Art of The Print Logo for www.artoftheprint.com
www.artoftheprint.com
Art of the Print
Home Artist Index Gallery Catalogue About Us Our Policy Contact Us Site Map Search

Auguste Delatre

Auguste Delatre - Le Matin Morning View of a Duck Pond

Le Matin (Morning) 'View of a Duck Pond'

Auguste Delatre's "Le Matin" (Morning) original etching depicts a view of a duck pond at dawn, here, one sees Auguste Delatre's subtle use of plate tone within the sky. This original impression is an 'Artist Proof' printed upon laid paper with the 'Aqua-Fortistes' watermark and with full, large margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1865. It is signed and dated in the plate by Auguste Delatre to the lower right. "Le Matin (Morning)" is a fine, original example of the landscape and etched art created by the 19th century French artist, Auguste Delatre. Both The National Gallery of Australia and The National Gallery of Canada include an impression of "Le Matin" in their permanent collections.
 
Title: Le Matin (Morning) 'View of a Duck Pond'
Artist: Delatre, Auguste (Paris, 1822 - 1907)
Date: 1865
Medium: Original Etching
Publisher: A. Cadart & Luquet, Paris
Printer: Auguste Delatre, Paris
Source: Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings)
Edition: This particular impression is lacking both the title and the publisher's address along the lower margin. This indicates that it is a proof impression, printed before the regular edition.
Note: Auguste Delatre: fills an important role in nineteenth century French art, both as a creative etcher and engraver and as perhaps one of the greatest artist's printers of any era. After travelling and working with Charles Jacque, Auguste Delatre established his Paris printer's studio around 1855. As well, he instructed many great artists on etching techniques and published an influential treatise on the art form. Auguste Delatre's international stature as a printer owed much to his reintroduction of 'plate tone' --a method of creating background tonal values within etching through artistically back wiping the inked plate before printing. Rembrandt and other seventeenth century Dutch masters had previously used this technique to great effect. In Le Matin (Morning) which depicts a view of a duck pond one sees Auguste Delatre's subtle use of plate tone within the sky. Auguste Delatre was also one of the first European artists to discover the revolutionary art of Japanese woodcuts.
  To no surprise Auguste Delatre's own etchings and engravings are brilliant specimens of his vast technical skills. For Le Matin (Morning) he relied almost solely upon the demanding medium of drypointing, where the artist scratches into the plate to create thick, velvety lines. If expertly handled the drypoint (at least in the early impressions before the burr wears away) yields strong tonal qualities, as is here seen along the shoreline and in the branches of the trees. Yet, apart from the technical wizardry of Le Matin, the charm of this scene shines clearly through, proving that Auguste Delatre was both a great printer and a great artist. Both the National Gallery of Australia, Accession No. NGA 84.188.167 and the National Gallery of Canada (Musee des Beaux-Arts du Canada), Inventory No 23702.167 include an impression of "Le Matin" in their permanent collections.
  Le Matin: This original Auguste Delatre entitled, "Le Matin" (Morning) hails from the Societe des Aqua-Fortistes - Eaux-Fortes Modernes (Society of Etchers - Modern Etchings), Oeuvres Inedites et Originales - Troisieme Annee - Troisieme Volume- (1864-1865), published by A. Cadart & Luquet, Editeurs, 79 Rue de Richelieu, 79, Paris, plate # 167. The (September, 1864 - August, 1865) issue of Eaux-Fortes Modernes contained sixty eight original etchings. There were five original etchings listed for each month, however, there was also one frontispiece etching by Felix Brocquemond and the following pages contained two original etchings per page, #128 two landscapes entitled, Escadre d'Evolutions by Longueville, #134 two scenes entitled, Le Travail by Amand Gautier, #136 two landscapes entitled La Ville et La Campagne by Jules Jacquemart, #145 two interior scenes entitled Au Village by Alphonse Combe, #170 two full portraits of peasants (women in the street) entitled "Dans la Rue" by Leon Dansaert, #173 two landscapes entitled, "Environs de Rix, Ain by Adolphe Appian, #174, and two views entitled, "Environs de Bergame" by Gilberto Borromeo. Contributing artists for this issue include, Pierre Emile Berthelemy, Edwin Edwards, Maxime Lalanne, Adolphe Potemont Martial, Justin Gabriel, Felix Bracquemond, A. Gautier, Jules Jacquemart, Emile Ulm, Theodule Ribot, Theophile Chauvel, Ferdinand Roybet, Amedee Besnus, Carlos-Haes, Jules Laurens, Bronislaw Zaleski, Charles Daubigny, Maxime Lalanne, Alfred Cadart, Alexandre Sege, Auguste Delatre, Otto-Weber, Georges Duseigneur, Eugene Delacroix, Charles Meryon, and other fine 19th century artists of the period. "Le Matin" is a striking example of the etched art of Auguste Delatre commissioned for the Societe des Aqua-Fortistes - Eaux-Fortes Modernes.
  Before publishing his etchings Cadart generally printed a small number of proof impressions. These initial impressions were printed on large sheets of special, laid paper containing the 'Aqua-Fortistes' watermark and before the addition of the title, artist, printer and publisher names along the lower margin. Such is the case with this original etching entitled, "Le Matin" (Morning).
