Watanabe Seitei

Roosters On A Cart In The Snow

Watanabe Seitei's original lithograph, "Roosters On A Cart In The Snow" is printed on nineteenth century wove paper and with full margins as published by George Barrie in Philadelphia in 1894. George Barrie was at work upon a large and lavish series of original etchings and lithographs detailing exhibits of the fine art from participating countries at the World's Columbian Exposition. The original prints, such as this fine example after Watanabe Seitei's design, were printed on either China or Japon papers and were limited to an edition of only two hundred impressions. "Roosters On A Cart In The Snow" is a fine, original example of the art by the Japanese artist, Watanabe Seitei.

Watanabe Seitei (1851- 1918)
#	Title & Artist	Medium	Date	Notes	-
01-	Roosters On A Cart In The Snow by Watanabe Seitei published by George Barrie	Original Lithograph	1894	Signed by the aritst within the block and bearing the George Barrie publisher stamp.	Sold
02.-	Wagtail (Bird on Maple Branch) by Watanabe Seitei published by the Shima Art Company	Original Woodcut	c. 1910	Signed by Watanabe Seitei within the block and bearing the Shima Art Company publisher stamp.	Sold

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Title:	Roosters On A Cart In The Snow
Designer:	Seitei, Watanabe (Japan, 1851 - 1918)
Date:	1894
Medium:	Original Lithograph
Publisher:	George Barrie, Philadelphia
Printer:	Gast Lith. Co., New York
Note:	Watanabe Seitei: The study of nature through portrayals of birds and flowers (Kacho-ga) is a traditional genre in both Chinese and Japanese art. In the history of the Japanese woodcut the first Kacho-ga appeared in albums created in the early to mid eighteenth century by such artists as Morikuni and Shumboku. During the nineteenth century such influential masters as Hokusai and Hiroshige produced masterworks in this field. From 1880 to 1930 such fine artists as Shoson, Zeshin and Watanabe Seitei dedicated almost all their efforts to this specialized genre.
	Watanabe Seitei studied art under the historical painter, Kikuchi Yosai. During his early career he worked as a ceramics designer and industrial draftsman. In 1878, however, one of Seitei's paintings was included in the Exposition Universale, Paris, and was awarded a silver medal. From that point on Seitei painted and designed woodcuts for Kacho-ga. Seitei's first illustrated book of woodcuts, Seitei kacho gafu (Seitei's Drawing Book of Flowers and Birds), was published in Tokyo in 1890. A second album of birds and flowers was published in 1903. As well, Seitei designed a large number of individual woodcuts in all sizes. Over twenty of his individual woodcuts were published by the Shima Art Company.
	The art of Watanabe Seitei represents an important bridge between Japanese and Western style and technique. From studying Western printmaking methods he developed a very fine line, complex shadings and, most particularly, a strong application of negative space in order to highlight the primary design and detail. In turn, Seitei's woodcuts proved to be a major influence upon the shin hanga art movement of the 1920's and 1930's.
	George Barrie: From 1893 to 1895 the Philadelphia printer and publisher, George Barrie, was at work upon a large and lavish series of original etchings and chromolithographs detailing exhibits of the fine art from participating countries at the World's Columbian Exposition. The original prints, such as this fine example after Watanabe Seitei's design, were printed on either China or Japon papers and were limited to an edition of only two hundred impressions. Barrie hired some of the finest etchers of the time (the majority being either French or American) to work on the series.
	Today these original etchings and lithographs are collected not only for their important 1890's style but for their superb technical accomplishments. Impressions from these limited editions are as finely printed as one can find.
Edition:	Limited edition of two hundred impressions.
Source:	The Art and Architecture of the World's Colombian Exposition
Size:	11 X 5 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
Condition:	Printed on nineteenth century wove paper and with full margins as published by George Barrie in Philadelphia in 1894. This is a stunning example of the late nineteenth century art nouveau American Chromolithograph and in excellent condition throughout.
Price:	Sold - The price is no longer available.
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