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Zacharias Noterman

Zacharias Noterman - Les Plaideurs The Litigants

Les Plaideurs (The Litigants)

Zacharias Noterman's "Les Plaideurs" (The Litigants) is an original etching printed upon laid paper with the 'Aqua-Fortistes' watermark and with full, deckled margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), in 1863. This impression is signed "Zach. Noterman" within in the plate and contains the official blindstamp, "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Les Plaideurs" the publisher's name and address, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu, 66", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin above the plate-mark. The popular 19th century art called 'Singeries' were paintings and etchings of monkeys partaking in human activities such as this original etching depicting 'plaideurs' or 'litigants' where the monkey acting as a legal agent is filling out a document while the other monkey (the client) and his dog look on. They were often clad in telling costumes in order to comically 'ape' a specific action or occupation. "Les Plaideurs"is a fine, original example of the art created by the French artist, Zacharias Noterman
 
Title: Les Plaideurs (The Litigants)
Artist: Noterman, Zacharias (Ghent, 1813 - Paris, 1874)
Date: 1863
Medium: Original Etching
Publisher: Cadart & F. Chevalier, Paris / A. Cadart & Luquet, Paris
Printer: Auguste Delatre, Paris
Source: Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings)
Note: Zacharias Noterman: A nineteenth century Belgian artist, Zacharias Noterman studied painting and etching under his elder brother, Emmanuel Noterman (1808-1863). Both brothers established themselves as animal artists and exhibited their work in Belgium and at the Paris Salon. Emmanuel specialized in depictions of dogs while Zacharias Noterman's forte was the monkey.
  A popular genre in nineteenth century art was the 'Singeries'. Briefly these were paintings and etchings of monkeys partaking in human activities. They were often clad in telling costumes in order to comically 'ape' a specific action or occupation. Zacharias Noterman was highly successful within this genre and between 1863 and 1866 he was commissioned by Cadart in Paris for three original etchings. Les Plaideurs (The Litigants), the first etching, was printed in May of 1863. Other nineteenth century masters of Singeries included Sir Edwin Henry Landseer, Edmund Bristow, Gabriel Alexandre Decamps, Charles Monginot and Paul Friedrich Meyerheim. The National Gallery of Canada (Musee des Beaux-Arts du Canada) includes an impression of this original etching in its permanent collection, Inventory No 23702.4210.
  Les Plaideurs: This original Zacharias Noterman etching entitled, "Les Plaideurs" (The Litigants) hails from the Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings), Originales et Inedites - Premiere Annee - Primier Volume - (1862-1863), published by A. Cadart & Luquet, Editeurs, 79 Rue de Richelieu, 79, Paris, plate # 42. The (September, 1862 - August, 1863) issue of Eaux-Fortes Modernes contained sixty original etchings, however, #43, actually contained two original etchings by Adolphe Appian, entitled, Chemin des Roches, and a Gorge-au-Loup. Contributing artists for this issue included, Felix Bracquemond, Charles Daubigny, Alphonse Legros, Edouard Manet Theodule Ribot, Albert Brendel Jules Jacquemart, Johan Jongkind, Georges Gassies, Theophile Chauvel, Auguste Constantine, Tancrede Abraham, Armand Queyroy, Louis Emile Vernier, August von Heyden, Louis Lombart, Jean-Baptiste Corot, Maxime Lalanne, Leon Dansaert, Zacharias Noterman, Ferdinand Chaigneau, Jules Laurens, Otto-Webber, and other fine 19th century artists of the period. An original etching, "Les Plaideurs" is an artist proof impression signed, "Zach. Noterman" within in the plate and bears the official blindstamp "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Les Plaideurs" the publisher's name and address, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu, 66", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin above the plate-mark as published for the"Societe des Aqua-Fortistes - Eaux-Fortes Modernes".
