James McNeill Whistler

Grande Rue, Dieppe & An Interior

James McNeill Whistler's pair of original lithographs, "Grande Rue, Dieppe" & "An Interior" were not published during the artist's lifetime. Nine years after Whistler's death his close friend and lithographic advisor, Thomas Robert Way, printed these lithographs for his book, "Memories of James McNeill Whistler".

The original tissue guard (provided with this purchase) contains the following words; "Two trial sketches. (Original lithographs by Whistler. Above," An Interior"; Below, "Grande Rue, Dieppe"). Both lithographs are printed upon a single sheet of smooth wove paper and with full margins as published in 1912. No further impressions or restrikes were issued. "Grande Rue, Dieppe" & "An Interior" are superb, original examples of the famous lithographic art created by the British / American artist, James Abbot McNeill Whistler.

Original Lithograph by the American / British artist, James Abbott McNeill Whistler.

Grande Rue Dieppe and An Interior Original Lithograph by the American British artist James McNeill Whistler

Grande Rue, Dieppe & An Interior

View other works of art by the British / American artist, James McNeill Whistler.

James McNeill Whistler (Lowell, MA, 1834 - London, 1903)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		Billingsgate by James McNeill Whistler	Original Etching	1859	Catalogue #Kennedy 47, Eighth State of Eight as published by Macmillan and Co., London for P. G. Hamerton's set entitled, "Etching and Etchers"	Sold
02.-		Grande Rue, Dieppe & An Interior by James McNeill Whistler	Two Original Lithographs	1891	Catalogue #59, First and only State as published by John Lane, London in "Memories of James McNeill Whistler" & printed by Thomas R. Way.	Sold
03.-		The Doctor Portrait of my Brother by James McNeill Whistler	Original Lithograph	1895	Catalogue #117, First and only State as published by Henry & Co., 93 St. Martin's Lane, London for "The Pageant" and printed by Thomas R. Way.	Sold
04.-		Sketching by James McNeill Whistler	Original Etching	1861-62	Catalogue #83. Fifth State of Six, with 'Pl. 45' engraved in the upper right corner. Published by Day & Son, London for Passages from Modern English Poets Illustrated by the Junior Etching Club
05.-		The Punt by James McNeill Whistler	Original Etching	1861-62	Catalogue #82. Fifth State of Six, with 'Pl. 7' engraved in the upper right corner. Published by Day & Son, London for Passages from Modern English Poets Illustrated by the Junior Etching Club

View Other Original Lithographs by Thomas Robert Way

Thomas Robert Way (London, 1861 - 1913)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		Cremorne Gardens by Thomas Robert Way designed by James McNeill Whistler	Original Lithographs	1912	Printed and created by T. R. Way after a painting by J. A. M. Whistler for Memories of James McNeill Whistler. No further impressions or restrikes were issue.
02-		Sketch of Whistler whilst He was Retouching a Stone by Thomas Robert Way	Original Lithographs	1912	Signed in the stone by Thomas R. Way. Printed and created by T. R. Way for Memories of James McNeill Whistler.	Sold
03.-		The Room in Ayr Street, Whistler at his Printing Press by Thomas Robert Way	Original Lithographs	1912	Printed and created by T. R. Way for Memories of James McNeill Whistler. No further impressions or restrikes were issue.	Sold

