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William Hogarth & Louis Gerard Scotin

William Hogarth and Louis Gerard Scotin - Marriage a la Mode Plate 1 Lord Squanderfield's Home Negotiations of matrimony for his Son

Marriage a la Mode: Plate 1 (Lord Squanderfield's Home, Negotiations of matrimony for his Son)

William Hogarth and Louis Gerard Scotin, an original engraving, Marriage a la Mode (Plate 1): The opening scene of Marriage a la Mode takes place in the opulent home of Lord Squanderfield. Suffering from the gout he is seated to the left, under the magisterial canopy. He is engaged in negotiations of matrimony concerning his effeminate son who is seated to the extreme right. The elder Squanderfield is proudly displaying a chart of his family tree (which shows his direct lineage to William of Normandy) to the father of the projected bride, who sits across the table from him. Plainly dressed in the clothes of a merchant he scrutinizes the marriage contract. Between them stands the usurer who is passing to Lord Squanderfield the major element of the 'agreement', which is money.

The reason the Earl is marrying his son to a non titled family is clearly evident through the window. Work on his new mansion has ceased due to lack of funds. The architect patiently waits at the window for a resumption in activities.

The younger Squanderfield is showing no interest in his prospective bride, who sits next to him. He is much more fascinated with his own reflection in the mirror. The bride, dressed much more plainly than the groom, is both discontented and bored. Standing beside her is Councilor Silvertongue, who seems very interested in the bride. Silvertongue will play a major role in the following scenes.

A nice touch is added by the pair of dogs at the young couple's feet. Their manacled state is clearly symbolic of the couple's marriage. On the walls hang portraits of Lord Squanderfield, many of them being ridiculously heroic.

Marriage a la Mode consists of six engravings first published by William Hogarth in 1745. Exploring the dire consequences of an arranged marriage, it examines both the foolish and dangerous natures of the aristocracy and the aspiring merchant class. Hogarth stated that he engraved the heads and faces in each scene. The backgrounds, however, demanded more technical expertise and he thus commissioned three French engravers working in London to complete the series. They are, Louis Gerard Scotin, born 1690 (plates 1 and 6), Bernard Baron, 1696-1762 (plates 2 and 3) and Simon Francis Ravenet, 1706-1774 (plates 4 and 5). Both Baron and Ravenet also assisted Hogarth in some of his other engraved sets.

This original engraving was designed by William Hogarth, engraved Louis Gerard Scotin and published by William Heath in 1822. (Complete Set of Six Original Engravings)

Marriage a la Mode: Plate 1 (Lord Squanderfield's Home, Negotiations of matrimony for his Son) was engraved by William Hogarth and Louis Gerard Scotin. This original engraving is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. It is a fine, original example of the satirical art created by the British artist, William Hogarth. Marriage a la Mode: Plate I; Paulson Catalogue #228, Seventh and Final State from Marriage a la Mode (Complete set of Six Original Engravings).