  Alfred Cadart: Within a surprisingly short period of time, the revival of etching as an original art form in Europe and America during the latter nineteenth century became viewed as a means of artistic expression equal to (and in more than several quarters, superior to) painting and sculpture. And, during that period, Alfred Cadart (1828-1875), sometimes listed as Alphonse Cadart, was France's foremost publisher of original etchings. He was most influential in re-establishing etching as a major artistic medium in France, England and America. In 1862, Alfred Cadart, along with Felix Chevalier, founded the Societe des Aqua-Fortistes (Society of Etchers), an organization, responsible for producing some of the finest French art from this era until its demise in 1867. The initial members included Felix Bracquemond, Henri Fantin- Latour, Johan Barthold Jongkind, Alphonse Legros and Theodule Ribot. Many of the fine etchings published by Cadart, particularly the earlier prints, were printed by August Delatre (1822-1907). Recognized as the most gifted printer-etcher of his era, August Delatre's influence upon the course of creative etching was significant. The artists who requested their services for their impressions reads like a 'who's who' of nineteenth century art. Corot, Chauvel, Brendel, Chaigneau, Constantin, Cottin, Whistler, Meryon, Haden, Jacquemart, Appian, Daubigny, Bracquemond, Rops, and other fine artists all pressed for their skills and advice. Both Cadart and Delatre were thus responsible for creating some of the most memorable and finest etchings of the nineteenth century. Zacharias Noterman's original etching, "Les Plaideurs" (The Litigants) is a fine, original example of the etchings published by Cadart during the early 1860's decade. This particular etching depicts a scene with two monkeys and a dog, The monkey acting as legal agent is filling out a document while the other monkey (the client) and his dog look on.
  Through the years, Alfred Cadart's firm entered into various partnerships producing changes in the name of the firm, as well as a change of address during the publication of some of his art albums. Starting around 1859, Alfred Cadart's publications bear the "Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacres". In 1861, Alfred Cadart entered into partnership with Felix Chevalier, establishing their new publishing house as, 'A. Cadart & F. Chevalier", Rue Richelieu, 66, Paris'. His next partnership began around 1862 with Jules Luquet, thus creating the firm of 'A. Cadart & Luquet, Editeurs', Rue de Richelieu, 79, Paris". In 1867, Cadart formed another partnership, this time with Mr. Luce, launching la Maison de "Cadart et Luce, Editeurs-Fondateurs, 58, Rue Neuve des Mathurins, 58". Then in 1872 he began to publish under his own name, "A. Cadart, Editeur-Fondateur, 58, Rue Neuve des Mathurins, 58". In 1874, the address changed to '56, Boulevard Haussmann, 56, Paris". After Cadart's death in 1875, his widow, Celonie-Sofie Cadart continued publishing original graphic works of art under the name, "Vve A. Cadart", (Puis Veuve Cadart), at the same address "56, Boulevard Haussmann, 56, Paris, until the demise of the firm in 1882. A selection of Paris art journals that contained original etchings published by the A. Cadart firm are listed below.
  Some of the earliest issues published by Alfred Cadart containing original etchings include, "Specimen, Paris Qui S'en Va", and "Paris Qui S'en Va Paris et Qui Vient", (1859-1860), Publication Artistique, dessinee et Gravee par Leopold Flameng, publie par Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacre. When Alfred Cadart entered into partnership with Felix Chevalier in 1861, their new publishing house ran under the name of 'A. Cadart & F. Chevalier'. It was located at Rue Richelieu, 66, Paris until its demise around 1863. During that period, their firm published other important sets, such as Charles-Francois Daubigny's album with nineteen original etchings entitled, "Voyage en Bateau, Croquis a L'Eau Forte" par Daubigny (1862), printed by Auguste Delatre, with text that read; "publie par A. Cadart & F. Chevalier". Cadart's 1862 portfolio entitled, "Huit Gravures a l'eau-forte par Manet" (Eight etchings by Edouard Mane), is also of great note, and it actually contained nine original etchings (two were printed on a single sheet).
