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Jean Pierre Simon 'John Peter Simon, the Younger' & Robert Smirke

Jean Pierre Simon also known as John Peter Simon and Robert Smirke - As You Like It The Seven Ages of Man Sevent Age Geriatric from the Shakspeare Gallery by John Boydell

As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics. Shakspeare Gallery

Jean Pierre Simon's original stipple engraving is based upon a design created by the British artist, Robert Smirke. 'The Seventh Age, 'Mature Old Age' depicts a scene from William Shakespeare's "As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics.". This impression is an 'Open Letter Proof' printed upon hand-made, laid paper with the 'Whatman 1794' watermark and with full margins as published for the "Shakspeare Gallery" by John Boydell, London in 1801. 'Open Letter Proof' impressions were printed before the publication of the first edition, perhaps ten to twenty of these impressions exist for each engraving. This is a striking, original example of the art of J. P. Simon, Robert Smirke and the famous Boydell Shakspeare Gallery. 'The Seventh Age' (Geriatrics) is the last scene, and the cruelest of all. Running full circle it is the second childhood. Thus at the feet of the decrepit man, a young boy plays with his house of cards. In the background a nurse is fast asleep. The paintings on the walls portray the ravages of father time. Brutally the play of life ends in "mere oblivion; Sans teeth, sans eyes, sans taste, sans every thing." In this scene, the artist portrays a drowsy and feeble old man wrapped in blankets as the main character, and the personification of the seventh age. The old gentleman is seated by a dark and cold fireplace and is oblivious to the paintings on his walls, the sleeping woman or the young child playing on the floor. There is a chest of drawers to his right, decked with a bowl for his porridge, a mug for his hot milk, various bottles, and other medicinal items needed to relieve the pain from his frail and aging body. And alas, there is a pair of crutches leaning against the chest, indicating the poor old man's lack of mobility. The text below the image of this proof impression reads; "Shakspeare. As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Pub. June 4 1801, by J. & J. Boydell at the Shakspeare Gallery Pall Mall, & No. 90, Cheapside, London. Engraved by I. P. Simon. Painted by R. Smirke R. A."

Note: As this is an original proof impression, it lacks the following text that appears in later impressions.

Jaq._____ Last scene of all,
That ends this strange eventful history,
Is second childishness, and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.

 
Title: As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics.
Engraver: Simon, Jean Pierre 'John Peter Simon, the Younger' (London, 1750 - Paris, c. 1810)
Designer: Smirke, Robert (Wigton, 1752 - London, 1845)
Date: 1801 (Open Letter Proof Impression)
Medium: Original Stipple Engraving
Publisher: John Boydell, Pall Mall
Source: Shakspeare Gallery
Note: Jean Pierre Simon (J. P. Simon, Peter Simon, The Younger): Born in London, it is believed Jean Pierre Simon studied stippling techniques under Francesco Bartolozzi. Early in his career he engraved plates for Worlidge's, Antique Gems. By 1790 Jean Pierre Simon had established himself as one of England's finest stipple engravers and was commissioned to create engravings after such contemporary artists as Gainsborough, Reynolds, Fuseli and Wheatley. Simon's abilities to capture strong tonal values and contrasts placed his art in great demand and John Boydell frequently commissioned him to produce engravings for both his 'Shakespeare' and 'Milton' sets.
  Robert Smirke: A painter of humorous and sentimental subjects, Robert Smirke became a student of the Royal Academy, London, at the age of nineteen. From 1786 he was a regular exhibitor at the Royal Academy and was elected a full Academician in 1792.
  During his career Robert Smirke illustrated such classics as 'Don Quixote', the 'Arabian Nights', 'The Hunchback' and many scenes from both Shakespeare and the Bible. Smirke was commissioned by Boydell to produce designs illustrative of William Shakespeare's comedies and history plays. He designed all seven engravings to accompany 'The Seven Ages of Man' from, As You Like It.
  John Boydell (Shropshire, 1719 - London, 1804): John Boydell is easily one of England's most remarkable 18th century personalities. Born in poverty, he began his career as an at best mediocre engraver of small book plates. At this time England was at a very low ebb as a serious centre for the visual arts (particularly engraving) and Boydell sought to eradicate this situation by beginning a second career as a publisher of fine prints. Modest initial experiments in the 1760's led to a rapid expansion of his business and during the 1770's he published his striking series of mezzotint engravings, Liber Veritas, engraved by Richard Earlom after the drawings of Claude Lorrain. This ambitious undertaking put England back on the printmaking map and was a huge financial success for John Boydell.
  Boydell had now established London as an important publisher for the arts and this once poor and struggling engraver/publisher was acknowledged for his efforts by being elected no less than Lord Mayor of London, in 1791. The same year marked the beginning of Boydell's most grandiose undertaking. His new publishing establishment in Pall Mall, 'the Shakspeare Gallery', began by commissioning the most esteemed painters and engravers in the country to create and design large and expensive engravings based upon the plays and life of William Shakespeare. By this time as well John Boydell's nephew, Josiah Boydell (1752-1817), had joined the firm.
  This monumental venture continued until John Boydell's death thirteen years later. By that time, the Shakespeare Gallery had created and published one hundred and seventy engravings on a grand scale. Alas, the expenses for this vast project had been so large that England's foremost publisher of art ended his life the way he began, dying penniless. Note: During that period, William Shakespeare's name was also spelt, 'Shakspeare', thus the spelling for Boydell's (Shakespeare Gallery) appears printed as 'Shakspeare Gallery'..
  Shakspeare Gallery: Jean Pierre Simon, As You Like It. The Seven Ages of Man. Seventh Age (Geriatrics)
 

