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William Hogarth

William Hogarth - Second Stage of Cruelty The Four Stages of Cruelty Plate 2 Tom Nero has reached adulthood his violent behavior has escalated

Second Stage of Cruelty: The Four Stages of Cruelty, Plate 2 (Tom Nero in adulthood, violent behavior has escalated)

"William Hogarth's Second Stage of Cruelty" Plate 2 from (The Four Stages of Cruelty): In this scene, William Hogarth's Tom Nero has reached adulthood and as expected, his violent behavior has escalated. Nero has become a hackney coach driver. He is seen doing what he did in his childhood, mercilessly beating his horse because it collapsed carrying a load of too many overweight barristers. His flogging has gouged the eye of his horse. To his left a caring individual notes the name and number of the driver --"No. 24 T. Nero" -- in order to report his cruelty.

Second Stage of Cruelty (Tom Nero has reached adulthood his violent behavior has escalated) was both designed and engraved by William Hogarth. This original engraving and etching is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. It is a fine, original example of the satirical art created by the British artist, William Hogarth. Second Stage of Cruelty, Plate II; Paulson Catalogue #188, Second and Final State from The Four Stages of Cruelty (Complete set of Four Original Engravings).

 
Title: Second Stage of Cruelty: The Four Stages of Cruelty Plate 2, Tom Nero has reached adulthood his violent behavior has escalated (Complete set of Four Original Engravings)
Artist: Hogarth, William (London, 1697 - 1764)
Date: 1750-1951 (Heath Edition 1822)
Medium: Original Engraving & Etching
Publisher: William Heath, London
Note: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, Four Prints of an Election, The Four Times of the Day and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his.
  Training first as an engraver, Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Harlot's Progress (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps.
  The four engravings which comprise The Four Stages of Cruelty were created by William Hogarth to achieve the same effects on the same audience as Gin Lane and Beer Street.
 

"Second Stage of Cruelty" Plate II from ( The Four Stages of Cruelty) by William Hogarth: Tom Nero has reached adulthood and become a hackney coach driver. He is seen doing what he did in his childhood, mercilessly beating his horse because it collapsed carrying a load of too many overweight barristers. His flogging has gouged the eye of his horse. To his left a caring individual notes the name and number of the driver --"No. 24 T. Nero" -- in order to report his cruelty.

To Nero's right other episodes of violence and torture take place. A drover clubs his sheep to death, a drunken beer cart driver runs over a child, a man prods an overladen donkey with a pitchfork and a mob baits a bull.

The four engravings which comprise The Four Stages of Cruelty were created by Hogarth to achieve the same effects on the same audience as Gin Lane and Beer Street. He wrote,

" The four stages of cruelty were done in the hopes of preventing in some degree that cruel treatment of poor animals which makes the streets of London more disagreeable to the human mind, than anything what ever, the very describing of which gives pain. But it could not be done in too strong a manner, as the most stony hearts were meant to be affected by them. ... *.

The Four Stages of Cruelty thus graphically illustrates the escalating affects of violent behavior from childhood to adulthood in the person of one character named Tom Nero.

Raisonne: Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
  Plate 2; Paulson #188, Second and Final State.
Reference: * Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973, plates 77 - 80. (The quotation appears opposite plate 77.)
Source: Heath Edition, London (The Four Stages of Cruelty, Set of four)
Size: 15 1/4 X 12 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Condition: Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
  This original impressions of Plate 2 (Second Stage of Cruelty) from the complete set of The Four Stages of Cruelty contains slight foxing in the outer margins. There is no foxing within the actual image. Water staining is also apparent in the upper left margin, but not affecting the actual engraving. Else, this large and important Hogarth engraving is in good condition throughout.
Price: Sold - The price is no longer available.
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Original Engraving and Etching by the British Satirical Artist, William Hogarth

The Four Stages of Cruelty Plate 2 Second Stage of Cruelty Original Engraving and Etching by the British Satirical Artist William Hogarth
The Four Stages of Cruelty (Plate 2), 'Second Stage of Cruelty: In the second scene, William Hogarth's Tom Nero has reached adulthood and his violent behavior has escalated. Nero becomes a hackney coach driver. He is seen doing what he did in his childhood, mercilessly beating animals.

View Other Original Engravinga for the Four Stages of Cruelty (Complete Set of Four) by William Hogarth

# 11.- The Four Stages of Cruelty (Complete Set of Four)
  Image Title & Artist Medium Date Notes -
01.- Plate 1 First Stage of Cruelty The cruelty of animals by unsupervised boys by William Hogarth Plate 1 'First Stage of Cruelty' The cruelty of animals by unsupervised boys by William Hogarth Original Engraving & Etching 1750-1951 (Heath Edition 1822) Paulson, Catalogue #187, Second and Final State. Sold
02.- Plate 2 Second Stage of Cruelty Tom Nero has reached adulthood and continues his childhood behaviour mercilessly beating animals by William Hogarth Plate 2 'Second Stage of Cruelty' Tom Nero has reached adulthood and continues his childhood behaviour, mercilessly beating animals by William Hogarth Original Engraving 1735 (Heath Edition 1822) Paulson, Catalogue #188, Second and Final State. Sold
03.- Plate 3 Cruelty in Perfection Now a thief Nero has been caught in the act of violent murder by William Hogarth Plate 3 'Cruelty in Perfection' Now a thief, Nero has been caught in the act of violent murder by William Hogarth. Original Engraving 1735 (Heath Edition 1822) Paulson, Catalogue #189, Second and Final State. Sold
04.- Plate 4 The Reward of Cruelty Convicted and executed Tom Nero's body has been delivered to the Royal College of Surgeons  by William Hogarth Plate 4 'The Reward of Cruelty' Convicted and executed, Tom Nero's body has been delivered to the Royal College of Surgeons by William Hogarth. Original Engraving 1735 (Heath Edition 1822) Paulson, Catalogue #190, Second and Final State Sold

