William Hogarth

The Invasion: France (Plate One)

William Hogarth's original engraving, "The Invasion: France" is the first plate from his set of two original engravings created in 1756. "The Invation" represents one of his most didactic sets of engravings. Created at the beginning of the French and Indian War (also termed the Seven Year's War) an invasion from France seemed probable. William Hogarth thus used this pair of engravings ("France" Plate I & "England" Plate II), to boost public morale. His friend, David Garrick, wrote the verses appearing along the lower margin of this engraving.

In the foreground a French monk sharpens his executioner's axe. In front of him are implements of torture, a statue of St. Anthony and a 'Plan pour un Monastere dans Black Friars a Londre'. With such items he is preparing to convert the British to Catholicism. Behind him is a grouping of French soldiers, representing such states as starvation and fanaticism. One better dressed soldier (perhaps an officer) roasts frogs on his sword and points to the flag behind him which contains the words, 'Vengeance et le Bon Bier et Bon Beuf de Angletere'. Behind them is an inn bearing the name on the sign, 'Soup Meagre a la Sabot Royal'. In the background women plough the fields while there husbands are forced to board a ship at the point of a lance.

The Invasion: France (Plate One) was both designed and engraved by William Hogarth. This original engraving and etching is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. It is a fine, original example of the satirical art created by the British artist, William Hogarth. The Invasion: France (Plate I); Paulson Catalogue # 202, Third and Final State. (Complete Set of Two Engravings).

William Hogarth (London, 1697 - 1764)
#	Title & Artist	Medium	Date	-
01.-	An Election Entertainment by William Hogarth	Complete Set of Four Original Engravings	1755 - 1758 (Heath Ed)	Sold
02.-	Analysis of Beauty by William Hogarth	Complete Set of Two Original Engravings (Plate I & II)	1753 (Heath Ed)	Sold
03.-	A Midnight Modern Conversation by William Hogarth	Original Engraving & Etching	1732 (Heath Ed)	Sold
04.-	A Rake's Progress by William Hogarth	Complete Set of Eight Original Engravings	1735 (Heath Ed)	Sold
05.-	A Chorus of Singers by William Hogarth	Original Engraving & Etching	1732 (Heath Ed)	Sold
06.-	Battle of the Pictures by William Hogarth	Original Engraving & Etching	1743 (Heath Ed)	Sold
07.-	Boys Peeping at Nature by William Hogarth	Original Engraving & Etching	1730 (Heath Ed)	Available
08.-	Characters & Caricaturas by William Hogarth	Original Engraving & Etching	1743 (Heath Ed)	Sold
09.-	Credulity, Superstition and Fanaticism by William Hogarth	Original Engraving & Etching	1762 (Heath Ed)	Sold
10.-	Four Times of The Day by William Hogarth	Complete Set of Four Original Engravings	1738 (Heath Ed)	Sold
11.-	Four Stages of Cruelty by William Hogarth	Complete Set of Four Original Engravings	1750-1751 (Heath Ed)	Sold
12.-	Frontispiece to Taylor's Perspective by William Woollett & William Hogarth	Original Line Engraving	1761 (Heath Ed)	Sold
13.-	Gin Lane by William Hogarth	Original Engraving & Etching	1750-1751 (Heath Ed)	Sold
14.-	Illustrations for Samuel Butler's 'Hudibras' by William Hogarth	Complete Set of Twelve Original Engravings	1725 (Heath Ed)	Available
15.-	Industry and Idleness by William Hogarth	Complete Set of Twelve Original Engravings	1747 (Heath Ed)	Sold
16.-	John Wilkes Esquire by William Hogarth	Original Etching	1763 (Heath Ed)	Sold
17.-	Marriage a la Mode by William Hogarth	Complete Set of Six Original Engravings	1745 (Heath Ed)	Sold
18.-	Martin Folkes Esqr. by William Hogarth	Original Etching & Engraving	1742 (Heath Ed)	Available
19.-	Moses Brought to Pharaoh's Daughter by William Hogarth	Original Engraving & Etching	1752 (Heath Ed)	Available
20.-	Pit Ticket: The Cockpit by William Hogarth	Original Engraving & Etching	1759 (Heath Ed)	Available
21.-	Satire on False Perspective by Luke Sullivan & William Hogarth	Original Etching & Engraving	1754 (Heath Ed)	Sold
22.-	Scholars at a Lecture by William Hogarth	Original Line Engraving & Etching	1736 (Heath Ed)	Sold
23.-	Shrimps! by Francesco Bartolozzi & William Hogarth	Original Stipple Engraving	1782	Sold
24.-	Simon Lord Lovat by William Hogarth	Original Etching	1746 (Heath Ed)	Sold
25.-	Southwark Fair by William Hogarth	Original Engraving & Etching	1733 (Heath Ed)	Sold
26.-	Taste in High Life by Samuel Phillips & William Hogarth	Original Stipple Engraving	1808 (John Boydell Ed.)	Sold
27.-	The Company of Undertakers by William Hogarth	Original Engraving & Etching	1736 (Heath Ed)	Sold
28.-	The Distrest Poet by William Hogarth	Original Engraving & Etching	1736 (Heath Ed)	Sold
29.-	The Five Orders of Perriwigs by William Hogarth	Original Engraving & Etching	1761 (Heath Ed)	Sold
30.-	The Invasion: France, Plate I by William Hogarth	Complete Set of Two Original Engravings (England & France)	1756 (Heath Ed)	Sold
31.-	The Invasion: England, Plate II by William Hogarth	Complete Set of Two Original Engravings (England & France)	1756 (Heath Ed)	Sold
32.-	The Laughing Audience by William Hogarth	Original Engraving & Etching	1733 (Heath Ed)	Sold
33.-	The Politician by John Keyse Sherwin & William Hogarth	Original Engraving & Etching	1775 (Heath Ed)	Sold
34.-	The Sleepy Congregation by William Hogarth	Original Engraving & Etching	1736 (Heath Ed)	Sold
35.-	The Times by William Hogarth	Complete Set of Two Original Engravings (Plate I & II)	1762 (Heath Ed)	Sold
36.-	Time Smoking a Picture by William Hogarth	Original Engraving	1761 (Heath Ed)	Sold
37.-	William Hogarth Painting of the Comic Muse by William Hogarth	Original Engraving	1764 (Heath Ed)	Sold