Shakspeare. As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Pub. June 4 1801, by J. & J. Boydell at the Shakspeare Gallery Pall Mall, & No. 90, Cheapside, London. Engraved by I. P. Simon. Painted by R. Smirke R. A.

The Seventh Age, the "last scene", is the cruelest of all. Running full circle it is the second childhood. Thus at the feet of the decrepit man, a young boy plays with his house of cards. In the background a nurse is fast asleep. The paintings on the walls portray the ravages of father time. Brutally the play of life ends in "mere oblivion; Sans teeth, sans eyes, sans taste, sans every thing."

"All the world's a stage,
And all the men and women merely players:
They have their exits, and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms;
Then the whining schoolboy, with his satchel,
And shining morning face, creeping like snail
Unwillingly to school: and then, the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow: Then, a soldier;
Full of strange oaths, and bearded like a pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth: and then, the justice;
In fair round belly, with good capon lin'd,
With eyes severe, and beard of formal cut,
Full of wise saws and modern instances,
And so he plays his part: The sixth age shifts
Into the lean and slipper'd pantaloon;
With spectacles on nose, and pouch on side;
His youthful hose well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again to childish treble, pipes
And whistles in his sound: Last scene of all,
That ends this strange eventful history,
Is second childishness, and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything." * Shakespeare

In this scene, the artist portrays a drowsy and feeble old man wrapped in blankets as the main character, and the personification of the seventh age. The old gentleman is seated by a dark and cold fireplace and is oblivious to the paintings on his walls, the sleeping woman seated near him or the young child building a house of cards on the floor. There is a chest of drawers to his right, decked with a bowl for his porridge, a mug for his hot milk, various bottles, and other medicinal items needed to relieve the pain from his frail and aging body. And alas, there is a pair of crutches leaning against the chest, indicating the poor old man's lack of mobility.

Edition:

This is an original 'Open Letter Proof Impression'. 3. 'Open Letter Proofs'. These impressions bear the title of the play. the heading, 'Shakspeare' (Shakespeare), is yet to be filled in with stippling. These impressions were printed before the publication of the first edition and were probably struck from the plate at a customer's request. Perhaps ten to twenty Open Letter Proofs exist for each engraving. . The text below the image of this proof impression reads; "Shakspeare. As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Pub. June 4 1801, by J. & J. Boydell at the Shakspeare Gallery Pall Mall, & No. 90, Cheapside, London. Engraved by I. P. Simon. Painted by R. Smirke R. A."