View other original Works of Art by William Hogarth

William Hogarth (London, 1697 - 1764)
# Title & Artist Medium Date -
01.- An Election Entertainment by William Hogarth Complete Set of Four Original Engravings 1755 - 1758 (Heath Ed) Sold
02.- Analysis of Beauty by William Hogarth Complete Set of Two Original Engravings (Plate I & II) 1753 (Heath Ed) Sold
03.- A Midnight Modern Conversation by William Hogarth Original Engraving & Etching 1732 (Heath Ed) Sold
04.- A Rake's Progress by William Hogarth Complete Set of Eight Original Engravings 1735 (Heath Ed) Sold
05.- A Chorus of Singers by William Hogarth Original Engraving & Etching 1732 (Heath Ed) Sold
06.- Battle of the Pictures by William Hogarth Original Engraving & Etching 1743 (Heath Ed) Sold
07.- Boys Peeping at Nature by William Hogarth Original Engraving & Etching 1730 (Heath Ed) Available
08.- Characters & Caricaturas by William Hogarth Original Engraving & Etching 1743 (Heath Ed) Sold
09.- Credulity, Superstition and Fanaticism by William Hogarth Original Engraving & Etching 1762 (Heath Ed) Sold
10.- Four Times of The Day by William Hogarth Complete Set of Four Original Engravings 1738 (Heath Ed) Sold
11.- Four Stages of Cruelty by William Hogarth Complete Set of Four Original Engravings 1750-1751 (Heath Ed) Sold
12.- Frontispiece to Taylor's Perspective by William Woollett & William Hogarth Original Line Engraving 1761 (Heath Ed) Sold
13.- Gin Lane by William Hogarth Original Engraving & Etching 1750-1751 (Heath Ed) Sold
14.- Illustrations for Samuel Butler's 'Hudibras' by William Hogarth Complete Set of Twelve Original Engravings 1725 (Heath Ed) Available
15.- Industry and Idleness by William Hogarth Complete Set of Twelve Original Engravings 1747 (Heath Ed) Sold
16.- John Wilkes Esquire by William Hogarth Original Etching 1763 (Heath Ed) Sold
17.- Marriage a la Mode by William Hogarth Complete Set of Six Original Engravings 1745 (Heath Ed) Sold
18.- Martin Folkes Esqr. by William Hogarth Original Etching & Engraving 1742 (Heath Ed) Available
19.- Moses Brought to Pharaoh's Daughter by William Hogarth Original Engraving & Etching 1752 (Heath Ed) Available
20.- Pit Ticket: The Cockpit by William Hogarth Original Engraving & Etching 1759 (Heath Ed) Available
21.- Satire on False Perspective by Luke Sullivan & William Hogarth Original Etching & Engraving 1754 (Heath Ed) Sold
22.- Scholars at a Lecture by William Hogarth Original Line Engraving & Etching 1736 (Heath Ed) Sold
23.- Shrimps! by Francesco Bartolozzi & William Hogarth Original Stipple Engraving 1782 Sold
24.- Simon Lord Lovat by William Hogarth Original Etching 1746 (Heath Ed) Sold
25.- Southwark Fair by William Hogarth Original Engraving & Etching 1733 (Heath Ed) Sold
26.- Taste in High Life by Samuel Phillips & William Hogarth Original Stipple Engraving 1808 (John Boydell Ed.) Sold
27.- The Company of Undertakers by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
28.- The Distrest Poet by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
29.- The Five Orders of Perriwigs by William Hogarth Original Engraving & Etching 1761 (Heath Ed) Sold
30.- The Invasion: France, Plate I by William Hogarth Complete Set of Two Original Engravings (England & France) 1756 (Heath Ed) Sold
31.- The Invasion: England, Plate II by William Hogarth Complete Set of Two Original Engravings (England & France) 1756 (Heath Ed) Sold
32.- The Laughing Audience by William Hogarth Original Engraving & Etching 1733 (Heath Ed) Sold
33.- The Politician by John Keyse Sherwin & William Hogarth Original Engraving & Etching 1775 (Heath Ed) Sold
34.- The Sleepy Congregation by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
35.- The Times by William Hogarth Complete Set of Two Original Engravings (Plate I & II) 1762 (Heath Ed) Sold
36.- Time Smoking a Picture by William Hogarth Original Engraving 1761 (Heath Ed) Sold
37.- William Hogarth Painting of the Comic Muse by William Hogarth Original Engraving 1764 (Heath Ed) Sold

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