| Title: |
Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers) |
| Artist: |
Kyosai, Kawanabe, 'Gyosai' (Japan, 1831 - 1889) |
| Date: |
1862-1866 (Magobei edition) |
| Publisher: |
Okura Magobei (Okuraya) |
| Medium: |
Original Japanese Woodcut |
| Signature: |
Signed Oju Seisei Kyosai |
| Source: |
One Hundred Pictures by Kyosai (Kyosai Hyakuzu) |
| Note: |
Kawanabe Kyosai (Gyosai): During the 1840's and 1850's the famous warrior and legend woodcuts of Kuniyoshi began to play a new and vital role in the formation of Japanese art. For perhaps the first time, strong emotional and individualistic characteristics were seen. In the following Meiji era (1868 - 1912) it was left to Kuniyoshi's two most important students to carry on and develop these themes, eventually dominating the art of their era. Yoshitoshi, Tsukioka (Japan, 1839 - 1892) became the master of dramatic often violent images. By the time Yoshitoshi entered Kuniyoshi's workshop in 1850, Kawanabe Kyosai -- the most bizarre and eccentric of all Japanese artists -- had already left to foster a second career as a great Kano school painter. Kyosai's paintings, drawings and woodcuts were exhibited at the Vienna International Exposition in 1873 and at the Paris Exposition of 1883. Furthermore the British architect and artist, Josiah Conder (1852-1920), became a pupil of Kyosai (also spelt, Gyosai) in the 1880's and in 1911 published his important book, "Paintings and Studies by Kawanabe Kyosai". |
| |
As early as 1852, Kyosai (Gyosai) became notorious for both his art and his rather dissolute lifestyle, particularly his abiding love for sake. Famous both as a great painter and printmaker, most of Kyosai's woodcuts were published in smaller sized albums. Albums of note include, such works as the Kyosai Gadan (Kyosai's Treatise on Painting), woodcuts in the traditional Japanese and Chinese paintings styles, four volumes published in two parts by Iwamoto Shun (1887), Ehon Taka Kagami (Picture Book Mirror of Hawks), published by Nakamura Sasuke in five volumes in yellow wrappers (1875), Kyosai Gafu Shohen (Kyosai's Picture-Album) published in one volume by Kinkado (1880), Kyosai Donga Shohen (Sketches by Kyosai) published by Inada Genkichi (1881), Kyosai Manga Shohen (Kyosai's Rambling Drawings), published by Makino Kichibei (1881), and one of his most popular series entitled, Kyosai Hyakuzu, also spelt, 'Kyosai Hyaku-zu' (One Hundred Pictures by Kyosai), (1862-1866), which dealt with Japanese folklore, legends and proverbs ('kotowaza). Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers) is a fine original example of Kyosai's mythological imagery. |
| |
One Hundred Pictures by Kyosai (Kyosai Hyakuzu): The original woodcuts from the set of "100 Pictures by Kyosai" were first published by Wakasaya Yoichi (aka Jakurindo Yoichi) between (1862-1866), and issued as single-sheet prints in packages of ten. The complete series was later re-published in album form by Okura Magobei (Okuraya), (1881 - 1886). As Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers), was originally bound in an album, it most likely hails from the Okura Magobei edition. Influenced somewhat by the Shijo style, it is in these small and wonderful works that Kyosai's unique talents come to the fore. Most of the images in the Kyosai Hyaku-zu draw upon Japanese mythology, folklore and proverbs (in Japanese 'proverb' means 'kotowaza'). Many of the woodcuts from this series depict unexplained manifestations and beastly creatures while others seem to represent the pastimes and foibles of villagers and peasants. Sometimes, Kyosai combines all of these elements into a single woodcut. In total, the Kyosai Hyakuzu contained over two hundred original woodcuts, all emphasizing strange, sinister or humorous aspects of life. This woodcut entitled, Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers) is a fine original example of the mythological art created by the Japanese artist, Kawanabe Kyosai. |
| |
Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers): Kawanabe Kyosai's original woodcut entitled, "Watonai, Hariko no Meijin" depicts the fierce hero of the play, Battle of Kobusenaya as Master of 'Paper Mache'. The Japanese word, 'hariko' means (paper mache) and 'meigin' means (master or expert), so "Watonai, Hariko no Meijin" loosely translates to (Watonai, Master of paper mache), however, the title for this woodcut is also listed as"Watonai, as a Famous Toymaker". In the upper portion of this woodcut, Watonai is painting toy tigers and in the lower part, Daruma dolls are terrifying their makers. A large part of the images in the One Hundred Pictures by Kyosai (Kyosai Hyakuzu) draw upon Japanese mythology and proverbs, depicting