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Utagawa Kunisada I

Utagawa Kunisada I - Sangi Hitoshi Series Ogura Hyakunin Isshu A Pictoral Comentary on One Hundred Poems by One Hundred Poets

Sangi Hitoshi (Ogura Hyakunin Isshu - A Pictoral Comentary on One Hundred Poems by One Hundred Poets)

This original woodcut by Utagawa Kunisada I (Toyokuni III), "Sangi Hitoshi" is printed upon mid 19th century mulberry paper and is signed Ichiyusai Toyokuni ga within the image as published by Sanoya Kihei in 1845. It hails from one of Kunisada's greatest series, the "Ogura Hyakunin Isshu" (A Pictoral Comentary on One Hundred Poems by One Hundred Poets). This classic anthology of 100 hundred poems by 100 different poets had an immense influence upon Japanese literary culture from its creation to quite recent times. It was compiled by the poet, Fujiwara no Sadaie in the thirteenth century and contained court poetry composed from as far back as the seventh century. Each poem was composed in the traditional 'waka' style which was five lines of 31 syllables. This original Kunisada woodcut is the thirty-ninth poem from the anthology written by Sangi Hitoshi (Minamoto no Hitoshi). It represents both a beautiful and an important example of the famous woodcut art of Utagawa Kunisada I (Toyokuni III).
 
Title: Sangi Hitoshi (poem No. 39)
Artist: Utagawa Kunisada I 'Toyokuni III' (Japan, 1786 - 1864)
Date: 1845
Medium: Original Japanese Woodcut
Publisher: Sanoya Kihei (Kikakudo)
Signed: Ichiyusai Toyokuni ga
Series: Ogura Hyakunin Isshu (A Pictoral Comentary on One Hundred Poems by One Hundred Poets)
Note: Utagawa Kunisada I (Toyokuni III): Perhaps the best known printmaking artist of his day, Kunisada apprenticed under Toyokuni. Kunisada's earliest woodcuts date from 1809 and he quickly established himself as a master of figure and character studies. Because of his chronological changes of signatures, Kunisada's woodcuts are not difficult to date: his first works were signed, 'Ichiyusai Kunisada', and bear the definite influence of his master. About 1813, he began inscribing his woodcuts, 'Gototei Kunisada', and from 1827, he adopted the 'go' or 'ga' suffix. Finally, in 1844, he took his deceased master's name -- a not uncommon practice in Japanese art -- and signed his works, 'Toyokuni'. Sangi Hitoshi is signed 'Ichiyusai Toyokuni ga' and is among the first works of art in which Kunisada used this title.
  When the Western world first discovered the artistic value of the Japanese woodcut (c. 1865) it was the designs of Kunisada which primarily attracted the greatest attention. His superb use of line, perspective and colour influenced an entire legion of European artists. Toulouse-Lautrec, Whistler, Van Gogh, Vuillard, Bonnard and many others all owed a considerable deal to the splendid creations of this Japanese master of the woodcut.
 

"Sangi Hitoshi" hails from one of Kunisada's greatest series of woodcuts, the "Ogura Hyakunin Isshu" (A Pictoral Comentary on One Hundred Poems by One Hundred Poets). This classic anthology of 100 poems by 100 different poets had an immense influence upon Japanese literary culture from its creation to quite recent times. It was compiled by the poet, Fujiwara no Sadaie in the thirteenth century and contained court poetry composed from as far back as the seventh century. Each poem was composed in the traditional 'waka' style which was five lines of 31 syllables.

Kunisada illustrated each of the famous 100 poems with a corresponding woodcut during the years of 1844 and 1845. As these delicate poems are quite complex and abstract Kunisada chose not to literally illustrate them but to provide scenes of comparable emotional and intellectual content within the traditional bijin (beautiful women) genre. Most of the woodcuts from this great set stand as among Kunisada's greatest contributions to this genre. In the upper corner of each woodcut he also depicted an open book with the complete poem and a portrait of the poet. Sangi Hitoshi Ogura Hyakunin Isshu - A Pictoral Comentary on One Hundred Poems by One Hundred Poets is the thirty-ninth poem from the anthology written by Sangi Hitoshi (Minamoto no Hitoshi). The poem appears below in both Japanese and in an English translation.

