James Gillray - So Skiffy Skipt On With His Wonted Grace

So Skiffy Skipt On, With His Wonted Grace

James Gillray's original etching "So Skiffy Skipt On, With His Wonted Grace" is a fine, original example of the satirical art created by the British artist. It is printed on early nineteenth century wove paper and with margins as published in London by Hannah Humphrey on February 1st, 1800. 'Skiffy' was Sir Lumley St. George Skeffington (1771-1850), a well known playwright and fop of the day. He belonged to the Carleton House circle and authored such plays as 'The Word of Honour', 'The High Road to Marriage' and 'The Sleeping Beauty'.

Original Hand-Coloured Etching by the British Satirical artist, James Gillray.

So Skiffy Skipt Sir Lumley St George Skeffington Original Etching by the British Satirical artist James Gillray

So Skiffy Skipt On, With His Wonted Grace

View other original works of art by James Gillray.

James Gillray (Chelsea, 1757 - London, 1815)
#	Image	Title & Artist	Medium	Date	Publisher	-
01-		Equestrian Elegance! - or - A Noble Scot Metamorphosed by James Gillray	Original Hand-Coloured Etching	May 7, 1803	Hannah Humphrey, London	Sold
02.-		Modern Grace - or - The Operatical Finale to the Ballet of Alonzo e Caro by James Gillray	Original Hand-Coloured Etching	1796	Hannah Humphrey, London	Sold
03.-		Posting in Scotland by James Gillray after Charles Lorraine Smith	Original Etching and Aquatint	May 25, 1805	Hannah Humphrey, London	Available
04.-		So Skiffy Skipt On, With His Wonted Grace by James Gillray	Original Hand-Coloured Etching	February 1, 1800	Hannah Humphrey, London	Sold

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Title:	So Skiffy Skipt On, With His Wonted Grace
Artist:	Gillray, James (Chelsea, 1757 - London, 1815)
Date:	February 1, 1800
Medium:	Original Hand-Coloured Etching
Publisher:	Hannah Humphrey, London
Note:	James Gillray: Viewed by many as the greatest of all English satirical artists, James Gillray spent his youth in the rigid religious environment of the Moravian sect. In his teens he apprenticed to a city engraver and etched maps and bank notes. Finding it dull labour, James Gillray ran off and joined a troupe of traveling actors. In 1778 he entered the Royal Academy Schools and studied stipple engraving under Francesco Bartolozzi. Gillray's first etchings were illustrations for popular literary works of the day such as Fielding's, Tom Jones, and Goldsmith's, The Deserted Village.
	At about the same time James Gillray began etching political satires for various London publishers. His brilliant use of distortion to portray liknesses of leading figures quickly made Gillray both famous and infamous. In 1792 Gillray came to work exclusively for Mrs. Hannah Humphrey and even lived and worked in her publishing shop for the rest of his life. James Gillray's now famous portrayals of George III, Napoleon and a host of many others were created for this publisher. It was, in fact, Gillray's delightful invention of Napoleon as a 'manic midget' that was crucial in forming public opinion against his aggressive military activities.
	From 1811, James Gillray suffered from ill health, failing eyesight and fits of madness. By then, however, his brilliant methods had permanently reshaped the art of satire and caricature and remain a major influence to this day.
	Because of the importance of James Gillray's art many of his etched plates were reprinted later in the nineteenth century. These later printings, however, are usually easy to detect because of the paper used and the fact that most of the etchings were printed on both sides of the sheet. This original example of So Skiffy Skipt On, With His Wonted Grace is a first edition impression issued on the stated date.
	A Biographical Note: 'Skiffy' was Sir Lumley St. George Skeffington (1771-1850), a well known playwright and fop of the day. He was both caricatured by Gillray and satirized by Lord Byron. He belonged to the Carleton House circle and authored such plays as 'The Word of Honour', 'The High Road to Marriage' and 'The Sleeping Beauty'. In his delightful portrayal, James Gillray focuses upon Skiffy's resplendent attire.
Reference:	The National Portrait Gallery, James Gillray Etchings, 1795-1797
	http://www.npg.org.uk
	The National Portrait Gallery in London is in the midst of compiling and illustrating its complete collection of James Gillray etchings. This original etching and many others are illustrated on its web site and it is highly recommended.
Reference:	William Feaver, Masters of Caricature, London, Weidenfeld & Nicolson, 1981, pp. 53 - 57.
Size:	9 3/4 X 6 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on early nineteenth century wove paper and with margins trimmed close to the image. Glue stains from a previous backing appear on the left margin and on the corners, verso. As well, there is one tear in the lower margin which runs to about one inch into the image. Else a finely printed, early impression with unfaded, original hand-colouring and in fair condition throughout. This original hand-coloured etching represents both a delightful and valuable example of the famous satirical art of James Gillray.
Price:	Sold - The price is no longer available.
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