Note: As this is an original proof impression, it lacks the following text that appears in later impressions.

Jaq._____ Last scene of all,
That ends this strange eventful history,
Is second childishness, and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.

 

An Important Note on Boydell States and Editions: Proof impressions and true first edition impressions are easily identified by their fine lines and strong contrasts of black and white tones. Later more common editions print in a more overall grey tone and contain areas of re-working. Briefly, the publishing history of these great engravings can be categorized into five states or editions:

1. 'Artist's Proofs'. These are the earliest of states and were printed in only a handful of impressions. They are identified not only by their vibrant lines and tones but by the fact that they lack any letters along the lower margin.
2. 'Proofs Before Title'. These impressions usually contain the names of the artist, publisher and engraver along the lower margin. They lack the title of the specific play depicted and usually the heading -- 'Shakspeare' -- is smaller than in the published edition. Once again, this state was printed in a very small numbers.
3. 'Open Letter Proofs'. These impressions bear the title of the play. the heading, 'Shakspeare' (Shakespeare), is yet to be filled in with stippling. These impressions were printed before the publication of the first edition and were probably struck from the plate at a customer's request. Perhaps ten to twenty Open Letter Proofs exist for each engraving.
4. 'First Edition Impressions'. The completed set of Boydell's Shakespeare engravings was published in London in 1803. The full publisher's address appears along the lower margin as well as the text for the play. The heading, 'Shakspeare', is now filled in with stippling. Both first edition impressions and proofs were most often printed on either hand-made, laid paper or wove paper bearing the 'J. Whatman' watermark.
5. 'Posthumous Impressions and Restrikes' As early as 1807, John Stockdale of London issued a second edition of the Shakespeare prints. They continued to be published throughout the first half of the nineteenth century. Finally, in 1852, an enterprising dentist in New York City (with the delightful name of Shearjashub Spooner) acquired the plates, restored them and produced the last edition. These prints are most commonly offered for sale.

Size: 18 X 21 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  UnMatted
Buy Now Price: $1,200.00 US
Condition: Printed upon hand-made, laid paper with the 'Whatman 1794' watermark and with full margins as published by Boydell in London in 1801. Faint foxing exists in the outer margins, else bearing deep, rich tonal values as one would expect from a rare proof impression and in very good condition throughout. As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics. represents a prime, original example of the famous art of Boydell's Shakespeare Gallery.
Subject: Jean Pierre Simon, Robert Smirke, J. P. Simon, 'The Seventh Age, 'Mature Old Age', "As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics.", original engraving, 'Open Letter Proof Impression, John Boydell, Josiah Boydell, Shakspeare Gallery, Shakespeare Gallery, British artists, Shakespearean prints, William Shakespeare.
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Original Stipple Engraving by Jean Pierre Simon designed by Robert Smirke (Shakspeare Gallery, John Boydell, London).

Open Letter Proof Impression

As You Like It The Seven Ages of Man Seventh Age Geriatrics Original Engraving by Jean Pierre Simon also known as John Peter Simon designed by Robert Smirke from the Shakspeare Gallery by John Boydell London
Shakspeare. As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Pub. June 4 1801, by J. & J. Boydell at the Shakspeare Gallery Pall Mall, & No. 90, Cheapside, London. (Geriatric)

View other original engravings by Jean Pierre Simon.

Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810)
# Image Title & Engraver Medium Date Engraver Designer -
01- As You Like It Rosalind Celia Hymen engraved by Jean Pierre Simon designed by William Hamilton As You Like It. Act V, Scene IV. Rosalind, Celia, Hymen, Duke Senior, Orlando, etc. engraved by Jean Pierre Simon designed by William Hamilton for the Shakspeare Gallery. Original Stipple Engraving (Proof Impression Before Title) 1790 J. P. Simon William Hamilton (Chelsea, 1751 - London, 1801)  
02.- As You Like It The Seven Ages of Man The Fifth Age engraved by Jean Pierre Simon designed by Robert Smirke As You Like It. Act II, Scene VII. The Seven Ages of Man. Fifth Age. Middle Age engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (Open Letter Proof Impression) 1801 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
03.- As You Like It The Seven Ages of Man The Seventh Age engraved by Jean Pierre Simon designed by Robert Smirke As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (Open Letter Proof Impression) 1801 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
04.- King Henry The Fourth engraved by Jean Pierre Simon designed by Richard Westall First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower engraved by Jean Pierre Simon designed by Richard Westall for the Shakspeare Gallery. Original Line and Stipple Engraving 1795 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836) Sold
05.- Hymn to the Nativity Poetical Works of John Milton engraved by Jean Pierre Simon designed by Richard Westall Hymn to the Nativity, engraved by Jean Pierre Simon designed by Richard Westall (Poetical Works of John Milton). Original Stipple Engraving (First Edition Impression) 1797 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836)  
06.- Merchant of Venice Shylock Jessica and Launcelot engraved by Jean Pierre Simon designed by Robert Smirke Merchant of Venice. Act II, Scene V. Shylock's House. Shylock, Jessica and Launcelot engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple Engraving (First Edition Impression) 1795 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
07.- Merry Wives of Windsor Anne Page Slender and Simple engraved by Jean Pierre Simon designed by Robert Smirke Merry Wives of Windsor. Act I, Scene I. Before Page's House. Anne Page, Slender and Simple engraved by Jean Pierre Simon designed by Robert Smirke for the Shakspeare Gallery. Original Stipple and Line Engraving (Proof Impression Before Title) 1792 J. P. Simon Robert Smirke (Wigton, 1752 - London, 1845)  
08.- Merry Wives of Windsor Mrs Page Mrs Ford and Falstaff engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Merry Wives of Windsor. Act III, Scene III. Mrs. Page, Mrs. Ford and Falstaff engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters for the Shakspeare Gallery. Original Stipple and Line Engraving (First Edition Impression) 1793 J. P. Simon Reverend Matthew William Peters (Brasted (Freshwater, Isle of Wight, England, 1742 - Died, 1814)  
09.- Much Ado About Nothing Hero Ursula and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Much Ado About Nothing. Act III, Scene I. Hero, Ursula and Beatrice engraved by Jean Pierre Simon designed by William Hamilton for the Shakspeare Gallery. Original Stipple and Line Engraving (Open Letter Proof Impression) 1790 J. P. Simon William Hamilton (Chelsea, 1751 - London, 1801) Sold
10.- Much Ado About Nothing Don Pedro Don John Leonato Friar Claudio Benedick Hero and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters Much Ado About Nothing. Act IV, Scene I. Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero and Beatrice engraved by Jean Pierre Simon designed by the Reverend Matthew William Peters for the Shakspeare Gallery. Original Stipple and Line Engraving (Open Letter Proof Impression) 1790 J. P. Simon Reverend Matthew William Peters (Brasted (Freshwater, Isle of Wight, England, 1742 - Died, 1814)  
11.- Paradise Lost Satan Alarmed Poetical Works of John Milton engraved by Jean Pierre Simon designed by Richard Westall Paradise Lost: Satan Alarmed engraved by Jean Pierre Simon designed by Richard Westall (Poetical Works of John Milton). Original Stipple Engraving (First Edition Impression) 1794 J. P. Simon Richard Westall (Hertford, 1765 - London, 1836)  
12.- Winter's Tale Leontes Antigonus Lords Attendants and the Infant Perdita engraved by Jean Pierre Simon designed by John Opie Winter's Tale. Act II, Scene III. Leontes, Antigonus, Lords, Attendants and the Infant Perdita engraved by Jean Pierre Simon designed by John Opie for the Shakspeare Gallery. Original Stipple Engraving 1793 J. P. Simon John Opie (St. Agnes, Cornwall, 1761 - London, 1807) Sold

View other original 17th and 18th century engravings published by John Boydell & Josiah Boydell for the Shakespeare Gallery in our gallery (Art of the Print / www.artoftheprint.com).

