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William Hogarth

William Hogarth - Credulity Superstition and Fanaticism

Credulity, Superstition and Fanaticism

One of William Hogarth's last great works of art, Credulity, Superstition and Fanaticism explores the ever dangerous world of fundamentalist religion. Presiding from a great height a preacher-performer terrorizes his congregation with a pair of puppets representing the devil and a witch. The text beside him has opened to a page reading, "I speak as a fool." Below, another minister thrusts an icon down the dress of an attractive girl seemingly in the throes of religious ecstasy. Hogarth continues the poignant comparison between religious and sexual excitement to the right of this couple by inventing a religious thermometer containing various emotional states such as, agony, lust, madness and suicide. At the thermometer's base rests a diseased brain.

Credulity, Superstition and Fanaticism was both designed and engraved by William Hogarth. This original engraving and etching is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. It is a fine, original example of the satirical art created by the British artist, William Hogarth. Credulity, Superstition and Fanaticism; Paulson Catalogue # 210, Second and Final State.

 
Title: Credulity, Superstition and Fanaticism
Artist: Hogarth, William (London, 1697 - 1764)
Date: 1762 (Heath Edition 1822)
Medium: Original Line Engraving & Etching
Publisher: William Heath, London
Note: William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, Gin Lane and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his.
  Training first as an engraver, Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Rake's Progress (1731), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps.
 

Credulity, Superstition and Fanaticism: One of William Hogarth's last great works of art, Credulity, Superstition and Fanaticism explores the ever dangerous world of fundamentalist religion. Presiding from a great height a preacher-performer terrorizes his congregation with a pair of puppets representing the devil and a witch. The text beside him has opened to a page reading, "I speak as a fool." Below, another minister thrusts an icon down the dress of an attractive girl seemingly in the throes of religious ecstasy. Hogarth continues the poignant comparison between religious and sexual excitement to the right of this couple by inventing a religious thermometer containing various emotional states such as, agony, lust, madness and suicide. At the thermometer's base rests a diseased brain.

In the foreground a woman splinters a gin glass while giving birth to rabbits. This was an actual person (a Mrs. Tofts) who made her living by performing such tricks. Above her the church clerk, surrounded by cherubs, embodies the words written on his lectern, "Continually do cry." Behind, the faces of the congregation are convulsed with horror and torment. Over them hangs a threatening chandelier which is titled, "A New and Correct Globe of Hell".

Standing apart from this scene of religious fervor is a bemused, pipe smoking man peering in from the window. Being the only sane individual depicted, he is thus both physically and emotionally removed from this obvious madhouse.

Raisonne: Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965. Catalogue # 210, Second and Final State.
Source: Heath Edition, London
Size: 14 1/2 X 12 9/16 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
  View larger Matted Image
  Credulity Superstition and Fanaticism Matted Original Engraving and Etching by William Hogarth
Condition: Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last publisher to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art.
  This original impression of Credulity, Superstition and Fanaticism contains some faint foxing in the outer margins. Else, a finely printed impression and in excellent condition throughout. Quite simply, this engraving represents one of William Hogarth's most famous works of original art.
Price: Sold - The price is no longer available.
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Original Engraving and Etching by the British Satirical Artist, William Hogarth

Credulity Superstition and Fanaticism Original Engraving and Etching by the British Satirical Artist William Hogarth
# 9.- Credulity, Superstition and Fanaticism

