Peter Moran - The Noonday Rest

Original Etching by the American artist, Peter Moran.

The Noonday Rest

View other original etchings by Peter Moran.

Peter Moran (Bolton, England, 1841 - Philadelphia, PA, 1914)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		The Noonday Rest by Peter Moran	Original Etching	1877 (First Published Edition: 1880)	Signed with Peter Moran's 'P M' distinctive monogramme in the lower right corner of the plate.	Framed
02.-		Wild Boars in the Forest of Fontainebleau by Peter Moran	Original Etching	1886	Bearing the title and full publisher's address of Gebbie & Company along the lower margin.	Matted

View other original Works of Art published by Dana Estes and Charles E. Lauriat, Boston for "The American Art Review".

"The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art" (Nov. 1879 to Oct. 1881)
#	Image	Title & Etcher	Artist Info	Medium	Date	-
01.-		A Village Street in France by Joseph Foxcroft Cole	Joseph Foxcroft Cole 'J. F. Cole' (Jay, Maine, 1837 - Winchester, Mass., 1892)	Original Etching	1879 (1st Ed: 1880)	Sold
02.-		A Young Republican by John Ames Mitchell	John Ames Mitchell 'John Mitchell' (New York, 1845 - Ridgefield, Connecticut, 1918)	Original Etching	1881	Sold
03.-		Coal Pockets at New Bedford, Massachusetts by Robert Swain Gifford	Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905)	Original Etching	1879	Sold
04.-		Devil's Way, Algiers by Stephen James Ferris 'Stephen Ferris'	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1879
05.-		Divination in Tea Leaves by Alfred Laurens Brennan	Alfred Laurens Brennan 'Alfred Brennan' (Louisville, Kentucky, 1853 - Brooklyn, New York, 1921)	Original Etching	1879
06.-		Durham, England by Samuel Colman	Samuel Colman (Portland, Maine, 1832 - New York City, 1920)	Original Etching	1880
07.-		Lady of Cairo Visiting by James David Smillie after Frederick Arthur Bridgman	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1881
08.-		Leukothea (Leucothea) Appears to Odysseus by Hans Meyer after Friedrich Johann Christian Ernst Preller	Hans Meyer (Berlin, 1846 - 1919)	Original Etching and Aquatint	1881
09.-		Mill Pond at Windsor Connecticutt by Albert Fitch Bellows	Albert Fitch Bellows 'Albert Bellows' (Milford, Massachusetts, 1829 - New York, 1883)	Original Etching	1879	Sold
10.-		Moonlight on the Androscoggin by John Henry Hill	John Henry Hill 'John Hill' (West Nyack, New York, 1839 - 1922)	Original Etching and Aquatint	1880	Sold
11.-		Mrs. Philip Nicklin by Stephen James Ferris 'Stephen Ferris' after Gilbert Stuart.	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1879
12.-		Near Mattakeesett by Edmund Henry Garrett	Edmund Henry Garrett 'Edmund Garrett' (Albany, New York, 1853 - Nedham, Massachusetts, 1929)	Original Etching	1881
13.-		Negro Huts at Wilmington, North Carolina by John Mackie Falconer	John Mackie Falconer 'John Falconer' (Edinburgh, Scotland, 1820 - Brooklyn, N.Y., 1903)	Original Etching	1880	Sold
14.-		November by Stephen Parrish	Stephen Parrish (Philadelphia, 1846 - Cornish, N. H., 1938)	Original Etching	1880	Sold
15.-		Old Boat House, Gloucester, Massachusetts by Charles Adams Platt	Charles Adams Platt 'Charles Platt' (New York City, 1861 - 1933)	Original Etching	1881	Sold
16.-		Old Cedars, Coast of Maine by James David Smillie	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1880	Sold
17.-		On New York Bay by Henry Farrer	Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903)	Original Etching	1879	Sold
18.-		On the Housatonic by Hendrik Dirk Kruseman Van Elten	Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904)	Original Etching	1881	Sold
19.-		On the Shepang River, Connecticut by Hendrik Dirk Kruseman Van Elten	Hendrik Dirk Kruseman Van Elten 'Hendrik Kruseman Van Elten' (Alkmaar, Holland, 1829 - Paris, 1904)	Original Etching	1880	Sold
20.-		Passaic Meadows (In The Newark Meadows) by Thomas Moran	Thomas Moran (Bolton, England, 1837 - Santa Barbara, Ca, 1926)	Original Etching	1880
21.-		Pond at Cernay-La-Ville by Eliza Pratt Greatorex	Eliza Pratt Greatorex 'Eliza Greatorex' (Manor Hamilton, Ireland, 1820 - Paris, 1897)	Original Etching	1880	Sold
22.-		Portrait of Mrs. J. Coleman Drayton by Stephen James Ferris 'Stephen Ferris' after Daniel Huntington	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1881
23.-		Portrait of Sir Gilbert Scott by Anna Lea Merritt after George Richmond	Anna Lea Merritt (Philadelphia, 1844 - Hampshire, England, 1930)	Original Etching and Aquatint	1880
24.-		Schwabelweiss by Otto Henry Bacher	Otto Henry Bacher 'Otto Bacher' (Cleveland, 1856 - Bronxville, Ny., 1909)	Original Etching	1879	Sold
25.-		Summer by Ignaz Marcel Gaugengigl	Ignaz Marcel Gaugengigl 'Ignaz Gaugengigl' (Passau, Bavaria, 1855 - Boston, 1932)	Original Etching	1880
26.-		Sunset, Gowanus Bay by Henry Farrer	Henry Farrer (London, England, 1843 - Brooklyn, New York, 1903)	Original Etching	1880	Sold
27.-		The Mermaid by Frederick Stuart Church	Frederick Stuart Church 'F. S. Church' (Grand Rapids, Michigan, 1842 - New York, 1924)	Original Etching and Aquatint	1880	Sold
28.-		The Noonday Rest by Peter Moran	Peter Moran (Bolton, England, 1841 - Philadelphia, Pa, 1914)	Original Etching	1877 (1st Ed: 1880)
29.-		The Old Clothes Dealer, Cairo by Stephen James Ferris 'Stephen Ferris' after Jean-Leon Gerome	Stephen James Ferris 'Stephen Ferris' (Plattsburg, N. Y., 1835 - Philadelphia, 1915)	Original Etching	1880
30.-		The Path by The Shore by Robert Swain Gifford	Robert Swain Gifford 'R. S. Gifford' (Nonamesset, Mass., 1840 - New York, 1905)	Original Etching	1879	Sold
31.-		Up The Hill by James David Smillie	James David Smillie 'J. D. Smillie' (New York City, 1833 - 1909)	Original Etching	1879	Sold

