Robert Morris

A Final Tomb for Frank "Jelly" Nash

"A Final Tomb for Frank 'Jelly' Nash" is an original silkscreen created by the American avant guarde artist, Robert Morris. This impression of "A Final Tomb for Frank 'Jelly' Nash" is printed upon thick, hand-made, Arches paper and with full, deckled margins as published by 'Editions Schellmann & Kluser', Munich, Germany in the limited edition of one hundred and eighty impressions in 1980. It is signed, dated and numbered, '1 / 180' by Robert Morris in pencil along the lower margin and also bears the 'Styria Studios' blindstamp within the lower margin.

View more information on other original works of art by the American artist, Robert Morris.

Robert Morris (Kansas City, Born, 1931 - Resides, New York City )
#	Title & Artist	Date	Medium	Info
01.-	A Final Tomb for Frank "Jelly" Nash by Robert Morris	1980	Original Silkscreen	Signed, dated and numbered, '1/180', by Robert Morris in pencil along the lower margin. Also bearing the blindstamp of Styria Studios within the lower margin.
02.-	Roller Disco: Cenotaph for a Public Figure by Robert Morris	1980	Original Silkscreen	Signed, dated and numbered, '1/180', by Robert Morris in pencil along the lower margin. Also bearing the blindstamp of Styria Studios within the lower margin.

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Title:	A Final Tomb for Frank "Jelly" Nash
Artist:	Morris, Robert (Kansas City, Born, 1931 - Resides, New York City )
Date:	1980
Medium:	Original Silkscreen
Publisher:	Editions Schellmann & Kluser, Munich, Germany
Printer:	Styria Studios
Note:	Robert Morris: One of America's most famous avant guarde artists of our times, Robert Morris first studied as an engineer before turning to art and art criticism. In 1966 he graduated with his masters degree in art from Hunter College, New York. During the 1960's, 1970's and 1980's, Robert Morris played a key role in the movements of Minimalist sculpture and Process Art. Particularly in the mediums of sculpture and silkscreen his art gained a leading international reputation. Using such varied materials as aluminum, steel mesh, electroencephalogram readouts, felt and even dirt, Robert Morris always challenged the viewer on themes ranging from the theories of Marcel Duchamp, to the effects of a nuclear holocaust and to the philosophy of Ludwig Wittgenstein. Whether in the fields of printmaking or sculpture Robert Morris's art continually forces the viewer to reassess his personal and social station in life and culture.
	During the years America's most prestigious museums have hosted one man exhibitions of Robert Morris's art. These include the Whitney Museum of American Art (1970), the Art Institute of Chicago (1980) and the Corcoran Gallery of Art, Washington (1990). In 1994 the Guggenheim Museum, New York, launched a major retrospective on the artist's work which later traveled to Paris and Hamburg.
	Robert Morris's first original prints were published in 1967. The Museum of Modern Art, New York, includes many of his published prints in its permanent collection. In 1980 the artist executed two silkscreens for Editions Schellmann & Kluser in Munich, Germany -- A Final Tomb for Frank "Jelly" Nash and Roller Disco: Cenotaph for a Public Figure. Both were printed in signed, limited editions of 180 impressions. The words for Tomb for Frank "Jelly" Nash are written below:
	"A 1933 Chevrolet and a 1932 Dodge Sedan are found and fully restored. They are placed in the parking lot of the Kansas City, Missouri, Union Station in precisely the places they occupied on the morning of June 17, 1933 (with the help of UPI photographs and old police records this can be determined). Frank "Jelly" Nash's body -- wherever it is now -- is disinterred and buried beneath the 1933 Chevrolet. Mr. Nash, who had reputedly robbed with the Barkers, was being transferred from a train, the Missouri Pacific Flyer, to the Chevrolet, for transport to Leavenworth Penitentiary, where he was machine-gunned to death by unknown assailants. Also killed in or around the two cars in what was to become known as the "Kansas City Massacre" were FBI agent Raymond Caffrey, police chief Otto Reed, detectives W. J. "Red" Grooms and Frank Hermanson. Plaster casts of still existing groups of bullet holes in the station walls can be made and sold inside the station, together with a pamphlet describing the event."
Edition:	Limited edition of one hundred and eighty impressions, numbered 1/180.
Size:	18 X 24 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Buy Now	Price: $595.00 US
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Condition:	Printed upon thick, hand-made, Arches paper and with full, deckled margins as published in the limited edition of 180 impressions in Munich in 1980. Signed, dated and numbered, '1 / 180', by the artist in pencil along the lower margin. Also bearing the blindstamp of Styria Studios within the lower margin. Apart from slight marginal creasing along the right margin (well away from the actual silkscreen) this is finely printed impression and in excellent condition throughout. A Final Tomb for Frank "Jelly" Nash represents a most important example of the famous contemporary art of Robert Morris
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