View other original Works of Art by William Hogarth

William Hogarth (London, 1697 - 1764)
# Title & Artist Medium Date -
01.- An Election Entertainment by William Hogarth Complete Set of Four Original Engravings 1755 - 1758 (Heath Ed) Sold
02.- Analysis of Beauty by William Hogarth Complete Set of Two Original Engravings (Plate I & II) 1753 (Heath Ed) Sold
03.- A Midnight Modern Conversation by William Hogarth Original Engraving & Etching 1732 (Heath Ed) Sold
04.- A Rake's Progress by William Hogarth Complete Set of Eight Original Engravings 1735 (Heath Ed) Sold
05.- A Chorus of Singers by William Hogarth Original Engraving & Etching 1732 (Heath Ed) Sold
06.- Battle of the Pictures by William Hogarth Original Engraving & Etching 1743 (Heath Ed) Sold
07.- Boys Peeping at Nature by William Hogarth Original Engraving & Etching 1730 (Heath Ed) Available
08.- Characters & Caricaturas by William Hogarth Original Engraving & Etching 1743 (Heath Ed) Sold
09.- Credulity, Superstition and Fanaticism by William Hogarth Original Engraving & Etching 1762 (Heath Ed) Sold
10.- Four Times of The Day by William Hogarth Complete Set of Four Original Engravings 1738 (Heath Ed) Sold
11.- Four Stages of Cruelty by William Hogarth Complete Set of Four Original Engravings 1750-1751 (Heath Ed) Sold
12.- Frontispiece to Taylor's Perspective by William Woollett & William Hogarth Original Line Engraving 1761 (Heath Ed) Sold
13.- Gin Lane by William Hogarth Original Engraving & Etching 1750-1751 (Heath Ed) Sold
14.- Illustrations for Samuel Butler's 'Hudibras' by William Hogarth Complete Set of Twelve Original Engravings 1725 (Heath Ed) Available
15.- Industry and Idleness by William Hogarth Complete Set of Twelve Original Engravings 1747 (Heath Ed) Sold
16.- John Wilkes Esquire by William Hogarth Original Etching 1763 (Heath Ed) Sold
17.- Marriage a la Mode by William Hogarth Complete Set of Six Original Engravings 1745 (Heath Ed) Sold
18.- Martin Folkes Esqr. by William Hogarth Original Etching & Engraving 1742 (Heath Ed) Available
19.- Moses Brought to Pharaoh's Daughter by William Hogarth Original Engraving & Etching 1752 (Heath Ed) Available
20.- Pit Ticket: The Cockpit by William Hogarth Original Engraving & Etching 1759 (Heath Ed) Available
21.- Satire on False Perspective by Luke Sullivan & William Hogarth Original Etching & Engraving 1754 (Heath Ed) Sold
22.- Scholars at a Lecture by William Hogarth Original Line Engraving & Etching 1736 (Heath Ed) Sold
23.- Shrimps! by Francesco Bartolozzi & William Hogarth Original Stipple Engraving 1782 Sold
24.- Simon Lord Lovat by William Hogarth Original Etching 1746 (Heath Ed) Sold
25.- Southwark Fair by William Hogarth Original Engraving & Etching 1733 (Heath Ed) Sold
26.- Taste in High Life by Samuel Phillips & William Hogarth Original Stipple Engraving 1808 (John Boydell Ed.) Sold
27.- The Company of Undertakers by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
28.- The Distrest Poet by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
29.- The Five Orders of Perriwigs by William Hogarth Original Engraving & Etching 1761 (Heath Ed) Sold
30.- The Invasion: France, Plate I by William Hogarth Complete Set of Two Original Engravings (England & France) 1756 (Heath Ed) Sold
31.- The Invasion: England, Plate II by William Hogarth Complete Set of Two Original Engravings (England & France) 1756 (Heath Ed) Sold
32.- The Laughing Audience by William Hogarth Original Engraving & Etching 1733 (Heath Ed) Sold
33.- The Politician by John Keyse Sherwin & William Hogarth Original Engraving & Etching 1775 (Heath Ed) Sold
34.- The Sleepy Congregation by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
35.- The Times by William Hogarth Complete Set of Two Original Engravings (Plate I & II) 1762 (Heath Ed) Sold
36.- Time Smoking a Picture by William Hogarth Original Engraving 1761 (Heath Ed) Sold
37.- William Hogarth Painting of the Comic Muse by William Hogarth Original Engraving 1764 (Heath Ed) Sold

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