  From (1862-1867), Alfred Cadart along with the Societe des Aqua-Fortistes was responsible for producing some of the greatest etchings from this vital decade. The firm published its first long running series of art albums, issued from September of 1862 to August of 1867 under the title of, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes". During the publication of "Eaux-Fortes Modernes" Alfred Cadart ended his partnership with Felix Chevalier and entered into a new partnership with Jules Luquet, establishing the publishing house of 'Cadart & Luquet'. The first two issues of this publication contain two title pages, the first title page bears the name & address of the firm, 'A. Cadart & F. Chevalier', and the second title page bears the name & address of the firm, 'Cadart & Luquet'. The remaining issues (only) bear the 'Cadart & Luquet' details on the title page. "Traite de La Gravure - A L'Eau-Forte", 1866 by Maxime Lalanne contains a catalogue of the lithographs and etchings published by 'Cadart & Luquet'. The first two issues of "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" are included in this catalogue. The following is a listing of the, "Eaux-Fortes Moderne" art publications, the addresses and the numerical sequence for each volume published from 1862 to 1867. The (Sep, 1862 - Aug, 1863) issue lists sixty etchings (#01 to #60), and the (Sep, 1863 - Aug, 1864) issue lists sixty etchings (#61 to #120). The printed addresses that appear on both issues are (A. Cadart & Chevalier, Editeurs, 66, Rue de Richelieu, 66, Paris), and (A. Cadart & Luquet, Editeurs, 79, Rue de Richelieu, 79, Paris). As mentioned earlier, the following issues only contained one address (A. Cadart & Luquet, Editeurs, 79, Rue de Richelieu, 79, Paris). The (Sep, 1864 - Aug, 1865) lists sixty etchings (#121 to #180), the (Sep, 1865 - Aug, 1866) lists sixty etchings ( #181 to #240) and lastly, the (Sep, 1866 - Aug, 1867) issue lists sixty etchings (#241 to #300). For this series, Cadart commissioned hundreds of outstanding etchings by major 19th century French and international artists. By the time of their demise in 1867, Cadart and the Societe des Aqua-Fortistes had published hundreds of original etchings for the series, 'Eaux-Fortes Modernes', three hundred etchings, sixty etchings per issue. Most were printed on single pages, however, some pages contained multiple etchings, increasing the number to over three hundred. Published in 1863, "Les Plaideurs" (The Litigants) stands as fine, original example of the etched art of Zacharias Noterman commissioned for Cadart's first major French art journal, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings).
  During Cadart's partnership with Jules Luquet (1863 - 1867), the publishing house of Cadart & Luquet also published individual etchings, periodicals and various art albums or series containing original graphic works of art created by an individual artist, such is the case with the series of original etchings listed as, "Scenes Culinaires" which dealt with culinary scenes in Parisian restaurants etched by the French artist, Theodule-Augustin Ribot. These include, "La Carte", "L'Aide de Cuisine", "Le Recette du Cuisinier", "Les Eplucheurs", "Le Mets Brule, Salon de 1863", "Le Dejeuner des Cuisiniers", "Le Dejeuner du chat", and others. A few examples of art albums created by an individual artist include, A. P. Martial's two albums of Parisian views with original etchings entitled, "Vieux Paris" and "Ancien Paris". Both albums contained a collection of one hundred etchings in each portfolio with views of famous homes, city views, streets scenes, and important monuments in Paris. Another art publication entitled, "La Legende de Malborough" contains a collection of twenty one etchings by Amedee de Boret illustrating the Malborough's war verses. There were many additional works published in this manner by the Cadart firm, created and etched by such distinguished artists as, Maxime Lalanne, Jules Jacquemart, de Longueville, A. Gueyroy, and others.
