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Jean Baptiste Michel & James Northcote

Jean Baptiste Michel and James Northcote - Third Part of King Henry the 6th King Edward and Queen Elizabeth with the infant Prince Clarence Gloster Hastings from the Shakspeare Gallery by John Boydell

Third Part of King Henry the 6th. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc. Shakspeare Gallery

Jean Baptiste Michel's original stipple engraving, "Third Part of King Henry the 6th. Act V, Scene VII. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc." is based upon a design created by the British painter, designer and illustrator, James Northcote. This impression is a rare 'Open Letter Proof' published in London in 1794 by the 18th century English publisher, John Boydell for his famous "Shakspeare Gallery". 'Open Letter Proof' impressions were printed before the publication of the first edition, perhaps ten to twenty of these impressions exist for each engraving. The engraving depicts the Third Part, Act, Five, Scene Seven from William Shakespeare's "King Henry the Sixth". In this scene, King Edward is discovered in the Royal Palace sitting on his throne. By his side is Queen Elizabeth with the infant Prince. Clarence, Gloster, Hastings, and others are also present. This engraving is a superb, original example of the British art of Jean Baptiste Michel, James Northcote and the Boydell Shakespeare Gallery. The text below the image of this proof impression reads; "Shakspeare. Third Part of King Henry 6th. Act V. Scene VII. Publish'd Sepr. 29. 1794. by John & Josiah Boydell, Shakspeare Gallery, Pall Mall. & No. 90, Cheapside. Engraved by J. B. Michel. Painted by J. Northcote R. A."

Note: As this is an original proof impression, it lacks the following text that appears in later impressions.

"Shakspeare. Third Part of King Henry 6th. Act V. Scene VII. Publish'd June 4. 1795. by John & Josiah Boydell, Shakspeare Gallery, Pall Mall. & No. 90, Cheapside. Engraved by J. B. Michel. Painted by J. Northcote R. A.

K.E.dw. Come hither, Bess, & let me kiss my boy.__
[Taking the Child.
Young Ned, for thee, thine uncles, and myself
Have in our armours watch'd the winter's night;
Went all afoot in summer's scalding heat,
That thou might'st repossess the crown in peace;
And of our labours thou shalt reap the gain..."

 
Title: Third Part of King Henry the 6th. Act V, Scene VII. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc.
Engraver: Michel, Jean Baptiste (Paris, 1748 - London, 1804)
Designer: Northcote, James (Plymouth, 1746 - London, 1831)
Date: 1794 (Open Letter Proof Impression)
Medium: Original Stipple Engraving
Publisher: John Boydell, London
Source: Shakspeare Gallery
Note: Jean Baptiste Michel: A stipple and line engraver, Jean Baptiste Michel studied art under Chenu, in his native Paris. After establishing his reputation in France, J. B. Michel moved to London around 1780. During the following years he was commissioned to engrave decorative, religious and historical plates after the designs of such old masters as Leonardo, Carracci, Pietro da Cortona, Maratti, Velazquez and many others. He also engraved many fine plates after contemporary painters such as Benjamin West and Boucher. During the 1790's Jean Baptiste Michel was regularly commissioned by the John Boydell Shakespeare Gallery, such is the case with this original engraving created for the Shakespeare Gallery entitled, Third Part of King Henry the Sixth. Act 5, Scene 7. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc.
  James Northcote: A major English painter, illustrator, designer and author, James Northcote left Plymouth for London in 1771. He studied art there at the Royal Academy and then became a principle assistant to Sir Joshua Reynolds. During his successful career Northcote was highly received for his portraits, historical paintings and depictions of animals and works after the plays by William Shakespeare. In this latter category his One Hundred Fables (1828) stands as a classic of wood engraved illustration. John Northcote was elected an Associate of the Royal Academy in 1786 and a full Academician in 1787.
  John Boydell (Shropshire, 1719 - London, 1804): John Boydell is easily one of England’s most remarkable 18th century personalities. Born in poverty, he began his career as an at best mediocre engraver of small book plates. At this time England was at a very low ebb as a serious centre for the visual arts (particularly engraving) and Boydell sought to eradicate this situation by beginning a second career as a publisher of fine prints. Modest initial experiments in the 1760’s led to a rapid expansion of his business and during the 1770’s, he published his striking series of mezzotint engravings, Liber Veritas, engraved by Richard Earlom after the drawings of Claude Lorrain. This ambitious undertaking put England back on the printmaking map and was a huge financial success for John Boydell.
  Boydell had now established London as an important publisher for the arts and this once poor and struggling engraver/publisher was acknowledged for his efforts by being elected no less than Lord Mayor of London, in 1791. The same year marked the beginning of Boydell’s most grandiose undertaking. His new publishing establishment in Pall Mall, the ‘Shakspeare Gallery’, began by commissioning the most esteemed painters and engravers in the country to create and design large and expensive engravings based upon the plays and life of William Shakespeare. By this time as well John Boydell’s nephew, Josiah (1752-1817), had joined the firm.
  This monumental venture continued until Boydell’s death thirteen years later. By that time, the Shakespeare Gallery (Shakspeare Gallery) had created and published one hundred and seventy engravings on a grand scale. Alas, the expenses for this vast project had been so large that England’s foremost publisher of art ended his life the way he began, dying penniless. Note: During that period, William Shakespeare's name was also spelt, 'Shakspeare', thus the spelling for Boydell's (Shakespeare Gallery) appears printed as 'Shakspeare Gallery'.
  Shakspeare Gallery: Jean Baptiste Michel, Third Part of King Henry the Sixth. Act Five, Scene Seven. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc.
:

Shakspeare. Third Part of King Henry 6th. Act V. Scene VII. Publish'd Sepr. 29. 1794. by John & Josiah Boydell, Shakspeare Gallery, Pall Mall. & No. 90, Cheapside. Engraved by J. B. Michel. Painted by J. Northcote R. A.

Scene VII - King Edward is discovered sitting on his throne; Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, and others, near him. King Edward states, "Come Hither, Bess, and let me Kiss my boy ..."

King Edward. Once more we sit in England's royal throne,
Re-purchas'd with the blood of enemies.
What valiant foemen, like autumn's corn,
Have we mow'd down, in tops of all their pride!
Three dukes of Somerset, threefold renown'd
For hardy and undoubted champions:
Two Cliffords, as the father and the son;
And two Northumberlands: two braver men
Ne'er spurr'd their coursers at the trumpet's sound:
With them, the two brave bears, Warwick and Montague,
That in their chains fetter'd the kingly lion,
And made the forest tremble when they roar’d.
Thus have we swept suspicion from our seat,
And made our footstool of security.
Come hither Bess, and let me kiss my boy:
Young Ned, for thee, thine uncles and myself
Have in our armours watch'd the winter's night;
Went all afoot in summer's scalding heat,
That thou might'st repossess the crown in peace;
And of our labours thou shalt reap the gain.

Edition:

This original engraving is an 'Open Letter Proof Impression'. 3. 'Open Letter Proofs'. These impressions bear the title of the play. The heading, 'Shakspeare', is yet to be filled in with stippling. These impressions were printed before the publication of the first edition and were probably struck from the plate at a customer's request. Perhaps ten to twenty Open Letter Proofs exist for each engraving. The text below the image of this proof impression reads; "Shakspeare. Third Part of King Henry 6th. Act V. Scene VII. Publish'd Sepr. 29. 1794. by John & Josiah Boydell, Shakspeare Gallery, Pall Mall. & No. 90, Cheapside. Engraved by J. B. Michel. Painted by J. Northcote R. A." Note: As this is an original proof impression, it lacks the following text which appears in later impressions.

"Shakspeare. Third Part of King Henry 6th. Act V. Scene VII. Publish'd June 4. 1795. by John & Josiah Boydell, Shakspeare Gallery, Pall Mall. & No. 90, Cheapside. Engraved by J. B. Michel. Painted by J. Northcote R. A.

K.E.dw. Come hither, Bess, & let me kiss my boy.__
[Taking the Child.
Young Ned, for thee, thine uncles, and myself
Have in our armours watch'd the winter's night;
Went all afoot in summer's scalding heat,
That thou might'st repossess the crown in peace;
And of our labours thou shalt reap the gain.

Glow. I'll blast his harvest, if your head were laid;
For yet I am not look'd on in the world.
This shoulder was ordain'd so thick, to heave;
And Heave it shall some weight, or break my back:_
Work thou the way,_ and thou shalt execute. [Afide."

