| Title: |
Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo Danuki) of Sado Island (Japanese Mythology, Yokai & Supernatural Creatures) |
| Artist: |
Kyosai, Kawanabe, 'Gyosai' (Japan, 1831 - 1889) |
| Date: |
1862-1866 (Magobei edition) |
| Publisher: |
Okura Magobei (Okuraya) |
| Medium: |
Original Japanese Woodcut |
| Signature: |
Signed Oju Seisei Kyosai |
| Source: |
One Hundred Pictures by Kyosai (Kyosai Hyakuzu) |
| Note: |
Kawanabe Kyosai (Gyosai): During the 1840's and 1850's the famous warrior and legend woodcuts of Kuniyoshi began to play a new and vital role in the formation of Japanese art. For perhaps the first time, strong emotional and individualistic characteristics were seen. In the following Meiji era (1868 - 1912) it was left to Kuniyoshi's two most important students to carry on and develop these themes, eventually dominating the art of their era. Yoshitoshi, Tsukioka (Japan, 1839 - 1892) became the master of dramatic often violent images. By the time Yoshitoshi entered Kuniyoshi's workshop in 1850, Kawanabe Kyosai -- the most bizarre and eccentric of all Japanese artists -- had already left to foster a second career as a great Kano school painter. Kyosai's paintings, drawings and woodcuts were exhibited at the Vienna International Exposition in 1873 and at the Paris Exposition of 1883. Furthermore the British architect and artist, Josiah Conder (1852-1920), became a pupil of Kyosai (also spelt, Gyosai) in the 1880's and in 1911 published his important book, "Paintings and Studies by Kawanabe Kyosai". |
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As early as 1852, Kyosai (Gyosai) became notorious for both his art and his rather dissolute lifestyle, particularly his abiding love for sake. Famous both as a great painter and printmaker, most of Kyosai's woodcuts were published in smaller sized albums. Albums of note include, such works as the Kyosai Gadan (Kyosai's Treatise on Painting), woodcuts in the traditional Japanese and Chinese paintings styles, four volumes published in two parts by Iwamoto Shun (1887), Ehon Taka Kagami (Picture Book Mirror of Hawks), published by Nakamura Sasuke in five volumes in yellow wrappers (1875), Kyosai Gafu Shohen (Kyosai's Picture-Album) published in one volume by Kinkado (1880), Kyosai Donga Shohen (Sketches by Kyosai) published by Inada Genkichi (1881), Kyosai Manga Shohen (Kyosai's Rambling Drawings), published by Makino Kichibei (1881), and one of his most popular series entitled Kyosai Hyakuzu, also spelt, 'Kyosai Hyaku-zu' (One Hundred Pictures by Kyosai), (1862-1866), which dealt with Japanese folklore, legends and proverbs ('kotowaza). Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo Danuki) of Sado Island (Japanese Mythology, Yokai & Supernatural Creatures), is a fine original example of his mythological imagery. |
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One Hundred Pictures by Kyosai (Kyosai Hyakuzu): The original woodcuts from the set of "100 Pictures by Kyosai" were first published by Wakasaya Yoichi (aka Jakurindo Yoichi) between (1862-1866), and issued as single-sheet prints in packages of ten. The complete series was later re-published in album form by Okura Magobei (Okuraya), (1881 - 1886). As Sado No Kuni Doza Tanuki was originally bound in an album, it most likely hails from the Okura Magobei edition. Influenced somewhat by the Shijo style, it is in these small and wonderful works that Kyosai's unique talents come to the fore. Most of the images in the Kyosai Hyaku-zu draw upon Japanese mythology, folklore and proverbs (in Japanese 'proverb' means 'kotowaza'). Many of the woodcuts from this series depict unexplained manifestations and beastly creatures while others seem to represent the pastimes and foibles of villagers and peasants. Sometimes, Kyosai combines all of these elements into a single woodcut. In total, the Kyosai Hyakuzu contained over two hundred original woodcuts, all emphasizing strange, sinister or humorous aspects of life. Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo) of Sado Island, Japanese Mythology: Yokai, Supernatural Creatures) is a fine original example of the Mythological art created by the Japanese artist, Kawanabe Kyosai. |
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Tanuki, Yokai (Japanese Mythology: Mysterious and Supernatural Raccoon like Dog Creatures): This original Kawanabe Kyosai woodcut entitled, "Sado no kuni Doza Tanuki", (The Raccoon-dog Doza (Danzaburo) of Sado Island), depicts a group of Tanuki, supernatural raccoon like dog creatures (canines). Tanuki are said to be shape-shifters, or changelings that have mystical powers, and can transform themselves into anything or anyone at will. These scoundrels have a high appreciation for sake and are often in debt. They are very adept at deceiving humans; paying off their debts with fake money (leaves and other objects converted into bogus gold), or leaving promissory notes where ever they go. Legend has it that Danzaburo Danuki, master and defender of the Tanuki of Sado Island often lent humans money then forced them to work for him when they couldn't pay up. This particular scene portrays Danzaburo loaning money to two merchants while another Tanuki offers them a cup of sake to secure the deal. The men seem delighted at prospect of receiving three piles of gold, possibly in payment or trade for the red kimono displayed behind the master Tanuki. Sado No Kuni was a province of Japan located on Sado Island until 1871. The Museum of Fine Arts, Boston contains an impression of this original Kyosai woodcut in their permanent collection, Access Number: 11,36983. |