  Alfred Cadart: Within a surprisingly short period of time, the revival of etching as an original art form in Europe and America during the latter nineteenth century became viewed as a means of artistic expression equal to (and in more than several quarters, superior to) painting and sculpture. And, during that period, Alfred Cadart (1828-1875), sometimes listed as Alphonse Cadart, was France's foremost publisher of original etchings. He was most influential in re-establishing etching as a major artistic medium in France, England and America. In 1862, Alfred Cadart, along with Felix Chevalier, founded the Societe des Aqua-Fortistes (Society of Etchers), an organization, responsible for producing some of the finest French art from this era until its demise in 1867. The initial members included Felix Bracquemond, Henri Fantin- Latour, Johan Barthold Jongkind, Alphonse Legros and Theodule Ribot. Many of the fine etchings published by Cadart, particularly the earlier prints, were printed by August Delatre (1822-1907). Recognized as the most gifted printer-etcher of his era, August Delatre's influence upon the course of creative etching was significant. The artists who requested their services for their impressions reads like a 'who's who' of nineteenth century art. Corot, Chauvel, Brendel, Chaigneau, Constantin, Cottin, Whistler, Meryon, Haden, Jacquemart, Appian, Daubigny, Bracquemond, Rops, and other fine artists all pressed for their skills and advice. Both Cadart and Delatre were thus responsible for creating some of the most memorable and finest etchings of the nineteenth century. Auguste Delatre's original etching, "Le Matin" (Morning) is a fine, original example of the etchings published by Cadart during the mid 1860's decade. It depicts a landscape view of a duck pond with a mother duck and her ducklings swiming in the break of day.
  Through the years, Alfred Cadart's firm entered into various partnerships producing changes in the name of the firm, as well as a change of address during the publication of some of his art albums. Starting around 1859, Alfred Cadart's publications bear the "Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacres". In 1861, Alfred Cadart entered into partnership with Felix Chevalier, establishing their new publishing house as, 'A. Cadart & F. Chevalier", Rue Richelieu, 66, Paris'. His next partnership began around 1862 with Jules Luquet, thus creating the firm of 'A. Cadart & Luquet, Editeurs', Rue de Richelieu, 79, Paris". In 1867, Cadart formed another partnership, this time with Mr. Luce, launching la Maison de "Cadart et Luce, Editeurs-Fondateurs, 58, Rue Neuve des Mathurins, 58". Then in 1872 he began to publish under his own name, "A. Cadart, Editeur-Fondateur, 58, Rue Neuve des Mathurins, 58". In 1874, the address changed to '56, Boulevard Haussmann, 56, Paris". After Cadart's death in 1875, his widow, Celonie-Sofie Cadart continued publishing original graphic works of art under the name, "Vve A. Cadart", (Puis Veuve Cadart), at the same address "56, Boulevard Haussmann, 56, Paris, until the demise of the firm in 1882. A selection of Paris art journals that contained original etchings published by the A. Cadart firm are listed below.
  Some of the earliest issues published by Alfred Cadart containing original etchings include, "Specimen, Paris Qui S'en Va", and "Paris Qui S'en Va Paris et Qui Vient", (1859-1860), Publication Artistique, dessinee et Gravee par Leopold Flameng, publie par Alfred Cadart, Editeur D'Estampes, 3, Rue Saint-Fiacre. When Alfred Cadart entered into partnership with Felix Chevalier in 1861, their new publishing house ran under the name of 'A. Cadart & F. Chevalier'. It was located at Rue Richelieu, 66, Paris until its demise around 1863. During that period, their firm published other important sets, such as Charles-Francois Daubigny's album with nineteen original etchings entitled, "Voyage en Bateau, Croquis a L'Eau Forte" par Daubigny (1862), printed by Auguste Delatre, with text that read; "publie par A. Cadart & F. Chevalier". Cadart's 1862 portfolio entitled, "Huit Gravures a l'eau-forte par Manet" (Eight etchings by Edouard Mane), is also of great note, and it actually contained nine original etchings (two were printed on a single sheet).
  From (1862-1867), Alfred Cadart along with the Societe des Aqua-Fortistes was responsible for producing some of the greatest etchings from this vital decade. The firm published its first long running series of art albums, issued from September of 1862 to August of 1867 under the title of, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes". During the publication of "Eaux-Fortes Modernes" Alfred Cadart ended his partnership with Felix Chevalier and entered into a new partnership with Jules Luquet, establishing the publishing house of 'Cadart & Luquet'. The first two issues of this publication contain two title pages, the first title page bears the name & address of the firm, 'A. Cadart & F. Chevalier', and the second title page bears the name & address of the firm, 'Cadart & Luquet'. The remaining issues (only) bear the 'Cadart & Luquet' details on the title page. "Traite de La Gravure - A L'Eau-Forte", 1866 by Maxime Lalanne contains a catalogue of the lithographs and etchings published by 'Cadart & Luquet'. The first two issues of "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" are included in this catalogue. The following is a listing of the, "Eaux-Fortes Moderne" art publications, the addresses and the numerical sequence for each volume published from 1862 to 1867. The (Sep, 1862 - Aug, 1863) issue lists sixty etchings (#01 to #60), and the (Sep, 1863 - Aug, 1864) issue lists sixty etchings (#61 to #120). The printed addresses that appear on both issues are (A. Cadart & Chevalier, Editeurs, 66, Rue de Richelieu, 66, Paris), and (A. Cadart & Luquet, Editeurs, 79, Rue de Richelieu, 79, Paris). As mentioned earlier, the following issues only contained one address (A. Cadart & Luquet, Editeurs, 79, Rue de Richelieu, 79, Paris). The (Sep, 1864 - Aug, 1865) lists sixty etchings (#121 to #180), the (Sep, 1865 - Aug, 1866) lists sixty etchings ( #181 to #240) and lastly, the (Sep, 1866 - Aug, 1867) issue lists sixty etchings (#241 to #300). For this series, Cadart commissioned hundreds of outstanding etchings by major 19th century French and international artists. By the time of their demise in 1867, Cadart and the Societe des Aqua-Fortistes had published hundreds of original etchings for the series, 'Eaux-Fortes Modernes', three hundred etchings, sixty etchings per issue. Most were printed on single pages, however, some pages contained multiple etchings, increasing the number to over three hundred. Published in 1865, "Le Matin" stands as fine, original example of the etched art of Auguste Delatre commissioned for Cadart's first major French art journal, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings).