  In 1868, Alfred Cadart initiated the publication of another series of original etchings, entitled, "L'Illustration Nouvelle" par Une 'Societe de Peintres-Graveurs, a L'Eau-Forte' (Society of Painters - Etchers) published under the partnership of 'Cadart et Luce' which ran from 1868 to 1871. However, starting with the 1872 issue, Cadart published the series under his own name, 'A. Cadart', until his death in 1875. After the death of Alfred Cadart, his widow, Celonie-Sofie Cadart continued to publish "L'Illustration Nouvelle" (The New Illustration), but changed the name to, "Vve A. Cadart", (Puis Veuve Cadart). This continued until the last issue was published in 1881. The address noted on the issues (1868-1872) was (58, Rue Neuve des Mathurins, 58, Paris) and from (1873-1881) the issues contained the address (56, Boulevard Haussmann, 56, Paris). Note: 'Veuve A. Cadart', or 'Vve A. Cadart' stands for Widow of A. Cadart. In total, there were 584 etchings commissioned for "L'Illustration Nouvelle". Like the previous series, entitled, "Eaux-Fortes Modernes", most of the etchings were printed on single pages, however, some pages contained multiple etchings, increasing the number of the combined issues to over six hundred etchings created by master etchers of the 19th century.
  In 1874, while "L'Illustration Nouvelle" was still in publication, Cadart began another fine series of original etchings, the first issue was entitled, "Publications A. Cadart - L'Eau-Forte en 1874" (Publications A. Cadart - Etching in 1874), published by 'A. Cadart', 58, Rue Neuve des Mathurins, 58, Paris. The second issue, L'Eau-Forte en 1875" contained a change of address (56, Boulevard Haussmann, 56, Paris). After the death of Alfred Cadart in 1875, his widow, Celonie-Sofie Cadart also continued to publish this series, but she changed the title to "Publications Vve A. Cadart - L'Eau-Forte en 1876", Vve A. Cadart, Editeur - Imprimeur (same address, but with a change of date) until the last one entitled, "Publications Vve A. Cadart - L'Eau-Forte en 1881" was published in 1881. Every issue contained thirty original etchings with the exception of the second issue which contained forty etchings, however, some pages had more than one etching printed per page, bringing the total to over two hundred and fifty etchings published in the eight issues from 1874 to 1881. According to the British Museum of Art, the firm closed in 1882. It is believed that Celonie-Sofie Cadart could no longer afford the high cost of publishing and declared bankruptcy. After the closure of the Cadart publishing house, all of the inventory was auctioned off, ending an era of more than two decades of original creative printmaking, and the publishing of some of the finest etchings of the latter part of the nineteenth century by France's foremost publisher of original etchings, and one of the principal forces behind the French etching revival, Alfred Cadart.
Reference: Maxime Lalanne, Traite de La Gravure - A L'Eau-Forte, - Texte et Planches Par Maxime Lalanne, Paris, Cadart et Luquet, Editeurs, Gerants de la Societe des Aqua-Fortistes, 79, Rue Richelieu,79, MDCCC LXVI (1866), Catalogue des Lithographies - Gravures - Eaux-Fortes Publiees par la Maison Cadart & Luquet, "Eaux-Fortes Modernes" Publication Artistique d'Oeuvres Originales par La Societe Des Aqua-Fortistes, 1re Annee, (1862-1863), Frontispice et Introduction, pg. 12, plate # 42, Noterman - "Les Plaideurs".
Reference: A. Cadart & Luquet, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), Premiere Annee - Primier Volume - (1862-1863), 79 Rue de Richelieu, 79, Paris, (plate # 42).
Size: 9 3/8 X 12 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Buy Now Price: $385.00 US
Condition: Printed upon laid paper with the 'Aqua-Fortistes' watermark and with full, deckled margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), in 1863. Signed, "Zach. Noterman", in the plate to the lower left. Containing the official blindstamp "A. Cadart & Luquet, Editeurs, 79. R. Richelieu", the title, "Les Plaideurs" the publisher's name and address, "Paris, publie par A. Cadart & F. Chevalier, Editeurs, Rue Richelieu, 66", and the printer's details "Imp. Delatre, Rue St. Jacques, 303, Paris", in the lower margin above the plate-mark. A finely printed impression and in excellent condition throughout. Les Plaideurs (The Litigants) represents a prime, original example of the popular animal art of Zacharias Noterman.