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In Japanese mythology, the Tanuki are said to belong to the Yukai group of animal spirits. They are a dog like creatures, often confused with badger and fox spirits. Early depictions make it difficult to distinguish the Tanuki from the Kitsune (fox like supernatural spirit), as the majority of their magical powers and characteristics are very similar, with one exception of one major defining feature, the large, sometimes enormous scrotum or skin sacks called (Kinbukuro or Kintama), that can, when needed, extend to over a meter. They are considered a sign of good fortune, specifically where it concerns money. During the 19th century Japanese artists such as Yoshitoshi and Kyosai, created a variety of humorous woodcuts depicting the Tanuki's large attributes. This original Kyosai woodcut is a fine representation of Kyosai's tanuki art and bears all the signs of his genius. Here, the artist depicts many Tanuki with fairly large sacks, but note that the master Tanuki of Sado Island who appears to be sitting on an animal skin is actually sitting on his magical Kinbukuro. This Kyosai woodcut is a perfect example of the special peculiarities attributed to the Tanuki. Kyosai completes this fantastic mythological scene with a group of mischievous Tanuki in the background, all frantically scrubbing and washing away at a huge sack that belongs to the tanuki resting at the far right. |
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An assortment of interesting artifacts and relics are associated with Tanuki mythology. They include a sake flask which represents the Tanuki's fondness for alcoholic beverages, a tea kettle which is associated with a folk tales recounting the Tanuki's magical powers as shapeshifters, unpaid promissory notes (often paid with fake currency), a straw hat that has supplanted the original leaf and the umbrella which was once present in earlier depictions and stories. Similarities which appear in Japanese folklore and artistic representations for both the Tanuki and the Kitsune include their nocturnal habits and preferences, which of course, involves an association with the moon as well as corresponding visions of both of these creatures dressed as monks. Also, their ability to create mischief and transform themselves into objects or humans in order to deceive their victims is a distinctive feature. It is said that Tanuki do not have a divine connection, or have children with humans and they do not, grow extra tails with age as the Kitsune do, but both the Tanuki and the Kitsune grow wiser and more powerful with age. These creatures can also create gold at will, and in this woodcut, Kyosai reveals this aspect of the Tanuki's ability by depicting two greedy looking men gazing at three piles of gold leaves before them. Along with many other magical powers, both the Tanuki and the Kitsune have the ability to produce powerful illusions and haunt homes, buildings or locations. There are many Kitsune/Tanuki battles that appear in Japanese theatre, literature and art, such as the battle between Danzaburo and the Kitsune to save the Tanuki of Sado Island. |
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Kitsune: Like the Takuni, the Kitsune is also considered a youkai in Japanese folklore and mythology. This creature goes by various names, 'ninko' (man fox), 'Izumo, Yako' (field fox), and 'Kyushu, Osaki' (split tail), and of course, 'Kitsune' which is the name given to the fox in Japan. The fox is also called a 'Henge' (another name given to mystical creatures that posses the power to transform for good or evil), similar to the Tanuki (raccoon dogs), the Bakeneko (cats), the Tsuchigumo (spiders), and various other creatures with that power. In many cases, the kitsune is considered man's guardian, however, this creature is also a trickster and enjoys deception. Like the fox, the kitsune is a free spirits by nature, and as it grows older, it is able to transform into human shapes and assumes the characteristics (the features and personality) of a person (man or woman), or may choose to posses someone's body in order to deceive or influence others, most often, preferring the body of a beautiful woman to bewitch its victims. As one can see, the Kitsune possesses a diversity of supernatural powers, but only comes in three colors, silver, white, and gold. Legend has it that the kitsune becomes more powerful, more intelligent and much wiser with age. By the time this spirit reaches maturity, it can grow up to nine tails, however, only one of those tails is the main source of power. It is said that the secret to destroying a kitsune is to cut off its tail, but first, you must discover which tail is