  During Cadart's partnership with Jules Luquet (1863 - 1867), the publishing house of Cadart & Luquet also published individual etchings, periodicals and various art albums or series containing original graphic works of art created by an individual artist, such is the case with the series of original etchings listed as, "Scenes Culinaires" which dealt with culinary scenes in Parisian restaurants etched by the French artist, Theodule-Augustin Ribot. These include, "La Carte", "L'Aide de Cuisine", "Le Recette du Cuisinier", "Les Eplucheurs", "Le Mets Brule, Salon de 1863", "Le Dejeuner des Cuisiniers", "Le Dejeuner du chat", and others. A few examples of art albums created by an individual artist include, A. P. Martial's two albums of Parisian views with original etchings entitled, "Vieux Paris" and "Ancien Paris". Both albums contained a collection of one hundred etchings in each portfolio with views of famous homes, city views, streets scenes, and important monuments in Paris. Another art publication entitled, "La Legende de Malborough" contains a collection of twenty one etchings by Amedee de Boret illustrating the Malborough's war verses. There were many additional works published in this manner by the Cadart firm, created and etched by such distinguished artists as, Maxime Lalanne, Jules Jacquemart, de Longueville, A. Gueyroy, and others.
  In 1868, Alfred Cadart initiated the publication of another series of original etchings, entitled, "L'Illustration Nouvelle" par Une 'Societe de Peintres-Graveurs, a L'Eau-Forte' (Society of Painters - Etchers) published under the partnership of 'Cadart et Luce' which ran from 1868 to 1871. However, starting with the 1872 issue, Cadart published the series under his own name, 'A. Cadart', until his death in 1875. After the death of Alfred Cadart, his widow, Celonie-Sofie Cadart continued to publish "L'Illustration Nouvelle" (The New Illustration), but changed the name to, "Vve A. Cadart", (Puis Veuve Cadart). This continued until the last issue was published in 1881. The address noted on the issues (1868-1872) was (58, Rue Neuve des Mathurins, 58, Paris) and from (1873-1881) the issues contained the address (56, Boulevard Haussmann, 56, Paris). Note: 'Veuve A. Cadart', or 'Vve A. Cadart' stands for Widow of A. Cadart. In total, there were 584 etchings commissioned for "L'Illustration Nouvelle". Like the previous series, entitled, "Eaux-Fortes Modernes", most of the etchings were printed on single pages, however, some pages contained multiple etchings, increasing the number of the combined issues to over six hundred etchings created by master etchers of the 19th century.
  In 1874, while "L'Illustration Nouvelle" was still in publication, Cadart began another fine series of original etchings, the first issue was entitled, "Publications A. Cadart - L'Eau-Forte en 1874" (Publications A. Cadart - Etching in 1874), published by 'A. Cadart', 58, Rue Neuve des Mathurins, 58, Paris. The second issue, L'Eau-Forte en 1875" contained a change of address (56, Boulevard Haussmann, 56, Paris). After the death of Alfred Cadart in 1875, his widow, Celonie-Sofie Cadart also continued to publish this series, but she changed the title to "Publications Vve A. Cadart - L'Eau-Forte en 1876", Vve A. Cadart, Editeur - Imprimeur (same address, but with a change of date) until the last one entitled, "Publications Vve A. Cadart - L'Eau-Forte en 1881" was published in 1881. Every issue contained thirty original etchings with the exception of the second issue which contained forty etchings, however, some pages had more than one etching printed per page, bringing the total to over two hundred and fifty etchings published in the eight issues from 1874 to 1881. According to the British Museum of Art, the firm closed in 1882. It is believed that Celonie-Sofie Cadart could no longer afford the high cost of publishing and declared bankruptcy. After the closure of the Cadart publishing house, all of the inventory was auctioned off, ending an era of more than two decades of original creative printmaking, and the publishing of some of the finest etchings of the latter part of the nineteenth century by France's foremost publisher of original etchings, and one of the principal forces behind the French etching revival, Alfred Cadart.
Reference: Maxime Lalanne, Traite de La Gravure - A L'Eau-Forte, - Texte et Planches Par Maxime Lalanne, Paris, Cadart et Luquet, Editeurs, Gerants de la Societe des Aqua-Fortistes, 79, Rue Richelieu,79, MDCCC LXVI (1866), Catalogue des Lithographies - Gravures - Eaux-Fortes Publiees par la Maison Cadart & Luquet, "Eaux-Fortes Modernes" Publication Artistique d'Oeuvres Originales par La Societe Des Aqua-Fortistes, 3me Annee, (1864-1965), Frontispice et Introduction, pg. 16, plate # 167, Delatre - "Le Matin"
Reference: A. Cadart & Luquet, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), Troisieme Annee - Troisieme Volume- (1864-1865), 79 Rue de Richelieu, 79, Paris, (plate # 167).
Size: 9 1/2 X 12 3/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
  Matted with 100% Archival Materials
Condition: Printed upon laid paper with the 'Aqua-Fortistes' watermark and with full, large margins as published for Alfred Cadart's Paris art journal of original etchings, "Societe des Aqua-Fortistes - Eaux-Fortes Modernes" (Society of Etchers - Modern Etchings), by A. Cadart & Luquet in 1865. An Artist Proof Impression, signed and dated in the plate by the artist to the lower right. A fine, rich impression and in excellent condition throughout. This original etching and engraving represents a prime example of the art of Auguste Delatre.
Price: Sold - The price is no longer available.
Important Information:

The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Please visit us regularly to view the latest artworks offered for sale. We will soon be posting an update of our most recent research and include the biographical and historical information pertaining to our next collection of original works of art created by artists throughout the centuries. We hope you found the information you were looking for and that it has been beneficial.

Our Gallery, (Art of the Print / www.artoftheprint.com) guarantees the authenticity of every work of art we sell 100%. Full documentation and certification is provided. We offer a wide selection of international fine art dating from the early Renaissance to the contemporary art period.

Original Etching by the French artist, Auguste Delatre.

Le Matin Morning View of a Duck Pond Original Etching by the French artist Auguste Delatre published for the Societe des Aqua Fortistes Eaux Fortes Modernes by A Cadart and Luquet
Le Matin (Morning) 'View of a Duck Pond'

View other original works of art by Auguste Delatre.

Auguste Delatre (Paris, 1822 - 1907)
# Image Title & Artist Medium Date Notes -
01- Soir d'Automne Autumn Evening by Auguste Delatre Soir d'Automne (Autumn Evening) by Auguste Delatre Original Etching 1859 Signed and dated in the plate by Auguste Delatre and bearing the publisher's name in the upper margin, and the artist's name, "Aug. Delatre pinx. et sc", title "Soir d'Automne", & the printer's details "Imp. Aug. Delatre"in the lower margin as published by "L'Artiste", Paris Sold
02.- Le Matin Morning View of a Duck Pond by Auguste Delatre Le Matin (Morning) 'View of a Duck Pond' by Auguste Delatre Original Etching 1865 Signed and dated in the plate by Auguste Delatre to the lower right. Printed by Auguste Delatre in Paris. Bearing the 'Societe des Aqua-Fortistes' watermark as published by A. Cadart & Luquet for "Eaux-Fortes Modernes". Sold

View other original etchings published by Alfred Cadart's publishing house & his partners.

