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| Francesco Bartolozzi's original stipple engraving and etching Florizel & Autolicus, exchange garments is based upon a design by Henry William Bunbury. Bartolozzi was assisted by his student and follower, Benjamin Duterrow. printed upon late 18th century wove paper and with full margins as created in 1794 by Francesco Bartolozzi for the Bunbury Shakespeare prints commissioned by Thomas Macklin, Poets Gallery, Fleet St., London, and bears the full title, "Florizel & Autolicus, exchange garments", the publisher's address & date of publication, "London, Publish'd May 24th, 1794, by Thos'. Macklin, Poets Gallery, Fleet St.", the artists' names, "Duterrow sculpt._F. Bartolozzi R. A. directed." & "H. Bunbury Esq. delt." in the lower margin. The entire series was designed by Henry William Bunbury, who chose mostly to depict the lighter or more magical elements in the plays of Shakespeare. Florizel & Autolicus exchange garments depicts a scene from William Shakespeare's, Winter's Tale, Act, IV, Scene II. The scene depicts Camillo helping the baffled Autolycus exchange garments with Florizel, son of Polixenes – King of Bohemia. Both Florizel and Perdita (the woman the prince loves) are standing by the fence. She is also attempting to alter her appearance in order to deceive King Polixenes who opposes their union. This original engraving marks a major example of the famous combined art by the British artists, Francesco Bartolozzi and William Bunbury. |
| Title: | Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II) |
| Engraver: | Bartolozzi, Francesco (Florence, Italy, 1727 - Lisbon, Portugal, 1815) |
| Engraver: | Duterrau, Benjamin (1767 - 1851) |
| Designer: | Bunbury, Henry William (Mildenhall, UK, 1750 - Keswick, UK, 1811) |
| Date: | May 24th, 1794 |
| Medium: | Original Stipple Engraving and Etching |
| Publisher: | Thomas Macklin, Poets Gallery, Fleet St., London |
| Source: | Macklin's Poets Gallery |
| Series: | Bunbury's Shakespeare |
| Note: | Francesco Bartolozzi: Born in Florence, Italy in 1727, Francesco Bartolozzi is undoubtedly England’s most famous stipple engraver of the late eighteenth century. He studied under the Florentine artists, Ignazio Hugford (1703 – 1775) and Giovanni Domenico Ferretti (1692 – 1778). In 1748 Bartolozzi went to Venice and worked for the engraver and print dealer Joseph Wagner (1706 – 1786) where he began his career engraving plates after the Italian masters. Then in 1764 Francesco Bartolozzi was invited by the King of England, King George III (1738 – 1820) to come to London to engrave the drawings of Guercino ‘Giovanni Francesco Barbieri’ (1591 – 1666), Pellegrino Tibaldi (1527 – 1596) and other Italian artists in the Royal Collection at Windsor Castle. Shortly after, he was appointed ‘Engraver to the King’. In 1768, Bartolozzi received the honour of being the first engraver to gain full membership into the prestigious Royal Academy. In 1802, and after nearly forty years in London, Bartolozzi was offered the prominent position as the director of the National Academy in Lisbon. He remained in Lisbon until his death in 1815. |
| A new printmaking technique had recently come to the fore in England at this time, and, although Francesco Bartolozzi made no claim as to its invention, his name is forever linked with the 'Stipple' engraving. Briefly, a stipple engraving is created by using masses of flicks and dots rather than solid lines, making it more of a tonal composition. More than any other artist, Francesco Bartolozzi mastered this subtle medium. | |
| Francesco Bartolozzi quickly recognized that this very demanding method of original printmaking was best suited for decorative works and portraits as well as scenes displaying flesh tones. He thus set up his famous London workshop which published renderings of either sentimental or mythological subjects, with such well known painters as Francis Wheatley (1747 - 1801), Angelica Kauffmann (1741 - 1807), Giovanni Battista Cipriani (1727 - 1785) and Lady Diana Beauclerk (1734 - 1808) specifically creating designs for him to engrave. Bartolozzi's success with the stipple was enormous. He was one of the first engravers granted a full membership to the Royal Academy, and in the last decades of the eighteenth century, a large following of English and transplanted Italian students sat in his studio to learn his techniques. His students included such fine artists as Luigi Schiavonetti (1765 - 1810), Peltro William Tomkins (1760 - 1840), and Benedetto Pastorini (1741 – 1839).(Some of his students later engraved the popular Cries of London series.) Stippling, however, was destined to live a very short life. It was extremely laborious and time consuming and soon gave way to the more convenient and mass-produced forms of printmaking in the nineteenth century. | |