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Title:	The Noonday Rest
Artist:	Moran, Peter (Bolton, England, 1841 - Philadelphia, PA, 1914)
Date:	1877 (First Published Edition: 1880)
Medium:	Original Etching
Publisher:	Dana Estes and Charles E. Lauriat, Boston
Source:	The American Art Review
Note:	Peter Moran: One of America's leading nineteenth century etchers of animals and landscapes, Peter Moran immigrated with his family to the United States at the age of three. At the age of sixteen he was apprenticed to the lithographic firm of Herline and Hersel, drawing mostly advertisements. A year later he began to study art under his elder brothers, Edward (1829 - 1901) and Thomas (1837 - 1926). Thomas Moran and his wife, Mary Nimmo Moran, both became very influential etchers. Peter Moran concluded his education by visiting England in 1863. He was particularly influenced there by the animal and landscape art of Edwin Landseer, Rosa Bonheur and Constant Troyon.
	Peter Moran was a full member of the New York Etching Club and the Philadelphia Art Club. He also served as President of the American Society of Etchers.
	Peter Moran first gained national recognition in 1864 when he visited the territory of New Mexico. He was in fact the first non-native artist to portray aspects of the life and culture of the Pueblo Indians. During the 1870's and 1880's he returned to both New Mexico and Arizona, creating a great legacy of both paintings and etchings of these areas. In 1890 Peter Moran traveled as the official artist for the Bureau of Indian Affairs.
	Peter Moran's first etching dates from 1874. During the following years he created many fine etchings both of the American West and of the landscape of Southern Pennsylvania. As one can see from this original etching, Peter Moran was a master craftsman. Unlike most of his contemporaries he also printed his own plates.
	The American Art Review. A Journal Devoted to the Practical theory, History, and Archaeology of Art: Inspired by the European etched art of James McNeill Whistler, Charles Meryon, Sir Francis Seymour Haden and others, a large number of American artists became seriously interested in the art of etching by 1875. A primary catalyst to the etching revival in America was the journal, American Art Review (1879-1881). Founded and edited by Sylvester Rosa Koehler it commissioned American artists for original etchings. Contributing etchers included such famous artists as Thomas Moran and Peter Moran, Otto Bacher, J. M. Falconer, Robert Swain Gifford, Henry Farrer, Samuel Colman, John Foxcroft Cole and James D. Smillie.
	Due mostly to its lavish production costs the journal lasted only slightly over two years. The finely printed etchings it produced, however, served as a cornerstone for the many great American etchings of the early twentieth century.
Size:	3 7/8 X 5 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image:

Buy Now	Price: $395.00 US
Condition:	The Noonday Rest is printed upon fine hand made, laid paper and with full margins as published by Dana Estes and Charles E. Lauriat, Boston for The American Art Review in 1880. Signed with Peter Moran's 'P M' distinctive monogramme in the lower right corner of the plate. A splendidly printed, tonal impression and in excellent condition throughout. This original etching stands as a prime example of the nineteenth century American art of Peter Moran.
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