Art of the Print / www.artoftheprint.com

John Boydell & Josiah Boydell

Shakspeare Gallery

 
All's Well that Ends Well
01.- All's Well that Ends Well, Act V, Scene III. King, Countess, Lafeu, Lords, Attendants etc. Bertram guarded, Helena, Diana & a Widow. by Georg Sigmund Facius & Johann Gottlieb Facius George Sigmund Facius (Ratisbon, Germany, C. 1750 - London, 1814) & Johann Gottlieb Facius (Ratisbon, Germany c. 1750 - London, 1802) Original Stipple Engraving (Spooner Edition, 1852) 1792  
As You Like It
02.- As You Like It. Act I, Scene II. Before the Duke's Palace. Rosalind, Celia, Orlando & Attendants etc. Charles carried off. by William Satchwell Leney William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) Original Stipple and Line Engraving (Artist Proof Impression) 1794  
03.- As You Like It. Act II, Scene I. Jaques and the Wounded Stag in the Forest of Arden. Enter Duke, Amiens and other Lords. by Samuel Middiman Samuel Middiman (London, 1750 - 1831) Original Line Engraving (Open Letter Proof Impression) 1791  
04.- As You Like It. Act V, Scene IV. Rosalind, Celia, Hymen, Duke Senior, Orlando, etc. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving (Proof Impression Before Title) 1790  
As You Like It: The Seven Ages of Man
05.- As You Like It. Act II, Scene VII. The Seven Ages of Man. First Age. Infancy. by Peltro William Tomkins Peltro William Tomkins (London, 1760 - 1840) Original Stipple Engraving (Open Letter Proof Impression) 1801  
06.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Second Age. Childhood. by John Ogborne John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving (Open Letter Proof Impression) 1801  
07.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Third Age. Youth. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (Open Letter Proof Impression) 1801  
08.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Fourth Age. Manhood. by John Ogborne John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving (Open Letter Proof Impression) 1801  
09.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Fifth Age. Middle Age. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving (Open Letter Proof Impression) 1801  
10.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Sixth Age. Old Age. by William Satchwell Leney William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) Original Stipple Engraving (Open Letter Proof Impression) 1801  
11.- As You Like It. Act II, Scene VII. The Seven Ages of Man. Seventh Age. Geriatrics. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving (Open Letter Proof Impression) 1801  
Comedy of Errors
12.- Comedy of Errors. Act V, Scene I. A street before the Priory. Merchant, Angelo, Lady Abbess, Adriana, etc. by Charles Gauthier Playter Charles Gauthier Playter (Died, Lewisham, 1809) Original Stipple Engraving (Proof Impression Before Title) 1794  
Cymbeline
13.- Cymbeline. Act I, Scene II. Cymbeline's palace in Britain. Imogen, Posthumus, Queen, Cymbeline, etc. by Thomas Burke Thomas Burke (Dublin, 1749 - London, 1815) Original Stipple and Line Engraving (First Edition Impression) 1795  
14- Cymbeline. Act III, Scene IV. Near Milford Haven. Pisanio and Imogen. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (Open Letter Proof Impression) 1801  
15.- Cymbeline. Act III, Scene VI. The Forest and Cave. Imogen in Boy's Cloaths. by Thomas Gaugain Thomas Gaugain (Abbeville, France, 1748 - London, 1810) Original Stipple Engraving (Open Letter Proof Impression) 1803  
Julius Caesar
16.- Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar. by Edward Scriven Edward Scriven (Alcester, 1775 - London, 1841) Original Line and Stipple Engraving (Spooner Edition, 1852) 1803  
King George III
17.- His most Gracious Majesty King George the Third by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (Artist Proof Impression) 1804  
King Henry the Fourth
18.- First Part of King Henry the Fourth. Act II, Scene II. The Road by Gadshill. Prince Henry, Poins, Peto, Falstaff, etc. by Samuel Middiman Samuel Middiman (London, 1750 - 1831) Original Line Engraving (Artist Proof Impression) 1797  
19.- First Part of King Henry the Fourth. Act II, Scene IV. The Boar's Head Tavern. Prince Henry, Falstaff, Poins, etc. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (First Edition Impression) 1796  
20.- First Part of King Henry The Fourth. Act III, Scene I. The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Line and Stipple Engraving 1795 Sold
21.- First Part of King Henry the Fourth. Act V, Scene IV. Plain Near Shrewsbury. Prince Henry, Hotspur and Falstaff. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (First Edition Impression) 1796  