Sangi Hitoshi: Poem No 39
Series Ogura Hyakunin Isshu

Asajiu no _________ Bamboo growing
Ono no shinohara _________ Among the tangled reeds
Shinoburedo _________ Like my hidden love:
Amarite nado ka _________ But it is too much to bear
Hito no koishiki _________ That I still love her so.

Size: 13 1/2 X 9 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Framed and Matted with 100% Archival Materials
  View larger Framed Image
  Sangi Hitoshi Series Ogura Hyakunin Isshu A Pictoral Comentary on One Hundred Poems by One Hundred Poets Poem No 39 Framed Original Woodcut by Utagawa Kunisada I Toyokuni III
Buy Now Price: $950.00 US
Condition: Printed upon mid nineteenth century mulberry (rice paper) and with full margins as published by Sanoya Kihei in 1845. Signed Ichiyusai Toyokuni ga within the image. Containing one silk worm hole to the upper left which has been well restored by a former owner using a comparable rice paper. Else a magnificent early impression with brilliant colouration. Sangi Hitoshi Ogura Hyakunin Isshu - A Pictoral Comentary on One Hundred Poems by One Hundred Poets represents both a beautiful and an important example of the famous woodcut art of Kunisada.
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Original Woodcut by the Japanese artist, Utagawa Kunisada I (Toyokuni III).

Sangi Hitoshi Series Ogura Hyakunin Isshu A Pictoral Comentary on One Hundred Poems by One Hundred Poets Original Woodcut by the Japanese artist Utagawa Kunisada I Toyokuni III published by Sanoya Kihei poem no 39
Sangi Hitoshi (Ogura Hyakunin Isshu - A Pictoral Comentary on One Hundred Poems by One Hundred Poets, Poem No. 39)

View other original Japanese woodcuts by Utagawa Kunisada I.