"Alfred Cadart", "A. Cadart & F. Chevalier", 'A. Cadart & Luquet", "Cadart et Luce", "A. Cadart", & "Vve A. Cadart"
# Last Name Artist & Title Artist Info Source Date -
01.- Abraham Bords de l'Oudon (Banks of the Oudon) by Tancrede Abraham Tancrede Abraham (Vitre, 1836 - 1895) Eaux-Fortes Modernes (plate # 31) 1863  
02.- Aufray Moulin Hollandais sur le Canal du Roi-Guillaume (Dutch Windmill on the Canal Roi-Guillaume) by Alphonse Aufray Alphonse Edouard de Roc'Bhian Aufray 'Alphonse Aufray' (Paris, 1833 - 1886) Eaux-Fortes Modernes (plate # 194) 1865 Sold
03.- Barillot Un Verger au Printemps (An Orchard in Springtime) by Leon Barillot Leon Barillot (Montigny-les-Metz, 1844 - Paris, 1929) L'Eau-Forte en 1878 (plate #19) 1878 Sold
04.- Beaujoint Vue de Varennes en Argonne (View of Varennes in Argonne) by Alphonse Beaujoint Alphonse Beaujoint (France, Active, 1850 - 1870) Eaux-Fortes Modernes (plate # 192) 1865  
05.- Berthelemy Entree du Port de Courseulles a Maree Basse (Entrance to the Port of Courseulles at Low Tide) by Pierre Emile Berthelemy Pierre Emile Berthelemy (Rouen, 1818 - Bernieres-Sur-Mer, 1890) Eaux-Fortes Modernes (plate # 121) 1864  
06.- Besnus La Mare au Drac, Champagne (The Pond at Drac, Champagne) by Amedee Besnus Amedee Besnus (Paris, 1831 - 1909) Eaux-Fortes Modernes (plate # 149) 1865 Sold
07.- Besnus Une Famille de Philosophes (A Family of Philosophers) by Amedee Besnus Amedee Besnus (Paris, 1831 - 1909) Eaux-Fortes Modernes (plate 222) 1866  
08.- Borromeo Vue Prise aux iles Borromees, Lac Majeur (View of the Borromean Islands, Lake Maggiore) by Gilberto Borromeo Gilberto Borromeo (Milan, Italy, 1815 - 1885) Eaux-Fortes Modernes (plate # 200) 1865  
09.- Brendel Une Bergerie (A Sheepfold) by Albert Brendel Albert-Henrick Brendel 'Albert Brendel' (Berlin, 1827 - Weimar, 1895) Eaux-Fortes Modernes (plate # 7) 1862  
10.- Chaigneau Le Petit Troupeau (The Little Herd) by Jean Ferdinand Chaigneau Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) Eaux-Fortes Modernes (plate # 91) 1864 Sold
11.- Chaigneau Moutons en Plaine, Salon de 1863 (Sheep in the Plain) by Jean Ferdinand Chaigneau Jean Ferdinand Chaigneau (Bordeaux, 1830 - Barbizon, 1906) Eaux-Fortes Modernes (plate # 49) 1863 Sold
12.- Chauvel A Fleury, Seine-et-Marne (In Fleury, Seine-et-Marne) by Theophile-Narcisse Chauvel Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) Eaux-Fortes Modernes (plate #147) 1865 Sold
13.- Chauvel Apres la Pluie, a Vaujours (After the Rain, at Vaujours) by Theophile-Narcisse Chauvel Theophile-Narcisse Chauvel 'Theophile Chauvel' (Paris, 1831 - 1910) L'Eau-Forte en 1876 (plate # 21) 1876 Sold
14.- Constantin Fantaisies (Fantasies) by Auguste Constantin Auguste Aristide Fernand Constantin 'Auguste Constantin' (Paris, 1824 - 1895) Eaux-Fortes Modernes (plate 21) 1863  
15.- Cossmann Apres la Bataille (After the Battle) by Herman-Maurice Cossmann Herman-Maurice Cossmann 'Herman Cossmann' (Berlin, 1821 - Paris, 1890) Eaux-Fortes Modernes (plate # 221) 1866  
16.- Cottin Basse-Cour (Farmyard) by Pierre Cottin Pierre Cottin (La Chapelle-Saint-Denis, 1823 - Paris, 1886) Eaux-Fortes Modernes (plate # 112) 1864  
17.- Dansaert La Rentree du Pierrot (The Return of Pierrot) by Leon Dansaert Leon-Marie-Constant Dansaert 'Leon Dansaert' (Brussels, 1830 - 1909) Eaux-Fortes Modernes (plate # 40) 1863  
18.- de Boret Chevaliers et Sorcieres (Horsemen and Witches) by Amedee de Boret Amedee De Boret (Jussey, France, 1837 - Raincourt, 1916) Eaux-Fortes Modernes (plate # 218) 1866  
19.- Delatre Le Matin (Morning) 'View of a Duck Pond' by Auguste Delatre Auguste Delatre (Paris, 1822 - 1907) Eaux-Fortes Modernes (plate # 167) 1865 Sold
