William Byrne James Sparrow and John Smith - Etruscan Gateway at Volterra

Etruscan Gateway at Volterra

An original engraving, Etruscan Gateway at Volterra was engraved by William Byrne and James Sparrow based upon a design creatd by the British artist, John Smith. It is printed on late eighteenth century laid paper and with full margins as published in London by John Emes, William Byrne & John Smith in 1799. "Etruscan Gateway at Volterra" is a fine, original example of the topographical and landscape art of John Smith, William Byrne and James Sparrow.

Etruscan Gateway at Volterra

View other original engravings by William Byrne

William Byrne (London, 1743 - 1805)
#	Image	Title & Artist	Medium	Date	Publisher	-
01-	-	Assisi engraved by William Byrne, designed by John Smith	Original Hand-Colored Engraving	1792	John Emes, William Byrne & John Smith, London	Sold
02.-		Etruscan Gateway at Volterra engraved by William Byrne and Sparrow, designed by John Smith	Original Hand-Colored Engraving	1799	John Emes, William Byrne & John Smith, London	Sold
03-		Lake of Albano engraved by William Byrne, designed by John Smith	Original Hand-Colored Engraving	1796	John Emes, William Byrne & John Smith, London	Sold
04.-		Morning engraved by William Byrne, designed by Jan Both	Original Engraving	1794	Robert Simpson, London	Available
05-	-	Salerno engraved by William Byrne, designed by John Smith	Original Hand-Colored Engraving	1799	John Emes, William Byrne & John Smith, London	Sold
06.-	-	View of the Part of the City of Naples engraved by William Byrne, designed by John Smith	Original Hand-Colored Engraving	1798	John Emes, William Byrne & John Smith, London	Sold

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Title:	Etruscan Gateway at Volterra
Engraver:	Byrne, William (London, 1743 - 1805)
Engraver:	Sparrow, James (British, active, 18th c.)
Designer:	Smith, John (Irthington, Cumberland, 1749 - London, 1831)
Date:	1799
Medium:	Original Hand-Colored Engraving
Publisher:	John Emes, William Byrne & John Smith, London
Note:	William Byrne: One of England's finest landscape engravers of the late eighteenth century, William Byrne studied engraving techniques first under his uncle and then in Paris, under Aliamet and J. G. Wille. During his career, William Byrne was commissioned to engrave topographical and landscape views after such artists as Thomas Hearne, Francis Smith, Richard Wilson and Claude Lorrain. He also collaborated on a number of plates with the great stipple engraver, Francesco Bartolozzi. William Byrne illustrated some fine sets during this time, such as Antiquities of Great Britain and Scenery of Italy. Among his most famous individually published engravings are The Death of Captain Cook, Horse at Play (after Stubbs), The Falls of Niagara, Morning and Evening.
	William Byrne was the father and teacher of Letitia Byrne (1779-1849), John Byrne (1786-1847) and Elizabeth Byrne. All three became prominent early nineteenth century etchers and engravers.
	John Smith: One of England's greatest eighteenth century watercolor artists, John Smith studied under Sawrey Gilpin, at the Royal Academy. In 1786 Smith first accompanied Lord Warwick to Italy, where he lived and worked for more than a decade. For this reason he acquired the nicknames of 'Warwick' Smith and 'Italian' Smith, the names he is commonly referred to to this day.
	In the last decade of the eighteenth century John Smith travelled throughout the length of Italy, sending fine watercolors back to London where they were engraved and hand-colored by such artists as John Landseer, B. T. Pouncy, J. Roffe, James Sparrow and William Byrne. In total over seventy-five engravings were completed during an eight year period, with John Smith also acting as the publisher in this venture. "Etruscan Gateway at Volterra" dates hails from this period.
	These magnificent Italian views established John Smith's reputation as a leading artist. Upon his return to England he served as a leading member of the Old Water-Colour Society, from 1805 to 1823, and became its President in 1816.
Size:	6 1/2 X 8 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Matted with 100% Archival Materials
Condition:	Printed on late eighteenth century laid paper and with full margins as published in London on the above date. Containing slight foxing in the outer margins, else retaining its fine, unfaded hand colouring and in good condition throughout. This beautiful Italian view entitled, "Etruscan Gateway at Volterra" represents a prime example of the art of John Smith, William Byrne, James Sparrow and of eighteenth century English topographical art.
Subject:	William Byrne, James Sparrow, John Smith, Etruscan Gateway at Volterra, 18th century topographical art, 'Italian' Smith, Italian views
Price:	Sold - The price is no longer available.
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William Byrne, James Sparrow & John Smith

Etruscan Gateway at Volterra