Joe Jones (Joseph John Jones)

Beach Scene I

Joe Jones's "Beach Scene I" is a study of the horizontal. Land, water and sky create the wide expanse of colors and tones which is countered by the black lines of docks, houses, bicycles, and a baby carriage. This original silk-screen is printed upon fine laid paper and with full margins as published by the Associated American Artists of New York in 1962. It is signed, titled and numbered, '92/110' by the artist in pencil along the lower margin. "Beach Scene I" is a fine, original example of the American landscape art of Joseph John Jones. The 'Butler Institute of American Art Museum' lists an impression of "Beach Scene I" in their collection.

Original Color Silk-Screen (Serigraph) by The American artist, Joe Jones 'Joseph John Jones'.

Beach Scene I

View other original Works of Art by Joe Jones.

Joseph John Jones 'Joe Jones' (St. Louis, 1909 - Morristown, New Jersey, 1963)
#	Image	Title & Artist	Medium	Date	Notes	-
01-		Against The Sky by Joe Jones (Joseph John Jones)	Original Color Silk-Screen (Serigraph)	1961	Signed, titled and numbered '40/100' by Joe Jones in pencil. Published by The Associated American Artists of New York.
02.-		Beach Scene I by Joe Jones (Joseph John Jones)	Original Color Silk-Screen (Serigraph)	1962	Signed, titled and numbered '92/110.' by Joe Jones in pencil. Published by The Associated American Artists of New York.	Sold
03.-		Beach Scene II by Joe Jones (Joseph John Jones)	Original Color Silk-Screen (Serigraph)	1962	Signed, titled and numbered '87/110.' by Joe Jones in pencil. Published by The Associated American Artists of New York.	Sold
04.-		The Highway by Joe Jones (Joseph John Jones)	Original Color Silk-Screen (Serigraph)	c. 1955 - 1960	Signed, titled and numbered, '37/100' by Joe Jones in pencil.
05.-		Tropical Harbour by Joe Jones (Joseph John Jones)	Original Color Silk-Screen (Serigraph)	c. 1955	Signed by Joe Jones in pen, (Proof impression), limited edition of one hundred impressions. (Plus 15 Artist's Proofs)	Sold

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Title:	Beach Scene I
Artist:	Jones, Joseph John 'Joe Jones' (St. Louis, 1909 - Morristown, New Jersey, 1963)
Date:	1962
Medium:	Color Silk-Screen (Serigraph)
Publisher:	Associated American Artists, New York
Edition:	Limited edition of one hundred and ten impressions, numbered '92/110'.
Note:	Joseph John Jones 'Joe Jones': A major twentieth century painter and printmaker, Joe Jones was almost entirely self-taught. He began exhibiting his paintings and prints around St. Louis in the late 1920's. He also organized and taught art classes for children of unemployed workers in 1934. At about this time Joe Jones became a member of the Communist party and a leading political activist throughout the decade of the Depression. His views were greatly criticized by mid-western conservatives and thus Jones left St. Louis for New York in 1935.
	Many of Joe Jones's paintings and prints from this era (including five large murals) were commissioned by the government supported Works Progress Administration. Also, in 1937, he was awarded the prestigious Guggenheim Foundation Fellowship and his art was included in important exhibitions at the Carnegie Institute. In World War Two, Jones worked as a war artist for Life Magazine.
	During his career, Joe Jones's art underwent significant changes. His early paintings and prints (many depicting laborers and farm workers) were at the forefront of both Social Realism and American Regionalism. Until the end of the Second World War the large majority of Joe Jones's prints were in the medium of lithography. Joe Jones made his first experiments in the newly invented art of the color silk-screen in 1945. After that date he devoted much of his talents to this method. The possibility within the silk-screen of creating large prints with full ranges of colors and tonal values contributed to a transformation of Jones's art.
	Moving more towards a lyrical, almost calligraphic form of abstractionism, Joe Jones brilliantly explored the relationships of line, form and color within space. His silk-screens from the post war era, such as this original example, are now seen as masterworks of their time.
	Prominent galleries that today include the art of Joe Jones in their collections are the Smithsonian Institute, the White House, the San Diego Museum of Art, the Denver Art Museum, the Saint Louis Art Museum, the Carnegie Museum of Art, the Butler Institute of American Art and the Whitney Museum of American Art, New York. The 'Butler Institute of American Art Museum' lists an impression of "Beach Scene I" in their collection, Accession No. 962-P-123.
Provenance:	During the 1950's, most of Jones's silk-screens were commissioned by the Associated American Artists of New York. Each was published in editions of 100 to 110 impressions along with 15 Artist Proofs. This particular impression was originally in the collection of the archives of the Associated American Artists and It was also published by them.
	The Associated American Artists of New York was founded in the mid 1930's. They commissioned original graphic art from such great masters as Grant Wood, Thomas Hart Benton, Reginald Marsh and others. It published etchings and lithographs of no less stature during the 1960's as contributing artists included Joe Jones, Jack Levine, Chaim Koppelman, Joseph Margulies, James Kearns, Irwin D. Hoffman and Sidney Chafetz.
Size:	8 X 31 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	UnMatted
Condition:	Printed upon fine laid paper and with full margins as published in New York in 1962. Signed, titled and numbered, '92/110' by the artist in pencil along the lower margin. Containing slight creasing in the outer margins (far removed from the actual image), else a vibrantly printed impression and in very good condition throughout. Altogether this original silk-screen, entitled Beach Scene I, represents a fine example of the famous American art of Joe Jones.
Price:	Sold - The price is no longer available.
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