Frederick Christian Lewis and Sir Thomas Lawrence - Portrait of Richard Roland Bloxam as a Child

Original Stipple & Soft Ground Etching by Frederick Christian Lewis (F. C. Lewis) designed by Sir Thomas Lawrence.

Frederick Christian Lewis 'F. C. Lewis' (London, 1779 - 1856)
#	Image	Title & Artists	Medium	Date	Engraver	Designer	Notes	-
01.-		Augusta Fane, Countess of Lonsdale by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence.	Original Stipple & Soft Ground Etching with Hand Colouring	1837	F. C. Lewis	Sir Thomas Lawrence	Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London
02.-		Arches (Architectural View of a Capriccio from the Forum of Augustus in Rome), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Giovanni Antonio Canal (Canaletto).	Original Aquatint and Etching	1811	F. C. Lewis	Giovanni Antonio Canal (Canaletto)	John Chamberlaine, London, inscribed, "Canaletti delt.", "F. C. Lewis fc.", "In His Majesty's Collection", and the publication line, "Published April 17 1811. by J. Chamberlaine Scotland Yard.", and numbered, "Pl. LXVI".
03.-		Bacchanalia, 'In His Majesty's Collection' (A Dance before a Herm of Pan, or Priapus), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Nocolas Poussin.	Original Aquatint Engraving	c. 1809	F. C. Lewis	Nocolas Poussin	John Chamberlaine, London, inscribed, "From the Original Drawing by N. Poussin.", "Engraved by Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London", and numbered, "Pl. XLII".
04.-		Grand Study of Trees (A Pastoral Scene with Dancing Figures), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee).	Original Etching and Aquatint	1807	F. C. Lewis	Claude Lorrain	John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. Lewis", "In His Majesty's Collection".
05.-		Leda and the Swan (Greek mythology: Zeus came to Leda in the form of a swan), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'.	Original Etching	1809	F. C. Lewis	Raffaello Santi, 'Raphael'	John Chamberlaine, London, inscribed,"From the Original Drawing by Raphaello di Urbino.", "F. Lewis sc.", "In His Majesty's Collection", and the publication line, "Pub. Feby. 7. 1809, by I. Chamberlaine, Scotland Yard.", and numbered, "Pl. XLVI".	Sold
06.-		Pharaoh (Moses and the Israelites Pass Through the Red Sea), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee)	Original Etching & Aquatint with Hand Coloring	1809	F. C. Lewis	Claude Lorrain	John Chamberlaine, London, inscribed, "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engrav’d by F. C. Lewis", and the publication line, "Published Jany. 1809, by J Chamberlaine, London", and numbered, "XLVIII".
07.-		Polyphemus (A One-Eyed Giant 'A Cyclops), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee).	Original Etching and Aquatint	1807	F. C. Lewis G. Lewis	Claude Lorrain	John Chamberlaine, London, inscribed, "In His Majesty's Collection", "From the Original Drawing by Claude Lorrain.", "Engd by F. C. & G. Lewis".
08.-		Portrait of Henry Bloxam as Child by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence.	Original Stipple & Soft Ground Etching with Hand Colouring	1837	F. C. Lewis	Sir Thomas Lawrence	Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London
09.-		Portrait of Miss Mary Bloxam as a Young Lady by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence.	Original Stipple & Soft Ground Etching with Hand Colouring	1837	F. C. Lewis	Sir Thomas Lawrence	Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London
10.-		Portrait of Richard Roland Bloxam as a Child by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence.	Original Stipple & Soft Ground Etching with Hand Colouring	1837	F. C. Lewis	Sir Thomas Lawrence	Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London
11.-		Sibyl (Sibyl, The Prophetess or The Goddess of Poetry), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'.	Original Soft Ground Etching	1809	F. C. Lewis	Raffaello Santi, 'Raphael'	John Chamberlaine, London, inscribed, "From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sc.", "In His Majesty's Collection", and the publication line, "Pubd. Feby. 7. 1809 by I. Chamberlaine Scotland Yard."; with the watermark, "Edmeads & Pine, 1809", and numbered, "Pl. XLIII"	Sold
12.-		Study For Part of The Celebrated Fresco, The Heliodorus in The Vatican by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'.	Original Soft Ground Etching	1818	F. C. Lewis	Raffaello Santi, 'Raphael'	William Young Ottley, London, Italian School of Design, bearing the full title, artist names, and publication line.	Sold
13.-		Temple of Apollo (Kotylion Mountain, Bassae, Greece), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee).	Original Etching with Hand Coloring	1809	F. C. Lewis	Claude Lorrain	John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. Lewis", "In His Majesty's Collection".	Sold
14.-		The Calmady Children, Emily and Laura Calmady by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence.	Original Stipple & Soft Ground Etching with Hand Colouring	1837	F. C. Lewis	Sir Thomas Lawrence	Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London	Sold
15.-		The Finding of the True Cross by Frederick Christian Lewis (F. C. Lewis), based upon a design by Gregorio Pagani.	Original Etching & Aquatint	1812	F. C. Lewis	Gregorio Pagani	William Young Ottley, London, Italian School of Design, bearing the full title, artist names, and publication line.	Sold
16.-		Holy Family (The Virgin with the Christ child, St. Elizabeth, & the infant St. John the Baptist), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Raffaello Santi, 'Raphael'.	Original Soft Ground Etching	1809	F. C. Lewis	Raffaello Santi, 'Raphael'	John Chamberlaine, London, inscribed,"From the Original Drawing by Raphaello di Urbino.", "F. C. Lewis sct.", "In His Majesty's Collection", and the publication line, "Pub.d June 1. 1809, by J. Chamberlaine. Scotland Yard.", and numbered, "Pl. XLIX".
