris, 1820 – 1881) after Jean Louis Ernest Meissonier (Lyons, 1815 - Poissy, 1891)	Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts".	Sold
20.-	Mouilleron		L'Orage (The Storm) by Adolphe Mouilleron	Original Lithograph	1844	Adolphe Mouilleron (Paris, 1820 – 1881)	Les Beaux-Arts, Paris, Leon Curmer, 49 Rue Richelieu, Paris, "Imp. Bertauts
21.-	Nanteuil		Une Source (A Source, Particularly of a Stream or River) by Celestin-Francois Nanteuil	Original Lithograph	1842	Celestin-Francois Nanteuil (Rome, 1813 - Bourron-Marlotte, 1873)	Salon de 1842, Challamel edit. 4. R. de L'Abbaye. (S.' G.'), "Paris, Imp. Bertauts".

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Title:	Gulnare (Mlle. Melanie Waldor)
Artist:	Gavarni, 'Hippolyte Guillaume Suplice Chavalier', 'Paul Gavarni' (Paris, 1804 - Auteuil, 1866)
Date:	1843
Medium:	Original Lithograph
Publisher:	Leon Curmer, 49 Rue Richelieu, Paris
Printer:	Bertauts, Paris
Source:	Les Beaux-Arts, Paris (Ann Priemier, Quatorzieme Livraison)
Note:	Paul Gavarni: An important 19th century satirical artist, Hippolyte Guillaume Sulpice Chevalier -- much better known to the world as 'Gavarni' or 'Paul Gavarni' -- is second only to Daumier as the greatest social commentator and satirical artist of nineteenth century France. Beginning his career as an engineer's assistant he began to exhibit signs of his future genius in the late 1820's as a fashion designer and illustrator. His talent for caricature and satirical art, however, led him to the editorship of Les Gens du Monde in 1835. He afterwards took charge of the influential periodical, Charivari, and was then forced to live and work in England in the late 1840's in order to avoid political persecution. One of the most clever caricaturists of any age, Paul Gavarni's draughtsmanship was without equal. With the greatest economy of line he captured the follies and foibles of his age.
	Gulnare (Mlle. Melanie Waldor): Gulnare is a leading character (a beautiful Persian slave girl) in the ballet entitled "Le Corsaire", based on the poem "The Corsair" by Lord Byron. It is a romantic and thrilling tale that takes place in 19th century Turkey during the Ottoman Empire. The leading characters are Medora, Gulnare, the two beautiful slave girls who have been sold to the local pasha and Conrad, a pirate chief, who falls in love with Medora. The Ballet was first performed in 1837 and revived in 1843. For the 1843 performance, the role of 'Gulnare' was performed by the famous ballerina, Mlle. Melanie Waldor. This beautiful Paul Gavarni lithograph is then a portrait of the dancer and French author, Mlle. Melanie Waldor in full costume. Mlle. Melanie Waldor, nee Villenave (French, 1796 - 1871), was the daughter of Mathieu-Guillaume Villenave and Marie-Anne Villenave. Melanie married Joseph Waldor. As well as being a performer, Mlle. Waldor also wrote poetry, works written by her include "Anna (1833), "Posie du Coeur" (1835), "Poetry of the Heart", and "Pages of the Intimate Life" (1836).
	An original lithograph, "Gulnare (Mlle. Melanie Waldor)" depicts a three-quarter length figure of a young woman in 19th century Ottoman costume, facing right with head turned slightly towards the viewer. Her left elbow is leaning against a stone wall that reaches up to her waist in height. She is wearing a dark velvet jacket & skirt, with a striped shawl wrapped around her hips, and an ornate black velvet fez (cap or hat), as her headgear. In her right hand, she is holding a short saber, known as yataghan (sometimes spelt, yatagan). This original lithograph is a '3rd State' impression and bears the artist's name, "Gavarni" in the upper margin, as well as the title, "Gulnare", & the printers details, "Imp. Bertauts" in the lower margin. It is also signed and dated on the ledge of the wall, to the left of Gulnare "Gavarni, mai 37-43" (in reverse), as published for Les Beaux-Arts, Illustration, des Arts et de la Litterature, 1er Serie, Primier Volume, Paris, L. Curmer, 49, Rue de Richelieu, 1843 and as described in the Armelhault et Bocher, Catalogue Raisonne, Portraits, page 11, Catalogue Number 72. "Gulnare (Mlle Waldor)", bearing the text, "Gavarni/Bertauts/Gulnare" upper and lower margins, signed & dated in the plate "Gavarni \| mai 37-43" (in reverse).