Subject: Zacharias Noterman, "Les Plaideurs ('The Litigants')", original etching, Societe des Aqua-Fortistes, Paris, Belgian artists, 'Singeries', monkeys, professions.
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Original Etching by the Belgian artist, Zacharias Noterman.

Les Plaideurs The Litigants Original Etching by the French artist Zacharias Noterman published for the Societe des Aqua Fortistes Eaux Fortes Modernes by Cadart and F Chevalier and A Cadart and Luquet
Les Plaideurs (The Litigants)

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View other original etchings published by Alfred Cadart's publishing house & his partners.

"Alfred Cadart", "A. Cadart & F. Chevalier", 'A. Cadart & Luquet", "Cadart et Luce", "A. Cadart", & "Vve A. Cadart"
# Last Name Artist & Title Artist Info Source Date -
01.- Abraham Bords de l'Oudon (Banks of the Oudon) by Tancrede Abraham Tancrede Abraham (Vitre, 1836 - 1895) Eaux-Fortes Modernes (plate # 31) 1863  
02.- Aufray Moulin Hollandais sur le Canal du Roi-Guillaume (Dutch Windmill on the Canal Roi-Guillaume) by Alphonse Aufray Alphonse Edouard de Roc'Bhian Aufray 'Alphonse Aufray' (Paris, 1833 - 1886) Eaux-Fortes Modernes (plate # 194) 1865 Sold
03.- Barillot Un Verger au Printemps (An Orchard in Springtime) by Leon Barillot Leon Barillot (Montigny-les-Metz, 1844 - Paris, 1929) L'Eau-Forte en 1878 (plate #19) 1878 Sold
04.- Beaujoint Vue de Varennes en Argonne (View of Varennes in Argonne) by Alphonse Beaujoint Alphonse Beaujoint (France, Active, 1850 - 1870) Eaux-Fortes Modernes (plate # 192) 1865  
05.- Berthelemy Entree du Port de Courseulles a Maree Basse (Entrance to the Port of Courseulles at Low Tide) by Pierre Emile Berthelemy Pierre Emile Berthelemy (Rouen, 1818 - Bernieres-Sur-Mer, 1890) Eaux-Fortes Modernes (plate # 121) 1864  
06.- Besnus La Mare au Drac, Champagne (The Pond at Drac, Champagne) by Amedee Besnus Amedee Besnus (Paris, 1831 - 1909) Eaux-Fortes Modernes (plate # 149) 1865 Sold
07.- Besnus Une Famille de Philosophes (A Family of Philosophers) by Amedee Besnus Amedee Besnus (Paris, 1831 - 1909) Eaux-Fortes Modernes (plate 222) 1866  
08.- Borromeo Vue Prise aux iles Borromees, Lac Majeur (View of the Borromean Islands, Lake Maggiore) by Gilberto Borromeo Gilberto Borromeo (Milan, Italy, 1815 - 1885) Eaux-Fortes Modernes (plate # 200) 1865  
09.- Brendel Une Bergerie (A Sheepfold) by Albert Brendel Albert-Henrick Brendel 'Albert Brendel' (Berlin, 1827 - Weimar, 1895) Eaux-Fortes Modernes (plate # 7) 1862  
10.- Chaigneau Le Petit Troupeau (The Little Herd) by Jean Ferdinand Chaigneau Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) Eaux-Fortes Modernes (plate # 91) 1864 Sold
11.- Chaigneau Moutons en Plaine, Salon de 1863 (Sheep in the Plain) by Jean Ferdinand Chaigneau Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) Eaux-Fortes Modernes (plate # 49) 1863 Sold
