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Stephen Parrish

Stephen Parrish - Drifting

Drifting

Stephen Parrish's original etching, "Drifting", was first exhibited in Boston in 1883 at the Art Department of the New England Manufacturers' and Mechanics' Institute. This original etching was finely printed by George Wistar Hodge Ritchie and bears Stephen Parrish's signature within the plate, to the lower left, and his opus number, '58', to the lower right. "Drifting" is a fine, original example of the etched art created by the nineteenth century American artist, Stephen Parrish.
 
Title: Drifting
Artist: Parrish, Stephen (Philadelphia, 1846 - Cornish, N. H., 1938)
Date: c. 1883
Medium: Original Etching
Printer: George Wistar Hodge Ritchie
Note: Stephen Parrish: Now considered among the first rank of the American etching revival, Stephen Parrish studied etching techniques under Peter Moran, in Philadelphia. His first etchings date from 1879 and during the following years he created a fine number of landscape and marine views of the eastern United States, Canada, England and France. Stephen Parrish also taught art at the Pennsylvania Academy of Fine Arts and was a full member of both the Royal Society of Painter-Etchers, London, and the New York Etching Club. Stephen Parrish moved to Cornish, New Hampshire in 1895. His son was none other than the famous twentieth century painter and illustrator, Maxfield Parrish.
  In 1883 the Art Department of the New England Manufacturers' and Mechanics' Institute, Boston, held a major exhibition of contemporary American art. Concentrating largely upon American drawings and etchings the exhibition catalogue listed 731 works of original art. Stephen Parrish's beautiful marine etching, "Drifting", was first exhibited at this exhibition and bears the catalogue number, 532.
Size: 3 1/4 X 5 5/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Framed & Matted with 100% Archival Materials
  View larger Framed Image:
  Drifting Framed original etching by Stephen Parrish
Buy Now Price: $525.00 US
Condition: Printed upon fine hand made, laid paper and with full margins as published by the by the artist around 1883. Signed in the lower left corner of the plate and bearing his opus ‘58’ number to the lower right. A brilliantly printed, tonal impression and in excellent condition throughout. This original etching stands as a prime example of the nineteenth century American art of Stephen Parrish.
Subject: Stephen Parrish, Drifting, original etching, American etching revival, Maxfield Parrish, marine, Cornish, New Hampshire, American Etchings of the Nineteenth Century.
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Original Etching by the American artist, Stephen Parrish.

Drifting Original Etching by the American artist Stephen Parrish
Drifting

View other original etchings by Stephen Parrish.

Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938)
# Image Title & Artist Medium Date Info -
01- Drifting by Stephen Parrish Drifting by Stephen Parrish Original Etching c. 1883 Signed in the lower left corner of the plate and bearing his opus ‘58’ number to the lower right.Printed by George Wistar Hodge Ritchie  
02.- November by Stephen Parrish November by Stephen Parrish Original Etching 1880 Signed in the lower right corner of the plate. published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review", Boston Sold

Art Department of the New England Manufacturers' and Mechanics' Exhibition 1883.

1883 Exhibition of Contemporary American Art
# Image Title & Artist Artist Info Medium Date  
01.- A Family of Quacks by Charles Volkmar A Family of Quacks by Charles Volkmar Charles Volkmar (Baltimore, 1841 - Metuchen, New Jersey, 1914) Original Etching with Plate Tone c. 1883  
02.- A Southern California Glen by Henry Chapman Ford A Southern California Glen by Henry Chapman Ford Henry C. Ford 'Henry Chapman Ford' (Livonia, New York, 1828 - Santa Barbara, California, 1894) Original Etching c. 1882 Sold
03.- A Southerly Wind and a Cloudy Sky by Thomas Moran A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning by Thomas Moran Thomas Moran (Bolton, England, 1837 - Santa Barbara, CA, 1926) Original Etching c. 1882  
04.- A Summer Afternoon by Henry Webster Rice A Summer Afternoon by Henry Webster Rice Henry Webster Rice 'Henry W. Rice' (Pownal, Maine, 1853 - Watertown, Massachusetts, 1934) Original Etching c. 1883  
05.- Artillery Sergeant by William Henry Shelton Artillery Sergeant by William Henry Shelton William Henry Shelton (Allen's Hill, NY., 1840 - Morristown, NY., 1932) Original Etching c. 1883  
06.- Building an Elevator by James Craig Nicol Building an Elevator by James Craig Nicol James Craig Nicoll (New York City, 1847 - Norwalk, Connecticut, 1918) Original Etching with Plate Tone 1881  
07.- Drifting by Stephen Parrish Drifting by Stephen Parrish Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938) Original Etching c. 1883  
08.- Feeding Sheep by John Austin Sands Monks Feeding Sheep by John Austin Sands Monks John Austin Sands Monks (Cold Spring-on-Hudson, NY, 1850 - Chicago, 1917) Original Etching 1883  
09.- From Under the Trees by George W. H. Ritchie From Under the Trees by George W. H. Ritchie (George Wistar Hodge Ritchie) George Wistar Hodge Ritchie 'George W. H. Ritchie' (New York City, Active 1870 - 1900) Original Etching 1883  
10.- Head of an Old Man by Joseph Lauber Head of an Old Man by Joseph Lauber Joseph Lauber (Meschede, Westphalia, Germany, 1855 - New York City, 1948) Original Etching 1881  
11.- Naponoch Scenery Ulster County New York by William Hart Naponock (Naponoch) Scenery, Ulster County, New York by William Hart William M. Hart 'William Hart' (Paisley, Scotland, 1823 - Mount Vernon, New York, 1894) Original Etching c. 1883  
12.- Near Annisquam by Albion Harris Bicknel Near Annasquam (Annisquam) by Albion Harris Bicknell Albion Harris Bicknell 'A. H. Bicknell' (Turner, Maine, 1837 - Malden, Massachusetts, 1915) Original Etching c. 1883  
13.- Now Come Still Evening On by Henry Farrer Now Come Still Evening On by Henry Farrer Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903) Original Etching 1882 - 1883  
14.- Partegat Pond by Benjamin Lander Partegat Pond by Benjamin Lander Benjamin Lander (New York City, 1844 - ?) Original Etching 1882 - 1883 Sold
15.- Street at Honfleur France by Charles Adams Platt Street at Honfleur, France by Charles Platt Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933) Original Etching 1882  
16.- The Mill by Robert Crannell Minor The Mill by Robert Crannell Minor Robert Crannell Minor 'Robert C. Minor' (New York City, 1839 - Waterford, Connecticut, 1904) Original Etching & Drypoint c. 1883 Sold
17.- View in the Campagna by George Loring Brown View in the Campagna ('A Group of Ilex Trees near Rome') by George Loring Brown George Loring Brown (Boston, 1814 - Malden, Massachusetts, 1889) Original Etching 1854 (Third & Final State: 1883) Sold

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