Julius Komjati

The Princess's Guard

Julius Komjati's original etching entitled, "The Princess's Guard" is printed upon laid paper and with full, deckled margins as published in London by H. C. Dickens in the limited edition of seventy-five signed impressions in 1928. This original impression of "The Princess's Guard" is signed and dated in the plate to the upper left and signed, titled and numbered by Julius Komjati in pencil along the lower margin. Also, this impression bears a gallery sticker from Parke-Bernet (now Sotheby's), dated 1945 along the bottom margin. It is a large, magnificent example of the etched art of Julius Komjati, an early twentieth century Hungarian artist.

The Princess's Guard

View other original works of art by Julius Komjati.

Julius Komjati (Hungary, 1894 - 1958)
#	Image	Title & Artist	Date	Medium	Info
01.-		Old Man Reading the Bible by Julius Komjati	1928	Original Etching	Signed and dated in the plate and signed, titled and numbered '6/75' by Julius Komjati in pencil.
02.-		Pleasant and Lows by Julius Komjati	1931	Original Etching	Signed in the plate and signed, dated and dedicated by Julius Komjati in pen.
03.-		The Princess's Guard by Julius Komjati	1927	Original Etching and Drypoint Engraving	Signed and dated (1927) in the plate and signed, titled and numbered '31/75' by Julius Komjati in pencil.
04.-		The Woodman by Julius Komjati	c. 1930	Original Etching	Signed in pen by Komjati with his Royal Engravers, 'A.R.E.'. Edition of 75 Impressions.

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Title:	The Princess's Guard
Artist:	Komjati, Julius (Hungary, 1894 - 1958)
Date:	1927
Medium:	Original Etching and Drypoint Engraving
Note:	"Some may cavil at the inclusion of the Hungarian, Julius Komjati, in this account of the British School. The excuse is two-fold. Firstly, the Hungarian school of etching is generally so little-known that such a fine etcher as Komjati might lapse into obscurity. Secondly, Julius Komjati came to London to study, and many of his best etchings were published there; he was also a pupil of Malcolm Osborne and became one of the few foreign members of the Society of Painter-Etchers." *
	Although Julius Komjati lived most of his life in his native Hungary, the ten year period he worked and lived in London had a profound impact upon the course of British etching. Born in Hungary, Julius Komjati was the son of an inspector of forests. While still a student he was drafted for service during the First World War. In 1916, Julius Komjati was captured by the Romanians and was imprisoned for a period of sixteen months. He was one of two thousand survivors of an original sixteen thousand captives. Kenneth Guichard writes, The terrible experiences he suffered found poignant expression in the etchings, some of which are not calculated to appeal to those in search of comfortable subjects. Such expression of intense spiritual emotion is rare enough in any school. **
	After the war, Julius Komjati produced a number of etchings and established a local reputation which induced the Hungarian government to grant him a scholarship to further his studies in England. Arriving in London in 1928, Julius Komjati studied briefly under Malcolm Osborne at South Kensington and began to print his etchings with the publishing house of H. C. Dickens. During his first year in London Komjati had nine etchings published in editions of 75. Some of these were actually created in Hungary in the preceding year. Such is the case with The Princess's Guard, an early masterpiece of Julius Komjati's oeuvre. In total, seventy-four Julius Komjati etchings were published in London before his return to Hungary (c. 1938).
	Julius Komjati was one of the few foreign members elected to both the Society of Painter-Etchers and the Royal Engravers. In his etched art he proved to be a master of both figure studies and landscapes and was appreciated much more by his fellow artists and by influential connoisseurs (such as Malcolm Salaman) than by the public. No matter what Julius Komjati chose to etch, his art was guided by his rare spirituality. Simply, he ranks as one of the greatest etchers of the early twentieth century.
Edition:	Limited edition of seventy five impressions, numbered '31/75'.
Reference:	* & ** Kenneth M. Guichard, British Etchers: 1850-1940, London, Robin Garton, 1981, pp. 45 & 46.
Size:	15 1/2 X 10 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image

Buy Now	Price: $875.00 US
Condition:	Printed upon laid paper and with full, deckled margins as published in London by H. C. Dickens in the limited edition of seventy-five signed impressions in 1928. Signed and dated (1927) in the plate to the upper left and signed, titled and numbered '31/75' by the artist in pencil along the lower margin. Also, this impression bears a gallery sticker from Parke-Bernet (now Sotheby's), dated 1945 along the bottom margin. Containing faint matte burning else a luminous, rich impression and in excellent condition throughout. The Princess's Guard is a large, magnificent example of the etched art of Julius Komjati, an early twentieth century master.
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