12.- Chauvel A Fleury, Seine-et-Marne (In Fleury, Seine-et-Marne) by Theophile-Narcisse Chauvel Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) Eaux-Fortes Modernes (plate #147) 1865 Sold
13.- Chauvel Apres la Pluie, a Vaujours (After the Rain, at Vaujours) by Theophile-Narcisse Chauvel Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) L'Eau-Forte en 1876 (plate # 21) 1876 Sold
14.- Constantin Fantaisies (Fantasies) by Auguste Constantin Auguste Aristide Fernand Constantin 'Auguste Constantin' (Paris, 1824 - 1895) Eaux-Fortes Modernes (plate 21) 1863  
15.- Cossmann Apres la Bataille (After the Battle) by Herman-Maurice Cossmann Herman-Maurice Cossmann 'Herman Cossmann' (Berlin, 1821 - Paris, 1890) Eaux-Fortes Modernes (plate # 221) 1866  
16.- Cottin Basse-Cour (Farmyard) by Pierre Cottin Pierre Cottin (La Chapelle-Saint-Denis, 1823 - Paris, 1886) Eaux-Fortes Modernes (plate # 112) 1864  
17.- Dansaert La Rentree du Pierrot (The Return of Pierrot) by Leon Dansaert Leon-Marie-Constant Dansaert 'Leon Dansaert' (Brussels, 1830 - 1909) Eaux-Fortes Modernes (plate # 40) 1863  
18.- de Boret Chevaliers et Sorcieres (Horsemen and Witches) by Amedee de Boret Amedee De Boret (Jussey, France, 1837 - Raincourt, 1916) Eaux-Fortes Modernes (plate # 218) 1866  
19.- Delatre Le Matin (Morning) 'View of a Duck Pond' by Auguste Delatre Auguste Delatre (Paris, 1822 - 1907) Eaux-Fortes Modernes (plate # 167) 1865 Sold
20.- Duseigneur Dans la Rue, Lyon (In the Street, Lyon) by Georges Duseigneur Louis-Didier-Georges Duseigneur 'Georges Duseigneur' (Lyon, 1841 - Paris, 1906) Eaux-Fortes Modernes (plate # 170) 1865  
21.- Edwards Parc a Richmond, Angleterre (Park in Richmond, England) by Edwin Edwards Edwin Edwards (Framlingham, 1823 - London, 1879) Eaux-Fortes Modernes (plate #122) 1864  
22.- Faruffini Le Sacrifice Egyptien d'une Vierge au Nil, Salon de 1867 (Egyptian Sacrifice of a Virgin to the Nile) by Federico Faruffini Federico Faruffini (Milan, Italy, 1831 - Perugia, Italy, 1869) Eaux-Fortes Modernes (plate # 281) 1867 Sold
23.- Gabriel La Petite-Venise 'Provence' (Little Venice 'Province') by Justin Gabriel Justin Gabriel (Brignolles, 1838 - ?) Eaux-Fortes Modernes (plate # 126) 1864 Sold
24.- Gassies Le Forgeron (The Blacksmith) by Georges Gassies Georges Gassies (Paris, 1829 - 1919) Eaux-Fortes Modernes (plate # 10) 1862 Sold
25.- Jacquemart Souvenirs de Voyage (Souvenirs of a Journey) (Souvenirs of a Journey) by Jules Jacquemart Jules-Ferdinand Jacquemart 'Jules Jacquemart' (Paris, 1837 - 1880) Eaux-Fortes Modernes (plate # 8) 1862 Sold
26.- Laguillermie Jeune Bretonne Vannant du Ble Noir au Bord de la Mer, Salon de 1874 (Young Bretonne Winnowing Buckwheat at the Seaside) by Frederic-Auguste Laguillermie Frederic-Auguste Laguillermie (Paris 1841 - 1934) L'Eau-Forte en 1875 (plate # 16) 1875  
27.- Lancon Un Vieux Lion (An Old Lion) by Auguste Andre Lancon Auguste Andre Lancon 'Auguste Lancon' (Saint-Claude (Jura) 1836 - Paris, 1887) L'Eau-Forte en 1874 (plate # 14) 1874  
