Rudolf Hausner

Adam bezuglich (Regarding Adam)

Rudolf Hausner's original lithograph, Adam bezuglich (Regarding Adam) is both an accomplished and compelling work of art. Hausner claimed that this image symbolized the myth of Odysseus and his epic voyages on the seas. It also, however, is representative of Rudolf Hausner's own boyhood and the integrated relationships of youth and age within the self. As with all of Hausner's monumental works of art, the elements within Adam bezuglich demand a lifetime of contemplation and study. Adam bezuglich (Regarding Adam) is printed upon smooth, laid paper and with full margins as published by Rembrandt Verlag, Berlin in the limited edition of one hundred signed impressions in 1969. This original lithograph is signed 'R. Hausner', titled 'Adam bezuglich', inscribed, 'Orig. Litho, uberdruckt'', dated '1969', and numbered, '1/100' by Hausner in pencil along the lower margin. This is a fine, original example of the lithographic art created by the Austrian artist, Rudolf Hausner.

Original Lithograph by the 20th century Austrian artist, Rudolf Hausner.

Adam bezuglich (Regarding Adam)

View other original works of art published by "Rembrandt Verlag", Berlin.

Rembrandt Verlag, Berlin
#	Title & Artist	Medium	Date	Artist Info	Info	-
01.-	Adam bezuglich (Regarding Adam) by Rudolf Hausner	Original Lithograph	1969	Rudolf Hausner (Vienna, 1914 -1995)	Signed, titled, inscribed, dated '1969', and numbered, '1/100' by Rudolf Hausner in penci. Published by Rembrandt Verlag, Berlin.
02.-	Arches by Paul Eliasberg	Original Color Etching and Aquatint	c. 1970	Paul Eliasberg (Munich, 1907 - Hamburg, 1983)	Signed and numbered, '1/100' by Paul Eliasberg in pencil. Published by Rembrandt Verlag, Berlin.
03.-	Selbst Portrait (Self Portrait) by Ursula Schultze-Bluhm	Original Color Etching	1969	Ursula Schultze-Bluhm (Mittenwalde, 1921 - Paris?, 1999)	Signed, titled, dated and numbered, '1/100' by Ursula Schultze-Bluhm in pencil. Published by Rembrandt Verlag, Berlin for 11 Blatter phantastischer Graphik.	Sold
04.-	Temple de l'Amour (Temple of Love) by Johannes Gachnang	Original Etching and Engraving	c. 1970	Johannes Gachnang (Zurich, Switzerland, Born, 1939 - Berne, 2005)	Signed and numbered, '1/100' by Johannes Gachnang in pencil. Published by Rembrandt Verlag, Berlin.
05.-	Teufelsfuss (Devil Foot) by Bernard Schultze	Original Color Etching	1969	Schultze, Bernard (Schneidemuhl, Western Prussia, 1915 - Koln 2005)	Signed, dated and numbered, '1/100' by Bernard Schultze in pencil. Published by Rembrandt Verlag, Berlin for 11 Blatter phantastischer Graphik.
06.-	Umarmung (Embrace) by Mac Zimmermann	Original Color Lithograph	c. 1971	Mac Zimmermann (Stettin, Germany, 1912 - Wasserburg, 1995)	Signed, dated and numbered, '1/100' by Mac Zimmermann in pencil. Published by Rembrandt Verlag, Berlin.