spirits, monsters and supernatural creatures, while others seem to represent the pastimes and foibles of villagers and peasants. Sometimes all these elements are combined, such is the case with this Kyosai woodcut. The Master of paper mache in the top scene represents Zheng Chenggong (Japan 1624 - Taiwan, 1662), also known as Watonai Koxinga (Coxinga). Zheng Chenggong was a famous Chinese military leader and chief commander of the Ming troops on the maritime front who became a deity and hero in China. In Japan, Watonai Koxinga is known as the legendary 'Tiger Hero', and his skills as a brilliant warrior and hunter, particularly of tigers, are celebrated in art, literature and in the theatre. In this scene, Kyosai has seated Watonai by the three paper mache tigers and painted his face with the distinctive make-up of Kabuki actors. The Museum of Fine Arts, Boston contains an impression of this Kyosai woodcut in their permanent collection, Access Number: 11,37015. Catalogue Raisonne: Oikawa, Clark & Forrer, Comic Genikus: Kawanabe Kyosai/Kyosai giga Kyoga ten, 1996, #122-5. |
| |
Traditional Japanese Daruma dolls or wishing dolls are said to be created in the likeness of the Chan / Zen Master and prophet, Bodhidharma, now considered a deity. Daruma dolls have become emblems of Japanese Mysticism that help us achieve our dreams and aspirations. Although little historical evidence, concerning the life of Bodhidharma (Bodhi Dharma) is available, there is an abundance of folklore and oral tradition accessible which may help to shed some light. Legend has it that around the 5th/ 6th century AD, Bodhidharma (Bodhi Dharma), a pious Buddhist monk founded Chan (Zen) Buddhism. Chan Buddhism first originated when an Indian prince by the name of Bodhidharma (Damo or Da-Mo in China and Bodai Daruma in Japan), chose to become a monk and brought the teachings of Chan Buddhism to China, becoming the first patriarch of Chan in China. It wasn't until centuries later that this practice flourished as Zen Buddhism in Japan. A tale relates that after traveling through China, Bodhidharma went to a cave at the foot of the mountain behind the Shaolin Temple to practice Zazen Meditation, and faced a wall for nine years. At the end of the ninth year, Bodhidharma continued his meditation for another four years in the Bodhidharma Ting, a room the Shaolin monks had built for him. Like the prophet Daruma these dolls are believed to be good luck omens, talismans and lucky charms. It is possible that the various interpretations of Bodhidharma's Zen training eventually led to the distinctive, oval almost round shape that is characterized in tumbler dolls, also known as Daruma dolls (okiagari koboshi), legless, armless with the wide-eyed stare of someone lacking eyelids. For example, some stories relate that Daruma's legs were so atrophied, he could not walk after his long period of meditation. Another version explains he lost his limbs and eyes for lack of use or need of them and other accounts say his limbs just shriveled away or that he may have cut them off. As for his eyelids, well, some stories have it that Daruma cut them out himself to avoid falling asleep. Bodhidharma became an important deity and is believed to be powerful enough to ward off illness, provide longevity, bring good harvests and generally deliver good fortune to those around him. Since Daruma Daishi was considered the founder of the Zen Sect in Japan, it is assumed he wore the traditional red garb of a priest, but others have noted that the color red also symbolized disease. In Japan, the townspeople believed the red Daruma dolls, like Bodhidharma, had super natural powers and regarded them as amulets that served as guardians and healers, and for this reason, these dolls were given to children in order to ward off diseases, such as the dreaded smallpox or measles. Images of Daruma are often accompanied by an owl, a small puppy or a toy, also symbols of good health and feared by smallpox demons (Yokai). The angry red tumbler doll attacking its Maker in this Kyosai woodcut is possibly a Daruma Yokai. It has come alive and has visible arms and legs, unlike other dolls of its kind. Kyosai has included four other Daruma dolls of various sizes and painted them 'Golden', a color which symbolizes wealth and prosperity. Japanese Daruma dolls or wishing dolls are said to be created in the likeness of the Zen Master and prophet, Bodhidharma, so like the Zen Master, they are also believed to be good luck omens, talismans or lucky charms. They have become emblems of Japanese Mysticism and it is believed they help us achieve our dreams and aspirations. |
| |