22.- Second Part of King Henry the Fourth. Act II, Scene IV. (Doll Tearsheet, Falstaff, Henry & Poins) by William Satchwell Leney William Satchwell Leney (London, 1769 - Longue Pointe (Montreal), Canada, 1831) Original Stipple and Line Engraving (First Edition Impression) 1795 Sold
23.- Second Part of King Henry the Fourth. Act IV, Scene IV. The Palace at Westminster. King Henry asleep; Prince of Wales. Prince Henry Taking the Crown. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Etching & Engraving (Proof Before Title) 1791  
24.- Second Part of King Henry the Fourth. Act IV, Scene IV. The Palace at Westminster. King Henry & the Prince of Wales. Prince Henry's Apology. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple & line Engraving (Open Letter Proof Impression) 1798  
King Henry the Sixth
25.- First part of King Henry the 6th. Act II, Scene IV. London. The Temple Garden. Earl of Somerset, Suffolk and Warwick; Richard Plantagenet, Vernon, etc. John Ogborne (Chelmsford, 1755 - London, 1837) Original Stipple Engraving (Proof Before Title Impression) 1790  
26.- Third Part of King Henry the Sixth. Act I, Scene III. Rutland and his Tutor, Clifford and Soldiers. by Charles Gauthier Playter & Thomas Ryder Charles Gauthier Playter (Died, Lewisham, 1809)
Thomas Ryder (London, 1746 -1810)
Original Stipple Engraving (Spooner Edition, 1852) 1796  
27.- Third Part of King Henry the 6th. Act V, Scene VII. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc. by Jean Baptiste Michel Jean Baptiste Michel (Paris, 1748 - London, 1804) Original Stipple Engraving (Open Letter Proof Impression) 1794  
King Henry The Eighth
28.- King Henry The Eighth. Act I, Scene IV. York Place. Cardinal Wolsey, Lord Sands, Ann Bullen, King Henry, etc. by Isaac Taylor Isaac Taylor (Worcester, 1730 - London, 1807) Original Line Engraving (Artist Proof Impression) 1798  
29.- King Henry the Eighth. Act III, Scene I. A Room in the Queen's Apartments. The Queen, and some of her Women, at Work. Cardinal Wolsey and Campeius. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (Open Letter Proof Impression) 1796  
30.- King Henry the Eighth. Act IV, Scene II. Abbey of Leicester. Wolsey, Northumberland, & Attendants, Abbot of Leicester, etc. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple Engraving (Open Letter Proof Impression) 1798  
31.- King Henry the Eighth. Act V, Scene IV. The Palace. the Aldermen, Lord Mayer, Garter, Cranmer; Duke of Norfolk with his marshal's Staff, Duke of Suffolk, Dutchess of Norfolk & Marchioness of Dorset, God Mothers, etc. The Christening of Princess Elizabeth. by Joseph Collyer Joseph Collyer (London, 1748 - 1827) Original Stipple Engraving (Artist Proof Impression) 1803  
King Richard The Second
32.- King Richard The Second. Act IV, Scene I. King Richard, Bolingbroke, York, Aumerle, etc. by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (Artist Proof Impression) c. 1795 Sold
33.- King Richard the Second. Act V, Scene II. The Entrance of King Richard and Bolingbroke into London. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple and Line Engraving (First Edition Impression) 1801 Sold
King Richard The Third
34- King Richard the Third. Act III, Scene I. Prince of Wales, Duke of York, his Brother, etc. by Robert Thew Robert Thew (Partington, 1758 - Stevenage, 1802) Original Stipple & Line Engraving (Open Letter Proof Impression) 1791  
Love's Labour's Lost
35.- Love's Labour's Lost. Act IV, Scene I. Princess, Forester, Boyet, Attendants, etc. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (Open Letter Proof Impression) 1793  
Measure for Measure
36.- Measure for Measure. Act II, Scene I. Angelo's House. Escalus, A Justice, Elbow, Froth, Clown, Officers, etc. by Charles Gauthier Playter & Thomas Ryder Charles Gauthier Playter (Died, Lewisham, 1809)
Thomas Ryder (London, 1746 -1810)
Original Stipple Engraving (Artist Proof Impression) 1794 Sold
Merchant of Venice
37.- Merchant of Venice. Act II, Scene V. Shylock's House. Shylock, Jessica and Launcelot. by Jean Pierre Simon Simon, Jean Pierre 'John Peter Simon, the Younger' (London, 1750 - Paris, c. 1810) Original Stipple Engraving (First Edition Impression) 1795  
38.- Merchant of Venice. Act V, Scene I. A Grove & Lawn, before Portia's House. Jessica, Lorenzo and Stephano. by John Browne John Browne (Finchingfield, Essex, 1741 - Walworth, 1801) Original Line Engraving (First Edition Impression) 1795  
Merry Wives of Windsor
39.- Merry Wives of Windsor. Act V, Scene V. Windsor Park. Falstaff disguised with a buck's head on etc. Sir Hugh Evans, Anne Page, etc. by Isaac Taylor, Junior Isaac Taylor, Junior (1759 - Ongar, 1829) Original Line Engraving (Artist Proof Impression) 1793 Sold
