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Edward Scriven and Richard Westall

Edward Scriven and Richard Westall - Julius Caesar Act IV Scene III Brutus' Tent in the Camp near Sardis Brutus and the Ghost of Caesar from the Shakspeare Gallery by John Boydell

Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar. Shakspeare Gallery

Edward Scriven's original engraving, Julius Caesar. Act IV, Scene III. (Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar.) is based upon a design created by the British artist, Richard Westall for John Boydell's "Shakspeare Gallery". This impression is printed upon mid nineteenth century wove paper and with full margins as published by Shearjashub Spooner in New York in 1852. This engraving was inspired from a William Shakespeare play, Julius Caesar: Act Four Scene Three, with Marcus Brutus (a Roman warrior and, one of the conspirators who murdered Caesar), and the ghost of Julius Caesar (the great Roman General), appearing unto Brutus in his tent. The Ghost has come to warn Brutus that they will meet again at Philippi where the next battle will take place. Brutus is seated to the right with both hands on his book. His head is turned to the left facing the ghost, his helmet and sword rest on the floor. This is a fine, original example of the art created by the British artists, Edward Scriven and Richard Westall for the famous Boydell Shakespeare Gallery. The text below the image of this impression reads;

"Shakspeare. Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar. London: Pub. Dec. 1. 1802, by J. & J. Boydell, Shakspeare Gallery, Pall Mall; & No. 90. Cheapside. Engraved by Edward Scriven Historical Engraver to H. R. H. the Princess of Wales. Painted R. Westall R. A.

Bru. Speak to me, what thou art.
Ghost. Thy evil spirit, Brutus.
Bru. Why coms't thou?
Ghost. To tell thee, thou shalt see me at Philippi.
Bru. Well, then, I shalt see thee again?
Ghost. Ay, at Philippi.
Bru. Why, I shalt see thee at Philippi then."

 
Title: Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar
Engraver: Scriven, Edward (Alcester, 1775 - London, 1841)
Designer: Richard Westall (Hertford, 1765 - London, 1836)
Date: 1803 (Shearjashub Spooner Edition, 1852)
Medium: Original Line and Stipple Engraving
Publisher: John Boydell, London
Source: Shakspeare Gallery
Note: Edward Scriven: A fine line, stipple and aquatint engraver, Edward Scriven studied and apprenticed under Robert Thew, in London. Known for his engravings of decorative, religious and historical subjects, Edward Scriven engraved the designs of such contemporary painters as Richard Westall, Richard Cosway and Benjamin West. Edward Scriven also illustrated many books such as, Dibdin's Aedes Althorpianae and Tresham's Gallery of Pictures.
  For his fine art Edward Scriven was appointed Historical Engraver to the Prince of Wales, and later, Engraver to King George IV. Based upon a scene from one of William Shakespeare's plays, Julius Caesar: Act Four Scene Three (Julius Caesar: Brutus and the Ghost of Caesar) represents one of his largest and most accomplished engravings.
  Richard Westall: After attending the Royal Academy schools in London (1785), Richard Westall devoted himself to history and landscape subjects. He was an early practitioner of the watercolour medium and many publishers of illustrated books soon sought his designs for publication of illustrated editions of Gray, Moore, Crabbe and other poets of the day. During the 1790's and early 1800's he was commissioned by Boydell to work upon important engravings illustrative of both the Milton and Shakespeare publications. Richard Westall was elected an Associate of the prestigious Royal Academy in 1792 and a full Academician in 1794. In the 1820's he was appointed the drawing master to then Princess Victoria.
  John Boydell (Shropshire, 1719 - London, 1804): John Boydell was clearly one of England's most remarkable 18th century people. Born to a poor family, he began his career as an at best mediocre engraver of book plates. At this time England was at a very low ebb as a serious centre for the creative arts (particularly engraving) and Boydell sought to eradicate this problem by beginning a second career as a print publisher. Modest experiments in the 1760's led to a rapid expansion and the mid 1770's saw the publication of his Liber Veritas, with mezzotint engravings by Richard Earlom after the drawings of Claude in the King's Collection. This expensive undertaking put England back on the printmaking map and was a huge financial success for Boydell.
  John Boydell had now established Britain as a major centre for the arts and this once poor and struggling artist was now acknowledged for his work by being elected no less than Lord Mayor of London, in 1791. The same year marked the beginning of Boydell's most grandiose undertaking. His new publishing establishment in Pall Mall, the 'Shakspeare Gallery', began by commissioning the most illustrious engravers and painters in the country to create and design large and expensive engravings based upon the plays and life of William Shakespeare. By this time as well John Boydell's nephew, Josiah Boydell (1752-1817), had joined the firm.
  This monumental experiment continued until John Boydell's death thirteen years later. By that time the "Shakspeare Gallery" had published 170 large engravings. Alas, the expenses for this vast undertaking had been so large that England's foremost publisher of art ended his life the way it began and died a pauper.
  Shakspeare Gallery: Edward Scriven, Julius Caesar (Brutus' Tent, in the Camp near Sardis. - Brutus & the Ghost of Caesar.)
 