Utagawa Kunisada I 'Toyokuni III' (Japan, 1786 - 1864)
# Image Title & Artist Medium Date Notes -
01.- A Beautiful Woman from the Tale of Genji by Kunisada A Beautiful Woman from the Tale of Genji (Nise murasaki inaka genji) by Kunisada Original Woodcut 1831 Publisher: Senkakudo  
02.- A Beautiful Woman in an Interior by Kunisada A Beautiful Woman in an Interior by Kunisada Original Woodcut c. 1849 - 1853 'Toyokuni' Signature, Publisher: Kichizo Sold
03.- Hana Flowers Kacho fugetsu no uchi Series Flowers Birds Wind and Moon by Kunisada Hana (Flowers) Kacho fugetsu no uchi (Series: Flowers, Birds, Wind & Moon) by Kunisada Original Woodcut 1847 - 1851 Signed: Kochoro Toyokuni ga, Publisher: Yamamotoya Heikichi Sold
04.- A Nobleman in a Boat by Kunisada A Nobleman in a Boat by Kunisada Original Woodcut c. 1820 - 1827 'Gototei Kunisada' Signature Sold
05.- A Pilgrimage to Mount Fuji by Kunisada A Pilgrimage to Mount Fuji by Kunisada Original Woodcut c. 1849 - 1853 'Toyokuni' Signature, Publisher: Tsutaya Kichizo Sold
06.- A Seated Nobleman from the Tale of Genji Nise Murasaki Inaka Genji by Kunisada A Seated Nobleman from the Tale of Genji (Nise Murasaki Inaka Genji) by Kunisada Original Woodcut 1839 Publisher: Senkakudo Sold
07.- Oboshi Yuranosuke Seated in Front of the Prayer Table with His Son by Kunisada Actors Arashi Hinasuke I as Oboshi Yuranosuke and Ichikawa Monnosuke III as Oboshi Rikiya Seated in Front of the Prayer Table Original Woodcut 1847-1852 Signed: Ichiyosai Toyokuni ga, Publisher: Miyakozawa  
08.- Actors Ichimura Uzaemon XIII as Kincho's Son Segare Kinko Seki Sanjuro III as Iyam Playing Hagoita by Kunisada Actors Ichimura Uzaemon XIII as Kincho's Son (Segare) Kinko, Seki Sanjuro III as Iyam (Playing Hagoita) by Kunisada Original Woodcut 1856 Signed: Toyokuni ga, Publisher: Omiya Kyujiro  
09.- An Actor in The Role of a Warrio Kabuki Play Ichikawa Ebizo V as Shirafuji Genta by Kunisada An Actor in The Role of a Warrior, Kabuki Play (Ichikawa Ebizo V as Shirafuji Genta) by Kunisada Original Woodcut 1840 Signed: Gototei Kunisada ga, Publisher: Yamamotoya Heikich Sold
10.- An Autumn Stroll in a Garden Landscape by Kunisada An Autumn Stroll in a Garden Landscape by Kunisada Original Woodcut 1854 'Toyokuni' Signature Sold
11.- An Old Man and a Young Woman from the Tale of Genji by Kunisada An Old Man and a Young Woman from the Tale of Genji (Nise Murasaki Inaka Genji) by Kunisada Two Original Woodcuts Between 1829 & 1842 Publisher: Senkakudo  
12.- Biwa Hoshi On The Tokaido Road Near Maisaka So Hitsu Gojusan Tsugi 53 Stations of the Tokaido by two Brush by Kunisada and Hiroshige Biwa-Hoshi On The Tokaido Road Near Maisaka: Sohitsu gojusan tsugi (The Fifty-Three Stations of the Tokaido by two Brushes) by Kunisada and Hiroshige Original Woodcut c. 1854 - 1857 Signed Hiroshige ga & Kunisada ga, Publisher: Maruya Kishuro Sold
13.- Narumi Sohitsu gojusan tsugi The Fifty Three Stations of the Tokaido by two Brushes by Kunisada and Hiroshige Narumi: Sohitsu gojusan tsugi (The Fifty-Three Stations of the Tokaido by two Brushes) by Kunisada and Hiroshige Original Woodcut c. 1854 - 1857 Hiroshige hitsu & Toyokuni ga (with Censor Seals), Publisher: Maruya Kishuro Sold
14.- Genji noryo no kei Nobleman With a Fan Banks of the Sumida River Edo Standing by the River by Kunisada Genji noryo no kei (Nobleman With a Fan, Banks of the Sumida River, Edo) by Kunisada Original Woodcut 1861 Toyokuni' Signature, Publisher: Hiranoya  
15.- Portrait of a Nobleman with a Fan and a Flute by Kunisada Portrait of a Nobleman with a Fan and a Flute by Kunisada Original Woodcut c. 1820 - 1827 'Gototei Kunisada' Signature Sold
16.- Princess Takiyasha Hime The Beautiful Sorceress by Kunisada Princess Takiyasha-hime (The Beautiful Sorceress) by Kunisada Original Woodcut 1850 'Toyokuni' Signature, Publisher: Sumiyoshiya Masagoro, of Yotsuya Sold
17.- Sangi Hitoshi Ogura Hyakunin Isshu - A Pictoral Comentary on One Hundred Poems by One Hundred Poets by Kunisada Sangi Hitoshi (Ogura Hyakunin Isshu - A Pictoral Comentary on One Hundred Poems by One Hundred Poets) by Kunisada Original Woodcut 1845 Signed: Ichiyusai Toyokuni ga, Publisher: Sanoya Kihei  
18.- The Legend of The Nine Tailed Fox Yamato Province Fox Kitsune Tadanobu by Kunisada I and Kunisada II The Legend of The Nine Tailed Fox (Yamato Province: Fox (Kitsune) Tadanobu) by Kunisada I and Kunisada II Original Woodcut 1845 Signed: Ichiyosai Toyokuni ga (within the main image); Toyokuni monjin Kunimasa ga (on the insert) Publisher: Aamitaya Kiyoyemon Sold
19.- Three Figures in a Winter Landscape Travelers in the Snow by Kunisada Three Figures in a Winter Landscape (Travelers in the Snow) by Kunisada Original Woodcut c.1820 - 1827 'Gototei Kunisada' Signature Sold
20.- Yotsuya Actor Bando Hikosaburo V as the Ghost of Oiwa Flowers of Edo and Views of Famous by Kunisada and Sadahide Yotsuya: Actor Bando Hikosaburo V as the Ghost of Oiwa (Flowers of Edo and Views of Famous) by Kunisada and Sadahide Original Woodcut 1863 Signed: Toyokuni ga, (bottom right); & Tou ga (top); Sadahide ga (Bottom left), Publisher: Katoya Iwazo  

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