Thomas Moran - A Storm in the Mountains The Aldine The Art Journal of America

Original Wood Engraving by the 19th century American artist, Thomas Moran published by the Aldine Company, New York.

A Storm in the Mountains (The Aldine, The Art Journal of America)

View other original etchings by Thomas Moran.

Thomas Moran (Bolton, England, 1837 - Santa Barbara, California, 1926)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		A Southerly Wind and a Cloudy Sky Proclaim it a Hunting Morning by Thomas Moran	Original Etching	c. 1882	Signed with Thomas Moran's distinctive monogramme in the lower right corner of the plate.
02.-		A Storm in the Mountains by Thomas Moran published for The Aldine, The Art Journal of America	Original Wood Engraving	1875	Signed with Thomas Moran's distinctive monogramme in the lower left corner within the image.
03.-		Lake George by Thomas Moran designed by John Frederick Kensett	Original Etching	1887	Signed with Thomas Moran's distinctive monogramme in the lower right corner of the plate.	Sold
04.-		Passaic Meadows (In The Newark Meadows) by Thomas Moran	Original Etching	1880	Signed with Thomas Moran's distinctive monogramme in the lower right corner of the plate.

View Other Original Wood Engraving Published by American Magazines and Periodicals.

19th Century American Magazines & Periodicals
#	Image	Artist, Title, Description	Medium	Date	Publisher	-
Harper's Weekly, New York (Winslow Homer)
01-		A Bivouac Fire on The Potomac by Winslow Homer for Harper's Weekly, New York	Original Wood Engraving	December 21, 1861	Harper & Brothers, New York	Sold
02.-		Husking The Corn in New England by Winslow Homer for Harper's Weekly, New York	Original Wood Engraving	November 13, 1858	Harper & Brothers, New York
03.-		The Bathe At Newport by Winslow Homer for Harper's Weekly, New York	Original Wood Engraving	September 04, 1858	Harper & Brothers, New York	Sold
04.-		The Boston Common by Winslow Homer for Harper's Weekly, New York	Original Wood Engraving	September 04, 1858	Harper & Brothers, New York	Sold

Harper's Weekly, New York (Thomas Nast)
01.-	All Quite on the Hudson. Mr. George B. McClellan in his Element Again - Running for Something (Political Campaigning) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	October 27, 1877	Harper & Brothers, New York
02.-	An Open Question Still - Uncle Sam, "You Don't Give Bread With--" (The 1877 Halifax Fisheries Commission Fishing Negotiations) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	December 22, 1877	Harper & Brothers, New York
03.-	Another Such Victory - and I am Undone. Pyrrhus (Political Reform, Rutherford B. Hayes) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	March 24, 1879	Harper & Brothers, New York
04.-	Ay, There's the Rub - You Can't Change the Nature of the Animal. You Dirty Boy (Grover Cleveland's Governor of New York 1882 Campaign and his Fight Against Political Corruption) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	October 21, 1882	Harper & Brothers, New York
05.-	He Wants a Change Too (Hamburg Riots, the Hamburg Massacre) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	Oct. 28, 1876	Harper & Brothers, New York
06.-	Into the Jaws of Death - Temple of Janus (Russo-Turkish War) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	February 2, 1878	Harper & Brothers, New York
07.-	Look Before You Leap (Tammany Ringdom & Boss Tweed) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	November 12, 1882	Harper & Brothers, New York
08.-	More 'Pacification' - 'The Carpet-Baggers' are Protected that's Comfort (1876 Presidential Election, Samuel Tilden and Rutherford Hayes & the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	December 22, 1877	Harper & Brothers, New York
09.-	The Day We Celebrate. (April First), Toast; We are not all Dead (1876 Presidential Election, Samuel Tilden and Rutherford Hayes & the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	April 7, 1877	Harper & Brothers, New York
10.-	The Elephant Walks Around - And the Still Hunt is Nearly Over (1876 Presidential Election, Samuel Tilden and Rutherford Hayes, the Compromise of 1877) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	October 28, 1876	Harper & Brothers, New York
11.-	The First Step Toward National Bankruptcy (Mr. Matthews' Resolution - Bonds, Greenbacks) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	February 16, 1878	Harper & Brothers, New York
12.-	The Next Debut. Now let General M. C. Butler, of South Carolina Show how Bulldozing is Done (Politics, African Americans, Southern Racism) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	Nov. 1, 1879	Harper & Brothers, New York
13.-	The Trapper-Trapped (Judge Stanley Matthews - 1876 Presidential Election, the Compromise of 1877 & The Potter Committee Investigation) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	June 29, 1878	Harper & Brothers, New York
14.-	Willie, We have Missed You (William M. Tweed, 'Boss Tweed' & the Tammany Ringdom in Prison) by Thomas Nast for Harper's Weekly, New York	Original Wood Engraving	October 28, 1876	Harper & Brothers, New York

Frank Leslie's Illustrated Newspaper, New York
#	Image	Title & Artist	Medium	Date	Notes	-
01.-		A Happy New Year, 1867 by William MaGrath for Frank Leslie's, Illustrated Newspaper, N. Y. (Holiday Supplement)	Original Wood Engraving	January 12, 1867	Frank Leslie's, Illustrated Newspaper, N. Y. (Holiday Supplement)
02.-		"Betty", a Country Milkmaid (My Pretty Maid, Where are You Going My Pretty Maid? Milking Sir, She Said.) by Samuel Luke Fildes	Original Chromolithograph (lithograph printed in color)	c. 1880	Frank Leslie's, Illustrated Newspaper, N. Y.
03-		Little Willie's Christmas Greetings by Alfred Hunt commissioned for Frank Leslie's, Illustrated Newspaper, N. Y. (Holiday Supplement)	Original Wood Engraving	Dec. 29, 1877	Frank Leslie's, Illustrated Newspaper, N. Y. (Holiday Supplement)