| Benjamin Duterrow: In Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II), Francesco Bartolozzi was assisted by his student and follower, Benjamin Duterrow. An English painter and engraver, Duterrow worked under Bartolozzi and also engraved designs after George Morland, Richard Westall, and others. In 1832, at the age of sixty five Benjamin Duterrow arrived in Tasmania where he began to produce paintings and etchings of Australia and its Indigenous peoples. His portraits of Aboriginals are included in the the Tasmanian Museum the National Library of Australia and other important private and public institutions. Florizel & Autolicus, exchange garments is a striking example of the engraved art of Benjamin Duterrow. | |
| Henry William Bunbury (Mildenhall, UK, 1750 - Keswick, UK, 1811): Henry Bunbury's largest and most ambitious compositions were commissioned by the London publisher of engravings, Thomas Macklin (British, c. 1752 – 1800, London). Macklin created The Poet's Gallery' (1788-1799), which became England's second largest publishing house next to John Boydell's 'Shakespeare Gallery'. During the 1780's and 1790's Boydell - then Lord Mayor of London - had embarked upon the most exhaustive publishing venture in the history of British art; the over one hundred large engravings dealing with Shakespearean themes. These were epic works of art concentrating mainly upon the great history and tragedy plays such as Macbeth, Hamlet and King Lear. Macklin responded to Boydell's series by issuing his own Shakespeare etchings from 1792 to 1796. These works of art, however, were significantly different from Boydell's grandiose engravings. All of these original engravings were based upon Shakespeare plays and were to be published in twelve numbers, each containing four prints with the option of purchasing proof s or regular s, in colour or in black and white. The entire series was to consist of forty-eight original etchings and engravings designed by Henry William Bunbury, who chose mostly to depict the lighter or more magical elements in the plays of Shakespeare. Thus plays such as Winter's Tale, The Merry Wives of Windsor and even The Tempest figure prominently. The scene depicts a group of people at the gate. To the left Camillo is seen helping the baffled Autolycus exchange garments with Florizel, son of Polixenes – King of Bohemia. Both Florizel and Perdita (the woman the prince loves) are standing by the fence. She is also attempting to alter her appearance in order to deceive King Polixenes who opposes their union. The British Museum, London includes an impression of Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II) in its collection (Museum Number: 1865,0610.1021). | |
The stipples were engraved either by Thomas Macklin himself or by such noteworthy artists of the period as Francesco Bartolozzi, John Chapman, Robert Mitchell Meadows, Tomkins, Shenner, Thomas Cheesman, Vandenburg and others. They stand as fine examples of eighteenth century Shakespearian art. Florizel & Autolicus, exchange garments depicts a scene from William Shakespeare's, Winter's Tale, Act, IV, Scene II. This original stipple engraving and etching bears the full title, "Florizel & Autolicus, exchange garments", the publisher's address & date of publication, "London, Publish'd May 24th, 1795, by Thos'. Macklin, Poets Gallery, Fleet St.", the artists' names, "Duterrow sculpt._F. Bartolozzi R. A. directed." & "H. Bunbury Esq. delt." The dedication below the title reads; "From an original drawing in the collection of Her Royal Highness the Dutchess of York, to whom this plate is humbly dedicated by her Royal Highness's most Gracious Humbley Permission Dedicated by Her most Obed. Serv. Thos. Macklin, and Shakespeare's lines appear on either side of the title, they read;
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| Raisonne: | Barbara Jatta, Francesco Bartolozzi: Incisore delle Grazie, Rome, Artemide Edizioni, 1995. |
| Size: | 16 X 18 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.) |
| Framed and Matted with 100% Archival Materials | |
| View larger Framed Image | |
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| Condition: | Printed upon late 18th century wove paper and with full margins as created in 1794 by Francesco Bartolozzi for the Bunbury Shakespeare prints commissioned by Thomas Macklin, Poets Gallery, Fleet St., London. Bearing the full title, "Florizel & Autolicus, exchange garments", the publisher's address & date of publication, "London, Publish'd May 24th, 1794, by Thos'. Macklin, Poets Gallery, Fleet St.", the artists' names, "Duterrow sculpt._F. Bartolozzi R. A. directed." & "H. Bunbury Esq. delt." in the lower margin. Containing slight scuffing in the extreme margins, else a magnificent early with the fine lines and full tonal values of an initial printing. Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II) marks a major example of the famous combined art of Francesco Bartolozzi and William Bunbury. |
| Price: | Sold - The price is no longer available. |
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Original Stipple Engraving and Etching by Francesco Bartolozzi & Benjamin Duterrow designed by Henry William Bunbury.