17.-		The Landing of Aeneas (The hero of Virgil's Aeneid, Aeneas was the son of Anchises and Aphrodite), by the brothers, George Robert Lewis (R. G. Lewis), and Frederick Christian Lewis (F. C. Lewis), based upon a design by Claude Lorrain (Claude Gellee).	Original Etching and Aquatint	1807	F. C. Lewis G. Lewis	Claude Lorrain	John Chamberlaine, London, inscribed, "From the Original Drawing by Claude Lorrain.", "Engrav'd by F. C. & G. Lewis", "In His Majesty's Collection", and numbered, "PL. IV"
18.-		The Sisters, Sir Thomas Lawrence's Nieces by Frederick Christian Lewis (F. C. Lewis), based upon a drawing by Sir Thomas Lawrence.	Original Stipple & Soft Ground Etching with Hand Colouring	1837	F. C. Lewis	Sir Thomas Lawrence	Sir Thomas Lawrence’s, Cabinet of Gems, published by Ackermann and Co., London	Sold
19.-		Treading the Wine Bags (Three Bacchantes standing in Profile), by Frederick Christian Lewis (F. C. Lewis), based upon a design by Nicolas Poussin.	Original Aquatint	1809	F. C. Lewis	Nicolas Poussin	John Chamberlaine, London, inscribed, "From the Original Drawing by N. Poussin."Engrav'd by F. C. Lewis.", "In His Majesty's Collection", and the publication line, "Published by I. Chamberlaine London", and numbered, "Pl. XLVII".
20.-		Virgin & Child & St. John by Frederick Christian Lewis (F. C. Lewis), based upon a design by Michelangelo 'Buonarroti, Michelangelo'.	Original Soft Ground Etching	1811	F. C. Lewis	Michelangelo 'Buonarroti, Michelangelo'	John Chamberlaine, London, inscribed, "Mich. I Angelo delt.", "F. C. Lewis Sculp.", "In His Majesty's Collection", and the publication line, "Published April. 17. 1811 by J. Chamberlaine Scotland Yard", and numbered, "Pl. LXIII".	Sold

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Title:	Portrait of Richard Roland Bloxam as a Child
Engraver:	Lewis, Frederick Christian (London, 1779 - Enfield, Middlesex,1856)
Designer:	Lawrence, Sir Thomas (Bristol, 1769 - London, 1830)
Publisher:	Ackermann and Co., London
Date:	1837
Medium:	Original Stipple & Soft Ground Etching with Hand Colouring
Source:	Sir Thomas Lawrence’s, Cabinet of Gems
Note:	Frederick Christian Lewis 'F. C. Lewis': An eminent early nineteenth century painter, etcher, aquatint and stipple engraver, F. C. Lewis was a pupil of J. C. Stadler and studied at the Royal Academy Schools. He first gained notice in 1803 with his aquatints after Thomas Girtin’s designs which were published under the title of, Twenty of the most Picturesque Views in Paris and its Environs. Afterwards, from 1808 to 1823, he became one of the principal engravers for William Ottley’s famous volumes on Renaissance art, The Italian School of Design. Lewis also contributed etchings for J.M.W. Turner’s, Liber Studiorum , Imitations of Sir Thomas Lawrence’s Drawings, Sir Thomas Lawrence’s, Cabinet of Gems, as well as creating commissioned engravings after the designs of Landseer and Flaxman.
	During his successful career, Frederick Christian Lewis exhibited his art at the Royal Academy (1802-1853), the British Institution (1817-1853), the Society of British Artists (1824-1846) and at the Old Water-Colour Society. F. C. Lewis was appointed Engraver of Drawings to King George IV, King William IV and Queen Victoria
	Frederick Christian Lewis was a greatly skilled and versatile printmaker. His abilities to render painting and drawing techniques into the etched medium, in particular, set his art on a high plane. For this reason many of F. C. Lewis'sfinest etchings were after the works of England's greatest portrait artist of the day, Sir Thomas Lawrence.