	The Armelhault et Bocher catalogue description for Gavarni's portrait of Gulnare (Mlle. Melanie Waldor) notes that the lithographs are annotated, "Gavarni \| mai 43-37" (in reverse) on the ledge of the wall. The variations in the four states listed are as follows; the first state does not contain any letters. The 2nd state bears the printer's name "Imp. Bertauts" (lower left), the 3rd state of which this original lithograph belongs to, bears the text, (Gavarni \| Imp. Bertauts \| Gulnare) in the upper and lower margins, & the 4th state, similar the 3rd state, does not bear the title. Also see: page 45, Les Beaux-Arts, catalogue #220, Gulnare. Portrait of Mlle Waldor. - Voir aux Portraits. On page 400, Ouvrages Divers, "La Giralda", the authors discuss the five lithograph that are part of a suite of works designed by various artists for a volume entitled:"La Giralda". Peintres include, Gavarni, Delacroix, Watteau, Frith and others. Poets that have touched upon this subject include" Shakespeare, Lord Byron, Walter Scott and others. *Paris, L. Curmer (1845), in-4. Gavarni. The five Gavarni works listed include, an untitled, work, "Etude" (Study), "Gulnare (Mlle Waldor", "La Priere" (The Prayer), "Les Lutins" (The Imps, Sprites or Goblins), " and "La Captive of V Hugo" (Victor Hugo's Captive.
	Paul Gavarni also notes "Gulnare" along with six of his other lithographs listed below in his album entitled,"Masques et Visages", page 243, Catalogue, V, Vignettes pour Musique. It reads; "Dessins lithogr. - Nous citerons: C'est moi; "la Feuille et le serment"; "les Cellariennes"; "la Priere"; "le Commentaire"; "les Lutins"; "la Captive"; "Gulnare".- (La plupart de ces dessins imprimes par Bertauts.) - Une tres belle suite de 10 dessins pour le primier dizain des Melodies de Mme Gavarni. - Publ. par Escudier freres". A loose translation reads; (Lithographic designes. - I will quote myself, (then Gavarni lists the seven works mentioned above), Most of the designs were printed by Bertauts. - A very beautiful suite of ten designs for the first dizain (a specific French poem or stanza of ten lines) of the melodies by Mme Gavarni. - published by Escudier Freres.)
	Henri-Leon Curmer (Paris, 1801-1870): A member of the 'Societe des gens de lettres' and an important publisher of original graphic art and fine, illustrated books, Leon Curmer also listed as Henri-Leon Curmer, & L. Curmer, was the publisher/editor many of Gavarni's original lithographs, which appeared in his art journal entitled, " Les Beaux-Arts". Leon Curmer began his publishing house in 1833 and for the next three and a half decades produced some of the greatest illustrated books of the era. These include, "Histoire de l'Ancien et du Nouveau Testament" (1835), "Paul et Virginie" (1838), "Les Francais peints par eux-memes" (1842), "L'Imitation de Jesus-Christ" (1857), "Le livre d'heures de la reine Anne de Bretagne" (1861) ,"L'oeuvre de Jean Fouquet" (1867) and other important literature from that period. Leon Curmer became most famous for his complex application of chromolithography (colour lithography) to reproduce medieval illuminations and manuscripts. He was also one of the first publishers to introduce colour photography.