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| Florizel & Autolicus exchange garments from William Shakespeare's, Winter's Tale, Act, IV, Scene II (Bunbury's Shakespeare, published by Thomas Macklin, Poets Gallery, Fleet St., London) |
View other original engravings & etchings by Francesco Bartolozzi.
| Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | ||||||||
| # | Image | Title & Artists | Medium | Date | Engraver | Designer | Notes | - |
| 01- |  |
Abraham Entertaining Three Angels by Francesco Bartolozzi designed by Ludovico Carracci | Original Etching | 1797 | Francesco Bartolozzi | Ludovico Carracci | John Chamberlaine, London, inscribed; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st &c", In His Majesty's Collection" and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'." | |
| 02.- |  |
Country Girl's Head by Francesco Bartolozzi designed by Leonardo da Vinci | Original Stipple Engraving in Sepia | 1806 | Francesco Bartolozzi | Leonardo da Vinci | John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Octr. 10. 1806, by I. Chamberlaine, Scotland Yard"; and numbered 'Pl. XIV'. | Sold |
| 03.- |  |
'Dante' Five Grotesque Heads by Francesco Bartolozzi designed by Leonardo da Vinci | Original Etching | 1806 | Francesco Bartolozzi | Leonardo da Vinci | John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi Sculpt.", "Dante", "In His Majesty's Collection", and the publication line, "Published as the Act directs by I. Chamberlaine, Scotland Yard, Octr. 10, 1806.". | Sold |
| 04.- |  |
Design for a Cannon Foundry by Francesco Bartolozzi designed by Leonardo da Vinci | Original Etching | 1796 | Francesco Bartolozzi | Leonardo da Vinci | John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, May 13. 1796, by I. Chamberlaine". | Sold |
| 05.- |  |
Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II), by Francesco Bartolozzi and Benjamin Duterrow designed by Henry William Bunbury | Original Stipple Engraving and Etching | 1794 | Francesco Bartolozzi | Henry William Bunbury | Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Florizel & Autolicus, exchange garments", "Duterrow sculpt.", "F. Bartolozzi R. A. directed.", "H. Bunbury Esq. delt.", and the publication line, "London, Publish'd May 24th, 1794, by Thos'. Macklin, Poets Gallery, Fleet St." | Sold |
| 06.- |  |
Jacob's Vision by Francesco Bartolozzi designed by Ludovico Carracci | Original Etching | 1797 | Francesco Bartolozzi | Ludovico Carracci | John Chamberlaine, London, inscribed; "From the Original Drawing by Lud. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Abraham entertaining three Angels", "Genesis Chap. 18th V. 1st &c", In His Majesty's Collection", and the publication line, "Publish'd as the Act directs Jan.y 18. 1797 by I. Chamberlaine Brompton Row Middlesex'." | |
| 07.- |  |
Large Head of a Man by Francesco Bartolozzi designed by Leonardo da Vinci | Original Stipple Engraving | 1796 | Francesco Bartolozzi | Leonardo da Vinci | John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, March 1.1796 by I. Chamberlaine". | Sold |
| 08.- |  |
Love and Fortune by Francesco Bartolozzi designed by Giovanni Battista Cipriani | Original Hand-Coloured Etching & Stipple Engraving | 1800 | Francesco Bartolozzi | Giovanni Battista Cipriani | Inscribed, lower left: "Cipriani Inv.", lower right: "Fr. Bartolozzi Sculp." & titled lower center: "Love & Fortune" within the image as published by Rudolph Ackermann | Sold |
| 09.- |  |