28.- Laurens Canards Sauvages (Wild Ducks) by Jules Laurens Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) Eaux-Fortes Modernes (plate # 13) 1862  
29.- Laurens Sous Les Murs de Teheran, Perse (Within the Walls of Teheran, Persia) by Jules Laurens Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) Eaux-Fortes Modernes (plate # 51) 1863  
30.- Laurens Truands de Campagne (Thieves in the Countryside) by Jules Laurens Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) Eaux-Fortes Modernes (plate # 187) 1865  
31.- Leconte Une Rue a Sienne, Italie (A Street in Sienna, Italy) by Louis Leconte de Roujou Louis Leconte de Roujou 'Louis Leconte de Roujou' (Blois, c. 1820 - 1870) Eaux-Fortes Modernes (plate # 23) 1863  
32.- L'hermitte Interieur de Moulin a Kersaint, Finistere (Interior of a Mill in Kersaint, Finistere) by Leon-Augustin Lhermitte Leon-Augustin L'hermitte (Mont-Saint-Pere, 1844 - Paris, 1925) L'Eau-Forte en 1875 (plate # 22) 1875 Sold
33.- Lombard Le Borriquero, Espagne (The Donkey Keeper, Spain) by Louis Lombard Louis Lombard (Paris, 1831 - ?) Eaux-Fortes Modernes (plate # 35) 1863 Sold
34.- Mery Abeilles (Bees) by Alfred Emile Mery Alfred Emile Mery 'Alfred Mery' (Paris, 1824 - 1896) Eaux-Fortes Modernes (plate # 216) 1866  
35.- Monzies L' Opinion du Modele (The Opinion of the Model) by Louis Monzies Louis Monzies (Montauban, 1849 - Le Mans) L'Eau-Forte en 1878 (plate # 16) 1878  
36.- Morin Pays Quand Meme (Home all the Same) by Edmond Morin Edmond Morin (au Havre, 1824 - Scaeux, 1882) L'Eau-Forte en 1875 (plate # 33) 1875  
37.- Noterman Les Plaideurs (The Litigants) by Zacharias Noterman Zacharias Noterman (Ghent, 1813 - Paris, 1874) Eaux-Fortes Modernes (plate # 42) 1863  
38.- Prevost Les Remords (Remorse) by Alexandre Prevost Alexandre Celeste Gabriel Prevost 'Alexandre Prevost' (Paris, c. 1830 - 1900) Eaux-Fortes Modernes (plate # 258) 1866  
39.- Queyroy Menhirs de Meneck by Armand Queyroy Armand Queyroy 'Mathurin Louis Armand Queyroy' (Vendome, 1830 - 1893) Eaux-Fortes Modernes (plate # 17) 1862  
40.- Ribot La Carte, Scene Culinaire #8 (The Menu, Culinary Scene #8) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Scenes Culinaires c. 1863-1866  
41.- Ribot Le Dejeuner des Cuisiniers, Scene Culinaire #5 (The Cooks' Lunch, Culinary Scene # 5) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Scenes Culinaires c. 1863-1866  
42.- Ribot Le Mets Brule, Salon de 1863 (The Burnt Meal) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Eaux-Fortes Modernes (plate # 58) 1863  
43.- Ribot Le Recette du Cuisinier (The Cook's Recipe) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) L'Eau-Forte en 1878 (plate # 25) 1877  
44.- Ribot Les Eplucheurs (The Peelers) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Eaux-Fortes Modernes (plate # 25) 1863  
45.- Ribot M. A. Cadart, Fondateur de la Societe des Aqua-Fortistes (Alfred Cadart, Founder of the Society of Etchers) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Eaux-Fortes Modernes (plate # 99) 1864 Sold
