Utagawa Hiroshige I - Wild Geese Flying Across a Crescent Moon Mikazuki ni gan

Wild Geese Flying Across a Crescent Moon (Mikazuki ni gan)

This original Utagawa Hiroshige I woodcut, "Wild Geese Flying Across a Crescent Moon (Mikazuki ni gan)" is a masterpiece of his koban sized kacho-e. It is printed upon early 19th century Japanese mulberry paper, bearing the artist's red 'Ichiryusai' seal under his signature of 'Hiroshige ga'. "Three geese flying across the Crescent moon" is one of the traditional symbols of the beginning of autumn in Japan and Hiroshige produced at least three woodcuts dedicated to this imagery. Utagawa Hiroshige I designed single sheet woodcuts as well as illustrations for books during his productive career. Depictions of birds, flowers, insects and animals range in size from Kakemono-e to koban. Almost all were created between 1830 and 1840. A number of these great works also contain accompanying poetry, particularly in the Haiku form.

Wild Geese Flying Across a Crescent Moon (Mikazuki ni gan)

View other original Japanese woodcuts by Utagawa Hiroshige I.

Utagawa Hiroshige I (Japan, 1797 - 1858)
#	Image	Title & Artist	Medium	Date	Publisher, Series, Signatures & Seals	Raisonne & Reference	-
01.-		A Cuckoo Flying over Ship's Masts (Hobashira to hototogisu) by Utagawa Hiroshige I	Original Woodcut	c. 1835	Publisher: Jakurindo, Artist's red 'Ichiryusai' seal under his signature of 'Hiroshige ga'	C. J. Bogel & I. Goldman, Hiroshige, Birds and Flowers, New York, George Braziller Inc., & the Rhode Island School of Design, 1988. Catalogue #89. (Illustrated opposite page.)	Sold
02.-		Biwa-Hoshi On The Tokaido Road Near Maisaka (Series: The Fifty-Three Stations of the Tokaido by two Brushes) by Kunisada I and by Utagawa Hiroshige I	Original Woodcut	c. 1854 - 1857	Publisher: Maruya Kishuro, Series: Sohitsu gojusan tsugi (The Fifty-Three Stations of the Tokaido by two Brushes)	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925). Catalogue # 31 of the series and deals with the station of Maisaka	Sold
03.-		Hara (Series: The Fifty-Three Stations of the Tokaido Road) by Utagawa Hiroshige I	Original Woodcut	1840	Publisher: Sanoki, Series: Tokaido Gojusan-tsugi no Uchi (The Fifty-Three Stations of the Tokaido Road)	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925). Catalogue #14	Sold
04.-		Namazu (Series: The Fifty-Three Stations of the Tokaido Road) by Utagawa Hiroshige I	Original Woodcut	1840	Publisher: Sanoki, Series: Tokaido Gojusan-tsugi no Uchi (The Fifty-Three Stations of the Tokaido Road)	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925). Catalogue #13	Sold
05.-		Narumi (Series: The Fifty-Three Stations of the Tokaido by two Brushes) by Kunisada I and by Utagawa Hiroshige I	Original Woodcut	c. 1854 - 1857	Publisher: Maruya Kishuro, Series: Sohitsu gojusan tsugi (The Fifty-Three Stations of the Tokaido by two Brushes)	Edward F. Strange, Hiroshige's Woodblock Prints, Dover Books, Toronto, 1983 (First published, 1925). Catalogue #41	Sold
06.-		Wild Geese Flying Across a Crescent Moon (Mikazuki ni gan) by Utagawa Hiroshige I	Original Woodcut	c. 1835	Publisher: Jakurindo, Artist's red 'Ichiryusai' seal under his signature of 'Hiroshige ga'	C. J. Bogel & I. Goldman, Hiroshige, Birds and Flowers, New York, George Braziller Inc., & the Rhode Island School of Design, 1988. Catalogue #90	Sold
07.-		Woman Fulling Cloth (Series of Figure Sketches) by Utagawa Hiroshige I	Original Woodcut	c. 1820 - 1825	Artist's red 'Ichiryusai' seal under his signature of 'Hiroshige ga'	In 1820 Hiroshige designed a series of eight woodcuts, each of which dealt with a visual comparison of women with scenery.	Sold

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Title:	Wild Geese Flying Across a Crescent Moon (Mikazuki ni gan)
Artist:	Hiroshige I, Utagawa (Japan, 1797 - 1858)
Date:	c. 1835
Medium:	Original Japanese Woodcut
Publisher:	Jakurindo
Signature:	Hiroshige ga (with Artist seal: Ichiryusai)
Note:	“Hiroshige died in 1858, only ten years before the historical end of the Edo period. With him passed the special vision of the natural world that he gave the Ukiyo-e image. No one who has admired plums or camellias blooming in the snow, or geese silhouetted against a full moon on an autumn night, can mistake the poetic spirit that imbues Hiroshige's kacho-e images for anything less than the natural splendour they portray.” *
	Undoubtedly, the two greatest masters of Japanese landscape art and woodcuts of birds and flowers (kacho-e) are An original Japanese woodcut by Utagawa Hiroshige I and Hokusai. Utagawa Hiroshige I --perhaps the most lyrical landscape artist of any time -- was born into a low ranking Samurai family in the capital city of Edo. He became a pupil of Toyohiro at the age of fifteen and studied the art of the Utagawa School. He started his career as a book illustrator and then turned to portrayals of beautiful women. It wasn't until seeing Hokusai's Thirty-Six Views of Mount Fuji that Utagawa Hiroshige turned to his famous landscape art.
	During his productive career An original Japanese woodcut by Utagawa Hiroshige I designed about 10,000 single sheet woodcuts as well as several hundred illustrations for books. Depictions of birds, flowers, insects and animals total almost 500. These range in size from Kakemono-e (double oban) to koban (quarter block). Almost all were created between 1830 and 1840. A number of these great works also contain accompanying poetry, particularly in the Haiku form. Both the Museum of Modern Art, Boston, Accession Number: 218602, and the RISD Museum of Art, include an impression of theis original woodcut in its permanent collections, Collection: Asian Art (1484).
	"Wild Geese Flying Across a Crescent Moon (Mikazuki ni gan)" is a masterpiece of Utagawa Hiroshige's koban sized kacho-e. As with his great landscape art, so much is suggested with so little. Three geese flying across the moon is one of the traditional symbols of the beginning of autumn in Japan and Hiroshige produced at least three woodcuts dedicated to this imagery. On another such woodcut he included the following Haiku poem; Komo na yo ga -- Will it come again Mata mo aro ka -- another night like this one? Tsuki ni kari. -- Wild Geese and the Moon.
Raisonne:	* C. J. Bogel & I. Goldman, Hiroshige, Birds and Flowers, New York, George Braziller Inc., & the Rhode Island School of Design, 1988. Catalogue #90. (Illustrated opposite page.)
Reference:	* C. J. Bogel & I. Goldman, Hiroshige, Birds and Flowers, New York, George Braziller Inc., & the Rhode Island School of Design, 1988. (Quotation taken from p. 25.)
Size:	4 X 6 1/4 O-tanzaku (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image

Condition:	Printed upon early nineteenth century Japanese mulberry (rice) paper and with margins cropped to the image on all sides. Bearing the artist's red Ichiryusai seal under his signature of Hiroshige ga'. A strongly printed impression with dominating green, salmon and black tones and in very good condition throughout. Wild Geese Flying across a Crescent Moon represents a superb, original example of the famous woodcut art of An original Japanese woodcut by Utagawa Hiroshige I.
Price:	Sold - The price is no longer available.
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