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Title:	The Invasion: France (Plate I)
Artist:	Hogarth, William (London, 1697 - 1764)
Date:	1756 (Heath Edition 1822)
Medium:	Original Engraving and Etching
Publisher:	William Heath, London
Note:	William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from "The Harlot's Progress", "Marriage a la Mode", "The Four Stages of Cruelty", "Four Prints of an Election", "The Four Times of the Day" and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his.
	Training first as an engraver, William Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, "A Harlot's Progress" (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as George Rowlandson, James Gillray, William Heath and George Cruikshank followed in William Hogarth's footsteps.
	The Invasion: France (Plate I): "The Invasion" represents one of William Hogarth's most didactic sets of engravings. Created at the beginning of the French and Indian War (also termed the Seven Year's War) an invasion from France seemed probable. William Hogarth' thus used this pair of engravings ("France" Plate I & "England" Plate II), to boost public morale. His friend, David Garrick, wrote the verses appearing along the lower margin. With lanthern jaws, and croaking Gut, See how the half-starved Frenchmen strut, And call us English Dogs! But soon we'll teach these bragging Foes That Beef & Beer give heavier Blows, Than Soup & Roasted Frogs. The Priests inflam'd with righteous hopes, Prepare their Axes, Wheels & Ropes, To bend the Stiff neck't Sinner: But should they sink in coming over, Old Nick may fish twixt France & Dover And catch a glorious Dinner.
Raisonne:	Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
	Ronald Paulson,Catalogue # 202, Third and Final State.
Reference:	* Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973. Reproduced on plate 90.
Source:	Heath Edition, London (The Invasion, Set of two)
Size:	12 1/2 X 15 1/2 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last printer to print directly from William Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
	Slight staining appears in the outer margins, else these are finely printed impressions and in good condition throughout. "The Invasion: France (Plate one)" represents a valuable, original example of the famous satirical art of William Hogarth.
Price:	Sold - The price is no longer available.
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The Invasion by William Hogarth (Complete Set of Two, Plates I & II )
#	Image	Title & Artist	Medium	Date	Notes	-
01-		The Invasion: France (Plate I) by William Hogarth	Original Engraving and Etching	1756 (Heath Ed)	Paulson, Catalogue # 202, Third and Final State.	Sold
02.-		The Invasion: England (Plate II) by William Hogarth	Original Engraving and Etching	1756 (Heath Ed)	Paulson Catalogue # 203, Third and Final State.	Sold