Jules Dupre - Bords de la Somme Picardie

Bords de la Somme 'Picardie' (Banks of the Somme 'Picardy')

Jules Dupre's lithograph, "Bords de la Somme 'Picardie' (Banks of the Somme 'Picardy')" was created by the French artist in 1836. This original impression of "Bords de la Somme 'Picardie'" is printed upon early nineteenth century wove paper and with full margins as published in Paris by "L'Artiste" in 1836. It is signed in the stone to the lower left with Jules Dupre's 'J. D.' monogramme and bearing the publisher's name, "L'Artiste", the artist's name, "Jules Dupre", the title, "Bords de la Somme (Picardie)", & the printer's details, "Lith. de Bernard et Frey." along the upper and lower margins This is a fine, original example of the early 19th century lithographic and landscape art created by the French artist, Jules Dupre.

Bords de la Somme 'Picardie' (Banks of the Somme 'Picardy')

View other original works of art published by "L'Artiste, Paris".

L'Artiste, Paris
#	Image	Title & Artist	Artist Info	Medium	Date	Notes	-
01.-		Avant L'Orage, Paysage (Before the Storm, Landscape) by Francois Jules Collignon	Francois Jules Collignon 'F. J. Collignon' (Paris, c. 1800 - 1850)	Original Lithograph	1844	Signed by Francois Jules Collignon in the stone to the lower left and bearing the publisher's blindstamp and name, "L'Artiste", the text, "Salon de 1844", the artist's name, "F. Jules Collignon pinx. et del.", & the printer's details, "Peequereau imp." along the upper & lower margins.	Sold
02.-		Bords de la Somme, Picardie (Banks of the Somme, Picardy) by Jules Dupre	Jules Dupre (Nantes, 1811 - L'Isle-Adam, 1889)	Original Lithograph	1836	Signed in the stone to the lower left with Jules Dupre's 'J. D.' monogramme and bearing the publisher's name, "L'Artiste", the artist's name, "Jules Dupre", the title, & the printer's details, "Lith. de Bernard et Frey." along the upper & lower margins.	Sold
03.-		Gorges d’Apremont Gorges of Apremont by Hector Martin	Hector Martin (France. c. 1825 -1846)	Original Lithograph	1846	bearing the publisher's name, "L'Artiste", the title, the artist's name, "H. Martin pinx. et lith.", & the printer's details "Imp. Bertauts, Paris" along the upper & lower margins .
04.-		Le Soir dans les Bruyeres (Evening in the Moors) by Charles Joshua Chaplin	Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891)	Original Lithograph	1849	Bearing the publisher's blindstamp and name, "L'Artiste", the text, "Salon 1849", the title, the artist's name, "Ch. Chaplin pinx", & the printer's details, "Imp. Bertauts, Paris" along the upper & lower margins.
05.-		Les Femmes Artistes, Madame E. de B. (Women Artists, Mrs. E. de B., wife of Charles Edouard de Beaumont) by Paul Gavarni	Gavarni, 'Hippolyte Guillaume Suplice Chavalier', 'Paul Gavarni' (Paris, 1804 - Auteuil, 1866)	Original Lithograph	1856	Bearing the full publisher's name, "L'Artiste", the title, the artist's name, "Gavarni", & the printer's details, "Imp. Bertauts, r. Cadet, II" along the upper & lower margins.
06.-		Metairie Bourbonnaise (Small Farm, Bourbonnaise) by Hector Martin	Hector Martin (France. c. 1825 -1846)	Original Lithograph	1848	Bearing the publisher's name, "L'Artiste", the title, the artist's name, "Hector Martin", & the printer's details "Imp. Bertauts, Paris" along the upper & lower margins.
07.-		Nymphe bocagere (Woodland Nymph) by Charles Joshua Chaplin designed by Philippe Auguste Jean	Charles Joshua Chaplin (Les Andelys, Eure, France, 1825 - Paris, 1891) designed by Philippe Auguste Jeanron (Boulogne, 1808 - Paris, 1877)	Original Lithograph	1851	Bearing the publisher's name, "L'Artiste", the title, the artists' names, "Chaplin d'apres Jeanron", & the printer's details, "Imp. Bertauts, Paris" along the upper & lower margin.
08.-		Pecheur Champenois (Fisherman of Champagne) by Hector Martin	Hector Martin (France. c. 1825 -1846)	Original Lithograph	1848	bearing the publisher's name, "L'Artiste" in the upper margin and the title, the artist's name, "Hector Martin", & the printer's details "Imp. Bertauts, r. st. Marc 14" along the lower margin.
09.-		Soir d'Automne (Autumn Evening) by Auguste Delatre	Auguste Delatre (Paris, 1822 - 1907)	Original Etching and Drypoint with Plate Tone	1859	Signed and dated in the plate by Auguste Delatre and bearing the artist's name, "Aug. Delatre pinx. et sc", title, & the printer's details "Imp. Aug. Delatre"in the lower margin.	Sold
10.-		Souvenir de Hollande (Remembrance of Holland) by Theodore Valerio	Theodore Valerio (Herserange, France, 1819 - Vichy, 1879)	Original Lithograph	1844	Signed and dated in the stone by Theodore Valerio to the lower right and bearing the publisher's name, "L'Artiste", the title, the artist's name, "Valerio pinx. et lith.", & the printer's details, "Imprime par Auguste Bry a Paris" along the lower margin.
11.-		Zingari, Lombardie Venitienne (Gypsies, Lombardy-Venetia) by Armand Leleux	Armand Hubert Simon Leleux 'Armand Leleux' (Paris, 1818 - 1885)	Original Lithograph	1845	Bearing the publisher's name, "L'Artiste", the text, "Salon de 1845", the title, the artist's name, "Armand Leleux pinx.", & the printer's details, "Imp. Bertauts" along the upper and lower margins.