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Title:	Grande Rue, Dieppe & An Interior
Artist:	Whistler, James Abbott McNeill (Lowell, MA, 1834 - London, 1903)
Date:	1891 (Publication Date: 1912)
Publisher:	John Lane, London
Publication:	Thomas R. Way's, "Memories of James McNeill Whistler"
Printer:	Thomas Robert Way
Medium:	Original Lithograph
Note:	James McNeill Whistler 'James Abbott McNeill Whistler': Whistler is one of the truly great painters of the nineteenth century. Yet it is in his oeuvre of original etchings and lithographs that his true genius becomes most apparent and his influence upon the development of twentieth century art is at its most far reaching. Whistler turned first to etching and his initial great works in this medium date from the mid 1850’s when he lived in Paris and met such artists as Degas, Legros and Courbet. The finest of these early etchings, now known as "The French Set", show the work of an artist as worthy in his architectural views as Meryon and as perceptive in his figure studies and portraits as Rembrandt. His greatest work, however, still lay ahead.
	Whistler made London his permanent home in 1858. It was here -- despite the personal battles he fought, such as his lengthy feud with his brother-in-law, Seymour Haden, and his notorious legal war with John Ruskin -- that his truly revolutionary art emerges. This begins in 1859 with Whistler’s etchings of London and its dockyards (later called "The Thames Set") where a much more free and sympathetic line is developed.
	The 1870’s and 1880’s mark some of the greatest achievements in Whistler’s etched art. Several visits to Venice created the spark. In the Venice etchings one sees the beginnings of a new and vital method of perception. K. M. Guichard writes of these etchings, “Their mastery of tone, their almost calligraphic economy of statement, and their hinting and persuading, give them a unique and unrivalled position in the history of art.” * These words could also be used to describe Whistler’s lithographic art.
	Whistler's first serious attempts with lithography date from 1878 and 1879 when he worked under the encouragement of Thomas Way, a leading London printer. At this time he created seventeen original lithographs and then departed for Venice. James McNeill Whistler returned to the medium in 1887 and devoted much of his artistic efforts to lithography until 1896. In total, Whistler created 196 original lithographs during his career.
	Perhaps more than any other field of Whistler’s art, the lithographs provide the artist's most intimate and personal approach. Many depict informal studies of models in the studio, scenes of everyday, outdoor life and portraits of friends and relations. The lithographs, "Grande Rue, Dieppe" and "An Interior" were neither printed nor published during Whistler's life. In 1912 Thomas Robert Way printed both lithographs on the same sheet for his "Memories of James McNeill Whistler". The book also contained many original lithographs by T. R. Way, including two portraits of Whistler and lithographs based upon Whistler's sketches and drawings.
Note:	Thomas Robert Way 'Thomas R. Way': Artist, author and lithographic printer, Thomas Robert Way first studied printmaking under his father, Thomas Way (1837-1915). T. R. Way and Thomas Way introduced Whistler to the art of lithography in 1878. From 1884 to about 1902 Whistler produced almost two hundred lithographs, which were printed by the Ways. Thomas Robert Way formed a close, working friendship with Whistler. Besides "Memories of James McNeill Whistler" (1912), he also was the author of "Mr. Whistler's Lithographs" (1905) and "The Art of James McNeill Whistler" (1903).
	T. R. Way was a student of the South Kensington Art Schools. He exhibited his paintings and prints annually at the Royal Academy and elsewhere from 1883 to 1912. He also was highly regarded for his landscape and city views and was the illustrator of "Reliques of Old London" (1896). Today the art of Thomas Robert Way will be found in such public collections as the Art Institute of Chicago, the Cleveland Museum of Art, the Fine Arts Museums of San Francisco and the Victoria and Albert Museum, London.
Raisonne:	Mervyn Levy, "Whistler Lithographs: A Catalogue Raisonne", London, Jupiter Books, 1975. Catalogue #59, First and only State as published in "Memories of James McNeill Whistle".
Reference:	* Kenneth M. Guichard, "British Etchers: 1850 - 1940", London, Robin Garton, 1981, pp. 66 - 68.
Size:	(3 3/8 X 5 Grande Rue, Dieppe), (2 X 2 An Interior), (6 3/8 X 5 for both lithographs printed on a single sheet) (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials

Condition:	Printed upon smooth wove paper and with full margins as published by John Lane, London in Thomas R. Way's, "Memories of James McNeill Whistler" in 1912. No further impressions or restrikes were issued. Containing slight browning to the outer edges of the paper, else finely printed impressions and in very good condition throughout. "Grande Rue, Dieppe" and "An Interior" represent superb, original examples of the famous lithographic art of James A. McNeill Whistler. Note: As mentioned in the introduction, the original tissue guard with text is included with this purchase.
Subject:	James McNeill Whistler, James Abbott McNeill Whistler, "Grande Rue, Dieppe" and "An Interior", original lithographs, Thomas Robert Way, T. R. Way, influence upon the development of twentieth century art.
Price:	Sold - The price is no longer available.
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