| Title: | 
    Old Mill at Valley Stream, Queens, New York | 
  
     
      | Artist: |       
    Miller, Charles Henry (New York City, 1842 - 1922) | 
    
     
      | Date: | 
      1878 | 
    
     
      | Medium: |       
    Original Etching and Drypoint | 
    
     
      | Note: | 
      Charles Henry Miller: A nineteenth century landscape 
        painter and etcher, Charles Henry Miller began exhibiting his art at the 
        prestigious National Academy of Design at the age of eighteen. During 
        this period he also studied medicine and graduated with a full medical 
        degree in 1864. He then traveled through the art museums of Europe and 
        resolved to be an artist, studying formally under Adolf Lier at the Bavarian 
        Royal Academy in Munich from 1867 to 1870. Upon his return to the United 
        States, Miller concentrated upon the landscape of then rural areas surrounding 
        New York, such as Queens. His paintings and etchings earned him election 
        to the National Academy as an Associate in 1873 and as an Academician 
        in 1876. | 
    
     
      |   | 
      Charles Miller received his first lessons in the art of 
        etching from Alfred Cadart in 1866 but did not start to produce a considerable 
        number of etchings until 1876. Old Mill at Valley Stream, Queens, New 
        York is indicative of Miller's fine art. Most of his graphic works 
        of art (including this example) are notable for combining etching with 
        drypoint in a free-style manner which in some aspects are comparable to 
        the French Barbizon etchers, such as, Daubigny and Corot. Miller's etchings 
        are today included many public collections throughout the United States. | 
    
     
      | Size: | 
      5 1/4 X 7 1/4 (Sizes in inches are approximate, 
        height preceding width of plate-mark or image.) | 
    
     
      |   | 
      Framed and Matted with 100% Archival Materials | 
    
	 
      |   | 
      View larger Framed Image | 
    
     
      |   | 
        | 
    
    
     
      | Condition: | 
      Printed upon nineteenth century wove paper and with margins 
        extending to about one inch past the plate-mark on all sides. Signed and 
        date by the artist within the plate (lower left corner). Some matte burning 
        from a previous framing effort is apparent in the outer margins but the 
        actual etched image itself is in excellent condition with strongly bitten 
        lines and tonal values. This original etching represents both a valuable 
        example of nineteenth century New York art and of the highly regarded 
        work of Charles Henry Miller. | 
    
	 
      | Price: | 
      Sold - The price is no longer available. | 
  
	 
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