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James Fittler & Francis Wheatley

James Fittler - Winter's Tale Act IV Scene III Florizel Perdita Shepherd Clown Mopsa from the Shakspeare Gallery by John Boydell

Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. Shakspeare Gallery

James Fittler's original engraving, Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. is based upon a design created by the British artist, Francis Wheatley.It is a scarce and original 'Proof Impression Before Title' printed upon hand-made, laid paper and with full margins as published by John Boydell, London in 1789 for the "Shakspeare Gallery". 'Proofs Before Title' impressions usually contain the names of the artist, publisher and engraver along the lower margin. They lack the title of the specific play depicted and usually the heading -- 'Shakspeare' -- is smaller than in the published edition. This state was printed in a very small numbers. A scene from William Shakespeare's plays, Winter's Tale. Act Four, Scene Three. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. represents a prime, original example of the British art of James Fittler, Francis Wheatley, and the famous Boydell Shakespeare Gallery. The text below the image of this proof impression reads; Publish'd Feb. 6th 1789. by John & Josiah Boydell. No. 90, Cheapside, London. Fittler. Aqua Fort. Feb. 1789. Wheatley Pinxt.

Note: As this is an original proof impression, it lacks the following text that appears in later impressions.

Shakespeare. Winter's Tale. Act IV, Scene III. Publish'd Augt. 1792. by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall; & No. 90, Cheapside, London. Engrav'd by Jas. Fittler. Marine Engr. to his Majesty. Painted by Fras. Wheatley.

Per. Sir, welcome!
[To Pol. & Cam.]
It is my father's will, I should take on me
The hostessship op'the day:-- You're welcome, sir!
Give me those flowers there, Dorieas. -- Reverend sirs,
For You there's rosemary, and rue; these keep.
Grace, and remembrance, be to you both,
And Welcome to our shearing!

 
Title: Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc.
Engraver: Fittler, James (London, 1758 - Turnham Green, 1835)
Designer: Wheatley, Francis (London, 1747 - 1801)
Date: 1789 (Proof Impression Before Title)
Medium: Original Line Engraving
Publisher: John Boydell, London
Source: Shakspeare Gallery
Note: James Fittler: A fine British engraver, James Fittler began his artistic education at the schools of the Royal Academy in 1778 and was elected an Associate Engraver in 1800. Preferring line engraving over stipple, Fittler distinguished himself during the Napoleonic Wars with such plates as Lord Howe's Victory, The Battle of the Nile and others. For his fine work he was appointed marine engraver to King George III. Winter's Tale. Act IV, Scene III. (Florizel, Perdita, Shepherd, Clown, Mopsa, etc. is a superb, large example of Fittler's engraving techniques.
  Francis Wheatley: A distinguished 18th century painter and designer, Francis Wheatley studied art first at Shipley's drawing-school before completing his education of the Royal Academy. Early in his career he worked upon painting the ceiling at Brocket Hall, for Lord Melbourne, and assisted the decorations at Vauxhall. He then worked as a portraitist in both London and Dublin. By 1790, however, Wheatley had emerged as a major painter of rural and domestic subjects as well as literary and allegorical scenes. Boydell commissioned his talents for twelve large engravings from the Shakespeare set, including this original example.
  Francis Wheatley was elected an Associate of the Royal Academy in 1790 and a Royal Academician in 1791. Included among his other designs for engraving is the famous set known as The Cries of London.
  John Boydell (Shropshire, 1719 - London, 1804): John Boydell is easily one of England’s most remarkable 18th century personalities. Born in poverty, he began his career as an at best mediocre engraver of small book plates. At this time England was at a very low ebb as a serious centre for the visual arts (particularly engraving) and Boydell sought to eradicate this situation by beginning a second career as a publisher of fine prints. Modest initial experiments in the 1760’s led to a rapid expansion of his business and during the 1770’s, he published his striking series of mezzotint engravings, Liber Veritas, engraved by Richard Earlom after the drawings of Claude Lorrain. This ambitious undertaking put England back on the printmaking map and was a huge financial success for John Boydell.
  Boydell had now established London as an important publisher for the arts and this once poor and struggling engraver/publisher was acknowledged for his efforts by being elected no less than Lord Mayor of London, in 1791. The same year marked the beginning of Boydell’s most grandiose undertaking. His new publishing establishment in Pall Mall, the ‘Shakspeare Gallery’, began by commissioning the most esteemed painters and engravers in the country to create and design large and expensive engravings based upon the plays and life of William Shakespeare. By this time as well John Boydell’s nephew, Josiah (1752-1817), had joined the firm.
  This monumental venture continued until Boydell’s death thirteen years later. By that time, the Shakespeare Gallery (Shakspeare Gallery) had created and published one hundred and seventy engravings on a grand scale. Alas, the expenses for this vast project had been so large that England’s foremost publisher of art ended his life the way he began, dying penniless. Note: During that period, William Shakespeare's name was also spelt, 'Shakspeare', thus the spelling for Boydell's (Shakespeare Gallery) appears printed as 'Shakspeare Gallery'.
  Shakspeare Gallery: James Fittler, Winter's Tale. Act Four, Scene Three. Florizel, Perdita, Shepherd, Clown, Mopsa, etc.