Collection of Miscellaneous 19th Century Periodicals (Americana Events)
01.-	Periodicals: Americana Events, Activities & Professions (Original Engravings 1870 to 1900, Prints Priced under $100.00)	Original Wood Engravings	c. 1870-1900	Various Periodicals
Collection of Miscellaneous 19th Century Periodicals (Americana Views)
01.-	Periodicals: American Views (Original Engravings 1870 to 1900, Prints Priced under $100.00)	Original Wood Engravings	c. 1870-1900	Various Periodicals
Collection of Miscellaneous 19th Century Periodicals (Holidays)
01.-	Periodicals: Christmas, New Years, Thanksgiving, Valentines (Original Engravings 1870 to 1900, Prints Priced under $100.00)	Original Wood Engravings	c. 1870-1900	Various Periodicals

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Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
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Landscapes, Seascapes, City & Town Views Art Index	This directory contains a selection of original works of art with a focus on landscapes, seascapes, city views, town views and farm views from around the world. These artworks date from the 16th century to the 20th century.

Title:	A Storm in the Mountains (The Aldine, The Art Journal of America)
Etcher:	Moran, Thomas (Bolton, England, 1837 - Santa Barbara, CA, 1926)
Date:	1875
Medium:	Original Wood Engraving
Publisher:	Aldine Company, New York
Source:	The Aldine, The Art Journal of America
Note:	Thomas Moran: Now considered the greatest master of the American etching revival, Thomas Moran immigrated with his family to Maryland at the age of seven. He was apprenticed to the Philadelphia wood engraving firm of Scattergood and Telfer, working there from 1853 to 1855. During this time he taught himself to paint in both water colors and oils.
	In 1862 Thomas Moran went to England in the company of his brother, Edward Moran, a marine painter. There they studied the art of such masters as J. M. W. Turner and Claude Lorrain. Turner, in particular, had a long lasting effect on Moran’s art. Thomas Moran settled permanently in New York in 1872 and spent his summers at his country home in East Hampton, Long Island. A number of his original etchings depict scenes close to this home.
	The art of Thomas Moran first received widespread attention as a result of his 1871 trip to the Yellowstone region with the U.S. Geological and Geographical Survey of the Territories. His spectacular art from this expedition was exhibited in Washington DC and directly influenced Congress to establish Yellowstone National Park. Moran made a further trip to the territory of Wyoming in 1879. One of Wyoming’s greatest landmarks, Mount Moran, is named after him.
	Thomas Moran was elected an Academician of the National Academy of Design in 1884. He was also a member of the Pennsylvania Academy of Fine Arts, the Artists’ Fund Society, the American Water Color Society, the New York Etching Club and the Society of American Etchers. His paintings and etchings are housed in most major American museums. This original wood engraving was published by the Aldine Company, New York for the 19th century periodical, The Aldine, The Art Journal of America.
	The Aldine, New York: The leading American publishing and printing firm of Sutton, Bowne & Co., Liberty St., New York first published The Aldine in 1868. It was published by the firm of Sutton, Bowne & Co. from (1868 to 1870), as The Aldine Press; A Typographic Art Journal, New York. Then, from (1871 to 1873), this periodical became The Aldine, A Typographic Art Journal. And finally, in 1874, the Journal was published as The Aldine, The Art Journal of America until its last issue in December of 1879. From (1870-1873) , its publisher was James Sutton & Company, and in 1874, the journal was published by the Aldine Company (with James Sutton as the president). During the second half of the nineteenth century, periodicals such as Every Saturday, The Aldine and Harper's, in the United States, and the Illustrated London News and The Graphic, in England, created pictorial journalism on a grand scale. Wood engraving (invented around 1780) at last made it possible for publishers to print images and words on the same page without the extravagant costs of producing etchings or engravings from metal plates. From about 1850 engraving upon wood became the dominant means of distributing information along with pictorial imagery, and continued in this role until around 1900, when the practical application of photography took control. The Aldine, commissioned works by Thomas Moran, Eliza Pratt Greatorex, John Augustus How, William Ludwell Sheppard, Alexander Lawrie, Kruseman van Elten, and other important artists of the 19th century to create works for their monthly arts periodicals from the 1870's. A Storm in the Mountains is a fine, original example of Thomas Moran's work in this field. This original wood engraving was published by the Aldine Company, New York for The Aldine, The Art Journal of America in 1875. The scene depicts a lush forest landscape with a deer running in the path.
Size:	16 X 10 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $95.00 US
Condition:	Printed on nineteenth century wove paper and with full margins as published by the Aldine Company, New York for The Aldine, The Art Journal of America in 1875. Signed with Thomas Moran's distinctive monogramme in the lower left corner within the image. A Storm in the Mountains (The Aldine, New York) is fine, original example of the nineteenth century designs of Thomas Moran for American periodicals.
Subject:	Thomas Moran, A Storm in the Mountains, Aldine Company, New York, The Aldine, The Art Journal of America, original wood engraving, American Arts Magazine, journal periodical.
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