	This lithograph can be found listed in the table of contents, of Leon Curmer's 1843 issue of "Les Beaux-Arts", Illustrations, page 476, Quatorzieme Livraison, "Gulnare", Par M. Gavarni, "Gulnare". In fact, several other original Gavarni's lithographs, appeared in the 1843 issue of "Les Beaux-Arts", works such as, "Le Commentaire", "Les Lutins", "La Captive de M. Victor Hugo" "Poete", "Pepa", "La Priere", "Figurants", "Toilette", "Une etude", "Scene d'Atalier", "Le Second mari", and "Gulnare". Other impressions of this "Gulnare" are included in the permanent collections of the Art Institute of Chicago, Collection, John H. Wrenn, 1961.359, The Metropolitan Museum of Art, Accession Number: 64.605.10, Yale University, Accession Number:1955,74.72.1, and other important public institutions.
	Bertauts, Publishing & Printing Firm (c. 1830's - c. 1970's): The renowned French lithographic publisher and printer, Bertauts was considered one of the finest printers in Europe during the mid-nineteenth century. According to the Beaus-Arts – de la Lithographie et des Imprimeurs, Bertauts began printing lithographs after 1826 and established his lithographic firm in 1836. During the 1830's and into the 1870's, original lithographs printed by Bertauts appeared in such publications as, "L'Artiste, Paris" (1831-1904), "Album du Salon" (1839-1844), "Les Beaux-Arts" (1843-1844), "Les Artistes Contemporains", (1845 - 1853), "Les Artistes Anciens et Modernes, Paris" (1850 - 1862), "Animaux et Paysages d'Apres Nature" (1858), the "Gazette des beaux arts" (1859-1939), "Souvenirs d' Artistes" (1860-1876), and other major 19th century art journals of the time. Gulnare (Mlle. Melanie Waldor) was printed by Bertauts in Paris for Les Beaux-Arts as published by Leon Curmer, 49 Rue Richelieu, Parisin 1843.
Size:	8 1/8 X 5 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image

Raisonne:	J. Armelhault et Bocher, "Catalogue Raisonne: L'oeuvre de Gavarni, Lithographies Originales et essais d'eau-forte et de procedes nouveaux, Libraire des Bibliophiles, Rue Saint-Honore, 338 Paris, 1873. Portraits, page 11, Catalogue Number 72. "Gulnare (Mlle Waldor)".
Reference:	Henri Beraldi, Les Graveurs du XIXe Siecle, Volume, XII, pg. 63, # 184
Reference:	"Les Beaux-Arts", Illustration des Arts et de la Literature. - Premier Volume, Paris, L. Curmer, 49, Rue de Richelieu, Ann Priemier, 1843, page 476 Illustrations, Quatorzieme Livraison, "Gulnare, par M. Gavarni, included between pages 216-217.
Reference:	Paul Gavarni, "Gavarni. Masques et Visages", Paulin et Lechevalier, Rue Richelieu, 60, 1857, pages (219-243) , Catalogue de L'oeuvre de Gavarni, page (243), Vignettes Pour Musique.
Condition:	Printed upon fine china paper and impressed upon a larger sheet of white, wove paper. 3rd State impression bearing the artist's name, "Gavarni" in the upper margin, as well as the title, "Gulnare", & the printers details, "Imp. Bertauts" in the lower margin. It is also signed & dated on the wall, to the left of Gulnare, "Gavarni, mai 37-43" (in reverse), as published for Les Beaux-Arts, Illustration, des Arts et de la Litterature, 1er Serie, Primier Volume, Paris, L. Curmer (Leon Curmer), 49, Rue de Richelieu, 1843 Containing one marginal tear to the lower left (under the matte), else in good condition throughout. Signed and dated by the artist with his usual signature in reverse within the image to the central left. Altogether this original lithograph represents a prime example of the famous art of Gavarni.
Subject:	Paul Gavarni (Hippolyte Guillaume Sulpice Chevalier), original lithograph, "Le Corsaire", ballerina, Mlle. Melanie Waldor, "Gulnare",French author, Mathieu-Guillaume Villenave, Marie-Anne Villenave, Joseph Waldor, "Les Beaux-Arts", L. Curmer, Paris.
Price:	Sold - The price is no longer available.
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Paul Gavarni (Hippolyte Guillaume Sulpice Chevalier)

Gulnare (Mlle. Melanie Waldor)