Daruma dolls were traditionally hand painted in various colors, and were made of paper mache (papier mache), sometimes over a wooden hollow mold with a round almost egg shape, and a bottom heavy design so it could right itself when knocked over. They are frequently painted with blank eyes (blank irises) and without arms or legs. Today, Daruma dolls are made throughout Japan, and like the earlier dolls, they are rich in symbolism. The countless benefits and rewards they are assumed to represent, changes within each region, artist and or shop. For example, 'Red' has traditionally been used to represent Daruma-daishi (Bodhidharma), but is now also a symbol for victory, 'White' represents health or good grades. In this woodcut, Kyosai has included four various sized Daruma dolls, and painted them 'Golden', a color which symbolizes wealth and prosperity. The color 'Pink' denotes love and a safe delivery, 'Yellow' symbolizes security and so on. The modern 'Koshu-Color Daruma' also has painted eyebrows in the shape of a crane, and a beard similar to that of a tortoise shell, both symbolize longevity. The figurine's ability to tumble and become upright is do to its unique shape which is intended to represent persistence and or devotion. Daruma is associated with the Japanese proverb, 'nana korobi yaok' which means; "Fall down seven times, get up eight", very similar to our English version; "If at first you don't succeed, try and try again." My favorite story explains why Daruma dolls are sold with blank eyes (irises). It is said, the owner of the doll must have the opportunity to select his or her own destiny, thus the recipient (owner of the doll) paints in the left eye (iris), when the goal is set or wish is made. However, it is not until the expectations have been fulfilled that the person can paint in the Daruma's right eye. Daruma dolls are often purchased for personal use or as gifts for special occasions, such as births, weddings, birthdays new years, etc. Once a year, some temples hold a traditional Daruma burning ceremony called a (Daruma Kuyo), where people can take their old Daruma dolls and buy new ones. The birthplace of the Daruma doll is located a few hours northwest of Tokyo, in the city of Takasaki, Japan. At the start of the year, there is a an annual Daruma Doll Festival held at the Temple of Syorinzan Darumaji in the city of Takasaki where thousands of people go to purchase their lucky Daruma dolls to ensure good health, longevity and success in the new year. This original Kawanabe Kyosai woodcut is a fine example of Daruma dolls and Japanese folklore. |
| |
A note on the Yokai & the Oni from Japanese legends: Supernatural apparitions commonly known in Japan as Yokai, sometimes spelled (Youkai), have been around in Japanese legends for centuries. Stories of the exploits of those worshiped as gods, and the misdeeds of the threatening, dark forces behind the noxious and sinister nature of those thought to be demons have been passed down through legends and folklore, eventually making their way into popular culture. Other words that have a similar meaning as Yokai may include, 'ayakashi, 'mononoke', or mamono', and a common English translation for Yokai is 'monster', but in reality, its meaning encompasses a vast array of mythological phenomenon. According to various superstitions and legends, it is believed yokai have an innate connection to the moon, some youkai are recognized as beneficial, and said to have the power to bestow good fortune and health; while others are presumed evil, dangerous, or just untrustworthy, and capable of frightening, intimidating, or even murdering their victims. Although they are very different in nature and appearance, most Yokai have certain characteristics in common, such as their arrogant attitude towards humans, their mischievous, and impish disposition, mystic powers, and the ability to create pandemonium. Today, Yokai are most often described as unexplained, but powerful apparitions with bewitching, or grotesque features. One of the most common powers attributed to the Yokai is the ability to alter their appearance, transforming or metamorphosing into anything or anyone, a clever trick that could lead to disconcerting or frightful experiences for humans. In Japanese folklore beings that posses this power are known as shape shifters, and changelings (obake, and bakemono). |
| |
