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Francisco Goya

Francisco Goya - Chiton

Chiton (Hush)

Francisco Goya's Chiton (Hush) is the twenty-eighth etching from his first great series entitled, Los Caprichos. This remarkable set of eighty-four etchings with aquatint was largely satirical in nature and included numerous attacks upon the clergy, the nobility and upon a host of human follies and vices.

This impression of Chiton is an original 'Trial Proof' etching and aquatint engraved by Francisco Goya. It is printed upon heavy eighteenth century hand-made laid paper as published in 1799.

 
Title: Chiton (Hush)
Artist: Goya, Francisco (Fuentodos, 1746 - Bordeaux, 1828)
Date: 1799
Medium: Original Etching and Aquatint
Note: Francisco Goya: A strong case could be made that Francisco Goya represents the single greatest influence upon the development of nineteenth and twentieth century art. There is no doubt that he was truly a masterful painter. Yet his greatest influence was and is found in his original etchings, aquatints and lithographs. Along with Rembrandt, Durer and Whistler, Goya belongs to the select group of the greatest original print-making artists of all time.
  Francisco Goya's original prints were largely ignored during his lifetime. Many (including the complete Disasters of War set) were not published in significant numbers until after his death. As many of the etchings were direct attacks upon many social customs and upon the religious and political powers of the day, they were simply too dangerous for public perusal. Yet what great artists who came after Francisco Goya were not affected by his graphic art? Such masters as Delacroix, Manet, Redon, Picasso, Ernst and the entire movements of Expressionism and Symbolism paid direct homage to his genius.
  Los Caprichos: Francisco Goya's first great series of etchings, Los Caprichos, appeared in 1799. It was published by Goya himself in bound editions of 300 impressions. This remarkable set of eighty-four etchings with aquatint was largely satirical in nature and included numerous attacks upon the clergy, the nobility and upon a host of human follies and vices. For this reason, two-hundred and forty of the bound sets were quickly confiscated by the King of Spain and were held until well after Francisco Goya's death.
  Unlike the satirical artists of his day, Goya was rarely didactic. His monumental understanding of human nature and the ultimate unreason of man's existence pushed his imagery into multiple layers of intellectual and emotional meaning. Of Los Caprichos, Aldous Huxley wrote, "Goya's handling of his material is such that standard eighteenth-century humour often undergoes a sea-change into something darker and queerer, something that goes below the anecdotal surface of life into what lies beneath -- the unplumbed depths of original sin and original stupidity." * (Aldous Huxley, The Complete Etchings of Goya, New York, Crown Publishers, 1943, p. 13.)
  A significant number of the first thirty-six etchings of Los Caprichos deal generally with the relationships between men and women. The twenty-eighth etching, Chiton, depicts a young, attractive woman passing a hushed secret to an aged woman. On the surface this appears quite harmless and Francisco Goya brilliantly portrays a kind of warmth and comfort within the protective circle formed by their poses. Yet the young woman is adorned in the attire of a prostitute and the elderly woman is no doubt her procuress, and the secret was probably gleaned from the bed to be used in the future for blackmail. In Los Caprichos the relationships between men and women are most akin to the strategies of war, where confidences, money, love and sex are ruthlessly applied to gain power and dominion. Both sexes continually appear as both oppressors and as victims.
Source: Los Caprichos
Raisonne: Tomas Harris, Goya, Engravings and Lithographs, Oxford, Bruno Cassirer, 1964, 2 vols
  Catalogue # 63 II - Trial Proof with corrections printed before the published First Edition of 300 impressions. The individual catalogue entry for Chiton is supplied.
Size: 8 3/8 X 6 1/8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Framed and Matted with 100% Archival Materials
  View larger Framed Image
  Chiton Framed Original Etching and Aquatint by Francisco Goya
Condition: Printed upon heavy eighteenth century hand-made laid paper and with full margins measuring 197 X 305 mm. A small, restored tear exists on the extreme lower margin else in excellent condition throughout. This is a very early impression of one of Francisco Goya's finest etchings.
Price: Sold - The price is no longer available.
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Original Etching & Aquatint by the Spanish artist, Francisco Goya.

Chiton Original Etching and Aquatint by Francisco Goya
Chiton (Hush)

View other original works of art by Francisco Goya.

Goya, Francisco (Fuentodos, 1746 - Bordeaux, 1828)
# Image Title & Artist English Title Medium Date Notes -
01- Chiton by Francisco Goya Chiton by Francisco Goya Hush Original Etching and Aquatint 1799 Catalogue # 63: Los Caprichos (II - Trial Proof with corrections printed before the published First Edition of 300 impressions.) Sold
02.- El Buitre Carnivoro by Francisco Goya El Buitre Carnivoro by Francisco Goya The Carnivorous Vulture Original Etching c. 1815 - 1820 Catalogue #186: The Disasters of War (First Published Edition, 1863) Sold
03.- Extrana Devocion by Francisco Goya Extrana Devocion by Francisco Goya Strange Piety Original Etching & Aquatint 1815 - 1820 Catalogue # 186: The Disasters of War (Fourth Published Edition, 1875) Sold
04.- Quien Lo Creyera! by Francisco Goya Quien Lo Creyera! by Francisco Goya Who Would Have Thought It! Original Etching & Aquatint 1799 Catalogue # 97: Los Caprichos (First Edition published in 1799.) Sold
05.- Ya es Hora by Francisco Goya Ya es Hora by Francisco Goya It Is Time Original Etching & Aquatint 1799 Catalogue # 115: Los Caprichos (Fourth edition published by the Real Academia in Madrid in 1878.) Sold

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