40.- Merry Wives of Windsor. Act IV, Scene II. A room in Ford's House. Falstaff in women's clothes led by Mrs. Page. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (First Edition Impression) 1801  
41.- Merry Wives of Windsor. Act I, Scene I. Before Page's House. Anne Page, Slender and Simple. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple and Line Engraving (Proof Impression Before Title) 1792  
42.- Merry Wives of Windsor. Act III, Scene III. Mrs. Page, Mrs. Ford and Falstaff. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple and Line Engraving (First Edition Impression) 1793  
Much Ado about Nothing
43.- Much Ado About Nothing. Act III, Scene I. Hero, Ursula and Beatrice engraved by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple and Line Engraving (Open Letter Proof Impression) 1790 Sold
44.- Much Ado About Nothing. Act IV, Scene I. Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero and Beatrice engraved by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple and Line Engraving (Open Letter Proof Impression) 1790  
Othello
45.- Othello. Act II, Scene I. A Platform. Desdemona, Othello, Iago, Cassio, Rodrigo, Emilia, etc. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (Artist Proof Impression) 1799  
Queen Charlotte
46.- Her Most Gracious Majesty, Queen Charlotte by Thomas Ryder, Thomas Ryder Junior, and Sir William Beechey. Thomas Ryder (London, 1746 -1810)
Thomas Ryder Junior (British, born 1789 -died ?)
Original Stipple Engraving (First Edition Impression) 1804  
Romeo and Juliet
47.- Romeo and Juliet. Act I, Scene V. A Hall in Capulet's House. Romeo, Juliet, Nurse, with Guests etc. by Georg Sigmund Facius & Johann Gottlieb Facius Georg Sigmund Facius (Ratisbon, Germany, C. 1750 - London, 1814) & Johann Gottlieb Facius (Ratisbon, c. 1750 - London, 1802) Original Stipple Engraving (Proof Before Title Impression) 1789  
The Tempest
48.- The Tempest. Act I, Scene I. The Enchanted Island: Before the Cell of Prospero. Prospero and Miranda. by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (First Edition Impression) 1797  
49.- The Tempest. Act V, Scene I. Ferdinand & Miranda playing at Chess. by Caroline Watson Caroline Watson (London, 1760 - Pimlico, 1814) Original Stipple Engraving (First Edition Impression) 1795  
The Alto-Relievo (The frontis-piece for the Shakspeare Gallery set)
50.- Shakspeare seated between the Dramatick Muse and the Genius of Painting. The alto relievo in the front of the Shakspeare Gallery, Pall Mall by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (First Edition Impression) 1796  
Two Allegorical Engravings (The introductory engravings for the Shakspeare Gallery set)
51.- The Infant Shakspeare. Attended by Nature and the Passions by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Line and Stipple Engraving (Spooner Edition 1852) 1799 Sold
52.- Shakspeare Nursed by Tragedy And Comedy by Benjamin Smith Benjamin Smith (London, 1754 - 1833) Original Stipple Engraving (First Edition Impression) 1803  
Troilus and Cressida
53.- Troilus and Cressida. Act II Scene II. Scene, Troy. Cassandra Raving. by Francis Legat Francis Legat (Scotland, 1755 - London, 1809) Original Line Engraving (First Edition Impression) 1795  
Twelfth Night
54.- Twelfth Night. Act V, Scene I. The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants. by Francesco Bartolozzi Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) Original Stipple and Line Engraving (Open Letter Proof Impression) 1797  
55.- Twelfth Night. Act III, Scene IV. Olivia's - house. Olivia, Maria. & Malvolio. by Thomas Ryder Thomas Ryder (London, 1746 -1810) Original Stipple Engraving (Open Letter Proof Impression) 1794  
Two Gentlemen of Verona
56.- Two Gentlemen of Verona. Act V, Scene III. A Forest. Valentine, Proteus, Silvia & Julia. by Luigi Schiavonetti Luigi Schiavonetti (Bassano, Italy, 1765 - London, 1810) Original Stipple Engraving (First Edition Impression) 1792  
Winter's Tale
57.- Winter's Tale. Act II, Scene III. Leontes, Antigonus, Lords, Attendants and the Infant Perdita. by Jean Pierre Simon Jean Pierre Simon, 'John Peter Simon' (London, 1750 - Paris, c. 1810) Original Stipple Engraving 1793 Sold
58.- Winter's Tale. Act III, Scene III. Storm Scene, Antigonus Pursued by a Bear. by Samuel Middiman Samuel Middiman (London, 1750 - 1831) Original Line Engraving (Spooner Edition, 1852) 1793  
59.- Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. by James Fittler James Fittler (London, 1758 - Turnham Green, 1835) Original Line Engraving (Proof Impression Before Title) 1789  