My Son Attend unto My Wisdom by Francesco Bartolozzi designed by Pellegrino Tibaldi | Original Etching | 1767 | Francesco Bartolozzi | Pellegrino Tibaldi | Inscribed: Lower left: "Pellegrino Tibaldi del.", lower right: "F. Bartolozzi Londini Sculpsit". and titled, in the lower center: "Juvenis auscultans Seni de Divinis Admoneti / My Son Attend unto My Wisdom and Low Thine Ear to My Understanding. Proverbs Ch. V.," | Sold |
| 10.- |  |
Old Man's Head by Francesco Bartolozzi designed by Annibale Carracci | Original Soft Ground Etching in Sepia | 1796 | Francesco Bartolozzi | Annibale Carracci | John Chamberlaine, London, inscribed; "From the Original Drawing by Annibale Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs by I. Chamberlaine Ap.l 11 1796." | |
| 11.- |  |
Prospero Disarming Ferdinand (Shakespeare: The Tempest, Act I, Scene II), by Francesco Bartolozzi designed by Henry William Bunbury | Original Stipple Engraving and Etching | 1793 | Francesco Bartolozzi | Henry William Bunbury | Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Prospero Disarming Ferdinand", "Vide Act 1, Sc. 2, Tempest", "F. Bartolozzi Esqr. Sculpt.", "H. Bunbury Esq. del."& the publication line, "London, Publish'd June 20, 1793, by Thos'. Macklin, Poets Gallery, Fleet St." | Sold |
| 12.- |  |
Self-Portrait of Annibale Carracci by Francesco Bartolozzi designed by Annibale Carracci | Original Soft Ground Etching | 1796 | Francesco Bartolozzi | Annibale Carracci | John Chamberlaine, London, inscribed; "From the Original Drawing by An. Carracci, "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "Portrait of An. Caracci.", "In His Majesty's Collection", and the publication line, "Publish'd as the Act directs May 13.1796 by I. Chamberlaine Brompton Middx.'." | |
| 13.- |  |
Self-Portrait of Leonardo da Vinci by Francesco Bartolozzi designed by Leonardo da Vinci | Original Stipple Engraving in Sepia | 1795 | Francesco Bartolozzi | Leonardo da Vinci | John Chamberlaine, London, inscribed; "Leonardo - Vinci", "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and and the publication line, "Published as the Act directs, Sept. 1, 1795, by I. Chamberlaine". | Sold |
| 14.- |  |
Shrimps! by Francesco Bartolozzi designed by William Hogarth | Original Stipple Engraving | 1782 | Francesco Bartolozzi | William Hogarth | Jane Hogarth, Leicester Fields, inscribed, "W. Hogarth Pinx.", "F. Bartolozzi Sculp." & titled, "Shrimps!", "Engrav'd from an Original Scetch in Oil by Hogarth in the Possession of Mrs. Hogarth", and the publisher's details, "Pulish'd March 25th, 1782, by Jane Hogarth & R-d Livesay, Leicester Fields". | Sold |
| 15.- |  |
Sleeping Baby by Francesco Bartolozzi designed by Giovanni Francesco Barbieri (Guercino) | Original Etching & Stipple Engraving | 1764 | Francesco Bartolozzi | Giovanni Francesco Barbieri (Guercino) | Inscribed, lower left: Guercino Inv.", and with the engraver's name lower right: "F. Bartolozzi Sulpt." | Sold |
| 16.- |  |
The Fair by Francesco Bartolozzi designed by Francis Wheatley | Original Hand-Coloured Stipple Engraving | 1789 | Francesco Bartolozzi | Francis Wheatley | Inscribed, lower left: "F. Wheatley Painter", Lower right: "F. Bartolozzi Engraver", titled lower center: "The Fair", and containing the publisher's address below the title: "Published According to the Act of Parliament 25th Nov. 1789 ..." | Sold |
| 17.- |  |
The Muscular System by Francesco Bartolozzi designed by Leonardo da Vinci | Original Etching | 1796 | Francesco Bartolozzi | Leonardo da Vinci | John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, Apr. 27, 1796, by I. Chamberlaine"". | Sold |
| 18.- |  |