Shakspeare. Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar. London: Pub. Dec. 1. 1802, by J. & J. Boydell, Shakspeare Gallery, Pall Mall; & No. 90. Cheapside. Engraved by Edward Scriven Historical Engraver to H. R. H. the Princess of Wales. Painted R. Westall R. A.

[Enter the Ghost of Caesar]

Brutus. How Ill this taper burns! Ha! Who comes here?
I think it is the weakness of mine eyes
That shapes this monsterous apparition.
It comes upon me. Art thou any thing?
Art thou some god, some angel, or some devil,
That mak'st my blood cold, and my hair to stare?

Ghost. Thy evil spirit, Brutus.

Brutus. Why coms't thou?

Ghost. To tell thee, thou shalt see me at Philippi.

Brutus. Well; then I shall see thee again?

Ghost. Ay, at Philippi.

Brutus. Why, I shalt see thee at Philippi then.

[Exit Ghost.]

This engraving was inspired from a William Shakespeare play, Julius Caesar: Act Four Scene Three, with Marcus Brutus (a Roman warrior, and one of the conspirators who murdered Julius Caesar), and the ghost of Julius Caesar (the great Roman General), appearing unto Brutus in his tent. The Ghost has come to warn Brutus that they will meet again at Philippi where the next battle will take place. Brutus is seated to the right with both hands on his book. His head is turned to the left facing the ghost, his helmet and sword rest on the floor.

Edition:

This original engraving is a 'Spooner Edition". 5. 'Posthumous Impressions and Restrikes'. Shearjashub Spooner acquired the plates, 'restored' them and published the last edition in New York In 1852. The text below the image of this impression reads;

"Shakspeare. Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar. London: Pub. Dec. 1. 1802, by J. & J. Boydell, Shakspeare Gallery, Pall Mall; & No. 90. Cheapside. Engraved by Edward Scriven Historical Engraver to H. R. H. the Princess of Wales. Painted R. Westall R. A.

Bru. Speak to me, what thou art.
Ghost. Thy evil spirit, Brutus.
Bru. Why coms't thou?
Ghost. To tell thee, thou shalt see me at Philippi.
Bru. Well, then, I shalt see thee again?
Ghost. Ay, at Philippi.
Bru. Why, I shalt see thee at Philippi then."

 

An Important Note on Boydell States and Editions: Proof impressions and true first edition impressions are easily identified by their fine lines and strong contrasts of black and white tones. Later more common editions print in a more overall grey tone and contain areas of re-working. Briefly, the publishing history of these great engravings can be categorized into five states or editions:

1. 'Artist's Proofs'. These are the earliest of states and were printed in only a handful of impressions. They are identified not only by their vibrant lines and tones but by the fact that they lack any letters along the lower margin.
2. 'Proofs Before Title'. These impressions usually contain the names of the artist, publisher and engraver along the lower margin. They lack the title of the specific play depicted and usually the heading -- 'Shakspeare' -- is smaller than in the published edition. Once again, this state was printed in a very small numbers.
3. 'Open Letter Proofs'. These impressions bear the title of the play. the heading, 'Shakspeare' (Shakespeare), is yet to be filled in with stippling. These impressions were printed before the publication of the first edition and were probably struck from the plate at a customer's request. Perhaps ten to twenty Open Letter Proofs exist for each engraving.
4. 'First Edition Impressions'. The completed set of Boydell's Shakespeare engravings was published in London in 1803. The full publisher's address appears along the lower margin as well as the text for the play. The heading, 'Shakspeare', is now filled in with stippling. Both first edition impressions and proofs were most often printed on either hand-made, laid paper or wove paper bearing the 'J. Whatman' watermark.
5. 'Posthumous Impressions and Restrikes' As early as 1807, John Stockdale of London issued a second edition of the Shakespeare prints. They continued to be published throughout the first half of the nineteenth century. Finally, in 1852, an enterprising dentist in New York City (with the delightful name of Shearjashub Spooner) acquired the plates, restored them and produced the last edition. These prints are most commonly offered for sale. This impression of Julius Caesar: Act Four, Scene Three hails from this last named edition. Yet, unlike many of the Spooner impressions, this original engraving bears little damage or wear.