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
Subject:
Children Portrayed in Art Index The 'Children in Art' directory contains a selection of original works of art with depictions of children. Children at play and at work and their relationships to others (particularly their mothers) are major themes.
Professions Portrayed in Art Index The 'Professions Portrayed in Art' directory contains a selection of original art with depictions of people in various professional occupations, such as the medical field with portrayals of doctors, dentists, nurses and quacks. The legal group contains depictions of judges, lawyers and the judicial system. The political profession includes politicians and statesmen who have represented us in government in the past or issues relating to politics. And the fourth category is businessmen. These works of art have been created by artists from around the world and date from the 16th century to the 20th century.
Theater Portrayed in Art Index The 'Theater Portrayed in Art' directory contains a listing of original works of art depicting activities associated with the theatre, such as, studies of performing artists, plays depicting drama and comedy and a variety of other forms of entertainment on the stage. Categories include portrayals of actors, singers, musicians, dancers, circus and burlesque performers; scenes from various plays; and images related specifically to the plays of William Shakespeare.
Women Portrayed in Art Index The 'Women in Art' directory contains a selection of original works of art with depictions of women in an almost infinite variety of roles, such as women as an object of beauty & desire, at work and of course, motherhood are major themes, as well as many other representations of women have emerged in the fine arts throughout the centuries.


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