 

 

Publish'd Feb. 6th 1789. by John & Josiah Boydell. No. 90, Cheapside, London. Fittler. Aqua Fort. Feb. 1789. Wheatley Pinxt. (Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc.)

Florizel. See, your guests approach:
Address yourself to entertain them sprightly,
And let's be red with mirth.

Shepherd. Fie, daughter! when my old wife liv'd upon
This day, she was both pantler, butler, cook;
Both dame and servant: welcom'd all: serv'd all:
Would sing her song, and dance her turn; now here,
At upper end o' the table, now i' the middle;
On his shoulder, and his: her face o' fire
With labour; and the thing she took to quench it,
She would to each one sip: You are retired
As if you were a feasted one, and not
The hostess of the meeting: Pray you, bid
These unknown friends to us welcome: for it is
A way to make us better friends, more known.
Come, quench your blushes; and present yourself
That which you are, mistress o' the feast: Come on,
And bid us welcome to your sheep-shearing,
As your good flock shall prosper.

Perdita. Sir, welcome! [To Polixenes]
It is my father's will I should take on me
The hostess-ship o' the day: - You're welcome, sir!
[To Camillo]
Give me those flowers there, Dorcas. - Reverend sirs,
For you there's rosemary and rue; these keep
Seeming, and savour, all the winter long:
Grace, and remembrance, be to you both,
And welcome to our shearing!

Edition:

This original engraving is a 'Proof Impression Before Title'. 2. 'Proofs Before Title'. These impressions usually contain the names of the artist, publisher and engraver along the lower margin. They lack the title of the specific play depicted and usually the heading -- 'Shakspeare' -- is smaller than in the published edition. Once again, this state was printed in a very small numbers. Note: As this is an original proof impression, it lacks the following text that appears in later impressions.

Shakespeare. Winter's Tale. Act IV, Scene III. Publish'd Augt. 1792. by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall; & No. 90, Cheapside, London. Engrav'd by Jas. Fittler. Marine Engr. to his Majesty. Painted by Fras. Wheatley.

Per. Sir, welcome!
[To Pol. & Cam.]
It is my father's will, I should take on me
The hostessship op'the day:-- You're welcome, sir!
Give me those flowers there, Dorieas. -- Reverend sirs,
For You there's rosemary, and rue; these keep.
Grace, and remembrance, be to you both,
And Welcome to our shearing!

 

An Important Note on Boydell States and Editions: Proof impressions and true first edition impressions are easily identified by their fine lines and strong contrasts of black and white tones. Later more common editions print in a more overall grey tone and contain areas of re-working. Briefly, the publishing history of these great engravings can be categorized into five states or editions:

1. 'Artist's Proofs'. These are the earliest of states and were printed in only a handful of impressions. They are identified not only by their vibrant lines and tones but by the fact that they lack any letters along the lower margin.
2. 'Proofs Before Title'. These impressions usually contain the names of the artist, publisher and engraver along the lower margin. They lack the title of the specific play depicted and usually the heading -- 'Shakspeare' -- is smaller than in the published edition. Once again, this state was printed in a very small numbers.
3. 'Open Letter Proofs'. These impressions bear the title of the play. the heading, 'Shakspeare' (Shakespeare), is yet to be filled in with stippling. These impressions were printed before the publication of the first edition and were probably struck from the plate at a customer's request. Perhaps ten to twenty Open Letter Proofs exist for each engraving.
4. 'First Edition Impressions'. The completed set of Boydell's Shakespeare engravings was published in London in 1803. The full publisher's address appears along the lower margin as well as the text for the play. The heading, 'Shakspeare', is now filled in with stippling. Both first edition impressions and proofs were most often printed on either hand-made, laid paper or wove paper bearing the 'J. Whatman' watermark.
5. 'Posthumous Impressions and Restrikes' As early as 1807, John Stockdale of London issued a second edition of the Shakespeare prints. They continued to be published throughout the first half of the nineteenth century. Finally, in 1852, an enterprising dentist in New York City (with the delightful name of Shearjashub Spooner) acquired the plates, restored them and produced the last edition. These prints are most commonly offered for sale.