 

An Important Note on Boydell States and Editions: Proof impressions and true first edition impressions are easily identified by their fine lines and strong contrasts of black and white tones. Later more common editions print in a more overall grey tone and contain areas of re-working. Briefly, the publishing history of these great engravings can be categorized into five states or editions:

1. 'Artist's Proofs'. These are the earliest of states and were printed in only a handful of impressions. They are identified not only by their vibrant lines and tones but by the fact that they lack any letters along the lower margin.
2. 'Proofs Before Title'. These impressions usually contain the names of the artist, publisher and engraver along the lower margin. They lack the title of the specific play depicted and usually the heading -- 'Shakspeare' -- is smaller than in the published edition. Once again, this state was printed in a very small numbers.
3. 'Open Letter Proofs'. These impressions bear the title of the play. the heading, 'Shakspeare' (Shakespeare), is yet to be filled in with stippling. These impressions were printed before the publication of the first edition and were probably struck from the plate at a customer's request. Perhaps ten to twenty Open Letter Proofs exist for each engraving.
4. 'First Edition Impressions'. The completed set of Boydell's Shakespeare engravings was published in London in 1803. The full publisher's address appears along the lower margin as well as the text for the play. The heading, 'Shakspeare', is now filled in with stippling. Both first edition impressions and proofs were most often printed on either hand-made, laid paper or wove paper bearing the 'J. Whatman' watermark.
5. 'Posthumous Impressions and Restrikes' As early as 1807, John Stockdale of London issued a second edition of the Shakespeare prints. They continued to be published throughout the first half of the nineteenth century. Finally, in 1852, an enterprising dentist in New York City (with the delightful name of Shearjashub Spooner) acquired the plates, restored them and produced the last edition. These prints are most commonly offered for sale.

Size: 22 1/2 X 15 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  UnMatted
Buy Now Price: $1,250.00 US
Condition: Printed upon wove paper with the watermark, 'J. Whatman, 1794' and with full margins as published by Boydell in London in 1794. Containing slight foxing and staining in the outer margins (well away from the actual engraving), else a vibrant, early, proof impression and in very good condition throughout. Third Part of King Henry the 6th. Act V, Scene VII. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc. represents a superb, original example of the famous art of Boydell's Shakespeare Gallery and the engraved art of Jean Baptiste Michel.
Subject: Jean Baptiste Michel, James Northcote, Third Part of King Henry the Sixth, Act Five, Scene Seven, John & Josiah Boydell, London, Shakespeare Gallery.
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Original Stipple Engraving by Jean Baptiste Michel designed by James Northcote (Shakspeare Gallery, John Boydell, London).

Open Letter Proof Impression

Third Part of King Henry the Sixth King Edward and Queen Elizabeth with the infant Prince Clarence Gloster Hastings Engraved by Jean Baptiste Michel designed by James Northcote from the Shakspeare Gallery by John Boydell London
Shakspeare. Third Part of King Henry 6th. Act V. Scene VII. Publish'd Sepr. 29. 1794. by John & Josiah Boydell, Shakspeare Gallery, Pall Mall. & No. 90, Cheapside. Engraved by J. B. Michel. Painted by J. Northcote R.A. (King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster, Hastings, etc.)

View other original 17th and 18th century engravings published by John Boydell & Josiah Boydell for the Shakespeare Gallery in our gallery (Art of the Print / www.artoftheprint.com).

Art of the Print / www.artoftheprint.com

John Boydell & Josiah Boydell

Shakspeare Gallery

 
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59.- Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. by James Fittler James Fittler (London, 1758 - Turnham Green, 1835) Original Line Engraving (Proof Impression Before Title) 1789  

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
Subject:
Children Portrayed in Art Index The 'Children in Art' directory contains a selection of original works of art with depictions of children. Children at play and at work and their relationships to others (particularly their mothers) are major themes.
Royalty Portrayed in Art Index The 'Royalty, Nobility, Palaces and Castles' directory contains a selection of original art depicting portraits of Kings and Queens, as well as a variety of portrayals of nobles holding the title of Prince, Princess, Duke, Duchess, Count, Countess, etc., and scenes depicting royal ceremonies. Also included is a listing of original artworks with depictions of and castles and palaces. The artworks date from the 16th century to the 20th century.
Theater Portrayed in Art Index The 'Theater Portrayed in Art' directory contains a listing of original works of art depicting activities associated with the theatre, such as, studies of performing artists, plays depicting drama and comedy and a variety of other forms of entertainment on the stage. Categories include portrayals of actors, singers, musicians, dancers, circus and burlesque performers; scenes from various plays; and images related specifically to the plays of William Shakespeare.
Women Portrayed in Art Index The 'Women in Art' directory contains a selection of original works of art with depictions of women in an almost infinite variety of roles, such as women as an object of beauty & desire, at work and of course, motherhood are major themes, as well as many other representations of women have emerged in the fine arts throughout the centuries.


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