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John Crome

John Crome - Gravel Pit Marlingford

Gravel Pit, Marlingford

John Crome - "Gravel Pit, Marlingford" - Original Etching

John Crome’s original etching, "Gravel Pit, Marlingford", was created by the artist around 1812. This impression hails from the third and final state, Catalogue #217 as published in Norwich in 1838 for the portfolio entitled, "Etchings of Views in Norfolk by the Late John Crome, Founder of the Norwich Society of Artists" by John Crome the Elder’s son, John Berney Crome (1793-1842). For this state the words, “AT Marlingford”, were added in etched letters along the lower plate-mark of this landscape etching. The British Museum, London, includes impressions of all three states in its permanent collection.

 
Title: Gravel Pit, Marlingford
Artist: Crome, John (Norwich, 1768 - 1821)
Date: c. 1811 - 1812 (Freeman and J. B. Crome Edition, 1838)
Medium: Original Etching
Note: John Crome: “In his etchings - for we must regard Crome as an etcher as well as a painter - he dealt chiefly with woodland and river scenes. Nothing can, in its way, be much more perfect than his rendering in etching of the little bits of picturesque beauty that he met with in his daily walks.” *
  John Crome is today viewed not only as a most accomplished painter of the famous Norwich School of artists but as a catalyst for the English etching revival of the nineteenth century. Mainly self-taught, Crome began his education by copying the old masters. It was here he first became acquainted with the landscape art of the 17th century Dutch school, and their art, particularly Ruisdael and Hobbema, proved a lifelong inspiration. John Crome was a founding member and President of the Norwich Society of Artists (1803) and exhibited frequently at both the Royal Academy and the British Institution.
  In total John Crome created thirty-three etchings in hard and soft grounds, all apparently dating from 1809 to 1813. He did not publish any of his original etchings during his lifetime and printed but a handful of impressions for his friends and fellow artists. These comprise the very rare first states which are almost exclusively in the collections of British public museums. It was not until 1834, thirteen years after Crome’s death, that his widow published sets of thirty-one of his etchings in a limited edition of sixty impressions. Originally priced at three guineas a completed set would now fetch many thousands of Pounds. Finally, sometime between 1834 and 1838, the plates were rebitten and sometimes re-worked by John Crome’s son and others and published in Norwich in 1838 under the title of "Etchings of Views in Norfolk by the Late John Crome, Founder of the Norwich Society of Artists". This original landscape etching entitled, "Gravel Pit, Marlingford" hails from this set.
  John Crome’s famous landscape art serves as a bridge between the picturesque traditions of the 18th century and the Romantic masterworks of the nineteenth century. In particular, his etchings paved the way for the art of Samuel Palmer, Seymour Haden, Whistler and many others in the latter nineteenth century. Valued for their breath of direct conception and composition, each of his etchings frankly portrays the spirit of nature in all its vitality. Amazingly, all of Crome’s most influential etched art was created within a short walk of his Norwich house. The British Museum, London, owns an extensive collection of John Crome’s etchings, including all three states for "Gravel Pit, Marlingford".
  "What makes for good etching is embodied in John Crome's work: the spirit of nature in all its freshness and vitality, its strength and simplicity, its richness with restraint; it is free, frank and spontaneous." **
Reference: * G. C. Williamson, "Bryan’s Dictionary of Painters and Engravers", London, Bell & Sons, 1930, Vol. 1, p. 357.
Raisonne: ** Norman L. Goldberg, "John Crome the Elder", New York, New York University Press, 1978, 2 vols. Catalogue #217, Third and Final State with the title, “At Marlingford”, added along the lower margin. Quotation found on p. 82.
Source: Etchings of Views in Norfolk by the Late John Crome
Size: 9 X 6 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Condition: Printed upon early nineteenth century wove paper and with large, full margins as published in Norwich in 1838. Two vertical tears (restored by a previous owner) start at the outside upper margins and end at the plate mark. Staining is also evident in the upper parts of the paper. Else a finely printed impression and in fair condition throughout. "Gravel Pit, Marlingford" represents a prime, original example of the famous landscape art of John Crome.
Subject: John Crome the Elder, "Gravel Pit, Marlingford", original etching, John Berney Crome, President of the Norwich Society of Artists, "Etchings of Views in Norfolk by the Late John Crome, Founder of the Norwich Society of Artists".
Price: Sold - The price is no longer available.
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Original Etching by the British artist, John Crome.

Gravel Pit Marlingford by John Crome
# 07.- Gravel Pit, Marlingford

View other original etchings by John Crome.

John Crome (Norwich, 1768 - 1821)
# Title & Engraver Medium Date -
01- A Composition by John Crome Original Etching c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) Sold
02.- A Composition: Men and Cows by John Crome Original Etching c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) Sold
03.- At Bawburgh by John Crome Original Etching c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) Sold
04.- At Scoutton by John Crome Original Etching c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) Sold
05.- Deepham, Near Hingham by John Crome Original Etching c. 1812 (Freeman and J. B. Crome Edition, 1838) Available
06.- Footbridge at Cringleford by John Crome Original Etching c. 1812 (Freeman and J. B. Crome Edition, 1838) Sold
07.- Gravel Pit, Marlingford by John Crome Original Etching c. 1812 (Freeman and J. B. Crome Edition, 1838) Sold
08.- Landscape with Wooden Bridge and a Horseman by John Crome Original Etching c. 1812 - 1813 (Freeman and J. B. Crome Edition, 1838) Sold
09.- Road Scene, Hethersett by John Crome Original Etching 1812 (Freeman and J. B. Crome Edition, 1838) Sold

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