 
Title: Marriage a la Mode: Plate 1 'The Opulent Home of Lord Squanderfield and the Negotiations of matrimony for his Son' (Complete Set of Six Original Engravings)
Designer: Hogarth, William (London, 1697 - 1764)
Engraver: Scotin, Louis Gerard (born Paris, 1690 - died after 1755)
Date: 1745 (Heath Edition: 1822)
Medium: Original Line Engraving & Etching
Publisher: William Heath, London
Note: William Hogarth: The name of William Hogarth requires little in the way of an introduction. He is the unquestioned father of England's rich tradition of satire and remains one of the most original and lively minds in the entire history of British art. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, The Four Times of the Day and a host of others are crucial to an understanding of eighteenth century art and culture. Yet Hogarth's art stretched beyond his time and his masterful engravings are as relevant to our society as they were to his. This original engraving and etching entitiled, Marriage a la Mode is plate # 1 from William Hogarth's set of six plates.
  Training first as an engraver, Hogarth became an independent illustrator as early as 1720. In his spare time he studied painting techniques, notably under Sir James Thornhill. By 1730 he established himself as a portrait painter. Yet at the same time Hogarth began creating sets of anecdotal pictures which brilliantly satirized society and its activities. The first such set, A Harlot's Progress (1732), gained for Hogarth a strong and lasting national reputation. During the following decades he both painted and engraved individual works and sets of images which forged the cornerstone for English satirical art. Such great masters as Rowlandson, Gillray, Heath and Cruikshank followed in Hogarth's footsteps.
  Louis Gerard Scotin (French, 1690 - ?): A French 18th century artist, Louis Gerard Scotin studied engraving and etching in Paris, under his uncle, Gerard Scotin (Gonesse, 1642 - Paris, 1715). He began his career in Paris and around 1733, Scotin went to London with his brother Gerard Jean Baptiste Scotin II (1698-1755). There, he engraved plates for a translation of Picart's Religious Ceremonies and in 1745, he also engraved the two famous plates for William Hogarth's, Marriage a la Mode. Other works by Louis Gerard Scotin include, Les Plaisirs du Bal after Antoine Watteau, Belisarius Receiving Alms after a drawing in the office of Joseph Goupy (1689-1769) which he created in the late 1730's, a set of engravings entitled, Tho' Love from Beauty, six plates for Tobias Smollett's edition of Cervantes Don Quixote (1755), after Francis Hayman (1708-1776), Adam in Paradice, after Henri Gravelot and John Baptiste Chatelain as well as many other original engravings.
  This original engraving and etching is plate #1 from William Hogarth's set of six engravings entitled, Marriage a la Mode. It depicts the opening scene of Marriage a la Mode and takes place in the opulent home of Lord Squanderfield. Suffering from the gout he is seated to the left, under the magisterial canopy. He is engaged in negotiations of matrimony concerning his effeminate son who is seated to the extreme right. The elder Squanderfield is proudly displaying a chart of his family tree (which shows his direct lineage to William of Normandy) to the father of the projected bride, who sits across the table from him. Plainly dressed in the clothes of a merchant he scrutinizes the marriage contract. Between them stands the usurer who is passing to Lord Squanderfield the major element of the 'agreement', which is money.
Raisonne: Ronald Paulson, Hogarth's Graphic Works, London, Yale University Press, 1965.
  Plate 1; Paulson #228, Seventh and Final State.
  Each engraving is the final state as listed by Paulson.
Source: Heath Edition, London (Marriage-a-La-Mode, Set of Six)
Size: Each engraving size is as listed by Paulson.
Note: (Complete Set of Six Original Engravings)
  Unmatted
Condition: Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. One should take note that Heath was the last publisher to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies of these original graphic works of art. These original impressions contain some slight foxing in the margins. There is no foxing within actual plate mark. Plate I & II contain traces of water staining in the lower left margin about 1 1/2 inches from lower plate mark. Plate I contains a tear on the lower left margin which does not go into the plate. Plate IV also contains a very small tear on the left margin which does not go into the plate mark. Each engraving has been cleaned using archival methods. Else, they are finely printed impressions and in excellent condition throughout.
Price: Sold - The price is no longer available.
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Original Engraving & Etching by William Hogarth and Louis Gerard Scotin

Marriage a La Mode, (Plate 1)
Marriage a La Mode Plate 1 Lord Squanderfield's Home Negotiations of matrimony for his Son Original Engraving and Etching by the British artists William Hogarth and Louis Gerard Scotin
Plate 1, William Hogarth's opening scene of Marriage a la Mode takes place in the opulent home of Lord Squanderfield & the negotiations of matrimony for his son.

View the complete set of six original engravings for William Hogarth's, 'Marriage a La Mode'

# 17.- 'Marriage a La Mode' by William Hogarth (Complete Set of Six Original Engravings)
  Artist Title & Artist Medium Date Notes -
01.-  Marriage a la Mode Plate 1Negotiations of matrimony for Squanderfield's son by William Hogarth and Louis Gerard Scotin Marriage a la Mode, Plate 1: Negotiations of matrimony for Squanderfield's son by William Hogarth and Louis Gerard Scotin. Original Engraving 1745 (Heath Edition: 1822) Paulson, Catalogue #228, Seventh and Final State. Sold
02.- Marriage a la Mode Plate 2 Squanderfield's idleness and dissipated life by William Hogarth and Bernard Baron Marriage a la Mode, Plate 2: Squanderfield's idleness and dissipated life by William Hogarth and Bernard Baron. Original Engraving 1745 (Heath Edition: 1822 Paulson, Catalogue #229, Fifth and Final State. Sold
03.- Marriage a la Mode Plate 3 The depraved entertainments of Squanderfield's life by William Hogarth and Bernard Baron Marriage a la Mode, Plate 3: The depraved entertainments of Squanderfield's life by William Hogarth and Bernard Baron. Original Engraving 1745 (Heath Edition: 1822 Paulson, Catalogue #230, Third and Final State. Sold
04.- Marriage a la Mode Plate 4 The domestic life of Squanderfield's bride by William Hogarth and Simon Francois Ravenet Marriage a la Mode, Plate 4: The domestic life of Squanderfield's bride by William Hogarth and Simon Francois Ravenet. Original Engraving 1745 (Heath Edition: 1822 Paulson, Catalogue #231, Third and Final State. Sold
05.- Marriage a la Mode Plate 5 Squanderfield fights a dying duel by William Hogarth and Simon Francois Ravenet Marriage a la Mode, Plate 5: Squanderfield fights a dying duel by William Hogarth and Simon Francois Ravenet. Original Engraving 1745 (Heath Edition: 1822 Paulson, Catalogue #232, Fifth and Final State. Sold
06.- Marriage a la Mode Plate 6 The Countess takes her life with an overdose of laudanum by William Hogarth and Louis Gerard Scotin Marriage a la Mode, Plate 6: The Countess takes her life with an overdose of laudanum by William Hogarth and Louis Gerard Scotin. Original Engraving 1745 (Heath Edition: 1822 Paulson, Catalogue #233, Third and Final State. Sold

