Hiroshige III Shigemasa - An Accident at a Construction Site

An Accident at a Construction Site

Shigemasa also known as Hiroshige III created this original Japanese woodcut between 1875 and 1880. It depicts an accident at a construction site or brickyard. One can see the influence and training of the original Hiroshige is evident in the handling of this scene with a view of the harbor, the bridge and the distant view of Mt. Fuji in the background.

Original Japanese Woodcut by the Hiroshige III (Shigemasa).

An Accident at a Construction Site

View other works by the Japanese artist, Hiroshige III 'Shigemasa'.

Hiroshige III 'Shigemasa' (1842 - 1894)
#	Title & Artist	Medium	Date	Notes	-
01-	An Accident at a Construction Site by the Japanese artist, Hiroshige III (Shigemasa)	Original Woodcut	c. 1875 - 1880		Sold
02.-	Harbor Scene by the Japanese artist, Hiroshige III (Shigemasa)	Original Woodcut	c. 1890	Signed, 'Hiroshige ga' in the block to the lower right.	Sold
03.-	Sudden Storm by the Japanese artist, Hiroshige III (Shigemasa)	Original Woodcut	c. 1890	Signed, 'Hiroshige ga' in the block to the lower left.	Sold

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Title:	An Accident at a Construction Site
Artist:	Hiroshige III 'Shigemasa' (1842 - 1894)
Date:	c. 1875 - 1880
Medium:	Original Japanese Woodcut
Note:	"The Hiroshige name was continued by a young artist Shigemasa, who became Hiroshige III. He produced prints of interest ... showing the modernization of Japan after the restoration of the monarchy. His prints and triptychs were issued between 1868 & 1884 and document the coming of the railways, trams and brick-built buildings." *
	Hiroshige III (Shigemasa): After the 1858 death of Hiroshige, that great genius of landscape woodcuts, his leading pupil (and adopted son), Shigenobu (Japan, 1826 - 1869), married his master's daughter and took the title of Hiroshige II. In 1865 Hiroshige II divorced his wife and moved to Yokohama, working under the artistic name of 'Ryushu'. Shigemasa, another pupil of Hiroshige, quickly took advantage of the situation and assumed the title of Hiroshige III by marrying the divorced daughter.
	Unlike either Hiroshige or Hiroshige II, Hiroshige III did not dedicate his art to landscape depictions and the study of nature. He inherited his title at approximately the same time as the beginning of the Meiji era which ushered in sweeping changes, mostly caused by the opening of Japan to the west. He thus directed his attention, sometimes humorously, to the modernization and industrialization of his nation. This is clearly the case in this original woodcut, which depicts an accident at a construction site Still, the influence and training of the original Hiroshige is plainly evident in the handling of this woodcut, the harbor, the bridge and the distant view of Mt. Fuji in the background.
	Today Hiroshige III's woodcuts are collected as valuable historic records of Japan's transition to modernity.
Reference:	* Richard Illing, The Art of Japanese Prints, New York, Gallery Books, 1983, p. 101
Size:	13 1/8 X 8 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed upon 19th Japanese mulberry (rice) paper and with full margins as published around 1875 to 1880. Containing several minute holes and slight rubbing along the lower margin, else a fine, deep printing with unfaded coloration and in very good condition throughout. An Accident at a Construction Site represents a prime, original example of the important Meiji era art of Hiroshige III.
Price:	Sold - The price is no longer available.
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