Size: 25 X 18 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  UnMatted
Buy Now Price: $625.00 US
Condition: Printed upon mid nineteenth century wove paper and with full margins as published by Spooner in New York in 1852. A finely printed impression, showing little sign of deterioration, and in very good condition throughout. Julius Caesar: Act Four Scene Three (Julius Caesar: Brutus and the Ghost of Caesar) represents a prime, original example of the art of Boydell's famous Shakespeare Gallery.
Subject: Edward Scriven, Richard Westall, Julius Caesar. Act IV, Scene III. (Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar.) , John Boydell, the Shakspeare Gallery, nineteenth century engraving, Shearjashub Spooner, William Shakespeare play, Marcus Brutus, British artists, THE Shakespeare Gallery, Shakespearean prints.
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Original Line and Stipple Engraving by Edward Scriven designed by Richard Westall (Shakspeare Gallery, John Boydell, London).

(Shearjashub Spooner Edition)

Julius Caesar Act IV Scene III Brutus' Tent in the Camp near Sardis Brutus and the Ghost of Caesar Original Engraving by Edward Scriven designed by Richard Westall from the Shakspeare Gallery by John Boydell London
Shakspeare. Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar. London: Pub. Dec. 1. 1802, by J. & J. Boydell, Shakspeare Gallery, Pall Mall; & No. 90. Cheapside.

View other original works of art by the British artist, Edward Scriven.

Robert Stanley (Yonkers, 1932 - New York City, 1997)
# Image Title & Artist Medium Date Publisher
01- Julius Caesar Brutus and the Ghost of Caesar by Edward Scriven designed by Richard Westall Julius Caesar. Act IV, Scene III. Brutus' Tent, in the Camp near Sardis. Brutus & the Ghost of Caesar by Edward Scriven designed by Richard Westall Original Line and Stipple Engraving 1803 (Spooner Edition, 1852) John Boydell, London
02.- Nelson Viscount Horatio Nelson by Edward Scriven Nelson (Viscount Horatio Nelson) by Edward Scriven Original Stipple Engraving and Etching December 9, 1805 Robert Boyer, Pall Mall

View other original 17th and 18th century engravings published by John Boydell & Josiah Boydell for the Shakespeare Gallery in our gallery (Art of the Print / www.artoftheprint.com).

Art of the Print / www.artoftheprint.com

John Boydell & Josiah Boydell

Shakspeare Gallery

 
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59.- Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. by James Fittler James Fittler (London, 1758 - Turnham Green, 1835) Original Line Engraving (Proof Impression Before Title) 1789  

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
Subject:
Military Art Index The 'Military Art' directory contains original works of art with a focus on the armed forces, the militia, mercenaries, soldiers, weapons, artillery, military artifacts, as well as depictions of the battles, wars and other such military activities that have taken place during our world history.
Portraits & Figure Studies Index The 'Portrait Studies' directory contains a listing of original works of art concentrating upon the theme of portraits, self-portraits and studies. Created by International artists throughout the centuries, these fine examples of portraiture have left a permanent and vivid record of their sitters.
Royalty Portrayed in Art Index The 'Royalty, Nobility, Palaces and Castles' directory contains a selection of original art depicting portraits of Kings and Queens, as well as a variety of portrayals of nobles holding the title of Prince, Princess, Duke, Duchess, Count, Countess, etc., and scenes depicting royal ceremonies. Also included is a listing of original artworks with depictions of and castles and palaces. The artworks date from the 16th century to the 20th century.
Theater Portrayed in Art Index The 'Theater Portrayed in Art' directory contains a listing of original works of art depicting activities associated with the theatre, such as, studies of performing artists, plays depicting drama and comedy and a variety of other forms of entertainment on the stage. Categories include portrayals of actors, singers, musicians, dancers, circus and burlesque performers; scenes from various plays; and images related specifically to the plays of William Shakespeare.


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