20.- Duseigneur Dans la Rue, Lyon (In the Street, Lyon) by Georges Duseigneur Louis-Didier-Georges Duseigneur 'Georges Duseigneur' (Lyon, 1841 - Paris, 1906) Eaux-Fortes Modernes (plate # 170) 1865  
21.- Edwards Parc a Richmond, Angleterre (Park in Richmond, England) by Edwin Edwards Edwin Edwards (Framlingham, 1823 - London, 1879) Eaux-Fortes Modernes (plate #122) 1864  
22.- Faruffini Le Sacrifice Egyptien d'une Vierge au Nil, Salon de 1867 (Egyptian Sacrifice of a Virgin to the Nile) by Federico Faruffini Federico Faruffini (Milan, Italy, 1831 - Perugia, Italy, 1869) Eaux-Fortes Modernes (plate # 281) 1867 Sold
23.- Gabriel La Petite-Venise 'Provence' (Little Venice 'Province') by Justin Gabriel Justin Gabriel (Brignolles, 1838 - ?) Eaux-Fortes Modernes (plate # 126) 1864 Sold
24.- Gassies Le Forgeron (The Blacksmith) by Georges Gassies Georges Gassies (Paris, 1829 - 1919) Eaux-Fortes Modernes (plate # 10) 1862 Sold
25.- Jacquemart Souvenirs de Voyage (Souvenirs of a Journey) (Souvenirs of a Journey) by Jules Jacquemart Jules-Ferdinand Jacquemart 'Jules Jacquemart' (Paris, 1837 - 1880) Eaux-Fortes Modernes (plate # 8) 1862 Sold
26.- Laguillermie Jeune Bretonne Vannant du Ble Noir au Bord de la Mer, Salon de 1874 (Young Bretonne Winnowing Buckwheat at the Seaside) by Frederic-Auguste Laguillermie Frederic-Auguste Laguillermie (Paris 1841 - 1934) L'Eau-Forte en 1875 (plate # 16) 1875  
27.- Lancon Un Vieux Lion (An Old Lion) by Auguste Andre Lancon Auguste Andre Lancon 'Auguste Lancon' (Saint-Claude (Jura) 1836 - Paris, 1887) L'Eau-Forte en 1874 (plate # 14) 1874  
28.- Laurens Canards Sauvages (Wild Ducks) by Jules Laurens Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) Eaux-Fortes Modernes (plate # 13) 1862  
29.- Laurens Sous Les Murs de Teheran, Perse (Within the Walls of Teheran, Persia) by Jules Laurens Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) Eaux-Fortes Modernes (plate # 51) 1863  
30.- Laurens Truands de Campagne (Thieves in the Countryside) by Jules Laurens Jules-Joseph-Augustin Laurens 'Jules Laurens' (Carpentras, 1825 - Paris, 1901) Eaux-Fortes Modernes (plate # 187) 1865  
31.- Leconte Une Rue a Sienne, Italie (A Street in Sienna, Italy) by Louis Leconte de Roujou Louis Leconte de Roujou 'Louis Leconte de Roujou' (Blois, c. 1820 - 1870) Eaux-Fortes Modernes (plate # 23) 1863  
32.- L'hermitte Interieur de Moulin a Kersaint, Finistere (Interior of a Mill in Kersaint, Finistere) by Leon-Augustin Lhermitte Leon-Augustin L'hermitte (Mont-Saint-Pere, 1844 - Paris, 1925) L'Eau-Forte en 1875 (plate # 22) 1875 Sold
33.- Lombard Le Borriquero, Espagne (The Donkey Keeper, Spain) by Louis Lombard Louis Lombard (Paris, 1831 - ?) Eaux-Fortes Modernes (plate # 35) 1863 Sold
34.- Mery Abeilles (Bees) by Alfred Emile Mery Alfred Emile Mery 'Alfred Mery' (Paris, 1824 - 1896) Eaux-Fortes Modernes (plate # 216) 1866  
35.- Monzies L' Opinion du Modele (The Opinion of the Model) by Louis Monzies Louis Monzies (Montauban, 1849 - Le Mans) L'Eau-Forte en 1878 (plate # 16) 1878  
36.- Morin Pays Quand Meme (Home all the Same) by Edmond Morin Edmond Morin (au Havre, 1824 - Scaeux, 1882) L'Eau-Forte en 1875 (plate # 33) 1875  
37.- Noterman Les Plaideurs (The Litigants) by Zacharias Noterman Zacharias Noterman (Ghent, 1813 - Paris, 1874) Eaux-Fortes Modernes (plate # 42) 1863  
38.- Prevost Les Remords (Remorse) by Alexandre Prevost Alexandre Celeste Gabriel Prevost 'Alexandre Prevost' (Paris, c. 1830 - 1900) Eaux-Fortes Modernes (plate # 258) 1866  
39.- Queyroy Menhirs de Meneck by Armand Queyroy Armand Queyroy 'Mathurin Louis Armand Queyroy' (Vendome, 1830 - 1893) Eaux-Fortes Modernes (plate # 17) 1862  
40.- Ribot La Carte, Scene Culinaire #8 (The Menu, Culinary Scene #8) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Scenes Culinaires c. 1863-1866  