It is believed many indigenous Japanese animals posses magical powers, hence there are numerous Yokai that descend from the animal kingdom. These animal spirits are also given unique names to represent the morphed creatures. As mentioned earlier, Yokai come in a variety of shapes, sizes, and develop diverse characteristics; the following includes a brief description or the mythical names attributed to a selection of yokai appearing in Japanese legends. The raccoon like dog spirit is called (Tanuki), and is most often defined by its large, sometimes enormous sacks (Kinbukuro or Kintama). The wise old fox spirit, known as (Kitsune) can grow up to nine tails. The badger called (Mujina), is a shy mountain creature that has a preference for tormenting the wicked. Like the Tanuki and the Kitsune, it is an obake, and is known to take human form, however, of particular notoriety is the Mujina that appears as a human without facial features. The latter three creatures bear so many similarities, they are often confused. Slithering snake like creatures include the one known as old snake-bone woman (Jakotsu Babga), or the giant snake and cobra demons (Hebi), which are sometimes depicted with human heads and may appear as a misty ghost-like humanoid. In Japanese lore, most dragons are water deities, two wingless serpents come to mind, the mild mannered dragon called (Ryu or Ryuu) and the man eating dragon called (Mizuchi), both are very similar in appearance. Demon felines are also featured prominently, like most cats they lead charmed lives, however, these creatures are very powerful and like the fox and the raccoon, are shape shifters (obake). Three such Yukai include the cat that becomes a yokai, called a changing cat or (Bakeneko), the fierce man eating, double or fork tailed cat called a (Nekomata), and the demon cat that steals corpses (Kasha). The Kappa, also known as Kawataro, Komahiki, Kawako are amphibian river imps that dwell in the watery world of rivers, lakes, springs, swamps and wells. Some believe the Kappa to be a deity created to help humans, while others insist they are man eating monsters. They are described as reptilian in nature, part turtle, part human, some have duck like features, some are hairy, and others look like frogs wearing turtle shells. One distinctive feature all Kappa share is the dent or bowl in their head filled with water which is said to be their source of power. There is a dog spirit called (Inugami), and like the common dog, it remains loyal to its master, but can become malevolent, if it is not properly cared for. The youkai also lay claim to the bird species; one of the most common is the crow or raven called a (Tengu), traditionally portrayed with both humanized and bird-like characteristics. The Tengu with the raptor-like, anthropomorphized features, half man, half crow, or raven is called (Karasu-Tengu), and the lesser known bird-like creatures with extremely long noses and red faces are called (Hanadaka-Tengo). Another creature of note is the giant earth spider, the unearthly monster depicted in the famous tale of Minamoto no Raiko (Tsuchigumo). |
| |
Japanese folklore is also comprised of legendary phenomena that does not belong to the animal kingdom, but is equally feared by the human residents of Japan. Such ghoulish and sinister demons could make your skin crawl at the blink of an eye. The (Nukekubi) is a women whose heads and souls detach from their bodies, the (Hone-onna), is a female skeleton who lures men into her cavern then sucks the life out of them, (Amanozako) is a hideous goddess with a ferocious temper, the (Nuppeppo), are unrecognizable blobs of mostly flesh, no other description is needed. And then we have the (Tsukumogami), ordinary inanimate household items which come to life when they reach one hundred years of age, and after their transformation, unique names were often given to each object, umbrellas (Karakasa), sake jars (Kameosa), tea kettles (Morinji-no-kama), etc., the list seems endless. Watonai, Hariko no Meijin may belong to the (Tsukumogami), the category of Yokai creatures. |
| |
The Oni are icons of Japanese folklore that belong to the group of Yokai most often represented as (Demons, Fiends, Ogres, Goblins, or manifestations of Evil Spirits). It is believed that the term Oni was originally used to describe most apparitions, demons and or supernatural creatures as there was no clear definition for this phenomenon. And, according to legend, Oni are the human spirits or the souls of those who were so malignant they ended up in Buddhist hell as Oni, the hideous servants of the ruler and master of the netherworld. Today, the term Oni generally refers to a specific category of male demons which are commonly represented as red horned creatures but can be blue, green, yellow, brown, or black. They say it is the red and blue Oni who torment the dead. Some of these unsightly creatures often have a protruding horn, or two on their head, and with one, or more eyes on their face. Oni are considered to be bearers of disease, disasters and can conjure up terrible curses with their magical powers. Most often than not, they are considered to be dim-witted, spiteful, cruel and very fond of vulgar humor. The Oni, like many other Yokai are also Shape Shifters (obake), as such, they have the power to morph at will, placing their victims at risk of endless mischief. Most believe they are wicked, and, or bad omens, however, there are those who believe that the Oni are a windfall, and can bring prosperity, good health or both. This original Kawanabe Kyosai woodcut entitled, Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) is surely a striking example of the Mythological art of Kawanabe Kyosai. |