	This striking stipple and soft ground etching hails from an 1837 portfolio entitled, Sir Thomas Lawrence’s Cabinet of Gems, with biographical and descriptive memorials by P. G. Patmore, (Peter George Patmore, 1786 - 1855), published for the proprietor H. T. Ryall by Ackermann and Co., London with twelve original etchings by F. C. Lewis. The portraits are based upon the sketches made at various times, by Sir T. Lawrence in his own family circle. Each work was etched by F. C. Lewis using both soft ground and stippling to capture Lawrence’s subtle tonal values. The etchings were all touched by highlights of hand colouring before publication, such as this original example of Sir Thomas Lawrence's portrait of Portrait of Richard Roland Bloxam as a Child.
	Peter George Patmore described this portrait of Rowland as; “chubby little Roland Bloxam of happy memory; now (for ought we know to the contrary) deceased into the Reverend Rowland Bloxam, of Blank Rectory in the County of Blank, Justice of the Peace, and Custos Rotulorum!- speaking in the spirit, it is a sweet and happy impersonation of the cherubic character of childhood in general, as glanced at the touching and beautiful revelation which declares that “of little children is the Kingdom of Heaven”, *P. G. Patmore.
	The Lady’s Magazine & Museum of the Belles Lettres, Fine Arts, Music, Drama Fashions, & Improved series, enlarged, Vol. IX, published by Dobbs & Co., July,1836, p. 417, published an article about Sir Thomas Lawrence’s, Cabinet of Gems. This quote concerns the portraits of the babies, it reads; “The 4th, 5th, and 9th plates are our favorites, -- the reflective beauty of the eyes of Thomas Lawrence Bloxam, the eldest nephew of the great painter, then a child of six years old, is truly delightful; the fifth subject is a bouncing fatty, of about four; this is little Roland. The lovely groups of the 8th and 9th plates are the most perfect productions in the volume; nothing can be more bewitchingly natural, excepting the dear babies themselves.”
	Sir Thomas Lawrence: The son of an innkeeper, Thomas Lawrence became one of England's greatest portrait artists of any age. As an early child he showed exceptional ability for drawing and, at the age of ten, gained a reputation for his pencil portraits of guests at his father's inn. Such celebrities as Mrs. Siddons had their portraits drawn by this self-taught, child prodigy.
	In 1787, Thomas Lawrence moved to London. The following year (at age nineteen) his first painted portrait was accepted for the Royal Academy exhibition. Thomas Lawrence was elected an Associate of the Royal Academy in 1791, a full Academician in 1794, and President in 1820. He was also an honourary member of the Academies of Vienna, Florence, Venice and Copenhagen. In 1825, the King of France awarded him the Cross of the Legion of Honour.
	Throughout his life, Sir Thomas Lawrence dedicated his work to the art of the portrait, in both oil and pencil. As spectacular as his paintings are, his pencil drawings hold a special place in the history of portraiture. More intimate and spontaneous, they are masterworks of expression and emotion. Frederick Christian Lewis's brilliant etchings after Sir Thomas Lawrence's drawings were published seven years after Lawrence's death.
	Richard Roland Bloxam: Rowland Bloxam, (1797 -1877) was the nephew of Sir Thomas Lawrence and son of Richard Rouse Bloxam, (1765- 1840) and Anne Lawrence, (1767 - 1835). At about the age of twenty seven, Richard Rowland Bloxam accompanied his younger brother Andrew Bloxam, (1801 - 1878) as chaplain on board the Blonde HMS commanded by Captain Lord Byron. Andrew was appointed as a the official naturalist on the voyage (1824 - 1826) to South America and various islands of the Pacific, including the Galapagos islands and the Hawaiian islands, at the time called the Sandwich islands. The book, Voyage of H.M.S. Blonde to the Sandwich islands, in the years 1824 - 1825 by Maria Callcott, Lady; George Anson Byron Byron, Baron, Richard Rowland Bloxam, published by John Murray in 1826 contains a descriptive narrative of the voyage.
	An interesting book that contains information on the history of the Bloxam family is entitled, Rugby: The school and the neighbourhood, collected and arranged from the writings of the Late Matthew Holbeche Bloxam, O.R., F.S.A by the Rev. W. H. Payne Smith, M. A. , with portrait, illustrations, and Memoir, Whittaker & Co., London, 1889.
Size:	11 1/8 X 9 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Buy Now	Price: $395.00 US
Condition:	Printed upon early 19th century wove paper and with full margins as published in London in 1837. Containing the original hand-colouring as well as all the subtle lines and tones of an early impression. In very good condition throughout with a trace of fading or staining. Portrait of Richard Roland Bloxam as a Child represents a superb, original example of the great talents of both Frederick Christian Lewis and Sir Thomas Lawrence.
Subject:	Frederick Christian Lewis, F. C. Lewis, Portrait of Richard Roland Bloxam as a Child, Sir Thomas Lawrence, Sir Thomas Lawrence’s Cabinet of Gems, Galapagos islands, the Hawaiian islands, Sandwich islands. British, artists, original 19th century art, portraits, children.
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Frederick Christian Lewis & Sir Thomas Lawrence

Portrait of Richard Roland Bloxam as a Child