The Skeletal System by Francesco Bartolozzi designed by Leonardo da Vinci | Original Etching | 1795 | Francesco Bartolozzi | Leonardo da Vinci | John Chamberlaine, London, inscribed; "From the Original Drawing by Leonardo da Vinci', "Engraved by F. Bartolozzi R.A. Historical Engraver to his Majesty", "In His Majesty's Collection", and the publication line, "Published as the Act directs, August 15th 1795 by I. Chamberlaine". | Sold |
| 19.- |  |
Twelfth Night. Act V, Scene I. (The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants.) by Francesco Bartolozzi designed by William Hamilton | Original Stipple and Line Engraving (Open Letter Proof ) | 1797 | Francesco Bartolozzi | William Hamilton | John Boydel, London, 'Shakespeare Gallery', inscribed; "Shakspeare. Twelfth Night. Act V, Scene I. The Street. Duke, Viola, Antonio, Officers, Olivia, Priest & Attendants. Publish'd Sept. 29, 1797, by J & J. Boydell, at the Shakspeare Gallery, Pall Mall; & No. 90, Cheapside. Engraved by F. Bartolozzi R. A. Painted by Wm. Hamilton R. A. " | |
| 20.- |  |
Young Man's Head by Francesco Bartolozzi designed by Annibale Carracci | Original Stipple Engraving in Sepia | 1807 | Francesco Bartolozzi | Annibale Carracci | John Chamberlaine, London, inscribed; "From the Original Drawing by Annibal Carracci, "Eng. by F. Bartolozzi R.A. Historical Engraver to his Majesty", and the publication line, "Publish'd as the Act directs April. 15. 1807 by J. Chamberlaine Scotland Yard"; and numbered 'Pl. IX'. | |
View other original etchings designed by Henry William Bunbury 'Henry Bunbury'.
| Henry William Bunbury (British, 1750 - 1811) | |||||||
| # | Image | Title & Artists | Medium | Date | Engraver/Etcher | Notes | - |
| 01.- |  |
A Militia Meeting by James Bretherton designed by Henry William Bunbury | Original Etching | 1793 | James Bretherton (London, active, 1770 - 1790) | James Bretherton, London, inscribed, "A Militia Meeting. H W Bunbury delin. J. Bretherton f. Publish'd as the Act directs 2nd Jan 1793. By J. Bretherton No 134 New Bond Street" | |
| 02.- |  |
Dogbery and Verges with the Watch (Shakespeare: Much Ado about Nothing, Act III, Scene II), by Robert Mitchell Meadows designed by Henry William Bunbury | Original Stipple Engraving | 1794 | Robert Mitchell Meadows (British, Cardigan, Wales 1750 – 1812) | Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Dogbery and Verges with the Watch", "R. M. Meadows Sculpt." & "H. Bunbury Esq. del.", the publication line, "London, Publish'd Jany, 1st. 1794, by Thos'. Macklin, Poets Gallery, Fleet St.", & with the printed dedication by Thos. Macklin to Her Royal Highness the Duchess of York. | |
| 03.- |  |
Falstaff at Hern's Oak (Shakespeare: Merry wives of Windsor, Act V, Scene V), by Michele Beneditte designed by Henry William Bunbury | Original Stipple Engraving and Etching | 1793 | Michele Beneditte (St. Viterbo, 1745 - Vienna, 1810) | Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Falstaff at Hern's Oak", the Shakespeare play and scene, "Vide Merry wives of Windsor, Act 5, Sc. 5", "London, Publish'd May 30th. 1793, by Thos'. Macklin, Poets Gallery, Fleet St.", "Beneditte Sculp." & "H. Bunbury Esq. del.", and with the dedication line to Her Royal Highness the Dutchess of York. | Sold |
| 04.- |  |
Falstaff Reproved by King Henry (Shakespeare: King Henry the Fifth, Part II), by Shenner designed by Henry William Bunbury | Original Stipple Engraving | 1792 | Shenner (British, active late 18th century) | Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed "Falstaff Reproved by King Henry", "Vide 2nd Part, Henry IV, Act V, Sc. 8", "London, Publish'd June 1, 1792, by Thos'. Macklin, Poets Gallery, Fleet St.", &, Shenner Sculpt." & "H. Bunbury Esq. delint.", and with the dedication to Her Royal Highness the Dutchess of York. | |