| Size: |
6 3/4 X 4 1/2 Koban (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
| |
Matted with 100% Archival Materials |
| Buy Now |
Price: $285.00 US |
| Condition: |
Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published by Okura Magobei in the Kyosai Hyakuzu (One Hundred Pictures by Kyosai), between 1881 - 1886. A finely printed impression and in excellent condition throughout. Altogether, Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers) is a splendid example of the famous art of Kawanabe Kyosai (Gyosai). |
| Important Information: |
The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial.
Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
| Kawanabe Kyosai 'Gyosai' (1831 - 1889) |
| # |
Image |
Title and Artist |
Medium |
Date |
Subject |
Notes |
- |
| 01.- |
 |
A Gathering of Demons (Haykki Yagyo, 'Night Parade of 100 Demons') by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
1865 |
Yokai, Oni (Demons Ogres & Goblins) |
Published by Daikoku-Ya Kinnosuke |
Sold |
| 02.- |
 |
A Hero Battling a Dragon (Yokai, Japanese Serpents, Mizuchi or Ryu) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Mizuchi, & Ryu (Serpents, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 03.- |
 |
Jigoku no Kyujitsu (Holiday in Hell), Legends of Yokai, Oni and other Spirits by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni (Apparitions, Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 04.- |
 |
Jigoku de Hotoke, A Buddha in Hell (Japanese Proverbs & Folklore, Yokai, Oni, & other Supernatural Beings) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni (Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 05.- |
 |
Kaeru no ko wa kaeru to naru (The Child of a Frog Becomes a Frog), Kaeru no tsura e mizu (Water on a Frog's Skin), Japanese Legends, Proverbs and Folklore by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Kaeru (Frogs and Toads, Lucky amulets and Good Omens) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 06.- |
 |
Ljin Jiyu (Foreign Children at Play, Children's Games) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Ljin Jiyu (Foreign Children in Japan) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 07.- |
 |
Master Artists at Work, Japanese Legends of Oni (Demons Ogres & Goblins) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni (Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 08.- |
 |
Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, (Apparitions, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 09.- |
 |
Oni no inu ma ni sentaku (Doing the Laundry While the Demon is Away - Japanese Folklore & Proverbs) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni (Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 10.- |
 |
Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo Danuki) of Sado Island (Japanese Mythology, Yokai & Supernatural Creatures) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Tanuki (The Raccoon-Dog, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 11.- |
 |
Setsubun, Mame-maki, Oni wa Soto; Fuku wa Uchi (Bean-Throwing Spring Festival, Get Out Demons; Come in Good Fortune) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni, Setsubun (Festivals, Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 12.- |
 |
Tengu, Mischievous & Supernatural Crow like, Humanoid Yokai (Japanese Mythology, & Proverbs) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Tengu (Crows, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 13.- |
 |
The Spectral Cat (Japanese Folklore, Yokai, Bakeneko) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Bakeneko (Cats, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 14.- |
 |
The Style of Painting of Kano Koi by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
1887 |
The Style of Painting of Kano Koi depicts the effects of joy and laughter |
Published by Iwamoto Shun for the Kyosai Gadan (Kyosai's Account of Painting) |
|
| 15.- |
 |
Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokaii (Watonai & Daruma Dolls) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
or
phone Greg & Connie (905) 957-6666