46.- Roybet En Retard Pour La Fete (Late for the Fair) by Ferdinand Roybet Ferdinand Roybet (Uzes, 1840 - Paris, 1920) Eaux-Fortes Modernes (plate # 148) 1865 Sold
47.- Roybet Le Repos, 'Fanueses au Repos' (Rest, 'Haymakers Resting') by Ferdinand Roybet Ferdinand Roybet (Uzes, 1840 - Paris, 1920) Eaux-Fortes Modernes (plate # 214) 1866 Sold
48.- Rudaux Il M'aime Un Peu, Beaucoup? (He Loves Me, Loves Me Not?) by Edmond Adolphe Rudaux Edmond Adolphe Rudaux 'Edmond Rudaux' (Verdun, 1840 - Paris, 1914) L'Eau-Forte en 1881 (plate # 4) 1881 Sold
49.- Sege Moulins dans le Pas-de-Calais (Windmills in the Pas-de-Calais) by Alexandre Sege Alexandre Sege (Paris, 1818 - Coubron (Seine-et-Oise), 1885) Eaux-Fortes Modernes (plate #181) 1865  
50.- Smits La Lettre (The Letter) by Eugene Smits Eugene Joseph Henri Smits 'Eugene Smits' (Antwerp, 1826 - Brussels, 1912) Eaux-Fortes Modernes (plate # 232) 1866 Sold
51.- Snell Lillebonne en 1848 by George Snell George Snell (United States, 1820 - 1893) Eaux-Fortes Modernes (plate # 240) 1866  
52.- Taiee Notre St. Ouen d'avant la guerre by Alfred Taiee Alfred Taiee (Paris, 1820 - ?) L'Illustration Nouvelle (plate # 205) 1873  
53.- Taiee Rose Tremiere (Alcea Rosea, Hollyhock) by Alfred Taiee Alfred Taiee (Paris, 1820 - ?) Eaux-Fortes Modernes (plate # 249) 1866  
54.- Ulm Brant Decouvrant le Phosphore (Brandt Discovering Phosphorus) by Emile Ulm Emile Ulm (Rochefort, 1829 - Paris, 1892) Eaux-Fortes Modernes (plate # 137) 1864 Sold
55.- Valentin Un Ouvrier de Sevres (A Worker from Sevres) by Henry Augustin Valentin Henry Augustin Valentin 'Henry Valentin' (Yvetot 'Seine-Inferieure', 1822 - c. 1883) Eaux-Fortes Modernes (plate # 70) 1863  
56.- Vernier Rue Saint-Nicolas, Blois by Emile Louis Vernier Emile Louis Vernier 'Emile Vernier' (Lons-le-Saulnier, (Jura) 1829 - Paris, 1887) Eaux-Fortes Modernes (plate # 32) 1863  
57.- Villevieille En Picardie (In Picardy) by Leon Villevieille Leon Villevieille (Paris, 1826 - 1863) Eaux-Fortes Modernes (plate # 87) 1864 Sold
58.- Von Heyden Juifs Polonais, paysans et mineurs se la Haute-Silesie a l'embarcadere d'une mine (Polish Jews, peasants and miners from Haute-Silesie at the mine pier) by August Von Heyden August Jakob Theodor Von Heyden 'August Von Heyden' (Breslau, 1827 - Berlin, 1897) Eaux-Fortes Modernes (plate # 33) 1863 Sold
59.- Weber Souvenir de Normandie (Souvenir of Normandie) by Otto Weber Otto Weber (Berlin, 1832 - London, 1888) Eaux-Fortes Modernes (plate # 53) 1863 Sold
60.- Weber Un Pardon Breton, pres le Faouet, Morbihan (A Breton Pilgrimage, near Le Faouet, Morbihan) by Otto Weber Otto Weber (Berlin, 1832 - London, 1888) Eaux-Fortes Modernes (plate # 84) 1864  
61.- Zaleski Lecon de Lecture a Orenbourg (A Reading Lesson in Orenburg) by Bronislaw Zaleski Bronislaw Zaleski (Raczkiewicze, Poland, 1819 - Menton, France, 1880) Eaux-Fortes Modernes (plate # 207) 1866  


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