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Title:	Bords de la Somme 'Picardie' (Banks of the Somme 'Picardy')
Artist:	Dupre, Jules (Nantes, 1811 - L'Isle-Adam, 1889)
Date:	1836
Medium:	Original Lithograph
Publisher:	L'Artiste, Paris
Printer:	Benard et Frey
Source:	L'Artiste, Paris (1re Serie, Tome XII)
Note:	Jules Dupre: The first great movement of French landscape art originated in the forests of Barbizon. Its leading artists were Corot, Millet, Rousseau, Daubigny and Jules Dupre. Their landscape paintings and prints directly influenced the following generation of Impressionist artists.
	Almost entirely self-taught, Jules Dupre came to Paris at the age of twenty. His first exhibited paintings were shown at the Paris Salon in 1831 and he continued to exhibit there and at other major expositions throughout the course of his career. His landscape and seascape compositions were very influential and among his chief admirers was Eugene Delacroix. Jules Dupre was also responsible for introducing the English landscape art of John Constable into French circles. As well, he befriended and promoted Theodore Rousseau and his art. These two great landscape painters, in fact, shared a studio for many years.
	Regrettably, Jules Dupre's graphic oeuvre is not large. He created only ten original lithographs, most for the Paris publisher, L'Artiste, in the mid 1830's. All are landscape views. Bords de la Somme 'Picardie' (Banks of the Somme 'Picardy') is surely one of Jules Dupre's early masterpieces. Its tone, texture and atmospheric effects all indicate the hand of a great nineteenth century landscape artist.
	Bords de la Somme 'Picardie' (Banks of the Somme 'Picardy'): This original lithograph was commissioned in 1836 for L'Artiste, Revue de Paris, France's foremost nineteenth century publisher of artistic lithographs, etchings, & engravings since its inception in 1831. This impression bears the publisher's name "L'Artiste" name in the upper margin, the title, “Bords de la Somme (Picardie), the artist's name, "Jules Dupre.", & the printer's details, "Lith. de Bernard et Frey" along the lower margin as published by L’Artiste, Journal de la Litterature et des Beaux-Arts, 1re Serie, Tome XII, A Paris Rue de Seine-Saint-Germaine,39, 1836. The Biblioteque Nationale de France contains an impression of this original lithograph in its permanent collection, Ref # 1836 (SER1, T12).
	L'Artiste, Paris (1831 - 1904): The Paris art journal, L'Artiste was one of the most-long lasting literary reviews encompassing the visual arts, literature, and music. It is considered by many a most important historical record of French art of the nineteenth century. Founded and directed by Achille Ricourt, this art journal published its first issue in February of 1831, under the title of, "L'Artiste. Journal de la Litterature et des Beaux-Arts" at the address, Rue de Seine-Saint-Germain, 39. Its first vignette, created by Tony Johannot depicted a painter, a sculptor, a writer and a musician accompanied by two women singing. During its long publishing history, the journal was edited by Achille Ricourt (founder/director), Arsene Houssaye (first editor in chief), a post that was also held by, Edouard Houssaye, Auguste de Vaucelle, Theophile Gautier, and others. Each volume consisted of reproductive and most importantly, original prints in the medium of lithography, etching, engraving, and other graphic mediums created by contemporary French artists such as, Paul Delaroche, Tony Johannot, Celestin-Francois Nanteuil, Francois Jules Collignon, Jules Dupre, Hector Martin, Charles Joshua Chaplin, Paul Gavarni, Auguste Delatre, Armand Hubert Simon Leleux, Charles Francois Daubigny, E. Delacroix, Theodore Valerio and many other important artists of the times. "Bords de la Somme 'Picardie'" by Jules Dupre is a striking example of the lithographic art commissioned by L'Artiste in 1836. L'Artiste published art reviews and literary works by art critics and writers such as, Pierre Jules Theophile Gautier, Charles Baudelaire, Honore de Balzac, A. Houssaye, A. Dumas, and others. L'Artiste later absorbed the "Revue de Paris", another important French literary magazine founded by Louis Desire Vernon in 1829. By the time of its demise in 1904, L'Artiste had published a total of seventy two issues.
Raisonne:	Michel Melot, Graphic Art of the Pre-Impressionists, New York, Abrams, 1981, pp. 284 & 285. Catalogue #DU 6. First State of Two as published in L'Artiste in 1836. (Melot relates that a second state was later published for 'Souvenirs d'Artistes'. In this later state the title, "L'Artiste", was removed and the printer's name to the lower right was changed to, "Imp. Bertauts, Paris."
Size:	6 1/2 X 8 1/4 (Sizes in inches are approximate, height preceding width of plate-mark or image.)
	Framed and Matted with 100% Archival Materials
	View larger Framed Image

Condition:	Printed upon early nineteenth century wove paper and with full margins as published in Paris by L'Artiste in 1836. Signed in the stone to the lower left with Jules Dupre's 'J. D.' monogramme and bearing the publisher's name "L'Artiste", the artist's name, "Jules Dupre", the title, "Bords de la Somme (Picardie)", & the printer's details, "Lith. de Bernard et Frey." along the upper and lower margins Containing very faint foxing in the outer margins, else a finely printed impression and in excellent condition throughout. Bords de la Somme 'Picardie' (Banks of the Somme 'Picardy') stands as a prime, original example of the famous landscape art of Jules Dupre.
Price:	Sold - The price is no longer available.
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