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Title:	Adam bezuglich (Regarding Adam)
Artist:	Hausner, Rudolf (Vienna, 1914 -1995)
Date:	1969
Medium:	Original Lithograph
Publisher	Rembrandt Verlag, Berlin
Edition:	Limited edition of one hundred impressions, numbered 1/100.
Note:	Rudolf Hausner: A major Austrian painter, sculptor, and printmaker, Rudolf Hausner studied art at the Academy in Vienna from 1931 to 1936, under Fahringer and Sterrer. Many of his early paintings were confiscated and branded as 'degenerate' by the ruling nazi party in 1938. In 1941, Rudolf Hausner was drafted by the German army and remained a soldier until the war's end in 1945. After the war he returned to Vienna and immersed himself in studies dealing with the unconscious and with the art of Surrealists, particularly that of Max Ernst. Along with Wolfgang Hutter and Anton Lehmden, Rudolf Hausner founded the Viennese School of Fantastic Realism in 1947. During the 1950's and 1960's this became one of Austria's most important movements and Rudolf Hausner was its most influential artist. During this time Hausner also held principal teaching posts at the academies of Vienna and Hamburg.
	Equally gifted as a painter, lithographer, etcher, silkscreen artist, and sculptor, Rudolf Hausner's complex art is based upon potent symbols and imagery. Primary among these is the constantly recurring image of the first man, Adam, who is part auto-biographical and part archetype. Another compelling image is that of the man or boy in a sailor's cap. Rudolf Hausner claimed that this image symbolized the myth of Odysseus and his epic voyages on the seas. It also, however, is representative of Rudolf Hausner's own boyhood and the integrated relationships of youth and age within the self. As with all of Rudolf Hausner's monumental works of art, the elements within Adam bezuglich (Regarding Adam) demand a lifetime of contemplation and study.
	Rudolf Hausner depicted his own facial features in the portrayal of his Adam, a subject that appears often in his body of work. However, each portrait is idiosyncratic, and a powerful vision within itself, perfectly executed while exploring and mastering the different art mediums. Such works include, Adam, painting (1957), Adam Bezuglich, colour lithograph (1969), Adams wendeltreppe, colour etching (1971), Adam massstablich, painting & tempra (1972), Adam Masstablich II, colour silkscreen (1973), Adam wartet, colour silkscreen (1974), Adam und sein Maschinist, colour serigraph (1974), Adam (Selbsportrat) mixed media painting (1974), Adam rational, watercolour and mixed media (1975), Adam in Bescheidenem Rahmen, colour lithograph (1975), Adam, black and white marble suclpture (1975), Adam suchbild, colour lithograph (1976), Adam real und ideal, mixed media painting (1986), Adam und Anima, bronze sculpture (1977), Adam Selbstdarsteller, colour serigraph (1979), Adam Medial (1983), Adam nach dem Sundenfall, colour lithograph (1988), Adam wohlbehuetet, bronze sculpture (1995), and many other important works of art. The Panorama Museum, Bad Frankenhausen, Germany includes several works by Rudolf Hausner in its permanent collection.
	Important literature that contains information concerning the life and works of this distinguished artist include, Rudolf Hausner by Rudolf Hausner; Gunter Engelhard, publisher: Salzburg: Verl. Galerie Welz (1974), Vollker Huber, the Catalogue Raisonne entitled, Rudolf Hausner: Werkzeichnis der Druckgraphik von 1966 bis 1975, publisher: Offenbach am Main (1977), Grapfik von Rudolf Hausner, Wien by Dieter Gleisberg, publisher: Museum der bildenden Kunste, Leipzig (1982), Adam und Anima: Rudolf Hausner 80 Jahr; Historisches Museum der Stadt Wien, 10 Dezember 1994 - 12, Februar 1995, by Rudolf Hausner; Renata Kassal-Mikula; Christine Donath; Historisches Museum der Stadt Wein, publisher: Wien, Eigenverlag der Museen der Stadt Wiejn (1994), and many other valuable books and articles. From November 2014 to June 2015, a large exhibition honoring Rudolf Hausner's 100th Birthday was held by the Museum Wurth, Kunzelsau. The museum also published an exhibition catalogue entitled, Rudolf Hausner: ICH bin ES: Sammulung Wurth und Leihgaben, by Beitragen von Carl Aigner; Erinnerungen von Anne Hausner, Kunzelsau: Swiridoff (2014).
	Adam bezuglich (Regarding Adam) was published by Rembrandt Verlag, Berlin, in 1969 in a limited edition of 100 impressions. During the late 1960's and early 1970's this publisher commissioned original prints from some of the finest German and Austrian artists of the times, such as Paul Wunderlich, Mac Zimmermann, Paul Eliasberg, Rudolf Hausner, Peter Ackermann, Ernest Fuchs, Johannes Gachnang, Ursula Schultze-Bluhm and Bernard Schultze.
Raisonne:	Vollker Huber, Rudolf Hausner: Werkzeichnis der Druckgraphik von 1966 bis 1975, Offenbach am Main German Edition Huber, 1977, Huber #8
Size:	11 3/8 X 16 5/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $795.00 US
Condition:	Printed upon smooth, laid paper and with full margins as published by Rembrandt Verlag, Berlin in the limited edition of one hundred signed impressions in 1969. Signed, 'R. Hausner', titled 'Adam bezuglich', inscribed, 'Orig. Litho, uberdruckt'', dated '1969', and numbered, '1/100' by the artist in pencil along the lower margin. Containing one very slight spot within the image to the centre left, else a fine impression and in excellent condition throughout. Adam bezuglich (Regarding Adam) represents a prime, original example of the famous Austrian art of Rudolf Hausner.
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