41.- Ribot Le Dejeuner des Cuisiniers, Scene Culinaire #5 (The Cooks' Lunch, Culinary Scene # 5) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Scenes Culinaires c. 1863-1866  
42.- Ribot Le Mets Brule, Salon de 1863 (The Burnt Meal) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Eaux-Fortes Modernes (plate # 58) 1863  
43.- Ribot Le Recette du Cuisinier (The Cook's Recipe) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) L'Eau-Forte en 1878 (plate # 25) 1877  
44.- Ribot Les Eplucheurs (The Peelers) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Eaux-Fortes Modernes (plate # 25) 1863  
45.- Ribot M. A. Cadart, Fondateur de la Societe des Aqua-Fortistes (Alfred Cadart, Founder of the Society of Etchers) by Theodule Augustin Ribot Theodule-Augustin Ribot 'Theodule Ribot' (Saint-Nicholas-d'Attez, 1823 - Colombes, France, 1891) Eaux-Fortes Modernes (plate # 99) 1864 Sold
46.- Roybet En Retard Pour La Fete (Late for the Fair) by Ferdinand Roybet Ferdinand Roybet (Uzes, 1840 - Paris, 1920) Eaux-Fortes Modernes (plate # 148) 1865 Sold
47.- Roybet Le Repos, 'Fanueses au Repos' (Rest, 'Haymakers Resting') by Ferdinand Roybet Ferdinand Roybet (Uzes, 1840 - Paris, 1920) Eaux-Fortes Modernes (plate # 214) 1866 Sold
48.- Rudaux Il M'aime Un Peu, Beaucoup? (He Loves Me, Loves Me Not?) by Edmond Adolphe Rudaux Edmond Adolphe Rudaux 'Edmond Rudaux' (Verdun, 1840 - Paris, 1914) L'Eau-Forte en 1881 (plate # 4) 1881 Sold
49.- Sege Moulins dans le Pas-de-Calais (Windmills in the Pas-de-Calais) by Alexandre Sege Alexandre Sege (Paris, 1818 - Coubron (Seine-et-Oise), 1885) Eaux-Fortes Modernes (plate #181) 1865  
50.- Smits La Lettre (The Letter) by Eugene Smits Eugene Joseph Henri Smits 'Eugene Smits' (Antwerp, 1826 - Brussels, 1912) Eaux-Fortes Modernes (plate # 232) 1866 Sold
51.- Snell Lillebonne en 1848 by George Snell George Snell (United States, 1820 - 1893) Eaux-Fortes Modernes (plate # 240) 1866  
52.- Taiee Notre St. Ouen d'avant la guerre by Alfred Taiee Alfred Taiee (Paris, 1820 - ?) L'Illustration Nouvelle (plate # 205) 1873  
53.- Taiee Rose Tremiere (Alcea Rosea, Hollyhock) by Alfred Taiee Alfred Taiee (Paris, 1820 - ?) Eaux-Fortes Modernes (plate # 249) 1866  
54.- Ulm Brant Decouvrant le Phosphore (Brandt Discovering Phosphorus) by Emile Ulm Emile Ulm (Rochefort, 1829 - Paris, 1892) Eaux-Fortes Modernes (plate # 137) 1864 Sold
55.- Valentin Un Ouvrier de Sevres (A Worker from Sevres) by Henry Augustin Valentin Henry Augustin Valentin 'Henry Valentin' (Yvetot 'Seine-Inferieure', 1822 - c. 1883) Eaux-Fortes Modernes (plate # 70) 1863  
56.- Vernier Rue Saint-Nicolas, Blois by Emile Louis Vernier Emile Louis Vernier 'Emile Vernier' (Lons-le-Saulnier, (Jura) 1829 - Paris, 1887) Eaux-Fortes Modernes (plate # 32) 1863  
57.- Villevieille En Picardie (In Picardy) by Leon Villevieille Leon Villevieille (Paris, 1826 - 1863) Eaux-Fortes Modernes (plate # 87) 1864 Sold
58.- Von Heyden Juifs Polonais, paysans et mineurs se la Haute-Silesie a l'embarcadere d'une mine (Polish Jews, peasants and miners from Haute-Silesie at the mine pier) by August Von Heyden August Jakob Theodor Von Heyden 'August Von Heyden' (Breslau, 1827 - Berlin, 1897) Eaux-Fortes Modernes (plate # 33) 1863 Sold
59.- Weber Souvenir de Normandie (Souvenir of Normandie) by Otto Weber Otto Weber (Berlin, 1832 - London, 1888) Eaux-Fortes Modernes (plate # 53) 1863 Sold
60.- Weber Un Pardon Breton, pres le Faouet, Morbihan (A Breton Pilgrimage, near Le Faouet, Morbihan) by Otto Weber Otto Weber (Berlin, 1832 - London, 1888) Eaux-Fortes Modernes (plate # 84) 1864  
61.- Zaleski Lecon de Lecture a Orenbourg (A Reading Lesson in Orenburg) by Bronislaw Zaleski Bronislaw Zaleski (Raczkiewicze, Poland, 1819 - Menton, France, 1880) Eaux-Fortes Modernes (plate # 207) 1866  

