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William Hart

William Hart- Naponoch Scenery Ulster County New York

Naponock (Naponoch) Scenery, Ulster County, New York

William Hart's "Naponock (Naponoch) Scenery, Ulster County, New York" is an original etching printed upon fine, hand made, laid paper and with full margins as created around 1883. This impression is signed by Hart in the lower left corner of the plate and bearing G. W. H. Ritchie's printer's address along the lower center margin. "Naponock (Naponoch) Scenery, Ulster County, New York" is a scarce, original example of the 19th century landscape art created by the American artist, William M. Hart.
 
Title: Naponock (Naponoch) Scenery, Ulster County, New York
Artist: Hart, William M. 'William Hart' (Paisley, Scotland, 1823 - Mount Vernon, New York, 1894)
Date: c. 1883
Medium: Original Etching
Printer: George Wistar Hodge Ritchie
Note: William M. Hart 'William Hart': Born in Scotland, William Hart immigrated with his family to America in 1831 and initially settled in Albany, New York. Largely self-taught, he began his artistic activities by decorating coach panels and windowshades. At the age of eighteen, William Hart set himself up as a portrait painter and traveled in search of commissions. He spent several years in Michigan but returned to Albany in 1845 because of ill health.
  With the financial assistance of a patron, William Hart went abroad in 1849. He spent three years in both England and his native Scotland before returning to Albany in 1852. By this point, William Hart devoted himself almost solely to landscape depictions, including many studies with cattle. Two years later William Hart took a studio in New York City. His landscape paintings, which bear many affinities to the Hudson River School, made him one of America's most popular artists of the late nineteenth century.
  William Hart was elected an associate of the National Academy of Design in 1854 and an academician in 1858. He was a founder of the Brooklyn Academy of Design and became its first president in 1865. William M. Hart was also a founding member of the American Watercolor Society and served as president from 1870 to 1872. Today the art of William Hart is included in such major collections as the Smithsonian American Art Museum and the Metropolitan Museum of Art, New York.
  In 1883 the Art Department of the New England Manufacturers' and Mechanics' Institute, Boston, held a an important exhibition of contemporary American art. Concentrating largely upon American drawings and etchings the exhibition catalogue listed 731 works of original art. William M. Hart's etching, "Naponock (Naponoch) Scenery, Ulster County, New York", was first exhibited at this exposition and is listed in the catalogue under number 362. Most of the etchings featured at this exhibition are today very scarce.
Size: 5 7/8 X 8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Buy Now Price: $385.00 US
Condition: Printed upon fine, hand made, laid paper and with full margins as created by the artist around 1883. Signed by Hart in the lower left corner of the plate and bearing G. W. H. Ritchie's printer's address along the lower center margin. A strongly printed, impression with full tonal values and in excellent condition throughout. "Naponock (Naponoch) Scenery, Ulster County, New York" represents a scarce, original example of the famous nineteenth century landscape art of William Hart.
Subject: William Hart, Naponock (Naponoch) Scenery, Ulster County, New York, original etching, Brooklyn Academy of Design, American artists of the late nineteenth century, Hudson River School.
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Original etching by the nineteenth century American artist, William M. Hart 'William Hart'.

Naponoch Scenery Ulster County New York Original Etching by the American artist William Hart
Naponock (Naponoch) Scenery, Ulster County, New York

Art Department of the New England Manufacturers' and Mechanics' Exhibition 1883.

1883 Exhibition of Contemporary American Art
# Image Title & Artist Artist Info Medium Date  
01.- A Family of Quacks by Charles Volkmar A Family of Quacks by Charles Volkmar Charles Volkmar (Baltimore, 1841 - Metuchen, New Jersey, 1914) Original Etching with Plate Tone c. 1883  
02.- A Southern California Glen by Henry Chapman Ford A Southern California Glen by Henry Chapman Ford Henry C. Ford 'Henry Chapman Ford' (Livonia, New York, 1828 - Santa Barbara, California, 1894) Original Etching c. 1882 Sold
03.- A Southerly Wind and a Cloudy Sky by Thomas Moran A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning by Thomas Moran Thomas Moran (Bolton, England, 1837 - Santa Barbara, CA, 1926) Original Etching c. 1882  
04.- A Summer Afternoon by Henry Webster Rice A Summer Afternoon by Henry Webster Rice Henry Webster Rice 'Henry W. Rice' (Pownal, Maine, 1853 - Watertown, Massachusetts, 1934) Original Etching c. 1883  
05.- Artillery Sergeant by William Henry Shelton Artillery Sergeant by William Henry Shelton William Henry Shelton (Allen's Hill, NY., 1840 - Morristown, NY., 1932) Original Etching c. 1883  
06.- Building an Elevator by James Craig Nicol Building an Elevator by James Craig Nicol James Craig Nicoll (New York City, 1847 - Norwalk, Connecticut, 1918) Original Etching with Plate Tone 1881  
07.- Drifting by Stephen Parrish Drifting by Stephen Parrish Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938) Original Etching c. 1883  
08.- Feeding Sheep by John Austin Sands Monks Feeding Sheep by John Austin Sands Monks John Austin Sands Monks (Cold Spring-on-Hudson, NY, 1850 - Chicago, 1917) Original Etching 1883  
09.- From Under the Trees by George W. H. Ritchie From Under the Trees by George W. H. Ritchie (George Wistar Hodge Ritchie) George Wistar Hodge Ritchie 'George W. H. Ritchie' (New York City, Active 1870 - 1900) Original Etching 1883  
10.- Head of an Old Man by Joseph Lauber Head of an Old Man by Joseph Lauber Joseph Lauber (Meschede, Westphalia, Germany, 1855 - New York City, 1948) Original Etching 1881  
11.- Naponoch Scenery Ulster County New York by William Hart Naponock (Naponoch) Scenery, Ulster County, New York by William Hart William M. Hart 'William Hart' (Paisley, Scotland, 1823 - Mount Vernon, New York, 1894) Original Etching c. 1883  
12.- Near Annisquam by Albion Harris Bicknel Near Annasquam (Annisquam) by Albion Harris Bicknell Albion Harris Bicknell 'A. H. Bicknell' (Turner, Maine, 1837 - Malden, Massachusetts, 1915) Original Etching c. 1883  
13.- Now Come Still Evening On by Henry Farrer Now Come Still Evening On by Henry Farrer Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903) Original Etching 1882 - 1883  
14.- Partegat Pond by Benjamin Lander Partegat Pond by Benjamin Lander Benjamin Lander (New York City, 1844 - ?) Original Etching 1882 - 1883 Sold
15.- Street at Honfleur France by Charles Adams Platt Street at Honfleur, France by Charles Platt Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933) Original Etching 1882  
16.- The Mill by Robert Crannell Minor The Mill by Robert Crannell Minor Robert Crannell Minor 'Robert C. Minor' (New York City, 1839 - Waterford, Connecticut, 1904) Original Etching & Drypoint c. 1883 Sold
17.- View in the Campagna by George Loring Brown View in the Campagna ('A Group of Ilex Trees near Rome') by George Loring Brown George Loring Brown (Boston, 1814 - Malden, Massachusetts, 1889) Original Etching 1854 (Third & Final State: 1883) Sold

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