the source of power. Now, according to Japanese folklore, Kitsune are said to have a life span of about ten thousand years and those that reach maturity are considered to be at the pinnacle of their powers and revered as the wisest and most powerful creatures of their kind. Most importantly, at this stage, they have gained the power of infinitive vision and are often referred to as nine-tailed foxes, a reference mentioned in The Legend of The Nine Tailed Fox. Although some local traditions categorize Kitsune into the various supernatural powers they represent (Heaven, Void, Spirit, Wind, Fire, Earth, Rivers, Oceans, Mountains, Forests, Thunder, Time and Sound), they are generally split into two classifications, the first being the Yako or Nogitsune (a mischievous and sometimes malevolent fox), and the second is the Zenko (a benevolent and virtuous fox associated with the Shinto deity, Inari, one of the 'Seven Good Luck Gods'). It is also believed the fox is the Messenger for the Inari / Oinari, the deity of rice (a symbol for earth's fertility and the nourishment of life). Traditionally, a pair of foxes were supposed to guard the Inari / Oinari in order to protect the livelihood of the nation's farmers and people. The Japanese also believed the fox could help them ward off evil Kimon (ominous or evil direction). Due to their ability to control and influence humans, most folk tales recommend that kitsune be feared, respected, mistrusted and should only be approached with caution. |
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A note on the Yokai & the Oni from Japanese legends: Supernatural apparitions commonly known in Japan as Yokai, sometimes spelled (Youkai), have been around in Japanese legends for centuries. Stories of the exploits of those worshiped as gods, and the misdeeds of the threatening, dark forces behind the noxious and sinister nature of those thought to be demons have been passed down through legends and folklore, eventually making their way into popular culture. Other words that have a similar meaning as Yokai may include, 'ayakashi, 'mononoke', or mamono', and a common English translation for Yokai is 'monster', but in reality, its meaning encompasses a vast array of mythological phenomenon. According to various superstitions and legends, it is believed yokai have an innate connection to the moon, some youkai are recognized as beneficial, and said to have the power to bestow good fortune and health; while others are presumed evil, dangerous, or just untrustworthy, and capable of frightening, intimidating, or even murdering their victims. Although they are very different in nature and appearance, most Yokai have certain characteristics in common, such as their arrogant attitude towards humans, their mischievous, and impish disposition, mystic powers, and the ability to create pandemonium. Today, Yokai are most often described as unexplained, but powerful apparitions with bewitching, or grotesque features. One of the most common powers attributed to the Yokai is the ability to alter their appearance, transforming or metamorphosing into anything or anyone, a clever trick that could lead to disconcerting or frightful experiences for humans. In Japanese folklore beings that posses this power are known as shape shifters, and changelings (obake, and bakemono). |
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It is believed many indigenous Japanese animals posses magical powers, hence there are numerous Yokai that descend from the animal kingdom. These animal spirits are also given unique names to represent the morphed creatures. As mentioned earlier, Yokai come in a variety of shapes, sizes, and develop diverse characteristics; the following includes a brief description or the mythical names attributed to a selection of yokai appearing in Japanese legends. The raccoon like dog spirit is called (Tanuki), and is most often defined by its large, sometimes enormous sacks (Kinbukuro or Kintama). The wise old fox spirit, known as (Kitsune) can grow up to nine tails. The badger called (Mujina), is a shy mountain creature that has a preference for tormenting the wicked. Like the Tanuki and the Kitsune, it is an obake, and is known to take human form, however, of particular notoriety is the Mujina that appears as a human without facial features. The latter three creatures bear so many similarities, they are often confused. Slithering snake like creatures include the one known as old snake-bone woman (Jakotsu Babga), or the giant snake and cobra demons (Hebi), which are sometimes depicted with human heads and may appear as a misty ghost-like humanoid. In Japanese lore, most dragons are water deities, two wingless serpents come to mind, the mild mannered dragon called (Ryu or Ryuu) and the man eating dragon called (Mizuchi), both are very similar in appearance. Demon felines are also featured prominently, like most cats they lead charmed lives, however, these creatures are very powerful and like the fox and the raccoon, are shape shifters (obake). Three such Yukai include the cat that becomes a yokai, called a changing cat or (Bakeneko), the fierce man eating, double or fork tailed cat called a (Nekomata), and the demon cat that steals corpses (Kasha). The Kappa, also known as Kawataro, Komahiki, Kawako are amphibian river imps that dwell in the watery world of rivers, lakes, springs, swamps and wells. Some believe the Kappa to be a deity created to help humans, while others insist they are man eating monsters. They are described as reptilian in nature, part turtle, part human, some have duck like features, some are hairy, and others look like frogs wearing turtle shells. One distinctive feature all Kappa share is the dent or bowl in their head filled with water which is said to be their source of power. There is a dog spirit called (Inugami), and like the common dog, it remains loyal to its master, but can become malevolent, if it is not properly cared for. The youkai also lay claim to the bird species; one of the most common is the crow or raven called a (Tengu), traditionally portrayed with both humanized and bird-like characteristics. The Tengu with the raptor-like, anthropomorphized features, half man, half crow, or raven is called (Karasu-Tengu), and the lesser known bird-like creatures with extremely long noses and red faces are called (Hanadaka-Tengo). Another creature of note is the giant earth spider, the unearthly monster depicted in the famous tale of Minamoto no Raiko (Tsuchigumo). This original Kyosai woodcut entitled, Sado No Kuni Doza Tanuki, is a striking example of animal spirits portrayed in 19th century Japanese folklore art. |
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Japanese folklore is also comprised of legendary phenomena that does not belong to the animal kingdom, but is equally feared by the human residents of Japan. Such ghoulish and sinister demons could make your skin crawl at the blink of an eye. The (Nukekubi) is a woman whose heads and souls detach from their bodies, the (Hone-onna), is a female skeleton who lures men into her cavern then sucks the life out of them, (Amanozako) is a hideous goddess with a ferocious temper, the (Nuppeppo), are unrecognizable blobs of mostly flesh, no other description is needed. And then we have the (Tsukumogami), ordinary inanimate household items which come to life when they reach one hundred years of age, and after their transformation, unique names were often given to each object, umbrellas (Karakasa), sake jars (Kameosa), tea kettles (Morinji-no-kama), etc., the list seems endless. |
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The Oni are icons of Japanese folklore that belong to the group of Yokai most often represented as (Demons, Fiends, Ogres, Goblins, or manifestations of Evil Spirits). It is believed that the term Oni was originally used to describe most apparitions, demons and or supernatural creatures as there was no clear definition for this phenomenon. And, according to legend, Oni are the human spirits or the souls of those who were so malignant they ended up in Buddhist hell as Oni, the hideous servants of the ruler and master of the netherworld. Today, the term Oni generally refers to a specific category of male demons which are commonly represented as red horned creatures but can be blue, green, yellow, brown, or black. They say it is the red and blue Oni who torment the dead. Some of these unsightly creatures often have a protruding horn, or two on their head, and with one, or more eyes on their face. Oni are considered to be bearers of disease, disasters and can conjure up terrible curses with their magical powers. Most often than not, they are considered to be dim-witted, spiteful, cruel and very fond of vulgar humor. The Oni, like many other Yokai are also Shape Shifters (obake), as such, they have the power to morph at will, placing their victims at risk of endless mischief. Most believe they are wicked, and, or bad omens, however, there are those who believe that the Oni are a windfall, and can bring prosperity, good health or both. This original Kyosai woodcut entitled, Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo Danuki), is a fine example of Japanese folklore portrayed in art. |
| Size: |
6 3/4 X 4 1/2 Koban (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
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Matted with 100% Archival Materials |
| Buy Now |
Price: $285.00 US |
| Condition: |
Printed on nineteenth century Japanese mulberry (rice) paper and with full margins as published by Okura Magobei in the Kyosai Hyakuzu, 'Kyosai Hyaku-zu' (One Hundred Pictures by Kyosai), between 1881 - 1886. A finely printed impression and in excellent condition throughout. Altogether Sado No Kuni Doza Tanuki (Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo Danuki) of Sado Island (Japanese Mythology, Yokai & Supernatural Creatures) is a splendid example of the famous art of Kawanabe Kyosai (Gyosai). |
| Subject: |
Kawanabe Kyosai, Gyosai, Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo Danuki) of Sado Island (Japanese Mythology), Okura Magobei in the Kyosai Hyakuzu, 'Kyosai Hyaku-zu' (One Hundred Pictures by Kyosai), original woodcut, Yokai, Oni, Japanese folklore & legends, and proverbs. |
| Important Information: |
The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial.
Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period. |
| Kawanabe Kyosai 'Gyosai' (1831 - 1889) |
| # |
Image |
Title and Artist |
Medium |
Date |
Subject |
Notes |
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| 01.- |
 |
A Gathering of Demons (Haykki Yagyo, 'Night Parade of 100 Demons') by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
1865 |
Yokai, Oni (Demons Ogres & Goblins) |
Published by Daikoku-Ya Kinnosuke |
Sold |
| 02.- |
 |
A Hero Battling a Dragon (Yokai, Japanese Serpents, Mizuchi or Ryu) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Mizuchi, & Ryu (Serpents, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 03.- |
 |
Jigoku no Kyujitsu (Holiday in Hell), Legends of Yokai, Oni and other Spirits by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni (Apparitions, Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 04.- |
 |
Jigoku de Hotoke, A Buddha in Hell (Japanese Proverbs & Folklore, Yokai, Oni, & other Supernatural Beings) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni (Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 05.- |
 |
Kaeru no ko wa kaeru to naru (The Child of a Frog Becomes a Frog), Kaeru no tsura e mizu (Water on a Frog's Skin), Japanese Legends, Proverbs and Folklore by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Kaeru (Frogs and Toads, Lucky amulets and Good Omens) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 06.- |
 |
Ljin Jiyu (Foreign Children at Play, Children's Games) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Ljin Jiyu (Foreign Children in Japan) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 07.- |
 |
Master Artists at Work, Japanese Legends of Oni (Demons Ogres & Goblins) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni (Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 08.- |
 |
Nagai mono ni wa makarero (Resistance is futile - Japanese Mythology & Proverbs) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, (Apparitions, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 09.- |
 |
Oni no inu ma ni sentaku (Doing the Laundry While the Demon is Away - Japanese Folklore & Proverbs) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni (Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 10.- |
 |
Sado No Kuni Doza Tanuki (The Raccoon-Dog Doza (Danzaburo Danuki) of Sado Island (Japanese Mythology, Yokai & Supernatural Creatures) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Tanuki (The Raccoon-Dog, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 11.- |
 |
Setsubun, Mame-maki, Oni wa Soto; Fuku wa Uchi (Bean-Throwing Spring Festival, Get Out Demons; Come in Good Fortune) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Oni, Setsubun (Festivals, Demons Ogres & Goblins) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 12.- |
 |
Tengu, Mischievous & Supernatural Crow like, Humanoid Yokai (Japanese Mythology, & Proverbs) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Tengu (Crows, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
| 13.- |
 |
The Spectral Cat (Japanese Folklore, Yokai, Bakeneko) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokai, Bakeneko (Cats, Animal Spirits & Demons) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
Sold |
| 14.- |
 |
The Style of Painting of Kano Koi by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
1887 |
The Style of Painting of Kano Koi depicts the effects of joy and laughter |
Published by Iwamoto Shun for the Kyosai Gadan (Kyosai's Account of Painting) |
|
| 15.- |
 |
Watonai, Hariko no Meijin (Watonai, as Master of Paper Mache) & (Daruma Dolls Terrifying their Makers) by Kawanabe Kyosai 'Gyosai' |
Original Japanese Woodcut |
c. 1881 - 1886 |
Yokaii (Watonai & Daruma Dolls) |
Published by Okura Magobei (Okuraya) for the Kyosai Hyakuzu (One Hundred Pictures by Kyosai) |
|
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