Selected Directories in our Gallery (Art of The Print / www.artoftheprint.com), with a focus on the area of interest for this original work of art.
Art of the Print / www.artoftheprint.com sells international fine art. Our collection consists of original paintings, watercolors, drawings, and original prints, such as etchings, engravings, lithographs, woodcuts, silk-screens, aquatints, mezzotints, linocuts, monoprints, and other mediums of original art. All of these works of art have been created by prominent and established painters, illustrators, watercolour artists and printmakers from around the world. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. You can view other original artworks similar to the subject under discussion on this page listed in the following art directories.
Century:
Fine 19th Century Artist Index The 'Fine 19th Century Art' directory contains a selection original works of art created by international painters, illustrators and graphic artists. These original works date from 1800 to 1899.
Country:
French Artist Index The 'French artist' directory contains a listing of original works of art created by artists from France and or art with a French theme. The artworks date from the 17th century to the 20th century.
Subject:
Animals in Art Index The 'Animal Art' directory contains a selection of original animal art created by artists throughout the centuries, depicting birds, cats, dogs, horses, cows, sheep, pigs, monkeys, fish and or many other creatures. The artists' depictions range from rare zoological studies to some very humorous animal portrayals.
Landscapes, Seascapes, City & Town Views Art Index This directory contains a selection of original works of art with a focus on landscapes, seascapes, city views, town views and farm views from around the world. These artworks date from the 16th century to the 20th century.


www.artoftheprint.com - Art of The Print Gallery

Customer inquiries: Contact us E-mail Address for www.artoftheprint.com or phone Greg & Connie (905) 957-6666

www.artoftheprint.com - Home | About Us | Artist Index | Gallery | Catalogue | Our Policy | Contact Us | Site Map

© copyrighted by Art of The Print / www.artoftheprint.com / Greg & Connie Peters. All Rights Reserved.