Size: 19 5/8 X 24 7/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  UnMatted
Buy Now Price: $1,250.00 US
Condition: Printed upon hand-made, laid paper and with full margins as published by Boydell in London in 1789. Containing deep, rich tonal values as one would expect from a rare and early proof before title impression. Contains a few tape repairs by a previous owner along the edges of the margins away from the plate mark or image, else in very good condition throughout. Winter's Tale. Act 4, Scene 3. Florizel, Perdita, Shepherd, Clown, Mopsa, etc. represents a prime, original example of the famous art Francis Wheatley and of Boydell's Shakespeare Gallery.
Subject: James Fittler, Francis Wheatley, Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc., original engraving, British artists, John Boydell and Josiah Boydell 'Proof Impression Before Title', William Shakespeare, the Shakspeare Gallery, the Shakespeare Gallery.
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Original Line Engraving by James Fittler designed by Francis Wheatley (Shakspeare Gallery, John Boydell, London).

Proof Impression Before Title

Winter's Tale Act IV Scene III Florizel Perdita Shepherd Clown Mopsa Original Engraving by James Fittler designed by Francis Wheatley from the Shakspeare Gallery by John Boydell London
Winter's Tale. Act IV, Scene III. Florizel, Perdita, Shepherd, Clown, Mopsa, etc.) Publish'd Feb. 6th 1789. by John & Josiah Boydell. No. 90, Cheapside, London.

View other original 17th and 18th century engravings published by John Boydell & Josiah Boydell for the Shakespeare Gallery in our gallery (Art of the Print / www.artoftheprint.com).

Art of the Print / www.artoftheprint.com

John Boydell & Josiah Boydell

Shakspeare Gallery

 
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Century:
Old Master Artist Index The 'Old Master' artist directory contains a selection of original works of art created by international painters, illustrators and graphic artists. These original works date from the Renaissance period to the end of the 1700's.
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
British Artists Index The 'British Art' directory contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with a British theme. The artworks date from the 17th century to the 20th century.
Subject:
Animals in Art Index The 'Animal Art' directory contains a selection of original animal art created by artists throughout the centuries, depicting birds, cats, dogs, horses, cows, sheep, pigs, monkeys, fish and or many other creatures. The artists' depictions range from rare zoological studies to some very humorous animal portrayals.
Royalty Portrayed in Art Index The 'Royalty, Nobility, Palaces and Castles' directory contains a selection of original art depicting portraits of Kings and Queens, as well as a variety of portrayals of nobles holding the title of Prince, Princess, Duke, Duchess, Count, Countess, etc., and scenes depicting royal ceremonies. Also included is a listing of original artworks with depictions of and castles and palaces. The artworks date from the 16th century to the 20th century.
Theater Portrayed in Art Index The 'Theater Portrayed in Art' directory contains a listing of original works of art depicting activities associated with the theatre, such as, studies of performing artists, plays depicting drama and comedy and a variety of other forms of entertainment on the stage. Categories include portrayals of actors, singers, musicians, dancers, circus and burlesque performers; scenes from various plays; and images related specifically to the plays of William Shakespeare.
Trades & Occupations Portrayed in Art Index The 'Trades & Occupations Portrayed in Art' directory contains a selection of original art depicting activities associated with trades, & occupations, such as cooks, bakers, tailors, blacksmiths, shoemakers, barbers, fishermen, fishing merchants, wine and flower merchants, peddlers, farming, farmers,manufacturing, construction and other related vocations. These artworks date from the 16th century to the 20th century.
Women Portrayed in Art Index The 'Women in Art' directory contains a selection of original works of art with depictions of women in an almost infinite variety of roles, such as women as an object of beauty & desire, at work and of course, motherhood are major themes, as well as many other representations of women have emerged in the fine arts throughout the centuries.


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