| 05.- | |
Florizel & Autolicus, exchange garments (Shakespeare: Winter's Tale, Act, IV, Scene II), by Francesco Bartolozzi and Benjamin Duterrow designed by Henry William Bunbury | Original Stipple Engraving and Etching | 1794 | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) & Duterrau, Benjamin (1767 - 1851) |
Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Florizel & Autolicus, exchange garments", "Duterrow sculpt._F. Bartolozzi R. A. directed." & "H. Bunbury Esq. delt.", the publication line, "London, Publish'd May 24th, 1794, by Thos'. Macklin, Poets Gallery, Fleet St.", & with the printed dedication by Thos. Macklin to Her Royal Highness the Duchess of York. | Sold |
| 06.- |  |
Fluellen Making Pistol Eat the Leek (Shakespeare: King Henry the Fifth, Act V, Scene I), by Robert Mitchell Meadows designed by Henry William Bunbury | Original Stipple Engraving | 1795 | Robert Mitchell Meadows (British, Cardigan, Wales 1750 – 1812) | Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "Fluellen Making Pistol Eat the Leek", "Meadows Sculp," & "H. Bunbury Esq. del.", "London, Publish'd August 1, 1795, by Thos'. Macklin, Poets Gallery, Fleet St.", and The Shakespeare lines for the scene. | |
| 07.- |  |
Helena in The Dress of a Pilgrim (Shakespeare: All's Well that Ends Well, Act III, Scene V), by John Chapman by Henry William Bunbury | Original Stipple Engraving and Etching | 1792 | John Chapman (London, active, 1787 - 1811) | Thomas Macklin, London, William Bunbury's Shakespeare, inscribed, "Helena in The Dress of a Pilgrim", "Vide All's well that ends well, Act 3, Sc. 5", the artists' names, "I. Chapman Sculp," & "H. Bunbury Esq. del.", the publication line,"London, Publish'd Decr. 30, 1792, by Thos'. Macklin, Poets Gallery, Fleet St.", & with the printed dedication by Thos. Macklin to Her Royal Highness the Duchess of York. | Sold |
| 08.- | |
Prospero Disarming Ferdinand (Shakespeare: The Tempest, Act I, Scene II), by Francesco Bartolozzi designed by Henry William Bunbury | Original Stipple Engraving and Etching | 1793 | Francesco Bartolozzi (Florence, Italy, 1727 - Lisbon, Portugal, 1815) | Thomas Macklin, London, William Bunbury's 'Shakespeare', inscribed, "Prospero Disarming Ferdinand", "Vide Act 1, Sc. 2, Tempest", "F. Bartolozzi Esqr. Sculpt." & "H. Bunbury Esq. del.", the publication line, "London, Publish'd June 20, 1793, by Thos'. Macklin, Poets Gallery, Fleet St.", & with the printed dedication by Thos. Macklin to Her Royal Highness the Duchess of York. | Sold |
| 09.- |  |
The Shaver and the Shavee by Charles Bretherton designed by Henry William Bunbury | Original Etching | c. 1780 (2d Ed: 1804) | Charles Bretherton (London, 1760 - 1783) | S. W. Fores in London, inscribed, "The Shaver and The Shavee. H W Bunbury delin. Cha.s Bretherton Jun.r f. Publish'd as the Act directs April 1772. By J. Bretherton No 134 New Bond Street" | |
| 10.- |  |
The Supposed Death of Imogen (Shakespeare: Cymbeline, Act IV Scene IV), by Thomas Cheesman designed by Henry William Bunbury | Original Stipple Engraving and Etching | 1792 | Thomas Cheesman (London, 1760 - 1834) | Thomas Macklin, Poets Gallery, Fleet St., London, William Bunbury's 'Shakespeare', inscribed, "The Supposed Death of Imogen", "Vide Cymbeline Act 4 Sc. 4", "T. Cheesman Sculpt." & "H. Bunbury Esq. Inv.t, ", the publication line, "London, Publish'd June 1, 1792, by Thos'. Macklin, Poets Gallery, Fleet St.", & with the printed dedication by Thos. Macklin to Her Royal Highness the Duchess of York. | Sold |
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