| Title: |
Trance of the Blessed Trees |
| Artist: |
Lyons, Carol (Brooklyn, NY, 1936 - Resides, Irvington, NY) |
| Date: |
1994 |
| Medium: |
Original Sepia Ink on Paper, Monotype |
| Note: |
Carol Lyons: A contemporary American printmaker
and watercolor artist, Carol Lyons’s art is now included in such
prominent collections as the Victoria and Albert Museum, London, the
Hermitage Museum, St. Petersburg, the Rockefeller Collection, New York,
the New York Public Library, the Spencer Museum of Art (University of
Kansas) and at the Zimmerli Art Museum (Rutgers University). During her
career, Carol Lyons has exhibited her work at such museums as the Hudson
River Museum, New York, the United Nations Millennium Collection, the
Museum of London, England, and with such associations as the NY Artists
Equity 50th Anniversary Print Exhibit and the National Association of
Women Artists. Her art has also been the subject of solo exhibitions
at such locations as the Nicholas Roerich Museum, Manhattan, the Donnell
Library Center, New York, and at the Chautauqua Institute. |
| |
Carol Lyons is currently a member of the NY Artists’ Equity,
the Print Club of Albany, Barenforum.org, the International Society of
Experimental Artists and the Monotype Guild of New England. |
| |
"Trance of the Blessed Trees" belongs to a 1994 series
of monotypes Carol Lyons termed, "Visionary Landscapes".
Each is a fascinating exploration of form and texture within nature.
The abstracted effects of light are also prominent, particularly in the
darkest sepia areas. Carol Lyons writes, "'Visionary Landscapes'"
are one of a kind artworks. Sepia ink on paper. No pen, pencil, or brush is used.
It's a method I devised, my take on 'decalcomania'. The name was coined
by Oscar Dominguez around 1936 and Max Ernst also experimented with this
method." |
| |
Like all of Carol Lyons's other extraordinary monotypes from this period, "Trance of the Blessed Trees"
is a fantasy landscape, abstracted from natural forms to create a completely unique world. The techniques used by
Carol Lyons in some ways mirror those of the great eighteenth century landscape artist, Alexander Cozens (1717-1786).
Cozens utilized accidental blots to stimulate the imagination by suggesting landscape forms. ‘Accident’
thus provides the crucial starting point for artistic exploration |
| Edition: |
One Impression |
| Size: |
6 X 9 (Sizes in inches are approximate,
height preceding width of plate-mark or image.) |
| |
Matted with 100% Archival Materials |
| Condition: |
Drawn upon fine, 100% cotton 140 lb. arches paper and with
full margins as created by the artist. Signed by the artist within the
image to the left and also signed and titled on the verso. A superb impression
and in excellent condition throughout. "Trance of the Blessed Trees" represents
an important, original example of the contemporary landscape art by the American
printmaker and watercolor artist, Carol Lyons. |
| Subject: |
Carol Lyons, "Trance of the Blessed Trees", original,
original monotype, landscape art, contemporary American printmaker and watercolor
artist, Alexander Cozens (1717-1786), accidental art, Victoria and Albert
Museum, London, the Hermitage Museum, St. Petersburg. |
| Price: |
The price is no longer available. |
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