View other original Works of Art by William Hogarth

William Hogarth (London, 1697 - 1764)
# Title & Artist Medium Date -
01.- An Election Entertainment by William Hogarth Complete Set of Four Original Engravings 1755 - 1758 (Heath Ed) Sold
02.- Analysis of Beauty by William Hogarth Complete Set of Two Original Engravings (Plate I & II) 1753 (Heath Ed) Sold
03.- A Midnight Modern Conversation by William Hogarth Original Engraving & Etching 1732 (Heath Ed) Sold
04.- A Rake's Progress by William Hogarth Complete Set of Eight Original Engravings 1735 (Heath Ed) Sold
05.- A Chorus of Singers by William Hogarth Original Engraving & Etching 1732 (Heath Ed) Sold
06.- Battle of the Pictures by William Hogarth Original Engraving & Etching 1743 (Heath Ed) Sold
07.- Boys Peeping at Nature by William Hogarth Original Engraving & Etching 1730 (Heath Ed) Available
08.- Characters & Caricaturas by William Hogarth Original Engraving & Etching 1743 (Heath Ed) Sold
09.- Credulity, Superstition and Fanaticism by William Hogarth Original Engraving & Etching 1762 (Heath Ed) Sold
10.- Four Times of The Day by William Hogarth Complete Set of Four Original Engravings 1738 (Heath Ed) Sold
11.- Four Stages of Cruelty by William Hogarth Complete Set of Four Original Engravings 1750-1751 (Heath Ed) Sold
12.- Frontispiece to Taylor's Perspective by William Woollett & William Hogarth Original Line Engraving 1761 (Heath Ed) Sold
13.- Gin Lane by William Hogarth Original Engraving & Etching 1750-1751 (Heath Ed) Sold
14.- Illustrations for Samuel Butler's 'Hudibras' by William Hogarth Complete Set of Twelve Original Engravings 1725 (Heath Ed) Available
15.- Industry and Idleness by William Hogarth Complete Set of Twelve Original Engravings 1747 (Heath Ed) Sold
16.- John Wilkes Esquire by William Hogarth Original Etching 1763 (Heath Ed) Sold
17.- Marriage a la Mode by William Hogarth Complete Set of Six Original Engravings 1745 (Heath Ed) Sold
18.- Martin Folkes Esqr. by William Hogarth Original Etching & Engraving 1742 (Heath Ed) Available
19.- Moses Brought to Pharaoh's Daughter by William Hogarth Original Engraving & Etching 1752 (Heath Ed) Available
20.- Pit Ticket: The Cockpit by William Hogarth Original Engraving & Etching 1759 (Heath Ed) Available
21.- Satire on False Perspective by Luke Sullivan & William Hogarth Original Etching & Engraving 1754 (Heath Ed) Sold
22.- Scholars at a Lecture by William Hogarth Original Line Engraving & Etching 1736 (Heath Ed) Sold
23.- Shrimps! by Francesco Bartolozzi & William Hogarth Original Stipple Engraving 1782 Sold
24.- Simon Lord Lovat by William Hogarth Original Etching 1746 (Heath Ed) Sold
25.- Southwark Fair by William Hogarth Original Engraving & Etching 1733 (Heath Ed) Sold
26.- Taste in High Life by Samuel Phillips & William Hogarth Original Stipple Engraving 1808 (John Boydell Ed.) Sold
27.- The Company of Undertakers by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
28.- The Distrest Poet by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
29.- The Five Orders of Perriwigs by William Hogarth Original Engraving & Etching 1761 (Heath Ed) Sold
30.- The Invasion: France, Plate I by William Hogarth Complete Set of Two Original Engravings (England & France) 1756 (Heath Ed) Sold
31.- The Invasion: England, Plate II by William Hogarth Complete Set of Two Original Engravings (England & France) 1756 (Heath Ed) Sold
32.- The Laughing Audience by William Hogarth Original Engraving & Etching 1733 (Heath Ed) Sold
33.- The Politician by John Keyse Sherwin & William Hogarth Original Engraving & Etching 1775 (Heath Ed) Sold
34.- The Sleepy Congregation by William Hogarth Original Engraving & Etching 1736 (Heath Ed) Sold
35.- The Times by William Hogarth Complete Set of Two Original Engravings (Plate I & II) 1762 (Heath Ed) Sold
36.- Time Smoking a Picture by William Hogarth Original Engraving 1761 (Heath Ed) Sold
37.- William Hogarth Painting of the Comic Muse by William Hogarth Original Engraving 1764 (Heath Ed) Sold

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